Convergence Culture Reconsidered
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Description
Contents
Reviews
Language
English
ISBN
978-3-86395-217-4
Titelei
Table of Contents
Foreword
Introduction
Reconsidering Convergence Culture and Its Consequences for Literary Studies: Claudia Georgi
Forms of Convergence
Mediating Meaning in Botticelli’s Primavera: Gorčin Dizdar
The Enemy of Environmentalism: Struggles with Divergent Convergence: Robert M.W. Brown
Performing Identities and Convergent Aesthetics in Contemporary Estonian Video Art: Inga Untiks
Translation and Convergence Culture: German Renderings of Uncle Tom’s Cabin: Annika Rosbach
Participation and Fandom
‘Scribner’s Illustrated New Orleans’: Convergence Culture and Periodical Culture in Late 19th-Century America: Florian Freitag
Expanding Worlds: Neo-Victorianism, Fan Fiction, and the Death of the Author: Jan-Erik Ella
Aspects of Victorian Serial Publication in Neo-Victorian Fiction: The Glass Books of the Dream Eaters and The League of Extraordinary Gentlemen: Sabina Fazli
“When in Rome …” – Convergence Culture in Science Fiction Fandom: Stephanie Kader
Transmediality
Reconsidering Transmedia(l) Worlds: Nicole Gabriel, Bogna Kazur, and Kai Matuszkiewicz
Can Man with a Movie Camera Shoot Enemy Zero? Convergence and Transcoding in Michael Nyman’s Musical Scores: Andrea C. Valente
Converging Media and Modes: Digital Textuality and the Dissolution of Media Borders in Steven Hall’s The Raw Shark Texts: Lai-Tze Fan
Biographical Notes
Backcover
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