Die synchronisierte Stadt
Peter Payer
Die synchronisierte Stadt
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The work at hand explores the successive chronometrisation of public space using the example of Viennas public clocks from the middle of the 19th century until today.The need for knowing the exact time steadily increased since the middle of the 19th century. As two centuries ago the clocks had only hour hands, the minute hands soon became essential. Industrialisation, urbanisation, but primarily the rapid development of the railroading promoted the trend towards the modern time management of the society. Schedules demanded a higher precision of time specification; circulations of goods and persons had to be adjusted to each other; professional and private activities became standardised, tacted and adjusted to the abstract rhythm of the clocks. The knowledge about the social and economic value of time became a central criterion for the level of western civilisation.Especially the members of the middle-class got more and more used to a chronometer. It was a high goodness for them to use their time as efficient as possible. Pocket watches and wrist watches became familiar and also the number of public clocks continously increased. Especially the more and more complex organised cities became pioneers in the sphere of public timepiece.The work at hand explores, for the first time in the German-speaking historical research, the successive chronometrisation of public space using the example of Vienna from the middle of the 19th century until today. On the one hand it deals with the “exterior chronometrisation“, that is the visible aggregation of the infrastructure of time and the construction of different kinds of clocks. Spatial, architectural and design related aspects were argued, contexts of technical history as the search for the ideal drive system and of the political and representative functions of public clocks were discussed. On the other hand it deals with the “interior chronometrisation“ which means social, psychological and cultural aspects of the perception of time and their contextualisation in phenomena of scaling and standardisation on a local basis to a world scale.The actual trend of visualising public time to the split second marks the (temporary) end of the development which shows the speedup of all areas of life in a visible and sensible way.

Das vorliegende Werk beleuchtet das vielschichtige Wechselverhältnis von Stadt und Zeit. Ursachen und Auswirkungen der urbanen „Chronometrisierung“ werden am Beispiel der öffentlichen Uhren Wiens von der Mitte des 19. Jahrhunderts bis heute dargestellt.

Language
German
ISBN
978-3-902868-53-4
Umschlagsseite 1
Schmutztitel
Widmung
Inhaltsverzeichnis
VORWORT
EINLEITUNG
FRÜHE ZEIT-ZENTREN
Turm- und Fassadenuhren
Pavillon- und Reklameuhren
Ständeruhren
Würfeluhren I
Wetterhäuschenuhren I
Kunstuhren, Designuhren, Sonnenuhren
ZEIT-DEBATTEN
Normalzeit
Mittagszeichen
Elektrifizierung undZentraluhrensteuerung
ZEIT IM KRIEG
POLITISIERTE ZEIT
Vorwärts-Gebäude und Amalienbad
Gemeinde- und Siedlungsbauten
Würfeluhren II
Neue Kirchenuhren
ZEIT-KRITIK
ERNEUERTE ZEIT
Würfeluhren III
Wetterhäuschenuhren II
Uhrtürme und Spezialuhren
Springziffernuhren
Neue Bahnhofsuhren
TREND DER ZEIT
Anmerkungen
ANHANG
Verzeichnis deröffentlichen Uhren in Wien
Quellen und Literatur
Bildnachweis
ZEIT-BILDER
Impressum
Umschlagsseite 4
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