On the Old Road, Vol. 2 (of 2) A Collection of Miscellaneous Essays and Articles on Art and Literature
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On the Old Road, Vol. 2 (of 2) A Collection of Miscellaneous Essays and Articles on Art and Literature

By John Ruskin
Free
Book Description

Table of Contents
  • THE COMPLETE WORKS
    • OF
    • JOHN RUSKIN
    • ON THE OLD ROAD
      • A COLLECTION OF MISCELLANEOUS ESSAYS AND ARTICLES ON ART AND LITERATURE.
    • A COLLECTION OF MISCELLANEOUS ESSAYS AND ARTICLES ON ART AND LITERATURE.
    • Volumes I-II
  • Vol. II.
    • CONTENTS OF VOL. II.
    • PICTURE GALLERIES:
      • THEIR FUNCTIONS AND FORMATION.
        • A. PARLIAMENTARY EVIDENCE. NATIONAL GALLERY SITE COMMISSION 1857. SELECT COMMITTEE ON PUBLIC INSTITUTIONS 1860. THE ROYAL ACADEMY COMMISSION 1863. B. LETTERS ON A MUSEUM OR PICTURE GALLERY. (Art Journal, June and August, 1880.)
      • A. PARLIAMENTARY EVIDENCE. NATIONAL GALLERY SITE COMMISSION 1857. SELECT COMMITTEE ON PUBLIC INSTITUTIONS 1860. THE ROYAL ACADEMY COMMISSION 1863. B. LETTERS ON A MUSEUM OR PICTURE GALLERY. (Art Journal, June and August, 1880.)
    • THEIR FUNCTIONS AND FORMATION.
      • A. PARLIAMENTARY EVIDENCE. NATIONAL GALLERY SITE COMMISSION 1857. SELECT COMMITTEE ON PUBLIC INSTITUTIONS 1860. THE ROYAL ACADEMY COMMISSION 1863. B. LETTERS ON A MUSEUM OR PICTURE GALLERY. (Art Journal, June and August, 1880.)
    • A. PARLIAMENTARY EVIDENCE. NATIONAL GALLERY SITE COMMISSION 1857. SELECT COMMITTEE ON PUBLIC INSTITUTIONS 1860. THE ROYAL ACADEMY COMMISSION 1863. B. LETTERS ON A MUSEUM OR PICTURE GALLERY. (Art Journal, June and August, 1880.)
    • PICTURE GALLERIES—THEIR FUNCTIONS AND FORMATION.
      • THE NATIONAL GALLERY SITE COMMISSION.[1]
        • Evidence of John Ruskin, Monday, April 6, 1857.
      • Evidence of John Ruskin, Monday, April 6, 1857.
      • FOOTNOTES:
    • THE NATIONAL GALLERY SITE COMMISSION.[1]
      • Evidence of John Ruskin, Monday, April 6, 1857.
    • Evidence of John Ruskin, Monday, April 6, 1857.
    • FOOTNOTES:
    • PICTURE GALLERIES—THEIR FUNCTIONS AND FORMATION.
      • SELECT COMMITTEE ON PUBLIC INSTITUTIONS.[2]
        • Evidence of John Ruskin, Tuesday, March 20, 1860.
      • Evidence of John Ruskin, Tuesday, March 20, 1860.
      • FOOTNOTES:
    • SELECT COMMITTEE ON PUBLIC INSTITUTIONS.[2]
      • Evidence of John Ruskin, Tuesday, March 20, 1860.
    • Evidence of John Ruskin, Tuesday, March 20, 1860.
    • FOOTNOTES:
    • PICTURE GALLERIES—THEIR FUNCTIONS AND FORMATION.
      • THE ROYAL ACADEMY COMMISSION.[3]
        • Evidence of John Ruskin, Monday, June 8th, 1863.
      • Evidence of John Ruskin, Monday, June 8th, 1863.
      • FOOTNOTES:
    • THE ROYAL ACADEMY COMMISSION.[3]
      • Evidence of John Ruskin, Monday, June 8th, 1863.
    • Evidence of John Ruskin, Monday, June 8th, 1863.
    • FOOTNOTES:
    • A MUSEUM OR PICTURE GALLERY:
      • ITS FUNCTIONS AND ITS FORMATION.[4]
      • FOOTNOTES:
    • ITS FUNCTIONS AND ITS FORMATION.[4]
    • FOOTNOTES:
    • MINOR WRITINGS UPON ART.
      • THE CAVALLI MONUMENTS, VERONA. 1872. VERONA AND ITS RIVERS (WITH CATALOGUE). 1870. CHRISTIAN ART AND SYMBOLISM. 1872. ART SCHOOLS OF MEDIÆVAL CHRISTENDOM. 1876. THE EXTENSION OF RAILWAYS. 1876. THE STUDY OF BEAUTY. 1883.
    • THE CAVALLI MONUMENTS, VERONA. 1872. VERONA AND ITS RIVERS (WITH CATALOGUE). 1870. CHRISTIAN ART AND SYMBOLISM. 1872. ART SCHOOLS OF MEDIÆVAL CHRISTENDOM. 1876. THE EXTENSION OF RAILWAYS. 1876. THE STUDY OF BEAUTY. 1883.
    • THE CAVALLI MONUMENTS IN THE CHURCH OF ST. ANASTASIA, VERONA.[9]
      • Founds Venetian family.
      • FOOTNOTES:
    • Founds Venetian family.
    • FOOTNOTES:
    • VERONA AND ITS RIVERS.[12]
      • FOOTNOTES:
    • FOOTNOTES:
    • CATALOGUE.
      • SECTION I. Nos. 1 to 7. LOMBARD.
        • SECTION II. Nos. 8 to 38. GOTHIC.
        • SECTION III. Time of "THE MASTERS."
      • SECTION II. Nos. 8 to 38. GOTHIC.
      • SECTION III. Time of "THE MASTERS."
    • SECTION I. Nos. 1 to 7. LOMBARD.
      • SECTION II. Nos. 8 to 38. GOTHIC.
      • SECTION III. Time of "THE MASTERS."
    • SECTION II. Nos. 8 to 38. GOTHIC.
    • SECTION III. Time of "THE MASTERS."
    • CHRISTIAN ART AND SYMBOLISM.[15]
      • A PREFACE.
      • FOOTNOTES:
    • A PREFACE.
    • FOOTNOTES:
    • ART SCHOOLS OF MEDIÆVAL CHRISTENDOM.[17]
      • A PREFACE.
      • FOOTNOTES:
    • A PREFACE.
    • FOOTNOTES:
    • THE EXTENSION OF RAILWAYS IN THE LAKE DISTRICT.[19]
      • A PROTEST.
      • FOOTNOTES:
    • A PROTEST.
    • FOOTNOTES:
    • THE STUDY OF BEAUTY AND ART IN LARGE TOWNS.[21]
      • FOOTNOTES:
    • FOOTNOTES:
    • NOTES ON NATURAL SCIENCE.
      • THE COLOR OF THE RHINE. 1834. THE STRATA OF MONT BLANC. 1834. THE INDURATION OF SANDSTONE. 1836. THE TEMPERATURE OF SPRING AND RIVER WATER. 1836. METEOROLOGY. 1839.
        • TREE TWIGS. 1861. STRATIFIED ALPS OF SAVOY. 1863.
      • TREE TWIGS. 1861. STRATIFIED ALPS OF SAVOY. 1863.
    • THE COLOR OF THE RHINE. 1834. THE STRATA OF MONT BLANC. 1834. THE INDURATION OF SANDSTONE. 1836. THE TEMPERATURE OF SPRING AND RIVER WATER. 1836. METEOROLOGY. 1839.
      • TREE TWIGS. 1861. STRATIFIED ALPS OF SAVOY. 1863.
    • TREE TWIGS. 1861. STRATIFIED ALPS OF SAVOY. 1863.
    • INQUIRIES ON THE CAUSES OF THE COLOR OF THE WATER OF THE RHINE.[24]
      • FOOTNOTES:
    • FOOTNOTES:
    • FACTS AND CONSIDERATIONS ON THE STRATA OF MONT BLANC, AND ON SOME INSTANCES OF TWISTED STRATA OBSERVABLE IN SWITZERLAND.[27]
      • FOOTNOTES:
    • FOOTNOTES:
    • OBSERVATIONS ON THE CAUSES WHICH OCCASION THE VARIATION OF TEMPERATURE BETWEEN SPRING AND RIVER WATER.—By J. R.[31]
      • FOOTNOTES:
    • FOOTNOTES:
    • METEOROLOGY.[33]
      • FOOTNOTES:
    • FOOTNOTES:
    • ON TREE TWIGS.[34]
      • FOOTNOTES:
    • FOOTNOTES:
    • ON THE FORMS OF THE STRATIFIED ALPS OF SAVOY.[35]
      • FOOTNOTES:
    • FOOTNOTES:
    • THE RANGE OF INTELLECTUAL CONCEPTION PROPORTIONED TO THE RANK IN ANIMATED LIFE.[36]
      • A THEOREM.
      • FOOTNOTES:
    • A THEOREM.
    • FOOTNOTES:
    • LITERATURE.
      • FICTION—FAIR AND FOUL.
        • (Nineteenth Century, June, August, Sept., Nov. 1880, and Oct. 1881.)
      • (Nineteenth Century, June, August, Sept., Nov. 1880, and Oct. 1881.)
      • FAIRY STORIES.
        • (Preface to "German Popular Stories," 1868.)
      • (Preface to "German Popular Stories," 1868.)
    • FICTION—FAIR AND FOUL.
      • (Nineteenth Century, June, August, Sept., Nov. 1880, and Oct. 1881.)
    • (Nineteenth Century, June, August, Sept., Nov. 1880, and Oct. 1881.)
    • FAIRY STORIES.
      • (Preface to "German Popular Stories," 1868.)
    • (Preface to "German Popular Stories," 1868.)
    • FICTION, FAIR AND FOUL.
      • FOOTNOTES:
    • FOOTNOTES:
    • FICTION, FAIR AND FOUL.[62]
      • II.
      • FOOTNOTES:
    • II.
    • FOOTNOTES:
    • FICTION, FAIR AND FOUL.
      • III.[73]
        • [Byron]
      • [Byron]
      • FOOTNOTES:
    • III.[73]
      • [Byron]
    • [Byron]
    • FOOTNOTES:
    • FICTION, FAIR AND FOUL.
      • IV.[88]
        • Postscript.
      • Postscript.
      • FOOTNOTES:
    • IV.[88]
      • Postscript.
    • Postscript.
    • FOOTNOTES:
    • FICTION, FAIR AND FOUL.
      • V.[98]
        • THE TWO SERVANTS.
      • THE TWO SERVANTS.
      • FOOTNOTES:
    • V.[98]
      • THE TWO SERVANTS.
    • THE TWO SERVANTS.
    • FOOTNOTES:
    • FAIRY STORIES.[110]
      • FOOTNOTES:
    • FOOTNOTES:
    • ECONOMY.
      • HOME, AND ITS ECONOMIES.
        • (Contemporary Review, May 1873.)
      • (Contemporary Review, May 1873.)
      • USURY. A REPLY AND A REJOINDER.
        • (Contemporary Review, February 1880.)
      • (Contemporary Review, February 1880.)
      • USURY. A PREFACE.
        • (Pamphlet, 1885.)
      • (Pamphlet, 1885.)
    • HOME, AND ITS ECONOMIES.
      • (Contemporary Review, May 1873.)
    • (Contemporary Review, May 1873.)
    • USURY. A REPLY AND A REJOINDER.
      • (Contemporary Review, February 1880.)
    • (Contemporary Review, February 1880.)
    • USURY. A PREFACE.
      • (Pamphlet, 1885.)
    • (Pamphlet, 1885.)
    • HOME, AND ITS ECONOMIES.[111]
      • FOOTNOTES:
    • FOOTNOTES:
    • USURY.[124]
      • A REPLY AND A REJOINDER.
      • FOOTNOTES:
    • A REPLY AND A REJOINDER.
    • FOOTNOTES:
    • USURY.[132]
      • A PREFACE.
      • FOOTNOTES:
    • A PREFACE.
    • FOOTNOTES:
    • THEOLOGY.
      • NOTES ON THE CONSTRUCTION OF SHEEPFOLDS.
        • (Pamphlet, 1851.)
      • (Pamphlet, 1851.)
      • THE LORD'S PRAYER AND THE CHURCH.
        • (Letters and Epilogue, 1879-1881.)
      • (Letters and Epilogue, 1879-1881.)
      • THE NATURE AND AUTHORITY OF MIRACLE.
        • (Contemporary Review, March 1873.)
      • (Contemporary Review, March 1873.)
    • NOTES ON THE CONSTRUCTION OF SHEEPFOLDS.
      • (Pamphlet, 1851.)
    • (Pamphlet, 1851.)
    • THE LORD'S PRAYER AND THE CHURCH.
      • (Letters and Epilogue, 1879-1881.)
    • (Letters and Epilogue, 1879-1881.)
    • THE NATURE AND AUTHORITY OF MIRACLE.
      • (Contemporary Review, March 1873.)
    • (Contemporary Review, March 1873.)
    • NOTES ON THE CONSTRUCTION OF SHEEPFOLDS.[137]
      • PREFACE (CALLED "ADVERTISEMENT") TO THE FIRST EDITION.
      • PREFACE TO THE SECOND (1851) EDITION.
      • PREFACE TO THIRD (CALLED SECOND) EDITION.
      • FOOTNOTES:
    • PREFACE (CALLED "ADVERTISEMENT") TO THE FIRST EDITION.
    • PREFACE TO THE SECOND (1851) EDITION.
    • PREFACE TO THIRD (CALLED SECOND) EDITION.
    • FOOTNOTES:
    • NOTES,
      • ETC., ETC.
      • FOOTNOTES:
    • ETC., ETC.
    • FOOTNOTES:
    • THE LORD'S PRAYER AND THE CHURCH.[153]
      • LETTERS.
      • I.[154]
      • II.
      • III.
      • IV.
      • V.
      • VI.
      • VII
      • VIII.
      • IX.
      • X.
      • XI.
      • FOOTNOTES:
    • LETTERS.
    • I.[154]
    • II.
    • III.
    • IV.
    • V.
    • VI.
    • VII
    • VIII.
    • IX.
    • X.
    • XI.
    • FOOTNOTES:
    • EPILOGUE.
      • FOOTNOTES:
    • FOOTNOTES:
    • THE NATURE AND AUTHORITY OF MIRACLE.[174]
      • FOOTNOTES:
    • FOOTNOTES:
    • AN OXFORD LECTURE.
      • (Nineteenth Century, January 1878.)
    • (Nineteenth Century, January 1878.)
    • AN OXFORD LECTURE.[178]
      • FOOTNOTES:
    • FOOTNOTES:
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