Library of the World's Best Literature, Ancient and Modern, Vol. 13
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Library of the World's Best Literature, Ancient and Modern, Vol. 13

By Various
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Table of Contents
  • LIBRARY OF THE
  • WORLD'S BEST LITERATURE
    • ANCIENT AND MODERN CHARLES DUDLEY WARNER
      • HAMILTON WRIGHT MABIE LUCIA GILBERT RUNKLE GEORGE HENRY WARNER
        • Connoisseur Edition Vol. XIII.
        • NEW YORK THE INTERNATIONAL SOCIETY
      • Connoisseur Edition Vol. XIII.
      • NEW YORK THE INTERNATIONAL SOCIETY
      • Connoisseur Edition
    • HAMILTON WRIGHT MABIE LUCIA GILBERT RUNKLE GEORGE HENRY WARNER
      • Connoisseur Edition Vol. XIII.
      • NEW YORK THE INTERNATIONAL SOCIETY
    • Connoisseur Edition Vol. XIII.
    • NEW YORK THE INTERNATIONAL SOCIETY
    • Connoisseur Edition
    • THE ADVISORY COUNCIL
    • TABLE OF CONTENTS
      • VOL. XIII
    • VOL. XIII
    • FULL-PAGE ILLUSTRATIONS
      • VOLUME XIII
      • VIGNETTE PORTRAITS
    • VOLUME XIII
    • VIGNETTE PORTRAITS
    • TORU DUTT
      • (1856-1877)
      • JOGADHYA UMA
      • OUR CASUARINA-TREE
    • (1856-1877)
    • JOGADHYA UMA
    • OUR CASUARINA-TREE
    • JOHN S. DWIGHT
      • (1813-1893)
      • MUSIC AS A MEANS OF CULTURE
        • From the Atlantic Monthly, 1870, by permission of Houghton, Mifflin and Company
      • From the Atlantic Monthly, 1870, by permission of Houghton, Mifflin and Company
    • (1813-1893)
    • MUSIC AS A MEANS OF CULTURE
      • From the Atlantic Monthly, 1870, by permission of Houghton, Mifflin and Company
    • From the Atlantic Monthly, 1870, by permission of Houghton, Mifflin and Company
    • GEORG MORITZ EBERS
      • (1837-)
      • THE ARRIVAL AT BABYLON
        • From 'An Egyptian Princess'
      • From 'An Egyptian Princess'
    • (1837-)
    • THE ARRIVAL AT BABYLON
      • From 'An Egyptian Princess'
    • From 'An Egyptian Princess'
    • JOSÉ ECHEGARAY
      • (1832-)
      • FROM 'MADMAN OR SAINT?'
      • FROM 'THE GREAT GALEOTO'
    • (1832-)
    • FROM 'MADMAN OR SAINT?'
    • FROM 'THE GREAT GALEOTO'
    • THE EDDAS
      • (ICELANDIC; NINTH TO THIRTEENTH CENTURIES)
      • FROM THE 'SNORRA EDDA'
      • Thor's Adventures on his Journey to the Land of the Giants
        • From 'Northern Antiquities': Bohn's Library (London), 1878
      • From 'Northern Antiquities': Bohn's Library (London), 1878
      • THE LAY OF THRYM
        • From the 'Elder Edda'
      • From the 'Elder Edda'
      • OF THE LAMENTATION OF GUDRUN OVER SIGURD DEAD
      • First Lay of Gudrun
      • THE WAKING OF BRUNHILDE ON THE HINDFELL BY SIGURD
        • From 'The Story of Sigurd the Völsung,' by William Morris
      • From 'The Story of Sigurd the Völsung,' by William Morris
    • (ICELANDIC; NINTH TO THIRTEENTH CENTURIES)
    • FROM THE 'SNORRA EDDA'
    • Thor's Adventures on his Journey to the Land of the Giants
      • From 'Northern Antiquities': Bohn's Library (London), 1878
    • From 'Northern Antiquities': Bohn's Library (London), 1878
    • THE LAY OF THRYM
      • From the 'Elder Edda'
    • From the 'Elder Edda'
    • OF THE LAMENTATION OF GUDRUN OVER SIGURD DEAD
    • First Lay of Gudrun
    • THE WAKING OF BRUNHILDE ON THE HINDFELL BY SIGURD
      • From 'The Story of Sigurd the Völsung,' by William Morris
    • From 'The Story of Sigurd the Völsung,' by William Morris
    • ALFRED EDERSHEIM
      • (1825-1889)
      • THE WASHING OF HANDS
        • From 'The Life and Times of Jesus the Messiah'
      • From 'The Life and Times of Jesus the Messiah'
    • (1825-1889)
    • THE WASHING OF HANDS
      • From 'The Life and Times of Jesus the Messiah'
    • From 'The Life and Times of Jesus the Messiah'
    • MARIA EDGEWORTH
      • (1767-1849)
      • SIR CONDY'S WAKE
        • From 'Castle Rackrent'
      • From 'Castle Rackrent'
      • SIR MURTAGH RACKRENT AND HIS LADY
        • From 'Castle Rackrent'
      • From 'Castle Rackrent'
    • (1767-1849)
    • SIR CONDY'S WAKE
      • From 'Castle Rackrent'
    • From 'Castle Rackrent'
    • SIR MURTAGH RACKRENT AND HIS LADY
      • From 'Castle Rackrent'
    • From 'Castle Rackrent'
    • ANNE CHARLOTTE LEFFLER EDGREN
      • (1849-1892)
      • OPEN SESAME
      • A BALL IN HIGH LIFE
        • From 'A Rescuing Angel'
      • From 'A Rescuing Angel'
    • (1849-1892)
    • OPEN SESAME
    • A BALL IN HIGH LIFE
      • From 'A Rescuing Angel'
    • From 'A Rescuing Angel'
    • JONATHAN EDWARDS
      • (1703-1758)
      • FROM NARRATIVE OF HIS RELIGIOUS HISTORY
        • RESOLUTIONS
      • RESOLUTIONS
      • WRITTEN ON A BLANK LEAF IN 1723
      • THE IDEA OF NOTHING
        • From 'Of Being'
      • From 'Of Being'
      • THE NOTION OF ACTION AND AGENCY ENTERTAINED BY MR. CHUBB AND OTHERS
        • From the 'Inquiry into the Freedom of the Will,' Part iv., § 2
      • From the 'Inquiry into the Freedom of the Will,' Part iv., § 2
      • EXCELLENCY OF CHRIST
      • THE ESSENCE OF TRUE VIRTUE
        • From 'The Nature of True Virtue,' Chapters i, ii
      • From 'The Nature of True Virtue,' Chapters i, ii
    • (1703-1758)
    • FROM NARRATIVE OF HIS RELIGIOUS HISTORY
      • RESOLUTIONS
    • RESOLUTIONS
    • WRITTEN ON A BLANK LEAF IN 1723
    • THE IDEA OF NOTHING
      • From 'Of Being'
    • From 'Of Being'
    • THE NOTION OF ACTION AND AGENCY ENTERTAINED BY MR. CHUBB AND OTHERS
      • From the 'Inquiry into the Freedom of the Will,' Part iv., § 2
    • From the 'Inquiry into the Freedom of the Will,' Part iv., § 2
    • EXCELLENCY OF CHRIST
    • THE ESSENCE OF TRUE VIRTUE
      • From 'The Nature of True Virtue,' Chapters i, ii
    • From 'The Nature of True Virtue,' Chapters i, ii
    • GERORGES EEKHOUD
      • (1854-)
      • EX-VOTO
        • From 'The Massacre of the Innocents, and Other Tales by Belgian Writers': copyright 1895, by Stone & Kimball
      • From 'The Massacre of the Innocents, and Other Tales by Belgian Writers': copyright 1895, by Stone & Kimball
      • KORS DAVIE
        • From 'The Massacre of the Innocents, and Other Tales by Belgian Writers': copyrighted 1895, by Stone & Kimball
      • From 'The Massacre of the Innocents, and Other Tales by Belgian Writers': copyrighted 1895, by Stone & Kimball
    • (1854-)
    • EX-VOTO
      • From 'The Massacre of the Innocents, and Other Tales by Belgian Writers': copyright 1895, by Stone & Kimball
    • From 'The Massacre of the Innocents, and Other Tales by Belgian Writers': copyright 1895, by Stone & Kimball
    • KORS DAVIE
      • From 'The Massacre of the Innocents, and Other Tales by Belgian Writers': copyrighted 1895, by Stone & Kimball
    • From 'The Massacre of the Innocents, and Other Tales by Belgian Writers': copyrighted 1895, by Stone & Kimball
    • EDWARD EGGLESTON
      • (1837-)
      • ROGER WILLIAMS: THE PROPHET OF RELIGIOUS FREEDOM
        • From 'The Beginners of a Nation': copyright 1896, by Edward Eggleston
      • From 'The Beginners of a Nation': copyright 1896, by Edward Eggleston
    • (1837-)
    • ROGER WILLIAMS: THE PROPHET OF RELIGIOUS FREEDOM
      • From 'The Beginners of a Nation': copyright 1896, by Edward Eggleston
    • From 'The Beginners of a Nation': copyright 1896, by Edward Eggleston
    • EGYPTIAN LITERATURE
      • I. The Ancient Kingdom, about B.C. 4500-3000
        • II. The Middle Kingdom, B.C. 3000 TO 1600
        • III. The New Kingdom, etc.
        • List of Selections
      • II. The Middle Kingdom, B.C. 3000 TO 1600
      • III. The New Kingdom, etc.
      • List of Selections
      • THE SHIPWRECKED SAILOR
      • THE STORY OF SANEHAT
        • Copy of the command which was brought to the humble servant to bring him back to Egypt.
        • Copy of the acknowledgment of this command.
      • Copy of the command which was brought to the humble servant to bring him back to Egypt.
      • Copy of the acknowledgment of this command.
      • THE DOOMED PRINCE
      • THE STORY OF THE TWO BROTHERS
      • THE STORY OF SETNA
      • THE STELA OF PIANKHY
      • INSCRIPTION OF UNA
      • SONGS OF LABORERS
      • LOVE SONGS
      • Love-Sickness
      • The Lucky Doorkeeper
      • Love's Doubts
      • The Unsuccessful Bird-catcher
      • HYMN TO USERTESEN III.
        • I
        • II
        • III
        • IV
      • I
      • II
      • III
      • IV
      • HYMN TO THE ATEN[217]
      • HYMNS TO AMEN RA[221]
        • I
        • II
        • III
        • IV
      • I
      • II
      • III
      • IV
      • SONGS TO THE HARP
        • I
        • Songs which are in the tomb of King Antef, justified, which are in front of the singer on the harp
        • II
        • [Saith the player on the harp who is in the tomb of the Osirian, the divine father of Amen,[229] Neferhetep, Justified, he saith:—]
      • I
      • Songs which are in the tomb of King Antef, justified, which are in front of the singer on the harp
      • II
      • [Saith the player on the harp who is in the tomb of the Osirian, the divine father of Amen,[229] Neferhetep, Justified, he saith:—]
      • FROM AN EPITAPH
      • FROM A DIALOGUE BETWEEN A MAN AND HIS SOUL
      • 'THE NEGATIVE CONFESSION'
        • First Confession
        • Second Confession
      • First Confession
      • Second Confession
      • THE TEACHING OF AMENEMHAT
      • THE PRISSE PAPYRUS
      • The Instruction Of Ptahhetep
        • Instruction of the governor of the royal city, and wazîr Ptahetep, before the majesty of King Assa, who liveth forever and ever
      • Instruction of the governor of the royal city, and wazîr Ptahetep, before the majesty of King Assa, who liveth forever and ever
      • FROM THE 'MAXIMS OF ANY'
      • INSTRUCTION OF DAUF
      • CONTRASTED LOTS OF SCRIBE AND FELLÂH
      • REPROACHES TO A DISSIPATED STUDENT
      • XIXth Dynasty
        • FOOTNOTES
      • FOOTNOTES
    • I. The Ancient Kingdom, about B.C. 4500-3000
      • II. The Middle Kingdom, B.C. 3000 TO 1600
      • III. The New Kingdom, etc.
      • List of Selections
    • II. The Middle Kingdom, B.C. 3000 TO 1600
    • III. The New Kingdom, etc.
    • List of Selections
    • THE SHIPWRECKED SAILOR
    • THE STORY OF SANEHAT
      • Copy of the command which was brought to the humble servant to bring him back to Egypt.
      • Copy of the acknowledgment of this command.
    • Copy of the command which was brought to the humble servant to bring him back to Egypt.
    • Copy of the acknowledgment of this command.
    • THE DOOMED PRINCE
    • THE STORY OF THE TWO BROTHERS
    • THE STORY OF SETNA
    • THE STELA OF PIANKHY
    • INSCRIPTION OF UNA
    • SONGS OF LABORERS
    • LOVE SONGS
    • Love-Sickness
    • The Lucky Doorkeeper
    • Love's Doubts
    • The Unsuccessful Bird-catcher
    • HYMN TO USERTESEN III.
      • I
      • II
      • III
      • IV
    • I
    • II
    • III
    • IV
    • HYMN TO THE ATEN[217]
    • HYMNS TO AMEN RA[221]
      • I
      • II
      • III
      • IV
    • I
    • II
    • III
    • IV
    • SONGS TO THE HARP
      • I
      • Songs which are in the tomb of King Antef, justified, which are in front of the singer on the harp
      • II
      • [Saith the player on the harp who is in the tomb of the Osirian, the divine father of Amen,[229] Neferhetep, Justified, he saith:—]
    • I
    • Songs which are in the tomb of King Antef, justified, which are in front of the singer on the harp
    • II
    • [Saith the player on the harp who is in the tomb of the Osirian, the divine father of Amen,[229] Neferhetep, Justified, he saith:—]
    • FROM AN EPITAPH
    • FROM A DIALOGUE BETWEEN A MAN AND HIS SOUL
    • 'THE NEGATIVE CONFESSION'
      • First Confession
      • Second Confession
    • First Confession
    • Second Confession
    • THE TEACHING OF AMENEMHAT
    • THE PRISSE PAPYRUS
    • The Instruction Of Ptahhetep
      • Instruction of the governor of the royal city, and wazîr Ptahetep, before the majesty of King Assa, who liveth forever and ever
    • Instruction of the governor of the royal city, and wazîr Ptahetep, before the majesty of King Assa, who liveth forever and ever
    • FROM THE 'MAXIMS OF ANY'
    • INSTRUCTION OF DAUF
    • CONTRASTED LOTS OF SCRIBE AND FELLÂH
    • REPROACHES TO A DISSIPATED STUDENT
    • XIXth Dynasty
      • FOOTNOTES
    • FOOTNOTES
    • JOSEPH VON EICHENDORFF
      • (1788-1857)
      • FROM 'OUT OF THE LIFE OF A GOOD-FOR-NOTHING'
      • SEPARATION
      • LORELEI
    • (1788-1857)
    • FROM 'OUT OF THE LIFE OF A GOOD-FOR-NOTHING'
    • SEPARATION
    • LORELEI
    • GEORGE ELIOT
      • (1819-1880)
      • THE FINAL RESCUE
        • From 'The Mill on the Floss'
      • From 'The Mill on the Floss'
      • THE VILLAGE WORTHIES
        • From 'Silas Marner'
      • From 'Silas Marner'
      • THE HALL FARM
        • From 'Adam Bede'
      • From 'Adam Bede'
      • MRS. POYSER "HAS HER SAY OUT"
        • From 'Adam Bede'
      • From 'Adam Bede'
      • THE PRISONERS
        • From 'Romola'
        • FOOTNOTES
      • From 'Romola'
      • FOOTNOTES
      • "OH, MAY I JOIN THE CHOIR INVISIBLE"
    • (1819-1880)
    • THE FINAL RESCUE
      • From 'The Mill on the Floss'
    • From 'The Mill on the Floss'
    • THE VILLAGE WORTHIES
      • From 'Silas Marner'
    • From 'Silas Marner'
    • THE HALL FARM
      • From 'Adam Bede'
    • From 'Adam Bede'
    • MRS. POYSER "HAS HER SAY OUT"
      • From 'Adam Bede'
    • From 'Adam Bede'
    • THE PRISONERS
      • From 'Romola'
      • FOOTNOTES
    • From 'Romola'
    • FOOTNOTES
    • "OH, MAY I JOIN THE CHOIR INVISIBLE"
    • RALPH WALDO EMERSON
      • (1803-1882)
      • THE TIMES
        • From the Lecture on 'The Times,' 1841
      • From the Lecture on 'The Times,' 1841
      • FRIENDSHIP
      • NATURE
      • COMPENSATION
      • LOVE
      • CIRCLES
      • SELF-RELIANCE
      • HISTORY
      • EACH AND ALL
      • THE RHODORA
        • ON BEING ASKED, WHENCE IS THE FLOWER?
      • ON BEING ASKED, WHENCE IS THE FLOWER?
      • THE HUMBLE-BEE
      • THE PROBLEM
      • DAYS
      • MUSKETAQUID
      • FROM THE 'THRENODY'
      • CONCORD HYMN
        • Sung at the Completion of the Battle Monument, April 19, 1836
      • Sung at the Completion of the Battle Monument, April 19, 1836
      • ODE
        • Sung in the Town Hall, Concord, July 4, 1857
      • Sung in the Town Hall, Concord, July 4, 1857
      • TRANSCRIBER'S NOTES
    • (1803-1882)
    • THE TIMES
      • From the Lecture on 'The Times,' 1841
    • From the Lecture on 'The Times,' 1841
    • FRIENDSHIP
    • NATURE
    • COMPENSATION
    • LOVE
    • CIRCLES
    • SELF-RELIANCE
    • HISTORY
    • EACH AND ALL
    • THE RHODORA
      • ON BEING ASKED, WHENCE IS THE FLOWER?
    • ON BEING ASKED, WHENCE IS THE FLOWER?
    • THE HUMBLE-BEE
    • THE PROBLEM
    • DAYS
    • MUSKETAQUID
    • FROM THE 'THRENODY'
    • CONCORD HYMN
      • Sung at the Completion of the Battle Monument, April 19, 1836
    • Sung at the Completion of the Battle Monument, April 19, 1836
    • ODE
      • Sung in the Town Hall, Concord, July 4, 1857
    • Sung in the Town Hall, Concord, July 4, 1857
    • TRANSCRIBER'S NOTES
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