Pictorial Photography in America 1921
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Language
English
ISBN
Unknown
Illustrations
Contents
PAINTING WITH LIGHT
THE YEAR'S PROGRESS
An Interview with Henry Hoyt Moore
American Photographers Set the Pace
The Soft Focus Lens
No One Lens Is Sufficient
Softness Desirable, Not Fuzziness
Professional Photography Influenced by that of the Pictorialist
The Popular Mediums
Color Photography
The “Secret” Is the Artist
Hand Work vs. Straight Prints
Commercial Possibilities for Pictorial Work
Airplane Photography
Elaborate Apparatus Not Always Necessary
How Mr. White Judges a Photograph
Motion Pictures and the Soft Focus Lens
Is Photography to Remain a Black and White Art?
HOW WE MAKE OUR PHOTOGRAPHS
Methods of Several Representative Workers in Pictorial Photography Are Given Below. Their Pictures May Be Found on the Pages Indicated
Dr. Chaffee Tells How He Makes Bromoils—With Reservations
Evaded the Statute, but Made a Picture
A Few Beliefs of a Negative Tendency
Photographing on a Rainy Day
How a “Rembrandt” Was Made
He Thought She Was Crazy
The Last of the Square Riggers
As to Certain Soft Focus Lenses
Mr. Latimer Expresses His Views Somewhat at Length
Night Pictures in the Streets
How to “Work Up” a Negative
An Experience with a Railway Detective
From a “Bathroom” Expert
Mr. White's Method with Children
Dragging a View Camera Through the Sands
The PICTORIAL PHOTOGRAPHERS of AMERICA
Credits
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