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Pictorial Photography in America 1921

By Pictorial Photographers of America

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Table of Contents

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Contents
PAINTING WITH LIGHT
THE YEAR'S PROGRESS
An Interview with Henry Hoyt Moore
- American Photographers Set the Pace
- The Soft Focus Lens
- No One Lens Is Sufficient
- Softness Desirable, Not Fuzziness
- Professional Photography Influenced by that of the Pictorialist
- The Popular Mediums
- Color Photography
- The “Secret” Is the Artist
- Hand Work vs. Straight Prints
- Commercial Possibilities for Pictorial Work
- Airplane Photography
- Elaborate Apparatus Not Always Necessary
- How Mr. White Judges a Photograph
- Motion Pictures and the Soft Focus Lens
- Is Photography to Remain a Black and White Art?
HOW WE MAKE OUR PHOTOGRAPHS
Methods of Several Representative Workers in Pictorial Photography Are Given Below. Their Pictures May Be Found on the Pages Indicated
- Dr. Chaffee Tells How He Makes Bromoils—With Reservations
- Evaded the Statute, but Made a Picture
- A Few Beliefs of a Negative Tendency
- Photographing on a Rainy Day
- How a “Rembrandt” Was Made
- He Thought She Was Crazy
- The Last of the Square Riggers
- As to Certain Soft Focus Lenses
- Mr. Latimer Expresses His Views Somewhat at Length
- Night Pictures in the Streets
- How to “Work Up” a Negative
- An Experience with a Railway Detective
- From a “Bathroom” Expert
- Mr. White's Method with Children
- Dragging a View Camera Through the Sands
The PICTORIAL PHOTOGRAPHERS of AMERICA
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