The Invisible Lodge
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English
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THE
INVISIBLE LODGE
FROM THE GERMAN OF
JEAN PAUL FRIEDRICH RICHTER
CHARLES T. BROOKS
NEW YORK
UNITED STATES BOOK COMPANY
UNITED STATES BOOK COMPANY
JEAN PAUL FRIEDRICH RICHTER
CHARLES T. BROOKS
NEW YORK
UNITED STATES BOOK COMPANY
UNITED STATES BOOK COMPANY
JOHN W. LOVELL COMPANY
142 TO 150 WORTH STREET
Copyright, 1883 by Henry Holt & Co.
MOTTO:
MAN IS THE GREAT----[1] IN THE BOOK OF NATURE. ("SELECTIONS FROM THE PAPERS OF THE DEVIL.")
Copyright, 1883 by Henry Holt & Co.
MOTTO:
MAN IS THE GREAT----[1] IN THE BOOK OF NATURE. ("SELECTIONS FROM THE PAPERS OF THE DEVIL.")
142 TO 150 WORTH STREET
Copyright, 1883 by Henry Holt & Co.
MOTTO:
MAN IS THE GREAT----[1] IN THE BOOK OF NATURE. ("SELECTIONS FROM THE PAPERS OF THE DEVIL.")
Copyright, 1883 by Henry Holt & Co.
MOTTO:
MAN IS THE GREAT----[1] IN THE BOOK OF NATURE. ("SELECTIONS FROM THE PAPERS OF THE DEVIL.")
TRANSLATOR'S PREFACE.
FIRST SECTION.
Courting by Chess.--Graduated Recruit.--Copulative Cat
Courting by Chess.--Graduated Recruit.--Copulative Cat
SECOND SECTION.
Price-Current of the Wholesale Pedigree-Merchant.--The Stallion and the Patent of Nobility
Price-Current of the Wholesale Pedigree-Merchant.--The Stallion and the Patent of Nobility
FIRST EXTRA LEAF.
Manifestations of Honor Which Were Made to me by my County on my Return Home from the Grand Tour.
Manifestations of Honor Which Were Made to me by my County on my Return Home from the Grand Tour.
THIRD SECTION.
Underground Education.--The Best of Moravians and the Best of Poodles
Underground Education.--The Best of Moravians and the Best of Poodles
FOURTH SECTION.
Lilies--Mountain Bugles--and an Outlook--are Signs of Death
Lilies--Mountain Bugles--and an Outlook--are Signs of Death
FIFTH SECTION.
Resurrection.
Resurrection.
SIXTH SECTION.
Forcible Abduction of the Fair Face.--Important Portrait
Forcible Abduction of the Fair Face.--Important Portrait
SECOND EXTRA LEAF.
Straw Wreath Discourse of a Consistorial Secretary, Wherein he and it prove that Adultery and Divorce are Allowable
Straw Wreath Discourse of a Consistorial Secretary, Wherein he and it prove that Adultery and Divorce are Allowable
SEVENTH SECTION.
Robisch.--The Starling.--A Lamb in the Place of the Above-Mentioned Cat
Robisch.--The Starling.--A Lamb in the Place of the Above-Mentioned Cat
EIGHTH SECTION.
Departure for the City.--Woman's Whims.--Gashed Eyes
Departure for the City.--Woman's Whims.--Gashed Eyes
EXTRA-LEAF.
Are Women Female Popes?
CONTINUATION OF THE FOREGOING SECTION.
Are Women Female Popes?
CONTINUATION OF THE FOREGOING SECTION.
NINTH SECTION.
Viscera Without Body.--Scheerau.
Viscera Without Body.--Scheerau.
TENTH SECTION.
Upper-Lower-Scheerau.--Hoppedizel.--Herbarium.--Visitors' Croup.--Prince's Feathers.
Extra Lines on the Quinsy which Attacks all the Ladies in Scheerau at the Sight Of a Stranger of their own Sex.
Extra-Thoughts Upon Regents' Thumbs.
Upper-Lower-Scheerau.--Hoppedizel.--Herbarium.--Visitors' Croup.--Prince's Feathers.
Extra Lines on the Quinsy which Attacks all the Ladies in Scheerau at the Sight Of a Stranger of their own Sex.
Extra-Thoughts Upon Regents' Thumbs.
ELEVENTH SECTION.
Amandus's Eyes.--Blindman's Buff.
Amandus's Eyes.--Blindman's Buff.
TWELFTH SECTION.
Concert.--The Hero Gets a Fashionable Tutor.
Concert.--The Hero Gets a Fashionable Tutor.
THIRTEENTH SECTION.
Public Mourning of the Knaves.--Prince of Scheerau.-- Princely Debts.
Public Mourning of the Knaves.--Prince of Scheerau.-- Princely Debts.
FOURTEENTH SECTION.
Connubial Ordeals.--Five Biters Bit.
Connubial Ordeals.--Five Biters Bit.
FIFTEENTH SECTION.
The Fifteenth Section.
The Fifteenth Section.
SIXTEENTH SECTION.
Educational Programme.
Educational Programme.
EXTRA-LEAF.
Why I Allow My Gustavus Wit and Corrupt Authors and Forbid Him The Classics, I Mean Greek and Roman.
Why I Allow My Gustavus Wit and Corrupt Authors and Forbid Him The Classics, I Mean Greek and Roman.
SEVENTEENTH SECTION.
Holy Supper.--Succeeding Love-feast and Kiss of Love.
Holy Supper.--Succeeding Love-feast and Kiss of Love.
EIGHTEENTH SECTION.
The Moluccas of Scheehau.--Röper.--Beata.--Medical Female Attire.--Oefel.
NUMBER SIXTEEN.
Spice Islands and Moluccas in Scheerau.
Spice Islands and Moluccas in Scheerau.
NUMBER TWENTY-ONE.
An Imperfect Character, such as are for sale to Romance-writers at the Publishing Office of the Gazette.
An Imperfect Character, such as are for sale to Romance-writers at the Publishing Office of the Gazette.
The Moluccas of Scheehau.--Röper.--Beata.--Medical Female Attire.--Oefel.
NUMBER SIXTEEN.
Spice Islands and Moluccas in Scheerau.
Spice Islands and Moluccas in Scheerau.
NUMBER TWENTY-ONE.
An Imperfect Character, such as are for sale to Romance-writers at the Publishing Office of the Gazette.
An Imperfect Character, such as are for sale to Romance-writers at the Publishing Office of the Gazette.
NINETEENTH SECTION.
Oath of Allegiance.--I, Beata, Oefel.
Oath of Allegiance.--I, Beata, Oefel.
TWENTIETH SECTION.
The Second Decade of Life.--Ghost Story.--Night-Scene.--Rules of Life.
The Second Decade of Life.--Ghost Story.--Night-Scene.--Rules of Life.
TWENTY-FIRST, OR MICHAELMAS, SECTION.
New Contract Between the Reader and the Biographer.--Gustavus's Letter.
New Contract Between the Reader and the Biographer.--Gustavus's Letter.
TWENTY-SECOND, OR XVII TRINITY, SECTION.
The Genuine Criminal Prosecutor.--My Magistracy.--A Birthday and a Smuggling of Grain.
The Genuine Criminal Prosecutor.--My Magistracy.--A Birthday and a Smuggling of Grain.
TWENTY-THIRD, OR XVIII TRINITY, SECTION.
Other Quarreling.--The Still Land.--Beata's Letter.--The Reconciliation.--The Portrait of Guido.
Other Quarreling.--The Still Land.--Beata's Letter.--The Reconciliation.--The Portrait of Guido.
TWENTY-FOURTH, OR XIX TRINITY, SECTION.
Oefel's Intrigues.--The Degradation.--The Departure.
Oefel's Intrigues.--The Degradation.--The Departure.
TWENTY-FIFTH, OR XX TRINITY, SECTION.
Ottomar's Letter.
Ottomar's Letter.
EXTRA-LEAF.
Concerning Lofty Men, and Evidence that the Passions belong to the Next Life, and Stoicism to this.
Concerning Lofty Men, and Evidence that the Passions belong to the Next Life, and Stoicism to this.
TWENTY-SIXTH, OR XXI TRINITATIS, SECTION.
Diner at the Schoolmaster's.
Diner at the Schoolmaster's.
TWENTY-SEVENTH, OR XXII TRINITATIS, SECTION.
Gustavus's Letter.--The Prince and his Dressing-Comb.
Gustavus's Letter.--The Prince and his Dressing-Comb.
TWENTY-EIGHTH, OR SIMON AND JUDAS, SECTION.
Paintings.--Resident Lady.
Paintings.--Resident Lady.
TWENTY-NINTH, OR XXIII TRINITATIS, SECTION.
The Minister's Lady and her Fainting-fits--and so forth.
The Minister's Lady and her Fainting-fits--and so forth.
THIRTIETH, OR XXIV TRINITATIS, SECTION.
Souper and Cow-Bells.
Souper and Cow-Bells.
THIRTY-FIRST, OR XXV TRINITATIS, SECTION.
The Sick Bed.--Eclipse of the Moon.--The Pyramid.
The Sick Bed.--Eclipse of the Moon.--The Pyramid.
THIRTY-SECOND, OR SIXTEENTH OF NOVEMBER, SECTION.
Consumption.--Funeral Sermon in the Church of the Still Land.--Ottomar.
Consumption.--Funeral Sermon in the Church of the Still Land.--Ottomar.
THIRTY-THIRD, OR XXVI TRINITATIS, SECTION.
Great Aloe-blooming of Love; or, the Grave.--The Dream.--The Organ.--Together with my Apoplectic Attack, Fur-boots and Ice-liripipium.[74]
Great Aloe-blooming of Love; or, the Grave.--The Dream.--The Organ.--Together with my Apoplectic Attack, Fur-boots and Ice-liripipium.[74]
THIRTY-FOURTH, OR FIRST ADVENT, SECTION.
Ottomar.--Church.--Organ.
Ottomar.--Church.--Organ.
THIRTY-FIFTH, OR ST. ANDREW'S, SECTION.
Days of Love.--Oefel's Love.--Ottomar's Palace and the Wax-figures.
Days of Love.--Oefel's Love.--Ottomar's Palace and the Wax-figures.
THIRTY-SIXTH, OR II ADVENT, SECTION.
Conic Sections of the Bodies of Eminent Persons.--Birthday-Drama.-- Rendezvous (or, as Campe Expresses it, "Make Your Appearance") in the Looking-glass.
Conic Sections of the Bodies of Eminent Persons.--Birthday-Drama.-- Rendezvous (or, as Campe Expresses it, "Make Your Appearance") in the Looking-glass.
THIRTY-SEVENTH, OR CHRISTMAS-EVE, SECTION.
Love-Letter.--Comedie.--Bal Paké.--Two Dangerous Midnight Scenes.--Practical Application.
The Word upon Dolls.
Love-Letter.--Comedie.--Bal Paké.--Two Dangerous Midnight Scenes.--Practical Application.
The Word upon Dolls.
THIRTY-EIGHTH, OR NEW YEAR'S, SECTION.
Night Music.--Farewell Letter.--My Groans and Grievances.
Night Music.--Farewell Letter.--My Groans and Grievances.
THIRTY-NINTH, OR 1st EPIPHANY, SECTION.
FORTIETH, OR 2d EPIPHANY, SECTION.
FORTY-FIRST, OR 3d EPIPHANY, SECTION.
FORTY-SECOND, OR 4th EPIPHANY, SECTION.
FORTY-THIRD, OR 5th AND 6th EPIPHANY, SECTION.
FORTY-FOURTH, OR SEPTUAGESIMA, SECTION.
FORTY-FIFTH, OR SEXAGESIMA, SECTION.
FORTY-SIXTH, OR ESTO-MIHI, SECTION.
FORTY-SEVENTH, OR INVOCAVIT, SECTION.
FORTY-EIGHTH, OR MAY, SECTION.
The Pounding Cousin.--Cure.--Bathing.--Caravan.
The Pounding Cousin.--Cure.--Bathing.--Caravan.
FORTY-NINTH SECTION, OR FIRST SECTION OF JOY.
The Fog.--Lilienbad.
The Fog.--Lilienbad.
FIFTIETH, OR SECOND JOY, SECTION.
The Springs.--The Wail of Love.
The Springs.--The Wail of Love.
FIFTY-FIRST, OR THIRD JOY, SECTION.
Sunday Morning.--Open Table.--Tempest.--Love.
Sunday Morning.--Open Table.--Tempest.--Love.
FOURTH JOY SECTION.
The Dream of Heaven.---Hoppedizel's Letter.
The Dream of Heaven.---Hoppedizel's Letter.
FIFTY-THIRD, OR GREATEST, SECTION OF JOY, OR BIRTHDAY OR TEIDOR-SECTION.
The Morning.--The Evening.--The Night.
The Morning.--The Evening.--The Night.
FIFTY-FOURTH, OR SIXTH JOY, SECTION.
Day After This Night.--Beata's Leaf.--Something Memorable
Day After This Night.--Beata's Leaf.--Something Memorable
LAST SECTION.
FOOTNOTES:
The End.
FOOTNOTES:
The End.
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