Familiar Quotations
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Familiar Quotations

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Free
Book Description
Table of Contents
  • Familiar Quotations
  • A COLLECTION OF FAMILIAR QUOTATIONS.
  • WITH
  • COMPLETE INDICES OF AUTHORS AND SUBJECTS.
    • NEW YORK: HURST & COMPANY, PUBLISHERS.
  • INDEX OF AUTHORS:
  • PREFACE:
  • A COLLECTION OF
  • FAMILIAR QUOTATIONS
  • HOLY SCRIPTURES.
    • OLD TESTAMENT.
      • Genesis ii. 18.
      • Genesis iii. 19.
      • Genesis iv. 9.
      • Genesis iv. 13.
      • Genesis ix. 6.
      • Genesis xvi. 12.
      • Genesis xlii. 38.
      • Genesis xlix. 4.
      • Deuteronomy xix. 21.
      • Deuteronomy xxxii. 10.
      • Judges xvi. 9.
      • Ruth i. 16.
      • Samuel xiii. 14.
      • Samuel i. 20.
      • Samuel i. 23.
      • Samuel i. 25.
      • Samuel i. 26.
      • Samuel xii. 7.
      • Kings ix, 7.
      • Kings xviii. 21.
      • Kings xviii. 44.
      • Kings xix. 12.
      • Kings xx. 11.
      • Kings iv. 40.
      • Job i. 21.
      • Job iii. 17.
      • Job v. 7.
      • Job xvi. 2.
      • Job xix. 25.
      • Job xxviii. 18.
      • Job xxix. 15.
      • Job xxxi. 35.
      • Job xxxviii. 11.
      • Psalm xvi. 6.
      • Psalm xviii. 10.
      • Psalm xxiii. 2.
      • Psalm xxiii. 4.
      • Psalm xxxvii. 25.
      • Psalm xxxvii. 35.
      • Psalm xxxvii. 37.
      • Psalm xxxix. 3.
      • Psalm xlv. 1.
      • Psalm lv. 6.
      • Psalm lxxii. 9.
      • Psalm lxxxv. 10.
      • Psalm xc. 9.
      • Psalm cvii. 27.
      • Psalm cxxvii. 2.
      • Psalm cxxxiii. 1.
      • Psalm cxxxvii. 5.
      • Psalm cxxxvii. 2.
      • Psalm cxxxix. 14.
      • Proverbs iii. 17.
      • Proverbs xi. 14.
      • Proverbs xiii. 12.
      • Proverbs xiv. 9.
      • Proverbs xiv. 10.
      • Proverbs xiv. 34.
      • Proverbs xv. 1.
      • Proverbs xv. 17.
      • Proverbs xvi. 18.
      • Proverbs xvi. 31.
      • Proverbs xviii. 14.
      • Proverbs xxii. 6.
      • Proverbs xxiii. 5.
      • Proverbs xxiv. 33.
      • Proverbs xxvi. 13.
      • Proverbs xxvii. 1.
      • Proverbs xxviii. 1.
      • Ecclesiastes i. 9.
      • Ecclesiastes i. 14.
      • Ecclesiastes v. 12.
      • Ecclesiastes vii. 2.
      • Ecclesiastes vii. 16.
      • Ecclesiastes ix. 4.
      • Ecclesiastes ix. 10.
      • Ecclesiastes ix. 11.
      • Ecclesiastes xi. 1.
      • Ecclesiastes xii. 1.
      • Ecclesiastes xii. 5.
      • Ecclesiastes xii. 5.
      • Ecclesiastes xii. 6.
      • Ecclesiastes xii. 7.
      • Ecclesiastes xii. 8.
      • Ecclesiastes xii. 12.
      • Isaiah xi. 6.
      • Isaiah xxviii. 10.
      • Isaiah xxxviii. 1.
      • Isaiah xl. 6.
      • Isaiah xl. 15.
      • Isaiah xlii. 3.
      • Isaiah liii. 7.
      • Isaiah lx. 22.
      • Isaiah lxi. 3.
      • Isaiah lxiv. 6.
      • Jeremiah vii. 3.
      • Jeremiah viii. 22.
      • Jeremiah xiii. 23.
      • Ezekiel xviii. 2.
      • Daniel v. 27.
      • Daniel vi. 12.
      • Hosea viii. 7.
      • Micah iv. 3.
      • Micah iv. 4.
      • Habakkuk ii. 2.
      • Malachi iv. 2.
      • Ecelesiasticus xiii. 1.
      • Ecelesiasticus xiii. 7.
    • Genesis ii. 18.
    • Genesis iii. 19.
    • Genesis iv. 9.
    • Genesis iv. 13.
    • Genesis ix. 6.
    • Genesis xvi. 12.
    • Genesis xlii. 38.
    • Genesis xlix. 4.
    • Deuteronomy xix. 21.
    • Deuteronomy xxxii. 10.
    • Judges xvi. 9.
    • Ruth i. 16.
    • Samuel xiii. 14.
    • Samuel i. 20.
    • Samuel i. 23.
    • Samuel i. 25.
    • Samuel i. 26.
    • Samuel xii. 7.
    • Kings ix, 7.
    • Kings xviii. 21.
    • Kings xviii. 44.
    • Kings xix. 12.
    • Kings xx. 11.
    • Kings iv. 40.
    • Job i. 21.
    • Job iii. 17.
    • Job v. 7.
    • Job xvi. 2.
    • Job xix. 25.
    • Job xxviii. 18.
    • Job xxix. 15.
    • Job xxxi. 35.
    • Job xxxviii. 11.
    • Psalm xvi. 6.
    • Psalm xviii. 10.
    • Psalm xxiii. 2.
    • Psalm xxiii. 4.
    • Psalm xxxvii. 25.
    • Psalm xxxvii. 35.
    • Psalm xxxvii. 37.
    • Psalm xxxix. 3.
    • Psalm xlv. 1.
    • Psalm lv. 6.
    • Psalm lxxii. 9.
    • Psalm lxxxv. 10.
    • Psalm xc. 9.
    • Psalm cvii. 27.
    • Psalm cxxvii. 2.
    • Psalm cxxxiii. 1.
    • Psalm cxxxvii. 5.
    • Psalm cxxxvii. 2.
    • Psalm cxxxix. 14.
    • Proverbs iii. 17.
    • Proverbs xi. 14.
    • Proverbs xiii. 12.
    • Proverbs xiv. 9.
    • Proverbs xiv. 10.
    • Proverbs xiv. 34.
    • Proverbs xv. 1.
    • Proverbs xv. 17.
    • Proverbs xvi. 18.
    • Proverbs xvi. 31.
    • Proverbs xviii. 14.
    • Proverbs xxii. 6.
    • Proverbs xxiii. 5.
    • Proverbs xxiv. 33.
    • Proverbs xxvi. 13.
    • Proverbs xxvii. 1.
    • Proverbs xxviii. 1.
    • Ecclesiastes i. 9.
    • Ecclesiastes i. 14.
    • Ecclesiastes v. 12.
    • Ecclesiastes vii. 2.
    • Ecclesiastes vii. 16.
    • Ecclesiastes ix. 4.
    • Ecclesiastes ix. 10.
    • Ecclesiastes ix. 11.
    • Ecclesiastes xi. 1.
    • Ecclesiastes xii. 1.
    • Ecclesiastes xii. 5.
    • Ecclesiastes xii. 5.
    • Ecclesiastes xii. 6.
    • Ecclesiastes xii. 7.
    • Ecclesiastes xii. 8.
    • Ecclesiastes xii. 12.
    • Isaiah xi. 6.
    • Isaiah xxviii. 10.
    • Isaiah xxxviii. 1.
    • Isaiah xl. 6.
    • Isaiah xl. 15.
    • Isaiah xlii. 3.
    • Isaiah liii. 7.
    • Isaiah lx. 22.
    • Isaiah lxi. 3.
    • Isaiah lxiv. 6.
    • Jeremiah vii. 3.
    • Jeremiah viii. 22.
    • Jeremiah xiii. 23.
    • Ezekiel xviii. 2.
    • Daniel v. 27.
    • Daniel vi. 12.
    • Hosea viii. 7.
    • Micah iv. 3.
    • Micah iv. 4.
    • Habakkuk ii. 2.
    • Malachi iv. 2.
    • Ecelesiasticus xiii. 1.
    • Ecelesiasticus xiii. 7.
    • COMMON PRAYER.
      • Morning Prayer.
      • Psalm cv. 18.
      • The Burial Service.
    • Morning Prayer.
    • Psalm cv. 18.
    • The Burial Service.
    • NEW TESTAMENT.
      • Matthew ii. 18.
      • Matthew iv. 4.
      • Matthew v. 13.
      • Matthew v. 14.
      • Matthew vi. 3.
      • Matthew vi. 21.
      • Matthew vi. 24.
      • Matthew vi. 28.
      • Matthew vi. 34.
      • Matthew vii. 6.
      • Matthew vii. 7.
      • Matthew viii. 20.
      • Matthew ix. 37.
      • Matthew x. 16.
      • Matthew x. 30.
      • Matthew xii. 33.
      • Matthew xii. 34.
      • Matthew xiii. 57.
      • Matthew xiv. 27.
      • Matthew xv. 14.
      • Matthew xv. 27.
      • Matthew xvi. 23.
      • Matthew xvi. 26.
      • Matthew xvii. 4.
      • Matthew xix. 6.
      • Matthew xix. 24.
      • Matthew xx. 15.
      • Matthew xxii. 14.
      • Matthew xxiii. 24.
      • Matthew xxiii. 27.
      • Matthew xxiv. 28.
      • Matthew xxv. 29.
      • Matthew xxvi. 41.
      • Mark iv. 9.
      • Mark v. 9.
      • Mark ix. 44.
      • Luke iii. 9.
      • Luke iv. 23.
      • Luke x. 37.
      • Luke x. 42.
      • Luke xi. 23.
      • Luke xii. 19.
      • Luke xii. 35.
      • Luke xvi. 8.
      • Luke xvii. 2.
      • Luke xvii. 32.
      • Luke xix. 22.
      • John i. 29.
      • John i. 46.
      • John iii. 3.
      • John iii. 8.
      • John v. 35.
      • John vi. 12.
      • John vii. 24.
      • John xii. 8.
      • John xii, 35.
      • John xiv. 1.
      • John xiv. 2.
      • John xv. 13.
      • Acts ix. 5.
      • Acts xx. 35.
      • Romans ii. 11.
      • Romans vi. 23.
      • Romans viii. 28.
      • Romans xii. 16.
      • Romans xii. 20.
      • Romans xii. 21.
      • Romans xiii. 1.
      • Romans xiii. 7.
      • Romans xiii. 10.
      • Romans xiv. 5.
      • 1 Corinthians iii. 6.
      • 1 Corinthians iii. 13.
      • 1 Corinthians v. 3.
      • 1 Corinthians v. 6.
      • 1 Corinthians vii. 31.
      • 1 Corinthians ix. 22.
      • 1 Corinthians x. 12.
      • 1 Corinthians xiii. 1.
      • 1 Corinthians xiii. 11.
      • 1 Corinthians xiii. 12.
      • 1 Corinthians xv. 33.
      • 1 Corinthians xv. 47.
      • 1 Corinthians xv. 55.
      • 2 Corinthians v. 7.
      • 2 Corinthians vi. 2.
      • 2 Corinthians vi. 8.
      • Galatians vi. 5.
      • Galatians vi. 7.
      • Ephesians iv. 26.
      • Philippians i. 21.
      • Colossians ii. 21.
      • 1 Thessalonians i. 3.
      • 1 Thessalonians v. 21.
      • 1 Timothy iii. 3,
      • 1 Timothy v. 18.
      • 1 Timothy v. 23.
      • 1 Timothy vi. 10.
      • 2 Timothy iv. 7.
      • Titus i. 15.
      • Hebrews xi. 1.
      • Hebrews xii. 6.
      • Hebrews xiii. 2.
      • James i. 12.
      • James iii. P
      • James iv. 7.
      • 1 Peter iv. 8.
      • 1 Peter v. 8.
      • 2 Peter iii. 10.
      • 1 John iv. 18.
      • Revelation ii. 10.
      • Revelation ii. 27.
      • Revelation xxii. 13.
    • Matthew ii. 18.
    • Matthew iv. 4.
    • Matthew v. 13.
    • Matthew v. 14.
    • Matthew vi. 3.
    • Matthew vi. 21.
    • Matthew vi. 24.
    • Matthew vi. 28.
    • Matthew vi. 34.
    • Matthew vii. 6.
    • Matthew vii. 7.
    • Matthew viii. 20.
    • Matthew ix. 37.
    • Matthew x. 16.
    • Matthew x. 30.
    • Matthew xii. 33.
    • Matthew xii. 34.
    • Matthew xiii. 57.
    • Matthew xiv. 27.
    • Matthew xv. 14.
    • Matthew xv. 27.
    • Matthew xvi. 23.
    • Matthew xvi. 26.
    • Matthew xvii. 4.
    • Matthew xix. 6.
    • Matthew xix. 24.
    • Matthew xx. 15.
    • Matthew xxii. 14.
    • Matthew xxiii. 24.
    • Matthew xxiii. 27.
    • Matthew xxiv. 28.
    • Matthew xxv. 29.
    • Matthew xxvi. 41.
    • Mark iv. 9.
    • Mark v. 9.
    • Mark ix. 44.
    • Luke iii. 9.
    • Luke iv. 23.
    • Luke x. 37.
    • Luke x. 42.
    • Luke xi. 23.
    • Luke xii. 19.
    • Luke xii. 35.
    • Luke xvi. 8.
    • Luke xvii. 2.
    • Luke xvii. 32.
    • Luke xix. 22.
    • John i. 29.
    • John i. 46.
    • John iii. 3.
    • John iii. 8.
    • John v. 35.
    • John vi. 12.
    • John vii. 24.
    • John xii. 8.
    • John xii, 35.
    • John xiv. 1.
    • John xiv. 2.
    • John xv. 13.
    • Acts ix. 5.
    • Acts xx. 35.
    • Romans ii. 11.
    • Romans vi. 23.
    • Romans viii. 28.
    • Romans xii. 16.
    • Romans xii. 20.
    • Romans xii. 21.
    • Romans xiii. 1.
    • Romans xiii. 7.
    • Romans xiii. 10.
    • Romans xiv. 5.
    • 1 Corinthians iii. 6.
    • 1 Corinthians iii. 13.
    • 1 Corinthians v. 3.
    • 1 Corinthians v. 6.
    • 1 Corinthians vii. 31.
    • 1 Corinthians ix. 22.
    • 1 Corinthians x. 12.
    • 1 Corinthians xiii. 1.
    • 1 Corinthians xiii. 11.
    • 1 Corinthians xiii. 12.
    • 1 Corinthians xv. 33.
    • 1 Corinthians xv. 47.
    • 1 Corinthians xv. 55.
    • 2 Corinthians v. 7.
    • 2 Corinthians vi. 2.
    • 2 Corinthians vi. 8.
    • Galatians vi. 5.
    • Galatians vi. 7.
    • Ephesians iv. 26.
    • Philippians i. 21.
    • Colossians ii. 21.
    • 1 Thessalonians i. 3.
    • 1 Thessalonians v. 21.
    • 1 Timothy iii. 3,
    • 1 Timothy v. 18.
    • 1 Timothy v. 23.
    • 1 Timothy vi. 10.
    • 2 Timothy iv. 7.
    • Titus i. 15.
    • Hebrews xi. 1.
    • Hebrews xii. 6.
    • Hebrews xiii. 2.
    • James i. 12.
    • James iii. P
    • James iv. 7.
    • 1 Peter iv. 8.
    • 1 Peter v. 8.
    • 2 Peter iii. 10.
    • 1 John iv. 18.
    • Revelation ii. 10.
    • Revelation ii. 27.
    • Revelation xxii. 13.
  • SHAKESPEARE.
    • TEMPEST.
      • Act i. Sc. 2.
      • Act i. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act iv. Sc. 1.
      • Act iv. Sc. 1.
    • Act i. Sc. 2.
    • Act i. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act iv. Sc. 1.
    • Act iv. Sc. 1.
    • TWO GENTLEMEN OF VERONA.
      • Act i. Sc. 2.
      • Act iv. Sc. 1.
      • Act iv. Sc. 4.
    • Act i. Sc. 2.
    • Act iv. Sc. 1.
    • Act iv. Sc. 4.
    • MERRY WIVES OF WINDSOR.
      • Act ii. Sc. 1.
      • Act ii. Sc. 2.
      • Act v. Sc. 1.
    • Act ii. Sc. 1.
    • Act ii. Sc. 2.
    • Act v. Sc. 1.
    • TWELFTH NIGHT.
      • Act i. Sc. 1.
      • Act i. Sc, 3.
      • Act i. Sc. 5.
      • Act ii. Sc. 3.
      • Act ii. Sc. 4.
      • Act iii. Sc. 1.
      • Act iii. Sc. 1.
      • Act iii. Sc, 2.
      • Act iii. Sc. 4.
    • Act i. Sc. 1.
    • Act i. Sc, 3.
    • Act i. Sc. 5.
    • Act ii. Sc. 3.
    • Act ii. Sc. 4.
    • Act iii. Sc. 1.
    • Act iii. Sc. 1.
    • Act iii. Sc, 2.
    • Act iii. Sc. 4.
    • MEASURE FOR MEASURE.
      • Act i. Sc. 1.
      • Act i. Sc. 5.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act iii. Sc. 1.
      • Act iii. Sc. 1.
      • Act iii. Sc. 1.
      • Act iv. Sc. 1.
    • Act i. Sc. 1.
    • Act i. Sc. 5.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act iii. Sc. 1.
    • Act iii. Sc. 1.
    • Act iii. Sc. 1.
    • Act iv. Sc. 1.
    • MUCH ADO ABOUT NOTHING.
      • Act i. Sc. 1.
      • Act ii. Sc. 1.
      • Act ii. Sc. 1.
      • Act ii. Sc. 3.
      • Act ii. Sc. 3.
      • Act iii. Sc. 1.
      • Act iii. Sc. 2.
      • Act iii. Sc. 3.
      • Act iii. Sc. 3.
      • Act iii. Sc. 4.
      • Act iv. Sc. 2.
      • Act iv. Sc. 2.
      • Act v. Sc. 1.
    • Act i. Sc. 1.
    • Act ii. Sc. 1.
    • Act ii. Sc. 1.
    • Act ii. Sc. 3.
    • Act ii. Sc. 3.
    • Act iii. Sc. 1.
    • Act iii. Sc. 2.
    • Act iii. Sc. 3.
    • Act iii. Sc. 3.
    • Act iii. Sc. 4.
    • Act iv. Sc. 2.
    • Act iv. Sc. 2.
    • Act v. Sc. 1.
    • MIDSUMMER NIGHT'S DREAM.
      • Act i. Sc. 1.
      • Act i. Sc. 1.
      • Act i. Sc. 1.
      • Act i. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act iii. Sc. 2.
      • Act v. Sc. 1.
    • Act i. Sc. 1.
    • Act i. Sc. 1.
    • Act i. Sc. 1.
    • Act i. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act iii. Sc. 2.
    • Act v. Sc. 1.
    • LOVE'S LABOR'S LOST.
      • Act ii. Sc. 1.
      • Act v. Sc. 1.
    • Act ii. Sc. 1.
    • Act v. Sc. 1.
    • MERCHANT OF VENICE.
      • Act i. Sc. 1.
      • Act i. Sc. 1.
      • Act i. Sc. 1.
      • Act i, Sc. 1.
      • Act i. Sc. 3.
      • Act i. Sc. 3.
      • Act i. Sc. 3.
      • Act i. Sc. 3.
      • Act ii. Sc. 2.
      • Act ii, Sc. 6.
      • Act ii. Sc. 7.
      • Act iii. Sc. 1.
      • Act iii. Sc. 5.
      • Act iv. Sc. 1.
      • Act iv. Sc. 1.
      • Act iv. Sc. 1.
      • Act iv. Sc. 1.
      • Act iv. Sc. 1.
      • Act v. Sc. 1.
      • Act v. Sc. 1.
      • Act v. Sc. 1.
      • Act v. Sc. 1.
    • Act i. Sc. 1.
    • Act i. Sc. 1.
    • Act i. Sc. 1.
    • Act i, Sc. 1.
    • Act i. Sc. 3.
    • Act i. Sc. 3.
    • Act i. Sc. 3.
    • Act i. Sc. 3.
    • Act ii. Sc. 2.
    • Act ii, Sc. 6.
    • Act ii. Sc. 7.
    • Act iii. Sc. 1.
    • Act iii. Sc. 5.
    • Act iv. Sc. 1.
    • Act iv. Sc. 1.
    • Act iv. Sc. 1.
    • Act iv. Sc. 1.
    • Act iv. Sc. 1.
    • Act v. Sc. 1.
    • Act v. Sc. 1.
    • Act v. Sc. 1.
    • Act v. Sc. 1.
    • AS YOU LIKE IT.
      • Act i. Sc. 2.
      • Act i. Sc. 2.
      • Act i. Sc. 3.
      • Act i. Sc. 3.
      • Act ii. Sc. 1.
      • Act ii. Sc. 1.
      • Act ii. Sc. 1.
      • Act ii. Sc. 3.
      • Act ii. Sc. 3.
      • Act ii. Sc. 7.
      • Act ii. Sc. 7.
      • Act ii. Sc. 7.
      • Act ii. Sc. 7.
      • Act ii. Sc. 7.
      • Act ii. Sc. 7.
      • Act iii. Sc. 2.
      • Act iii. Sc. 8.
      • Act iv. Sc. 1.
      • Act iv. Sc. 1.
      • Act iv. Sc. 3.
      • Act v. Sc. 2.
      • Act v. Sc. 4.
      • Epilogue.
    • Act i. Sc. 2.
    • Act i. Sc. 2.
    • Act i. Sc. 3.
    • Act i. Sc. 3.
    • Act ii. Sc. 1.
    • Act ii. Sc. 1.
    • Act ii. Sc. 1.
    • Act ii. Sc. 3.
    • Act ii. Sc. 3.
    • Act ii. Sc. 7.
    • Act ii. Sc. 7.
    • Act ii. Sc. 7.
    • Act ii. Sc. 7.
    • Act ii. Sc. 7.
    • Act ii. Sc. 7.
    • Act iii. Sc. 2.
    • Act iii. Sc. 8.
    • Act iv. Sc. 1.
    • Act iv. Sc. 1.
    • Act iv. Sc. 3.
    • Act v. Sc. 2.
    • Act v. Sc. 4.
    • Epilogue.
    • TAMING OF THE SHREW.
      • Act iv. Sc. 1,
      • Act v. Sc. 2.
    • Act iv. Sc. 1,
    • Act v. Sc. 2.
    • WINTER'S TALE.
      • Act iv. Sc. 2.
      • Act iv. Sc. 3.
      • Act iv. Sc. 3.
    • Act iv. Sc. 2.
    • Act iv. Sc. 3.
    • Act iv. Sc. 3.
    • ALL'S WELL THAT ENDS WELL.
      • Act i. Sc. 1.
      • Act v. Sc. 3.
    • Act i. Sc. 1.
    • Act v. Sc. 3.
    • COMEDY OF ERRORS.
      • Act v. Sc. 1.
    • Act v. Sc. 1.
    • MACBETH.
      • Act i. Sc. 1.
      • Act i. Sc. 1.
      • Act i. Sc. 3.
      • Act i. Sc. 3.
      • Act i. Sc. 3.
      • Act i. Sc. 3.
      • Act i. Sc. 4.
      • Act i. Sc. 4.
      • Act i. Sc. 5.
      • Act i. Sc. 5.
      • Act i. Sc. 7.
      • Act i. Sc. 7.
      • Act i. Sc. 7.
      • Act i. Sc. 7.
      • Act i. Sc, 7.
      • Act i. Sc. 7.
      • Act i. Sc. 7.
      • Act i. Sc. 7.
      • Act i. Sc. 7.
      • Act ii. Sc. 1.
      • Act ii. Sc. 1.
      • Act ii. Sc. 1.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 3.
      • Act ii. Sc. 3.
      • Act ii. Sc. 4.
      • Act iii. Sc, 1.
      • Act iii. Sc. 1.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 4.
      • Act iii. Sc. 4.
      • Act iii. Sc. 4.
      • Act iii. Sc. 4.
      • Act iii. Sc. 4.
      • Act iii. Sc. 4.
      • Act iii. Sc. 4.
      • Act iii. Sc. 4.
      • Act iv. Sc. 1.
      • Act iv. Sc. 1.
      • Act iv. Sc. 1.
      • Act iv. Sc. 1.
      • Act iv. Sc. 1.
      • Act iv. Sc. 1.
      • Act iv. Sc. 1.
      • Act iv. Sc. 3.
      • Act iv. Sc. 3.
      • Act iv. Sc. 3.
      • Act v. Sc. 3.
      • Act v. Sc. 3.
      • Act v. Sc. 3.
      • Act v. Sc, 3.
      • Act v. Sc. 3.
      • Act v, Sc. 5.
      • Act v. Sc. 5.
      • Act v. Sc. 5.
      • Act. v. Sc. 7.
      • Act. v. Sc. 7.
      • Act v. Sc. 7.
    • Act i. Sc. 1.
    • Act i. Sc. 1.
    • Act i. Sc. 3.
    • Act i. Sc. 3.
    • Act i. Sc. 3.
    • Act i. Sc. 3.
    • Act i. Sc. 4.
    • Act i. Sc. 4.
    • Act i. Sc. 5.
    • Act i. Sc. 5.
    • Act i. Sc. 7.
    • Act i. Sc. 7.
    • Act i. Sc. 7.
    • Act i. Sc. 7.
    • Act i. Sc, 7.
    • Act i. Sc. 7.
    • Act i. Sc. 7.
    • Act i. Sc. 7.
    • Act i. Sc. 7.
    • Act ii. Sc. 1.
    • Act ii. Sc. 1.
    • Act ii. Sc. 1.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 3.
    • Act ii. Sc. 3.
    • Act ii. Sc. 4.
    • Act iii. Sc, 1.
    • Act iii. Sc. 1.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 4.
    • Act iii. Sc. 4.
    • Act iii. Sc. 4.
    • Act iii. Sc. 4.
    • Act iii. Sc. 4.
    • Act iii. Sc. 4.
    • Act iii. Sc. 4.
    • Act iii. Sc. 4.
    • Act iv. Sc. 1.
    • Act iv. Sc. 1.
    • Act iv. Sc. 1.
    • Act iv. Sc. 1.
    • Act iv. Sc. 1.
    • Act iv. Sc. 1.
    • Act iv. Sc. 1.
    • Act iv. Sc. 3.
    • Act iv. Sc. 3.
    • Act iv. Sc. 3.
    • Act v. Sc. 3.
    • Act v. Sc. 3.
    • Act v. Sc. 3.
    • Act v. Sc, 3.
    • Act v. Sc. 3.
    • Act v, Sc. 5.
    • Act v. Sc. 5.
    • Act v. Sc. 5.
    • Act. v. Sc. 7.
    • Act. v. Sc. 7.
    • Act v. Sc. 7.
    • KING JOHN.
      • Act ii. Sc. 1.
      • Act iii. Sc. 1.
      • Act iii. Sc. 4.
      • Act iv. Sc. 2.
      • Act iv. Sc. 2.
    • Act ii. Sc. 1.
    • Act iii. Sc. 1.
    • Act iii. Sc. 4.
    • Act iv. Sc. 2.
    • Act iv. Sc. 2.
    • KING RICHARD II.
      • Act i. Sc. 3.
      • Act i. Sc. 3.
      • Act ii. Sc. 1.
    • Act i. Sc. 3.
    • Act i. Sc. 3.
    • Act ii. Sc. 1.
    • FIRST PART OF KING HENRY IV.
      • Act i. Sc. 2.
      • Act i. Sc. 2.
      • Act i. Sc. 3.
      • Act i. Sc. 3.
      • Act ii. Sc. 1.
      • Act ii. Sc. 4.
      • Act ii. Sc. 4.
      • Act ii. Sc. 4.
      • Act ii. Sc. 4.
      • Act ii. Sc. 4.
      • Act iii. Sc. 1.
      • Act iii. Sc. 1.
      • Act iii. Sc. 1.
      • Act iii. Sc. 3.
      • Act v. Sc. 4.
      • Act v. Sc. 4.
      • Act v. Sc. 4.
    • Act i. Sc. 2.
    • Act i. Sc. 2.
    • Act i. Sc. 3.
    • Act i. Sc. 3.
    • Act ii. Sc. 1.
    • Act ii. Sc. 4.
    • Act ii. Sc. 4.
    • Act ii. Sc. 4.
    • Act ii. Sc. 4.
    • Act ii. Sc. 4.
    • Act iii. Sc. 1.
    • Act iii. Sc. 1.
    • Act iii. Sc. 1.
    • Act iii. Sc. 3.
    • Act v. Sc. 4.
    • Act v. Sc. 4.
    • Act v. Sc. 4.
    • SECOND PART OF KING HENRY IV.
      • Act i. Sc. 1.
      • Act i. Sc. 1.
      • Act i. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 3.
      • Act iii. Sc. 1.
      • Act iii. Sc. 1.
      • Act iii. Sc. 1.
      • Act iv. Sc. 4.
      • Act iv. Sc. 4.
      • Act v. Sc. 3.
    • Act i. Sc. 1.
    • Act i. Sc. 1.
    • Act i. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 3.
    • Act iii. Sc. 1.
    • Act iii. Sc. 1.
    • Act iii. Sc. 1.
    • Act iv. Sc. 4.
    • Act iv. Sc. 4.
    • Act v. Sc. 3.
    • KING HENRY V.
      • Act i. Sc. 1.
      • Act i, Sc. 1.
      • Act ii Sc. 1.
      • Act ii. Sc. 3.
      • Act iv. Chorus.
      • Act iv. Sc. 3.
    • Act i. Sc. 1.
    • Act i, Sc. 1.
    • Act ii Sc. 1.
    • Act ii. Sc. 3.
    • Act iv. Chorus.
    • Act iv. Sc. 3.
    • FIRST PART OF KING HENRY VI.
      • Act v. Sc. 3.
    • Act v. Sc. 3.
    • SECOND PART OF KING HENRY VI.
      • Act iii. Sc. 1.
      • Act iii. Sc. 2.
      • Act iii. Sc. 3.
    • Act iii. Sc. 1.
    • Act iii. Sc. 2.
    • Act iii. Sc. 3.
    • THIRD PART OF KING HENRY VI.
      • Act v. Sc. 6.
    • Act v. Sc. 6.
    • KING RICHARD III
      • Act i. Sc. 1.
      • Act i. Sc. 1.
      • Act i. Sc. 1.
      • Act i. Sc. 2.
      • Act i. Sc. 2.
      • Act i. Sc. 4.
      • Act iv. Sc. 2.
      • Act iv. Sc. 4.
      • Act iv. Sc. 4.
      • Act v. Sc. 2.
      • Act v. Sc. 2.
      • Act v. Sc. 3.
      • Act v. Sc. 4.
      • Act v. Sc. 4.
    • Act i. Sc. 1.
    • Act i. Sc. 1.
    • Act i. Sc. 1.
    • Act i. Sc. 2.
    • Act i. Sc. 2.
    • Act i. Sc. 4.
    • Act iv. Sc. 2.
    • Act iv. Sc. 4.
    • Act iv. Sc. 4.
    • Act v. Sc. 2.
    • Act v. Sc. 2.
    • Act v. Sc. 3.
    • Act v. Sc. 4.
    • Act v. Sc. 4.
    • KING HENRY VIII.
      • Act ii. Sc. 3.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iv. Sc. 2.
      • Act v. Sc. 2.
    • Act ii. Sc. 3.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iv. Sc. 2.
    • Act v. Sc. 2.
    • TROILUS AND CRESSIDA.
      • Act iii. Sc. 3.
      • Act iii. Sc. 3.
    • Act iii. Sc. 3.
    • Act iii. Sc. 3.
    • CORIOLANUS.
      • Act iii. Sc. 1.
    • Act iii. Sc. 1.
    • JULIUS CAESAR.
      • Act i. Sc. 2.
      • Act i. Sc. 2.
      • Act i. Sc. 2.
      • Act i. Sc. 2.
      • Act i. Sc. 2.
      • Act i. Sc. 2.
      • Act i. Sc. 2.
      • Act i. Sc. 2.
      • Act ii. Sc. 1.
      • Act ii. Sc. 1.
      • Act ii. Sc. 2.
      • Act iii. Sc. 1.
      • Act iii. Sc. 1.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2..
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iv. Sc. 2.
      • Act iv. Sc. 3.
      • Act iv. Sc. 3.
      • Act iv. Sc. 3.
      • Act iv. Sc. 3.
      • Act v. Sc. 5.
    • Act i. Sc. 2.
    • Act i. Sc. 2.
    • Act i. Sc. 2.
    • Act i. Sc. 2.
    • Act i. Sc. 2.
    • Act i. Sc. 2.
    • Act i. Sc. 2.
    • Act i. Sc. 2.
    • Act ii. Sc. 1.
    • Act ii. Sc. 1.
    • Act ii. Sc. 2.
    • Act iii. Sc. 1.
    • Act iii. Sc. 1.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2..
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iv. Sc. 2.
    • Act iv. Sc. 3.
    • Act iv. Sc. 3.
    • Act iv. Sc. 3.
    • Act iv. Sc. 3.
    • Act v. Sc. 5.
    • ANTONY AND CLEOPATRA.
      • Act i. Sc. 1.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
    • Act i. Sc. 1.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • CYMBELINE.
      • Act ii. Sc. 3.
      • Act iii. Sc. 2.
      • Act iii. Sc. 6.
    • Act ii. Sc. 3.
    • Act iii. Sc. 2.
    • Act iii. Sc. 6.
    • KING LEAR.
      • Act i. Sc. 4.
      • Act i. Sc. 4.
      • Act ii. Sc. 4.
      • Act iil. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 4.
      • Act iii. Sc. 4.
      • Act iii. Sc. 6.
      • Act iv. Sc. 6.
      • Act. iv. Sc. 6.
      • Act iv. Sc. 6.
      • Act v. Sc. 3.
      • Act. v. Sc. 3.
    • Act i. Sc. 4.
    • Act i. Sc. 4.
    • Act ii. Sc. 4.
    • Act iil. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 4.
    • Act iii. Sc. 4.
    • Act iii. Sc. 6.
    • Act iv. Sc. 6.
    • Act. iv. Sc. 6.
    • Act iv. Sc. 6.
    • Act v. Sc. 3.
    • Act. v. Sc. 3.
    • ROMEO AND JULIET.
      • Act i. Sc. 1.
      • Act i. Sc. 2.
      • Act i. Sc. 5.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 3.
      • Act ii. Sc. 4.
      • Act ii. Sc. 4.
      • Act ii. Sc. 4.
      • Act ii, Sc. 6.
      • Act iii. Sc, 1.
      • Act iii. Sc. 1.
      • Act iii. Sc. 3.
      • Act iii. Sc. 5.
      • Act iv. Sc. 2.
      • Act v. Sc. I.
      • Act v. Sc. 1.
      • Act v. Sc. 1.
      • Act v. Sc. 3.
      • Act v. Sc. 3.
    • Act i. Sc. 1.
    • Act i. Sc. 2.
    • Act i. Sc. 5.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 3.
    • Act ii. Sc. 4.
    • Act ii. Sc. 4.
    • Act ii. Sc. 4.
    • Act ii, Sc. 6.
    • Act iii. Sc, 1.
    • Act iii. Sc. 1.
    • Act iii. Sc. 3.
    • Act iii. Sc. 5.
    • Act iv. Sc. 2.
    • Act v. Sc. I.
    • Act v. Sc. 1.
    • Act v. Sc. 1.
    • Act v. Sc. 3.
    • Act v. Sc. 3.
    • HAMLET.
      • Act i. Sc. 1.
      • Act i. Sc. 1.
      • Act i. Sc. 1.
      • Act i. Sc. 1.
      • Act i. Sc. 2.
      • Act i. Sc. 2.
      • Act i, Sc. 2.
      • Act i. Sc. 2.
      • Act i. Sc. 2.
      • Act i. Sc. 2.
      • Act i. Sc. 2.
      • Act i. Sc. 2.
      • Act i. Sc. 2.
      • Act i. Sc. 3.
      • Act i. Sc. 3.
      • Act i. Sc. 3.
      • Act i. Sc. 4.
      • Act i. Sc. 4.
      • Act i. Sc. 4.
      • Act i. Sc. 4.
      • Act i. Sc. 4.
      • Act i. Sc. 4.
      • Act i. Sc. 5.
      • Act i. Sc. 5.
      • Act i. Sc. 5.
      • Act i. Sc. 5.
      • Act i. Sc. 5.
      • Act i. Sc. 5.
      • Act i. Sc. 5.
      • Act i. Sc. 5.
      • Act ii. Sc. 1.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2,
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act ii. Sc. 2.
      • Act iii. Sc. 1.
      • Act iii. Sc. 1.
      • Act iii. Sc. 1.
      • Act iii. Sc. X.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 2.
      • Act iii. Sc. 3.
      • Act iii. Sc. 4.
      • Act iii. Sc. 4.
      • Act iii. Sc. 4.
      • Act iii. Sc. 4.
      • Act iii. Sc. 4.
      • Act iii. Sc. 4.
      • Act iv. Sc. 5.
      • Act iv. Sc. 5.
      • Act v. Sc. 1.
      • Act v. Sc. 1.
      • Act v. Sc. 1.
      • Act v. Sc. 1.
      • Act v. Sc. 1.
      • Act v. Sc. 1.
      • Act v. Sc. 1.
      • Act v. Sc. 2.
      • Act v. Sc. 2.
      • Act v. Sc. 2.
    • Act i. Sc. 1.
    • Act i. Sc. 1.
    • Act i. Sc. 1.
    • Act i. Sc. 1.
    • Act i. Sc. 2.
    • Act i. Sc. 2.
    • Act i, Sc. 2.
    • Act i. Sc. 2.
    • Act i. Sc. 2.
    • Act i. Sc. 2.
    • Act i. Sc. 2.
    • Act i. Sc. 2.
    • Act i. Sc. 2.
    • Act i. Sc. 3.
    • Act i. Sc. 3.
    • Act i. Sc. 3.
    • Act i. Sc. 4.
    • Act i. Sc. 4.
    • Act i. Sc. 4.
    • Act i. Sc. 4.
    • Act i. Sc. 4.
    • Act i. Sc. 4.
    • Act i. Sc. 5.
    • Act i. Sc. 5.
    • Act i. Sc. 5.
    • Act i. Sc. 5.
    • Act i. Sc. 5.
    • Act i. Sc. 5.
    • Act i. Sc. 5.
    • Act i. Sc. 5.
    • Act ii. Sc. 1.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2,
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act ii. Sc. 2.
    • Act iii. Sc. 1.
    • Act iii. Sc. 1.
    • Act iii. Sc. 1.
    • Act iii. Sc. X.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 2.
    • Act iii. Sc. 3.
    • Act iii. Sc. 4.
    • Act iii. Sc. 4.
    • Act iii. Sc. 4.
    • Act iii. Sc. 4.
    • Act iii. Sc. 4.
    • Act iii. Sc. 4.
    • Act iv. Sc. 5.
    • Act iv. Sc. 5.
    • Act v. Sc. 1.
    • Act v. Sc. 1.
    • Act v. Sc. 1.
    • Act v. Sc. 1.
    • Act v. Sc. 1.
    • Act v. Sc. 1.
    • Act v. Sc. 1.
    • Act v. Sc. 2.
    • Act v. Sc. 2.
    • Act v. Sc. 2.
    • OTHELLO.
      • Act i. Sc. 1.
      • Act i. Sc. 3.
      • Act i. Sc. 3.
      • Act i. Sc. 3.
      • Act i. Sc. 3.
      • Act i. Sc. 3.
      • Act i. Sc. 3.
      • Act i. Sc. 3.
      • Act ii. Sc. 1.
      • Act ii. Sc. 1.
      • Act ii. Sc. 3.
      • Act ii. Sc. 3.
      • Act ii. Sc. 3.
      • Act iii. Sc. 3.
      • Act iii. Sc. 3.
      • Act iii. Sc. 3.
      • Act iii. Sc. 3.
      • Act iii. Sc. 3.
      • Act iii. Sc. 3.
      • Act iii. Sc. 3.
      • Act iii. Sc. 3.
      • Act iii. Sc. 3.
      • Act iv. Sc. 1.
      • Act iv. Sc. 2.
      • Act iv. Sc. 2.
      • Act iv. Sc. 2.
      • Act iv. Sc. 3.
      • Act v. Sc. 1.
      • Act v. Sc. 2.
      • Act v. Sc. 2.
    • Act i. Sc. 1.
    • Act i. Sc. 3.
    • Act i. Sc. 3.
    • Act i. Sc. 3.
    • Act i. Sc. 3.
    • Act i. Sc. 3.
    • Act i. Sc. 3.
    • Act i. Sc. 3.
    • Act ii. Sc. 1.
    • Act ii. Sc. 1.
    • Act ii. Sc. 3.
    • Act ii. Sc. 3.
    • Act ii. Sc. 3.
    • Act iii. Sc. 3.
    • Act iii. Sc. 3.
    • Act iii. Sc. 3.
    • Act iii. Sc. 3.
    • Act iii. Sc. 3.
    • Act iii. Sc. 3.
    • Act iii. Sc. 3.
    • Act iii. Sc. 3.
    • Act iii. Sc. 3.
    • Act iv. Sc. 1.
    • Act iv. Sc. 2.
    • Act iv. Sc. 2.
    • Act iv. Sc. 2.
    • Act iv. Sc. 3.
    • Act v. Sc. 1.
    • Act v. Sc. 2.
    • Act v. Sc. 2.
  • THOMAS TUSSER.
    • 1523-1580.
      • Moral Reflections on the Wind.
    • Moral Reflections on the Wind.
  • FULKE GREVILLE, LORD BROOKE.
    • 1554-1624.
      • Mustapha.
      • Act v. Sc. 4.
      • Sonnet LVI.
    • Mustapha.
    • Act v. Sc. 4.
    • Sonnet LVI.
  • CHRISTOPHER MARLOWE.
    • 1565-1593.
      • Hero and Leander.
      • The Passionate Shepherd to his Love.
    • Hero and Leander.
    • The Passionate Shepherd to his Love.
  • SIR WALTER RALEIGH.
    • 1552-1618.
      • The Nymph's Reply to the Passionate Shepherd.
      • The Silent Lover.
    • The Nymph's Reply to the Passionate Shepherd.
    • The Silent Lover.
  • JOSHUA SYLVESTER
    • 1563-1618.
      • The Soul's Errand[3]
    • The Soul's Errand[3]
  • RICHARD BARNFIELD.
    • Address to the Nightingale.[4]
  • EDMUND SPENSER.
    • 1553-1597.
      • Faerie Queene.
      • Book i. Canto i. St. 35.
      • Book 1. Canto iii. St. 4.
      • Book i. Canto ix. St. 35.
      • Book ii. Canto vi. St. 12.
      • Book iv. Canto ii. St.
      • Lines on his Promised Pension.
      • Hymn in Honor of Beauty. Line 132.
    • Faerie Queene.
    • Book i. Canto i. St. 35.
    • Book 1. Canto iii. St. 4.
    • Book i. Canto ix. St. 35.
    • Book ii. Canto vi. St. 12.
    • Book iv. Canto ii. St.
    • Lines on his Promised Pension.
    • Hymn in Honor of Beauty. Line 132.
  • MOTHER HUBBERD'S TALE.
  • SIR HENRY WOTTON.
    • 1568-1639.
      • The Character of a Happy Life.
      • To his Mistress, the Queen of Bohemia.
    • The Character of a Happy Life.
    • To his Mistress, the Queen of Bohemia.
  • DR. JOHN DONNE.
    • 1573-1631.
      • FUNERAL ELEGIES, ON THE PROGRESS OF THE SOUL.
      • The Second Anniversary. Line 245.
      • Elegy 8. The Comparison.
    • FUNERAL ELEGIES, ON THE PROGRESS OF THE SOUL.
    • The Second Anniversary. Line 245.
    • Elegy 8. The Comparison.
  • BEN JONSON.
    • 1571-1637.
      • To Celia.
      • The Sweet Neglect.
      • Good Life, Long Life.
      • Epitaph on Elizabeth.
      • Epitaph on the Countess of Pembroke.
      • To the Memory of Shakespeare.
      • Every Man in his Humor. Act. ii. Sc. 3.
    • To Celia.
    • The Sweet Neglect.
    • Good Life, Long Life.
    • Epitaph on Elizabeth.
    • Epitaph on the Countess of Pembroke.
    • To the Memory of Shakespeare.
    • Every Man in his Humor. Act. ii. Sc. 3.
  • FRANCIS BEAUMONT.
    • 1585-1616.
      • Letter to Ben Jonson.
    • Letter to Ben Jonson.
  • GEORGE WITHER.
    • 1588-1667.
      • The Shepherd's Resolution.
    • The Shepherd's Resolution.
  • FRANCIS QUARLES.
    • 1592-1644.
      • Emblems. Book ii. 2.
      • Book ii. Epigram 10.
    • Emblems. Book ii. 2.
    • Book ii. Epigram 10.
  • GEORGE HERBERT.
    • 1593-1632.
      • Virtue.
    • Virtue.
  • SIR JOHN SUCKLING.
    • 1608-1644.
      • On a Wedding.
      • Song.
    • On a Wedding.
    • Song.
  • ROBERT HERRICK.
    • 1591-1660.
      • The Rock of Rubies, and the Quarrie of Pearls.
      • On her Feet.
      • To the Virgins to make much of Time.
      • Night Piece to Julia.
    • The Rock of Rubies, and the Quarrie of Pearls.
    • On her Feet.
    • To the Virgins to make much of Time.
    • Night Piece to Julia.
  • SIR RICHARD LOVELACE.
    • 1618-1658.
      • Orpheus to Beasts.
      • To Lucasta on Going to the Wars.
      • To Althea from Prison.
    • Orpheus to Beasts.
    • To Lucasta on Going to the Wars.
    • To Althea from Prison.
  • JAMES SHIRLEY.
    • 1596-1666.
      • Contention of Ajax and Ulysses.
    • Contention of Ajax and Ulysses.
  • RICHARD CRASHAW.
    • —1650.
      • In Praise of Lessius' Rule of Health.
    • In Praise of Lessius' Rule of Health.
  • THOMAS DEKKER.
    • —1638.
      • Old Fortunatus.
      • We are ne'er like angels till our passion dies.
    • Old Fortunatus.
    • We are ne'er like angels till our passion dies.
  • ABRAHAM COWLEY.
    • 1618-1667.
      • The Waiting-Maid.
      • The Motto.
      • On the Death of Crashaw.
      • The Garden. Essay V.
    • The Waiting-Maid.
    • The Motto.
    • On the Death of Crashaw.
    • The Garden. Essay V.
  • SIR JOHN DENHAM.
    • 1615-1679.
      • Cooper's Hill.
      • The Sophy. A Tragedy.
    • Cooper's Hill.
    • The Sophy. A Tragedy.
  • THOMAS CAREW.
    • 1589-1639.
      • Disdain Returned.
      • Conquest by Flight.
    • Disdain Returned.
    • Conquest by Flight.
  • EDMUND WALLER.
    • 1605-1687.
      • Verses upon his Divine Poesy.
      • On a Girdle.
      • Go, Lovely Rose.
      • To a Lady, Singing a Song of his Composing.
    • Verses upon his Divine Poesy.
    • On a Girdle.
    • Go, Lovely Rose.
    • To a Lady, Singing a Song of his Composing.
  • MILTON.
    • 1608-1674.
      • PARADISE LOST.
      • Book i. Line 10.
      • Book i. Line 22.
      • Book i. Line 62.
      • Book i. Line 65.
      • Book i. Line 105.
      • Book i. Line 254.
      • Book i. Line 261.
      • Book i. Line 275.
      • Book i. Line 303.
      • Book i. Line 330.
      • Book i. Line 540.
      • Book i. Line 550.
      • Book i. Line 619.
      • Book i. Line 742.
      • Book ii. Line 113.
      • Book ii. Line 300.
      • Book ii. Line 306.
      • Book ii. Line 560.
      • Book ii. Line 666.
      • Book ii. Line 681.
      • Book ii. Line 846.
      • Book ii. Line 996.
      • Book iii. Line 1.
      • Book iii. Line 44.
      • Book iii. Line 495.
      • Book iv. Line 34.
      • Book iv. Line 76.
      • Book iv. Line 108.
      • Book iv. Line 297.
      • Book iv. Line 300.
      • Book iv. Line 506.
      • Book iv, Line 598.
      • Book iv. Line 639.
      • Book iv. Line 677.
      • Book iv. Line 750.
      • Book iv. Line 830,
      • Book v. Line 1.
      • Book v. Line 71.
      • Book v. Line 153.
      • Book v. Line 331,
      • Book v. Line 601.
      • Book v. Line 637.
      • Book vi. Line 211.
      • Book vii. Line 30.
      • Book viii. Line 84.
      • Book viii. Line 488.
      • Book viii. Line 502.
      • Book viii. Line 548.
      • Book viii. Line 600.
      • Book viii. Line 618.
      • Book ix. Line 249.
      • Book x. Line 77.
      • Book xii. Line 646.
      • PARADISE REGAINED.
      • Book iv Line 240.
      • Book iv. Line 267.
      • Book iv. Line 330.
      • SAMSON AGONISTES.
      • Line 293.
      • Line 1350.
      • COMUS.
      • Line 205.
      • Line 221.
      • Line 244.
      • Line 256.
      • Line 381.
      • Line 476.
      • Line 560.
      • LYCIDAS.
      • Line 10.
      • Line 14.
      • Line 70.
      • Line 101.
      • Line 109.
      • Line 168.
      • Line 198.
      • L'ALLEGRO.
      • Line 27.
      • Line 33.
      • Line 67.
      • Line 79.
      • Line 117.
      • Line 133.
      • Line 136.
      • IL PENSEROSO.
      • Line 39.
      • Line 61.
      • Line 106.
      • Line 120.
      • Line 159.
      • Sonnet to the Lady Margaret Ley.
      • Sonnet on his Blindness.
      • Second Sonnet to Cyriac Skinner.
      • Sonnet on his Deceased Wife.
    • PARADISE LOST.
    • Book i. Line 10.
    • Book i. Line 22.
    • Book i. Line 62.
    • Book i. Line 65.
    • Book i. Line 105.
    • Book i. Line 254.
    • Book i. Line 261.
    • Book i. Line 275.
    • Book i. Line 303.
    • Book i. Line 330.
    • Book i. Line 540.
    • Book i. Line 550.
    • Book i. Line 619.
    • Book i. Line 742.
    • Book ii. Line 113.
    • Book ii. Line 300.
    • Book ii. Line 306.
    • Book ii. Line 560.
    • Book ii. Line 666.
    • Book ii. Line 681.
    • Book ii. Line 846.
    • Book ii. Line 996.
    • Book iii. Line 1.
    • Book iii. Line 44.
    • Book iii. Line 495.
    • Book iv. Line 34.
    • Book iv. Line 76.
    • Book iv. Line 108.
    • Book iv. Line 297.
    • Book iv. Line 300.
    • Book iv. Line 506.
    • Book iv, Line 598.
    • Book iv. Line 639.
    • Book iv. Line 677.
    • Book iv. Line 750.
    • Book iv. Line 830,
    • Book v. Line 1.
    • Book v. Line 71.
    • Book v. Line 153.
    • Book v. Line 331,
    • Book v. Line 601.
    • Book v. Line 637.
    • Book vi. Line 211.
    • Book vii. Line 30.
    • Book viii. Line 84.
    • Book viii. Line 488.
    • Book viii. Line 502.
    • Book viii. Line 548.
    • Book viii. Line 600.
    • Book viii. Line 618.
    • Book ix. Line 249.
    • Book x. Line 77.
    • Book xii. Line 646.
    • PARADISE REGAINED.
    • Book iv Line 240.
    • Book iv. Line 267.
    • Book iv. Line 330.
    • SAMSON AGONISTES.
    • Line 293.
    • Line 1350.
    • COMUS.
    • Line 205.
    • Line 221.
    • Line 244.
    • Line 256.
    • Line 381.
    • Line 476.
    • Line 560.
    • LYCIDAS.
    • Line 10.
    • Line 14.
    • Line 70.
    • Line 101.
    • Line 109.
    • Line 168.
    • Line 198.
    • L'ALLEGRO.
    • Line 27.
    • Line 33.
    • Line 67.
    • Line 79.
    • Line 117.
    • Line 133.
    • Line 136.
    • IL PENSEROSO.
    • Line 39.
    • Line 61.
    • Line 106.
    • Line 120.
    • Line 159.
    • Sonnet to the Lady Margaret Ley.
    • Sonnet on his Blindness.
    • Second Sonnet to Cyriac Skinner.
    • Sonnet on his Deceased Wife.
  • SAMUEL BUTLER.
    • 1612-1680.
      • Hudibras.
      • Part i. Canto i. Line 51
      • Part i. Canto i. Line 67
      • Part i. Canto i. Line 81
      • Part i. Canto i. Line 131.
      • Part i. Canto i. Line 149
      • Part i. Canto i. Line 199
      • Part i. Canto i. Line 215
      • Part i. Canto i. Line 463
      • Part i. Canto i. Line 489
      • Part i. Canto i. Line 821
      • Part i. Canto i. Line 852
      • Part i. Canto ii. Line 633
      • Part i. Canto ii. Line 831
      • Part i. Canto iii. Line 1
      • Part i. Canto iii. Line 263
      • Part i. Canto iii. Line 309
      • Part i. Canto iii. Line 877
      • Part i. Canto iii. Line 1367
      • Part ii. Canto i. Line 29
      • Part ii. Canto i. Line 465
      • Part ii. Canto n. Line 29
      • Part ii. Canto ii. Line 79
      • Part ii. Canto ii Line 503
      • Part ii. Canto iii. Line 1.
      • Part ii. Canto iii. Line 261.
      • Part ii. Canto iii. Line 580
      • Part ii. Canto iii. Line 923
      • Part ii. Canto iii. Line 1067
      • Part iii. Canto i. Line 3
      • Part iii. Canto ii. Line 175.
      • Part iii. Canto iii. Line 243
      • Part iii. Canto iii. Line 547
    • Hudibras.
    • Part i. Canto i. Line 51
    • Part i. Canto i. Line 67
    • Part i. Canto i. Line 81
    • Part i. Canto i. Line 131.
    • Part i. Canto i. Line 149
    • Part i. Canto i. Line 199
    • Part i. Canto i. Line 215
    • Part i. Canto i. Line 463
    • Part i. Canto i. Line 489
    • Part i. Canto i. Line 821
    • Part i. Canto i. Line 852
    • Part i. Canto ii. Line 633
    • Part i. Canto ii. Line 831
    • Part i. Canto iii. Line 1
    • Part i. Canto iii. Line 263
    • Part i. Canto iii. Line 309
    • Part i. Canto iii. Line 877
    • Part i. Canto iii. Line 1367
    • Part ii. Canto i. Line 29
    • Part ii. Canto i. Line 465
    • Part ii. Canto n. Line 29
    • Part ii. Canto ii. Line 79
    • Part ii. Canto ii Line 503
    • Part ii. Canto iii. Line 1.
    • Part ii. Canto iii. Line 261.
    • Part ii. Canto iii. Line 580
    • Part ii. Canto iii. Line 923
    • Part ii. Canto iii. Line 1067
    • Part iii. Canto i. Line 3
    • Part iii. Canto ii. Line 175.
    • Part iii. Canto iii. Line 243
    • Part iii. Canto iii. Line 547
  • MARQUIS OF MONTROSE.
    • 1612-1650.
      • Song, "My Dear and only Love."
    • Song, "My Dear and only Love."
  • DRYDEN.
    • 1631-1700.
      • Alexander's feast.
      • Line 15.
      • Line 60.
      • Line 66.
      • Line 78,
      • Line 96.
      • Line 99.
      • Line 106.
      • Line 120
      • Line 154.
      • Line 160.
      • Line 169.
      • Cymon and Iphigenia.
      • Line 84.
      • Absalom and Achitophet.
      • Part i. Line 363
      • Part i. Line 174
      • Part i. Line 534
      • Part i. Line 545
      • Part i. Line 1005
      • Part ii. Line 463
      • All for Love. Prologue.
      • Act iv. Sc. 1.
      • Conquest of Grenada. Part i. Sc. 1.
      • Spanish Friar. Act ii. Sc. 1.
      • Don Sebastian. Act i. Sc. 1.
      • Translation of Juvenal's 10th Satire.
      • Prologue to Lee's Sophonisba.
      • Imitation of the 29th of Horace.
      • Book i. Line 65.
      • On Milton.
    • Alexander's feast.
    • Line 15.
    • Line 60.
    • Line 66.
    • Line 78,
    • Line 96.
    • Line 99.
    • Line 106.
    • Line 120
    • Line 154.
    • Line 160.
    • Line 169.
    • Cymon and Iphigenia.
    • Line 84.
    • Absalom and Achitophet.
    • Part i. Line 363
    • Part i. Line 174
    • Part i. Line 534
    • Part i. Line 545
    • Part i. Line 1005
    • Part ii. Line 463
    • All for Love. Prologue.
    • Act iv. Sc. 1.
    • Conquest of Grenada. Part i. Sc. 1.
    • Spanish Friar. Act ii. Sc. 1.
    • Don Sebastian. Act i. Sc. 1.
    • Translation of Juvenal's 10th Satire.
    • Prologue to Lee's Sophonisba.
    • Imitation of the 29th of Horace.
    • Book i. Line 65.
    • On Milton.
  • JOHN BUNYAN.
    • 1628-1688.
      • Apology for his Book.
      • Pilgrim's Progress.
    • Apology for his Book.
    • Pilgrim's Progress.
  • EARL OF ROSCOMMON.
    • 1633-1684.
      • Essay on Translated Verse.
    • Essay on Translated Verse.
  • EARL OF ROCHESTER.
    • Written on the Bedchamber Door of Charles II.
  • KING CHARLES II.
    • Written in Parliament attending the Discussion of Lord Boss' Divorce Bill.
  • SHEFFIELD, DUKE OF BUCKINGHAMSHIRE.
    • 1649-1721.
      • Essay on Poetry.
    • Essay on Poetry.
  • THOMAS OTWAY.
    • 1651-1685.
      • Venice Preserved.
      • Act i. Sc. 1.
    • Venice Preserved.
    • Act i. Sc. 1.
  • JOHN NORRIS.
    • 1657-1711.
      • The Parting.
    • The Parting.
  • NATHANIEL LEE.
    • 1655-1692.
      • Alexander the Great.
      • Act i. Sc. 3.
      • Act iv. Sc. 2.
    • Alexander the Great.
    • Act i. Sc. 3.
    • Act iv. Sc. 2.
  • TOM BROWN.
    • —1704.
      • Dialogues of the Dead.
    • Dialogues of the Dead.
  • THOMAS SOUTHERN.
    • 1659-1746.
      • Oroonoka.
      • Act ii. Sc. 1.
    • Oroonoka.
    • Act ii. Sc. 1.
  • DANIEL DEFOE.
    • 1661-1731.
      • The True-Born Englishman.
      • Part i. Line 1
    • The True-Born Englishman.
    • Part i. Line 1
  • LOUIS THEOBALD.
    • 1688-1744.
      • The Double Falsehood.
    • The Double Falsehood.
  • MATTHEW PRIOR.
    • 1664-1721.
      • English Padlock.
      • Henry and Emma.
      • The Thief and the Cordelier.
      • Epilogue to Lucius.
      • Imitations of Horace.
      • Epitaph on Himself.
      • Ode in Imitation of Horace. B. iii. Od. 2.
    • English Padlock.
    • Henry and Emma.
    • The Thief and the Cordelier.
    • Epilogue to Lucius.
    • Imitations of Horace.
    • Epitaph on Himself.
    • Ode in Imitation of Horace. B. iii. Od. 2.
  • COLLEY CIBBER.
    • 1671-1757.
      • Richard III.
      • Act iv. Sc. 3.
      • Act v. Sc. 3.
    • Richard III.
    • Act iv. Sc. 3.
    • Act v. Sc. 3.
  • JOSEPH ADDISON.
    • 1672-1719.
      • CATO.
      • Act i. Sc. 1.
      • Act i. Sc. 1.
      • Act i. Sc. 1.
      • Act i. Sc. 1.
      • Act i. Sc. 1.
      • Act ii. Sc. 1.
      • Act iv. Sc. 1.
      • Act iv. Sc. 2.
      • Act v. Sc. 1.
      • Act v. Sc. I.
      • Act v. Sc. 1.
      • Act v. Sc. 1.
      • The Campaign.
      • From the Letter on Italy.
      • Ode.
    • CATO.
    • Act i. Sc. 1.
    • Act i. Sc. 1.
    • Act i. Sc. 1.
    • Act i. Sc. 1.
    • Act i. Sc. 1.
    • Act ii. Sc. 1.
    • Act iv. Sc. 1.
    • Act iv. Sc. 2.
    • Act v. Sc. 1.
    • Act v. Sc. I.
    • Act v. Sc. 1.
    • Act v. Sc. 1.
    • The Campaign.
    • From the Letter on Italy.
    • Ode.
  • JONATHAN SWIFT.
    • 1667-1745.
      • Imitation of Horace. B. ii. Sat. 6.
      • Poetry, a Rhapsody.
    • Imitation of Horace. B. ii. Sat. 6.
    • Poetry, a Rhapsody.
  • WILLIAM CONGREVE.
    • 1669-1729.
      • The Mourning Bride. Act i. Sc. 1.
      • Act iii. Sc. 1.
    • The Mourning Bride. Act i. Sc. 1.
    • Act iii. Sc. 1.
  • ALEXANDER POPE.
    • 1688-1744.
      • ESSAY ON MAN.
      • Epistle i. Line 5.
      • Line 13.
      • Line 88.
      • Line 95.
      • Line 99.
      • Line 200.
      • Line 294.
      • Epistle ii. Line 1.
      • Line 217.
      • Line 231.
      • Line 276.
      • Line 193.
      • Line 203.
      • Line 215.
      • Line 247.
      • Line 254.
      • Line 281.
      • Line 310.
      • Line 330.
      • Line 379.
      • MORAL ESSAYS.
      • Epistle i. Line 135.
      • Line 149.
      • Line 246.
      • Epistle ii. Line 15.
      • Line 43.
      • Line 97.
      • Line 215.
      • Line 268.
      • Line 270.
      • Epistle iii. Line 1.
      • Line 95.
      • Line 153.
      • Line 161.
      • Line 250.
      • Line 285.
      • AN ESSAY ON CRITICISM.
      • Part i. Line 9.
      • Line 153.
      • Part ii. Line 215.
      • Line 232.
      • Line 297.
      • Line 357.
      • Line 362.
      • Line 365.
      • Line 525.
      • Part iii. Line 625.
      • ELEGY TO THE MEMORY OF AN UNFORTUNATE LADY.
      • Line 54.
      • THE RAPE OF THE LOCK.
      • Canto ii. Line 7.
      • Canto ii. Line 17.
      • Canto iii. Line 16.
      • Line 21.
      • SATIRES AND IMITATIONS OF HORACE
      • Prologue, Line 1.
      • Line 12.
      • Line 18.
      • Line 127.
      • Line 197.
      • Line 201.
      • Line 308.
      • Line 333.
      • Line 69.
      • Line 127.
      • Book ii. Satire ii. Line 159.
      • Book ii. Epistle i. Line 108.
      • Epilogue to the Satires.
      • Dialogue i. Line 136.
      • Epitaph on Gay.
      • THE DUNCIAD.
      • Book i. Line 54.
      • Book iii. Line 158.
      • Book iii. Line 165.
      • Book iv. Line 614.
      • ODYSSEY.
      • Book ii. Line 315.
      • Book xiv. Line 410.
      • Book xv. Line 79.
      • Book xv. Line 83.
      • Windsor forest.
      • Martinus Scriblerus on the Art of Sinking in Poetry.
      • Chapter xi.
      • Epitaph on the Hon. S. Harcourt.
    • ESSAY ON MAN.
    • Epistle i. Line 5.
    • Line 13.
    • Line 88.
    • Line 95.
    • Line 99.
    • Line 200.
    • Line 294.
    • Epistle ii. Line 1.
    • Line 217.
    • Line 231.
    • Line 276.
    • Line 193.
    • Line 203.
    • Line 215.
    • Line 247.
    • Line 254.
    • Line 281.
    • Line 310.
    • Line 330.
    • Line 379.
    • MORAL ESSAYS.
    • Epistle i. Line 135.
    • Line 149.
    • Line 246.
    • Epistle ii. Line 15.
    • Line 43.
    • Line 97.
    • Line 215.
    • Line 268.
    • Line 270.
    • Epistle iii. Line 1.
    • Line 95.
    • Line 153.
    • Line 161.
    • Line 250.
    • Line 285.
    • AN ESSAY ON CRITICISM.
    • Part i. Line 9.
    • Line 153.
    • Part ii. Line 215.
    • Line 232.
    • Line 297.
    • Line 357.
    • Line 362.
    • Line 365.
    • Line 525.
    • Part iii. Line 625.
    • ELEGY TO THE MEMORY OF AN UNFORTUNATE LADY.
    • Line 54.
    • THE RAPE OF THE LOCK.
    • Canto ii. Line 7.
    • Canto ii. Line 17.
    • Canto iii. Line 16.
    • Line 21.
    • SATIRES AND IMITATIONS OF HORACE
    • Prologue, Line 1.
    • Line 12.
    • Line 18.
    • Line 127.
    • Line 197.
    • Line 201.
    • Line 308.
    • Line 333.
    • Line 69.
    • Line 127.
    • Book ii. Satire ii. Line 159.
    • Book ii. Epistle i. Line 108.
    • Epilogue to the Satires.
    • Dialogue i. Line 136.
    • Epitaph on Gay.
    • THE DUNCIAD.
    • Book i. Line 54.
    • Book iii. Line 158.
    • Book iii. Line 165.
    • Book iv. Line 614.
    • ODYSSEY.
    • Book ii. Line 315.
    • Book xiv. Line 410.
    • Book xv. Line 79.
    • Book xv. Line 83.
    • Windsor forest.
    • Martinus Scriblerus on the Art of Sinking in Poetry.
    • Chapter xi.
    • Epitaph on the Hon. S. Harcourt.
  • THOMAS TICKELL.
    • 1686-1740.
      • On the Death of Addison. Line 45.
      • Line 79.
      • Colin and Lucy.
    • On the Death of Addison. Line 45.
    • Line 79.
    • Colin and Lucy.
  • JOHN GAY.
    • 1688-1732.
      • What D'ye Call 't.
      • Act ii. Sc. 9.
      • Beggars' Opera.
      • Act i. Sc. 1.
      • FABLES.
      • The Shepherd and the Philosopher.
      • The Mother, the Nurse, and the Fairy.
      • The Sick Man and the Angel.
      • The Hare and Many Friends.
      • Epitaph on Himself.
    • What D'ye Call 't.
    • Act ii. Sc. 9.
    • Beggars' Opera.
    • Act i. Sc. 1.
    • FABLES.
    • The Shepherd and the Philosopher.
    • The Mother, the Nurse, and the Fairy.
    • The Sick Man and the Angel.
    • The Hare and Many Friends.
    • Epitaph on Himself.
  • LADY MARY WORTLEY MONTAGUE.
    • 1690-1762.
      • The Lady's Resolve.
    • The Lady's Resolve.
  • NICHOLAS ROWE.
    • 1673-1718.
      • The Fair Penitent.
      • Act ii. Sc. 1.
      • Act v. Sc. 1.
    • The Fair Penitent.
    • Act ii. Sc. 1.
    • Act v. Sc. 1.
  • JOHN PHILIPS.
    • 1676-1708.
      • Splendid Shilling.
      • Line 121.
    • Splendid Shilling.
    • Line 121.
  • THOMAS PARNELL.
    • 1679-1718.
      • The Hermit. Line 5.
    • The Hermit. Line 5.
  • BARTON BOOTH.
    • 1681-1733.
      • Song.
    • Song.
  • MATTHEW GREEN.
    • 1696-1737.
      • The Spleen. Line 93.
    • The Spleen. Line 93.
  • JOHN BYROM.
    • 1691-1763.
      • 'On the Feuds between Handel and Bononcini'.[13]
      • The Astrologer.
      • Epigram on Two Monopolists.
    • 'On the Feuds between Handel and Bononcini'.[13]
    • The Astrologer.
    • Epigram on Two Monopolists.
  • BISHOP BERKELEY.
    • 1684-1753.
      • On the Prospect of Planting Arts and Learning in America.
    • On the Prospect of Planting Arts and Learning in America.
  • ROBERT BLAIR.
    • 1699-1746.
      • The Grave. Part ii. Line 586.
    • The Grave. Part ii. Line 586.
  • EDWARD YOUNG.
    • 1681-1765.
      • NIGHT THOUGHTS.
      • Night i. Line 1.
      • Night i. Line 55.
      • Night i. Line 154.
      • Night i. Line 390.
      • Night i. Line 393.
      • Night i. Line 417.
      • Night i. Line 424.
      • Night ii. Line 376.
      • Night ii. Line 602.
      • Night ii. Line 633.
      • Night iii. Line 81.
      • Night iii. Line 104
      • Night iv. Line 10.
      • Night iv. Line 15.
      • Night iv. Line 118.
      • Night v. Line 775.
      • Night v. Line 1011.
      • Night vi. Line 309.
      • Night vi. Line 606.
      • Night vii. Line 496.
      • Night ix. Line 771.
      • Night ix. Line 1660.
      • LOVE OF FAME.
      • Satire i. Line 89.
      • Satire ii. Line 207.
      • Satire vii. Line 97.
      • Lines Written with the Diamond Pencil of Lord Chesterfield.
    • NIGHT THOUGHTS.
    • Night i. Line 1.
    • Night i. Line 55.
    • Night i. Line 154.
    • Night i. Line 390.
    • Night i. Line 393.
    • Night i. Line 417.
    • Night i. Line 424.
    • Night ii. Line 376.
    • Night ii. Line 602.
    • Night ii. Line 633.
    • Night iii. Line 81.
    • Night iii. Line 104
    • Night iv. Line 10.
    • Night iv. Line 15.
    • Night iv. Line 118.
    • Night v. Line 775.
    • Night v. Line 1011.
    • Night vi. Line 309.
    • Night vi. Line 606.
    • Night vii. Line 496.
    • Night ix. Line 771.
    • Night ix. Line 1660.
    • LOVE OF FAME.
    • Satire i. Line 89.
    • Satire ii. Line 207.
    • Satire vii. Line 97.
    • Lines Written with the Diamond Pencil of Lord Chesterfield.
  • HENRY CAREY.
    • 1663-1743.
      • God save the King.[16]
      • Chrononhotonthologos. Act i. Sc. 3.
      • Act ii. Sc. 4.
    • God save the King.[16]
    • Chrononhotonthologos. Act i. Sc. 3.
    • Act ii. Sc. 4.
  • ISAAC WATTS.
    • 1674-1748.
      • DIVINE SONGS.
    • DIVINE SONGS.
  • SIR SAMUEL TUKE.
    • —1673.
      • Adventures of Five Hours. Act v. Sc. 3.
    • Adventures of Five Hours. Act v. Sc. 3.
  • AARON HILL
    • 1685-1750.
      • Epilogue to Zara.
      • Verses Written on a Window in Scotland.
    • Epilogue to Zara.
    • Verses Written on a Window in Scotland.
  • RICHARD SAVAGE.
    • 1698-1743.
      • The Bastard. Line 7.
    • The Bastard. Line 7.
  • JAMES THOMSON.
    • 1700-1748.
    • THE SEASONS.
      • Spring. Line 283.
      • Line 465.
      • Line 1149.
      • Line 1158.
      • Summer. Line 1188.
      • Line 1285.
      • Line 1346.
      • Autumn. Line 204.
      • Line 283.
      • Winter. Line 393.
      • Hymn. Line 25.
      • Line 114.
      • Line 118.
      • Castle of Indolence. Canto i. St. 69.
      • Alfred. Act ii. Sc. 5.
      • Song, "Forever, Fortune."
      • Sophonisba. Act iii. Sc. 2.
    • Spring. Line 283.
    • Line 465.
    • Line 1149.
    • Line 1158.
    • Summer. Line 1188.
    • Line 1285.
    • Line 1346.
    • Autumn. Line 204.
    • Line 283.
    • Winter. Line 393.
    • Hymn. Line 25.
    • Line 114.
    • Line 118.
    • Castle of Indolence. Canto i. St. 69.
    • Alfred. Act ii. Sc. 5.
    • Song, "Forever, Fortune."
    • Sophonisba. Act iii. Sc. 2.
  • JOHN DYER.
    • 1700-1758.
      • Grongar Hill. Line 163.
      • Line 123.
    • Grongar Hill. Line 163.
    • Line 123.
  • PHILIP DODDRIDGE.
    • 1702-1751.
      • Epigram on his Family Arms.
    • Epigram on his Family Arms.
  • ROBERT DODSLEY
    • 1703-1764.
      • The Parting Kiss.
    • The Parting Kiss.
  • SAMUEL JOHNSON.
    • 1709-1784.
      • Prologue on the Opening of Drury Lane Theatre.
      • Vanity of Human Wishes.
      • Line 1.
      • Line 159.
      • Line 221.
      • Line 257.
      • Line 306.
      • Line 318.
      • Line 346.
      • London. Line 166.
      • Line 176.
      • Lines added to Goldsmith's Traveller.
      • Line added to Goldsmith's Deserted Village.
      • From Dr. Madden's "Boulter's Monument."
      • Supposed to have been inserted by Dr. Johnson. 1745.
      • Basselas. Chapter i.
      • Epitaph on Robert Levett.
      • Epitaph on Claudius Phillips, the Musician.
    • Prologue on the Opening of Drury Lane Theatre.
    • Vanity of Human Wishes.
    • Line 1.
    • Line 159.
    • Line 221.
    • Line 257.
    • Line 306.
    • Line 318.
    • Line 346.
    • London. Line 166.
    • Line 176.
    • Lines added to Goldsmith's Traveller.
    • Line added to Goldsmith's Deserted Village.
    • From Dr. Madden's "Boulter's Monument."
    • Supposed to have been inserted by Dr. Johnson. 1745.
    • Basselas. Chapter i.
    • Epitaph on Robert Levett.
    • Epitaph on Claudius Phillips, the Musician.
  • LORD LYTTELTON
    • 1709-1773.
      • Prologue to Thomson's Coriolanus.
      • Epigram.
      • Soliloquy on a Beauty in the Country.
      • Song.
    • Prologue to Thomson's Coriolanus.
    • Epigram.
    • Soliloquy on a Beauty in the Country.
    • Song.
  • EDWARD MOORE.
    • 1712-1757.
      • Fable IX. The Farmer, the Spaniel, and the Cat.
      • Fable X. The Spider and the Bee.
      • The Happy Marriage.
      • The Gamester. Act iii. Sc. 4.
    • Fable IX. The Farmer, the Spaniel, and the Cat.
    • Fable X. The Spider and the Bee.
    • The Happy Marriage.
    • The Gamester. Act iii. Sc. 4.
  • WILLIAM SHENSTONE.
    • 1714-1763.
      • Written on the Window of an Inn.
      • Jemmy Dawson.
      • The Schoolmistress.
    • Written on the Window of an Inn.
    • Jemmy Dawson.
    • The Schoolmistress.
  • JOHN BROWN.
    • 1715-1766.
      • Barbarossa. Act. v. Sc. 3.
    • Barbarossa. Act. v. Sc. 3.
  • DAVID GARRICK.
    • 1716-1779.
      • Prologue on Quitting the Stage in 1776, 10th of June.
      • On the Death of Mr. Pelham.
    • Prologue on Quitting the Stage in 1776, 10th of June.
    • On the Death of Mr. Pelham.
  • THOMAS GRAY.
    • 1716-1771.
      • On a Distant Prospect of Eton College.
      • Progress of Poesy.
      • The Bard.
      • Elegy in a Country Churchyard.
      • Ode on the Pleasure arising from Vicissitude.
    • On a Distant Prospect of Eton College.
    • Progress of Poesy.
    • The Bard.
    • Elegy in a Country Churchyard.
    • Ode on the Pleasure arising from Vicissitude.
  • WILLIAM COLLINS.
    • 1720-1756.
      • Ode in 1746.
      • The Passions. Line 1.
      • Line 10.
      • Line 28.
      • Line 60.
      • Line 68.
      • Line 95.
      • Eclogue 1. Line 5.
      • Ode on the Death of Thomson.
    • Ode in 1746.
    • The Passions. Line 1.
    • Line 10.
    • Line 28.
    • Line 60.
    • Line 68.
    • Line 95.
    • Eclogue 1. Line 5.
    • Ode on the Death of Thomson.
  • MARK AKENSIDE.
    • 1721-1770.
      • Epistle to Curio.
    • Epistle to Curio.
  • NATHANIEL COTTON.
    • 1721-1788.
      • The Fireside. St. 3.
      • St. 13.
    • The Fireside. St. 3.
    • St. 13.
  • JOHN HOME.
    • 1722-1808.
      • Douglas. Act i. Sc. 1.
      • Act ii. Sc. 1.
    • Douglas. Act i. Sc. 1.
    • Act ii. Sc. 1.
  • OLIVER GOLDSMITH.
    • 1728-1774.
      • THE TRAVELLER.
      • Line 1.
      • Line 7.
      • Line 22.
      • Line 26.
      • Line 77.
      • Line 153.
      • Line 172.
      • Line 217.
      • Line 251.
      • Line 327.
      • Line 372.
      • Line 386.
      • Line 409.
      • THE DESERTED VILLAGE.
      • Line 14.
      • Line 51.
      • Line 62.
      • Line 100.
      • Line 110.
      • Line 122.
      • Line 141.
      • Line 158.
      • Line 161.
      • Line 164.
      • Line 170.
      • Line 180.
      • Line 184.
      • Line 192.
      • Line 196.
      • Line 203.
      • Line 212.
      • Line 229.
      • Line 254.
      • Line 264.
      • Line 329.
      • Line 385.
      • RETALIATION.
      • Line 24.
      • Line 31.
      • Line 37.
      • Line 94.
      • VICAR OF WAKEFIELD.
      • Chapter viii. The Hermit.
      • Chapter xvii. Elegy on a Mad Dog.
      • Chapter xxiv.
      • Elegy on Mrs. Mary Blaise.
    • THE TRAVELLER.
    • Line 1.
    • Line 7.
    • Line 22.
    • Line 26.
    • Line 77.
    • Line 153.
    • Line 172.
    • Line 217.
    • Line 251.
    • Line 327.
    • Line 372.
    • Line 386.
    • Line 409.
    • THE DESERTED VILLAGE.
    • Line 14.
    • Line 51.
    • Line 62.
    • Line 100.
    • Line 110.
    • Line 122.
    • Line 141.
    • Line 158.
    • Line 161.
    • Line 164.
    • Line 170.
    • Line 180.
    • Line 184.
    • Line 192.
    • Line 196.
    • Line 203.
    • Line 212.
    • Line 229.
    • Line 254.
    • Line 264.
    • Line 329.
    • Line 385.
    • RETALIATION.
    • Line 24.
    • Line 31.
    • Line 37.
    • Line 94.
    • VICAR OF WAKEFIELD.
    • Chapter viii. The Hermit.
    • Chapter xvii. Elegy on a Mad Dog.
    • Chapter xxiv.
    • Elegy on Mrs. Mary Blaise.
  • TOBIAS SMOLLETT.
    • 1721-1771.
      • Ode to Independence.
    • Ode to Independence.
  • THOMAS PERCY.
    • 1728-1811.
      • Reliques of English Poetry. The Baffled Knight.
      • The Friar of Orders Gray.
      • From Byrd's Psalmes, Sonets, &c. 1588.
    • Reliques of English Poetry. The Baffled Knight.
    • The Friar of Orders Gray.
    • From Byrd's Psalmes, Sonets, &c. 1588.
  • BEILBY PORTEUS.
    • 1731-1808.
      • Death, a Poem. Line 154.
    • Death, a Poem. Line 154.
  • JAMES BEATTIE.
    • 1735-1766.
      • The Minstrel. Book i. St. 1.
      • Epigram. The Bucks had dined.
    • The Minstrel. Book i. St. 1.
    • Epigram. The Bucks had dined.
  • CHARLES CHURCHILL.
    • 1741-1764.
      • The Rosciad. Line 861.
    • The Rosciad. Line 861.
  • MRS. THEALE.
    • 1740-1822.
      • Three Warnings.
    • Three Warnings.
  • WILLIAM COWPER.
    • 1731-1800.
      • Book i. The Sofa.
      • Book ii. The Timepiece.
      • Book iii. The Garden.
      • Book iv. Winter Evening.
      • Book v. Winter Morn in a Walk.
      • Book vi. Winter Walk at Noon.
      • Tirocinium.
      • Retirement.
      • Conversation.
      • John Gilpin.
      • Lines to his Mother's Picture.
      • Walking with God.
      • VERSES, Supposed to be Written by Alexander Selkirk.
    • Book i. The Sofa.
    • Book ii. The Timepiece.
    • Book iii. The Garden.
    • Book iv. Winter Evening.
    • Book v. Winter Morn in a Walk.
    • Book vi. Winter Walk at Noon.
    • Tirocinium.
    • Retirement.
    • Conversation.
    • John Gilpin.
    • Lines to his Mother's Picture.
    • Walking with God.
    • VERSES, Supposed to be Written by Alexander Selkirk.
  • W. J. MICKLE.
    • 1734-1788.
      • The Mariner's Wife.
    • The Mariner's Wife.
  • JOHN LANGHORNE.
    • 1735-1779.
      • The Country Justice.
      • Part i
    • The Country Justice.
    • Part i
  • DR. WALCOTT.
    • 1738-1819.
      • Peter Pindar's Expostulatory Odes to a great Duke and a little Lord. Ode XV.
    • Peter Pindar's Expostulatory Odes to a great Duke and a little Lord. Ode XV.
  • MRS. BARBAULD.
    • 1743-1825.
      • Warrington Academy.
    • Warrington Academy.
  • SIR WILLIAM JONES.
    • 1746-1794.
      • A Persian Song of Hafiz.
      • Ode in Imitation of Alcoeus.
    • A Persian Song of Hafiz.
    • Ode in Imitation of Alcoeus.
  • CAPTAIN CHARLES MORRIS.
    • —1832.
      • Billy Pitt and the Farmer.
    • Billy Pitt and the Farmer.
  • JOHN TRUMBULL.
    • 1750-1881.
      • McFingal. Canto i. Line 67.
      • Canto iii. Line 489.
    • McFingal. Canto i. Line 67.
    • Canto iii. Line 489.
  • RICHARD BRINSLEY SHERIDAN
    • 1751-1816.
      • The Rivals. Act v. Sc. 3.
      • The Critic. Act ii. Sc. 1.
      • Act ii. Sc. 2.
      • School for Scandal. Act i. Sc. 1.
      • Act iii. Sc. 3.
      • The Duenna. Act i. Sc. 2.
      • Speech in Reply to Mr. Dundas.
    • The Rivals. Act v. Sc. 3.
    • The Critic. Act ii. Sc. 1.
    • Act ii. Sc. 2.
    • School for Scandal. Act i. Sc. 1.
    • Act iii. Sc. 3.
    • The Duenna. Act i. Sc. 2.
    • Speech in Reply to Mr. Dundas.
  • GEORGE CRABBE.
    • 1754-1832.
      • Parish Register.
      • The Borough Schools.
      • The Borough Placers.
      • The Birth of Flattery.
    • Parish Register.
    • The Borough Schools.
    • The Borough Placers.
    • The Birth of Flattery.
  • ROBERT BURNS.
    • 1759-1796.
      • Tom O'Shanter.
      • To a Mouse.
      • Scots wha hae.
      • Address to the Unco Guid.
      • On Captain Grose's Peregrinations through Scotland.
      • To a Louse.
      • Epistle to a Young Friend.
      • The Twa Dogs.
      • Epistle to James Smith.
      • Despondency.
      • Auld Lang Syne.
      • Green grow the Rashes.
      • Man was made to Mourn.
      • Death and Dr. Hornbook.
      • Is there for honest Poverty.
      • The Cotter's Saturday Night.
    • Tom O'Shanter.
    • To a Mouse.
    • Scots wha hae.
    • Address to the Unco Guid.
    • On Captain Grose's Peregrinations through Scotland.
    • To a Louse.
    • Epistle to a Young Friend.
    • The Twa Dogs.
    • Epistle to James Smith.
    • Despondency.
    • Auld Lang Syne.
    • Green grow the Rashes.
    • Man was made to Mourn.
    • Death and Dr. Hornbook.
    • Is there for honest Poverty.
    • The Cotter's Saturday Night.
  • THOMAS MOSS.
    • —1808.
      • The Beggar.
    • The Beggar.
  • GEORGE COLMAN.
    • 1762-1836.
      • BROAD GRINS.
      • The Maid of the Moor.
      • Lodgings for Single Gentlemen.
      • The Poor Gentleman.
      • Act i. Sc. 2.
      • Prologue to the Heir ft Law.
    • BROAD GRINS.
    • The Maid of the Moor.
    • Lodgings for Single Gentlemen.
    • The Poor Gentleman.
    • Act i. Sc. 2.
    • Prologue to the Heir ft Law.
  • THOMAS MORTON.
    • 1764-1836.
      • Speed the Plough. Act i. Sc. 1.
    • Speed the Plough. Act i. Sc. 1.
  • GEORGE CANNING.
    • 1770-1827.
      • POETRY OF THE ANTI-JACOBIN.
      • The Needy Knife-Grinder.
      • The Loves of the Triangles.
      • Line 178.
    • POETRY OF THE ANTI-JACOBIN.
    • The Needy Knife-Grinder.
    • The Loves of the Triangles.
    • Line 178.
  • WILLIAM WORDSWORTH.
    • 1770-1850.
      • Quilt and Sorrow.
      • St. 41.
      • My Heart Leaps up.
      • Lucy Gray.
      • St. 2.
      • We are Seven.
      • The Pet Lamb.
      • The Brothers.
      • Stanzas written in Thomson.
      • Lucy.
      • The Solitary Reaper.
      • Rob Hoy's Grave.
      • St. 9.
      • Yarrow Unvisited.
      • Sonnets to National Independence and Liberty.
      • Part i. vi
      • Part i. xiv.
      • Part i. xvi.
      • Nutting.
      • She was a Phantom of Delight.
      • I Wandered Lonely.
      • Ruth.
      • Resolution and Independence.
      • Part i. St. 7
      • Hart-Leap Well.
      • Part ii
      • Tintern Abbey.
      • To a Skylark.
      • Peter Bell.
      • Prologue. St. 1.
      • Prologue. St. 27.
      • Part i. St. 12.
      • Part i. St. 15.
      • Part i. St. 26.
      • Miscellaneous Sonnets.
      • Part i. xxx.
      • Part i. xxxiii.
      • Part i. xxxv.
      • Part ii. xxxvi.
      • Ecclesiastical Sonnets.
      • Part iii. v. Walton's Book of Lives.
      • The Tables Turned.
      • A Poet's Epitaph.
      • St. 5.
      • Personal Talk.
      • St. 3.
      • The Small Celandine. (From Poems referring to the Period of Old Age.)
      • Elegiac Stanzas suggested by a Picture of Peele Castle in a Storm.
      • St. 4.
      • Intimations of Immorality.
      • St 5.
      • St. xi.
      • THE EXCURSION.
      • Book i.
      • Book ii.
      • Book iii.
      • Book iv.
      • Book vi.
      • Book vii.
      • Book ix.
    • Quilt and Sorrow.
    • St. 41.
    • My Heart Leaps up.
    • Lucy Gray.
    • St. 2.
    • We are Seven.
    • The Pet Lamb.
    • The Brothers.
    • Stanzas written in Thomson.
    • Lucy.
    • The Solitary Reaper.
    • Rob Hoy's Grave.
    • St. 9.
    • Yarrow Unvisited.
    • Sonnets to National Independence and Liberty.
    • Part i. vi
    • Part i. xiv.
    • Part i. xvi.
    • Nutting.
    • She was a Phantom of Delight.
    • I Wandered Lonely.
    • Ruth.
    • Resolution and Independence.
    • Part i. St. 7
    • Hart-Leap Well.
    • Part ii
    • Tintern Abbey.
    • To a Skylark.
    • Peter Bell.
    • Prologue. St. 1.
    • Prologue. St. 27.
    • Part i. St. 12.
    • Part i. St. 15.
    • Part i. St. 26.
    • Miscellaneous Sonnets.
    • Part i. xxx.
    • Part i. xxxiii.
    • Part i. xxxv.
    • Part ii. xxxvi.
    • Ecclesiastical Sonnets.
    • Part iii. v. Walton's Book of Lives.
    • The Tables Turned.
    • A Poet's Epitaph.
    • St. 5.
    • Personal Talk.
    • St. 3.
    • The Small Celandine. (From Poems referring to the Period of Old Age.)
    • Elegiac Stanzas suggested by a Picture of Peele Castle in a Storm.
    • St. 4.
    • Intimations of Immorality.
    • St 5.
    • St. xi.
    • THE EXCURSION.
    • Book i.
    • Book ii.
    • Book iii.
    • Book iv.
    • Book vi.
    • Book vii.
    • Book ix.
  • HON. WILLIAM ROBERT SPENCER.
    • 1770-1834.
      • Lines to Lady A. Hamilton.
    • Lines to Lady A. Hamilton.
  • DR. GEORGE SEWELL.
    • —1726.
  • SAMUEL TAYLOR COLERIDGE.
    • 1772-1834
      • The Ancient Mariner.
      • Part i.
      • Part ii.
      • Part iv.
      • Part v.
      • Part vii.
      • Christabel. Part ii.
      • The Devil's Thoughts.
      • Love.
      • Reflections on having left a Place of Retirement.
      • Hymn in the Vale of Chamouni.
      • The Three Graves.
      • The Visit of the Gods.
      • The Knight's Tomb.
      • Cologne.
      • Wallenstein.
      • Part i. Act ii. Sc. 4.
      • The Death of Wallenstein.
      • Act. v. Sc. 1.
      • Act v. Sc. 1.
    • The Ancient Mariner.
    • Part i.
    • Part ii.
    • Part iv.
    • Part v.
    • Part vii.
    • Christabel. Part ii.
    • The Devil's Thoughts.
    • Love.
    • Reflections on having left a Place of Retirement.
    • Hymn in the Vale of Chamouni.
    • The Three Graves.
    • The Visit of the Gods.
    • The Knight's Tomb.
    • Cologne.
    • Wallenstein.
    • Part i. Act ii. Sc. 4.
    • The Death of Wallenstein.
    • Act. v. Sc. 1.
    • Act v. Sc. 1.
  • ROBERT SOUTHEY.
    • 1774-1843.
      • Curse of Kehama. Canto x.
    • Curse of Kehama. Canto x.
  • CHARLES LAMB.
    • 1775-1834.
      • Old Familiar Faces.
      • Detached Thoughts on Books.
    • Old Familiar Faces.
    • Detached Thoughts on Books.
  • THOMAS CAMPBELL.
    • 1777-1844.
      • Pleasures of Hope.
      • Part i. Line 7.
      • Line 359.
      • Line 381.
      • Part ii. Line 5.
      • Line 23.
      • Line 37.
      • Line 45.
      • Line 95.
      • Line 194.
      • Line 263.
      • Line 325.
      • Line 377.
      • O'Connor's Child.
      • Lochiel's Warning.
      • Ye Mariners of England.
      • The Soldier's Dream.
      • Hohenlinden.
      • Gertrude of Wyoming.
      • Part iii. St. 1.
    • Pleasures of Hope.
    • Part i. Line 7.
    • Line 359.
    • Line 381.
    • Part ii. Line 5.
    • Line 23.
    • Line 37.
    • Line 45.
    • Line 95.
    • Line 194.
    • Line 263.
    • Line 325.
    • Line 377.
    • O'Connor's Child.
    • Lochiel's Warning.
    • Ye Mariners of England.
    • The Soldier's Dream.
    • Hohenlinden.
    • Gertrude of Wyoming.
    • Part iii. St. 1.
  • WALTER SCOTT.
    • 1771-1832.
      • Canto ii. St. 1.
      • Canto ii. St. 12.
      • Canto ii. St. 22.
      • Canto iii. St. 2.
      • Canto v. St. 1.
      • Canto v. St. 13.
      • Canto vi. St. 1.
      • Canto vi. St. 2.
      • Marmion.
      • Canto ii. St. 27.
      • Canto v. St. 12.
      • Canto vi. St. 14.
      • Canto vi. St. 30,
      • Canto vi. St. 32.
      • Canto vi. Last Lines.
      • The Lady of the Lake.
      • Canto i. St. 18.
      • Canto i. St. 21.
      • Canto ii. St. 22.
      • Canto iv. St. 1.
      • Canto iv. St. 30.
      • Canto v. St. 10.
      • The Lord of the Isles.
      • Canto v. Stanza 18.
      • Old Mortality.
      • Vol. ii. Chapter xxi.
      • Bob Roy.
      • Vol. i. Chapter ii.
      • The Monastery.
      • Vol. i. Chapter ii.
    • Canto ii. St. 1.
    • Canto ii. St. 12.
    • Canto ii. St. 22.
    • Canto iii. St. 2.
    • Canto v. St. 1.
    • Canto v. St. 13.
    • Canto vi. St. 1.
    • Canto vi. St. 2.
    • Marmion.
    • Canto ii. St. 27.
    • Canto v. St. 12.
    • Canto vi. St. 14.
    • Canto vi. St. 30,
    • Canto vi. St. 32.
    • Canto vi. Last Lines.
    • The Lady of the Lake.
    • Canto i. St. 18.
    • Canto i. St. 21.
    • Canto ii. St. 22.
    • Canto iv. St. 1.
    • Canto iv. St. 30.
    • Canto v. St. 10.
    • The Lord of the Isles.
    • Canto v. Stanza 18.
    • Old Mortality.
    • Vol. ii. Chapter xxi.
    • Bob Roy.
    • Vol. i. Chapter ii.
    • The Monastery.
    • Vol. i. Chapter ii.
  • THOMAS MOORE.
    • 1780-1852.
      • Lalla Rookh. The Fire-Worshippers.
      • The Light of the Harem.
      • All that's bright must fade.
      • Farewell! But whenever you welcome the hour.
    • Lalla Rookh. The Fire-Worshippers.
    • The Light of the Harem.
    • All that's bright must fade.
    • Farewell! But whenever you welcome the hour.
  • REGINALD HEBER.
    • 1783-1826.
      • Christman Hymn.
      • Missionary Hymn.
      • Palestine.
    • Christman Hymn.
    • Missionary Hymn.
    • Palestine.
  • JONATHAN M. SEWALL.
    • Epilogue to Cato.
      • Written for the Bow Street Theatre, Portsmouth, N. H., 1778.
    • Written for the Bow Street Theatre, Portsmouth, N. H., 1778.
  • SAMUEL WOODWORTH.
    • 1785-1842.
  • LORD BYRON.
    • 1788-1821.
      • Childe Harold.
      • Canto i. St. 9.
      • Canto ii. St. 2.
      • Stanza 6.
      • Stanza 23.
      • Stanza 73.
      • Stanza 76.
      • Stanza 88.
      • Canto iii. St. 1.
      • Stanza 21.
      • Stanza 28.
      • Stanza 55.
      • Stanza 92.
      • Stanza 113.
      • Canto iv. St. 1.
      • Stanza 24.
      • Stanza 49.
      • Stanza 69.
      • Stanza 79.
      • Stanza 109.
      • Stanza 115.
      • Stanza 145.
      • Stanza 177.
      • Stanza 178.
      • Stanza 179.
      • Stanza 185.
      • Memoranda from his Life.
      • The Giaour. Line 72.
      • Line 92.
      • Line 106.
      • Line 123.
      • Line 418.
      • Parasina. St. 1.
      • The Bride of Abydos.
      • Canto i. St. 1.
      • Stanza 6.
      • Canto ii. St. 20.
      • Darkness.
      • Lara.
      • Canto i. St. 2.
      • The Corsair.
      • Canto i. St. 1.
      • Stanza 3.
      • Stanza 8.
      • Stanza 9.
      • Stanza 15.
      • Canto iii. St. 22.
      • Stanza 24.
      • Beppo.
      • Stanza 27.
      • Stanza 45.
      • Stanza 80.
      • The Dream.
      • The Waltz.
      • English Bards.
      • Monody on the Death of Sheridan.
      • Don Juan.
      • Canto i. St. 22.
      • Canto i. St. 117.
      • Canto xiii. St. 95.
      • Canto xv. St. 13.
      • Hebrew Melodies.
    • Childe Harold.
    • Canto i. St. 9.
    • Canto ii. St. 2.
    • Stanza 6.
    • Stanza 23.
    • Stanza 73.
    • Stanza 76.
    • Stanza 88.
    • Canto iii. St. 1.
    • Stanza 21.
    • Stanza 28.
    • Stanza 55.
    • Stanza 92.
    • Stanza 113.
    • Canto iv. St. 1.
    • Stanza 24.
    • Stanza 49.
    • Stanza 69.
    • Stanza 79.
    • Stanza 109.
    • Stanza 115.
    • Stanza 145.
    • Stanza 177.
    • Stanza 178.
    • Stanza 179.
    • Stanza 185.
    • Memoranda from his Life.
    • The Giaour. Line 72.
    • Line 92.
    • Line 106.
    • Line 123.
    • Line 418.
    • Parasina. St. 1.
    • The Bride of Abydos.
    • Canto i. St. 1.
    • Stanza 6.
    • Canto ii. St. 20.
    • Darkness.
    • Lara.
    • Canto i. St. 2.
    • The Corsair.
    • Canto i. St. 1.
    • Stanza 3.
    • Stanza 8.
    • Stanza 9.
    • Stanza 15.
    • Canto iii. St. 22.
    • Stanza 24.
    • Beppo.
    • Stanza 27.
    • Stanza 45.
    • Stanza 80.
    • The Dream.
    • The Waltz.
    • English Bards.
    • Monody on the Death of Sheridan.
    • Don Juan.
    • Canto i. St. 22.
    • Canto i. St. 117.
    • Canto xiii. St. 95.
    • Canto xv. St. 13.
    • Hebrew Melodies.
  • CHARLES WOLFE.
    • 1791-1823.
      • The Burial of Sir John Moore.
    • The Burial of Sir John Moore.
  • JOSEPH RODMAN DRAKE.
    • 1795-1820.
      • The American flag.
    • The American flag.
  • JOHN KEATS.
    • 1796-1820.
      • Endymion. Line 1.
      • St. Agnes' Eve. Stanza 27.
      • Hyperion. Line 5.
    • Endymion. Line 1.
    • St. Agnes' Eve. Stanza 27.
    • Hyperion. Line 5.
  • ROBERT POLLOK.
    • 1798-1827.
      • The Course of Time.
      • Book viii. Line 616.
    • The Course of Time.
    • Book viii. Line 616.
  • THOMAS HOOD.
    • 1798-1845.
      • The Death-Bed.
      • The Bridge of Sighs.
    • The Death-Bed.
    • The Bridge of Sighs.
  • SAMUEL ROGERS.
    • Human Life.
      • A Wish.
    • A Wish.
  • RICHARD MONCKTON MILNES.
    • Tragedy of the Lac de Gaube.
      • Stanza 2.
      • The Men of Old.
    • Stanza 2.
    • The Men of Old.
  • BRYAN W. PROCTOR.
    • The Sea.
  • ALFRED TENNYSON.
    • Locksley Hall.
      • In Memoriam. xxvii.
      • Fatima. St. 3.
      • The Princess. Canto iv.
      • Canto 7.
      • Lady Clara Vere de Vere.
    • In Memoriam. xxvii.
    • Fatima. St. 3.
    • The Princess. Canto iv.
    • Canto 7.
    • Lady Clara Vere de Vere.
  • HENRY TAYLOR
    • Philip Van Artevelde.
      • Part i. Act i. Sc. 5.
    • Part i. Act i. Sc. 5.
  • EDWARD BULWER-LYTTON.
    • Richelieu. Act ii. Sc. 2.
  • PHILIP JAMES BAILEY.
    • Festus.
  • THOMAS K. HERVEY.
    • The Devil's Progress.
  • JAMES ALDRICH.
    • A Death-Bed.
  • WILLIAM CULLEN BRYANT.
    • Thanatopsis.
      • March.
      • Autumn Woods.
      • Forest Hymn.
      • The Death of the Flowers.
      • The Battlefield.
    • March.
    • Autumn Woods.
    • Forest Hymn.
    • The Death of the Flowers.
    • The Battlefield.
  • FITZ-GREENE HALLECK.
    • Marco Bozzaris.
      • On the Death of Joseph Rodman Drake.
      • Burns.
    • On the Death of Joseph Rodman Drake.
    • Burns.
  • CHARLES SPRAGUE.
    • Curiosity.
      • Centennial Ode.
      • Stanza 22.
      • To my Cigar.
    • Centennial Ode.
    • Stanza 22.
    • To my Cigar.
  • HENRY W. LONGFELLOW.
    • A Psalm of Life.
      • The Light of Stars.
      • It is not always May.
      • Maidenhood.
      • The Goblet of Life.
      • Resignation.
      • The Golden Legend.
    • The Light of Stars.
    • It is not always May.
    • Maidenhood.
    • The Goblet of Life.
    • Resignation.
    • The Golden Legend.
  • OLIVER WENDELL HOLMES.
    • A Metrical Essay.
      • Urania.
      • The Music-Grinders.
    • Urania.
    • The Music-Grinders.
  • JAMES RUSSELL LOWELL.
    • The Vision of Sir Launfal.
      • The Changeling.
    • The Changeling.
  • WILLIAM BASSE.
    • 1613-1648.
      • On Shakespeare.
    • On Shakespeare.
  • DAVID EVERETT.
    • 1769-1813.
      • Lines written for a School Declamation.
    • Lines written for a School Declamation.
  • JOSEPH HOPKINSON.
    • 1770-1842.
      • Hail Columbia.
    • Hail Columbia.
  • F. S. KEY.
    • The Star-spangled Banner.
  • ALBERT G. GREENE.
    • Old Grimes.
  • JOHN LOUIS UHLAND.
    • The Passage. Translated by Mrs. Sarah Austin.
  • CHRISTOPHER P. CRANCH.
    • Stanzas.
  • EATON STANNARD BARRETT.
    • Woman.
  • MISS FANNY STEERS.
    • Song.
  • RICHARD BAXTER.
    • 1615-1691.
      • Love breathing Thanks and Praise.
    • Love breathing Thanks and Praise.
  • ROGER L'ESTRANGE.
    • 1616-1704.
      • Fables from several Authors.
      • Fable 398.
      • MISCELLANEOUS.
      • From Apophthegms, &c., first gathered and compiled in Latin, by Erasmus, and now translated into English by Nicholas Vdall. 8vo. 1542. Fol. 239.
      • From the Musarum Deliciae, compiled by Sir John Mennis and Dr. James Smith. 1640
    • Fables from several Authors.
    • Fable 398.
    • MISCELLANEOUS.
    • From Apophthegms, &c., first gathered and compiled in Latin, by Erasmus, and now translated into English by Nicholas Vdall. 8vo. 1542. Fol. 239.
    • From the Musarum Deliciae, compiled by Sir John Mennis and Dr. James Smith. 1640
  • RICHARD GRAFTON.
    • Abridgement of the Chronicles of Englande. 1570. 8vo.
      • The Return from Parnassus. 4to. London. 1606.
      • Lines used by Joint Hall, in encourage the Rebels in Wat Tyler's Rebellion. Hume's History of England, Vol. I. Chap. 17.
      • Note i.
      • From the Garland, a Collection of Poems.
    • The Return from Parnassus. 4to. London. 1606.
    • Lines used by Joint Hall, in encourage the Rebels in Wat Tyler's Rebellion. Hume's History of England, Vol. I. Chap. 17.
    • Note i.
    • From the Garland, a Collection of Poems.
  • THOMAS A KEMPIS.
    • 1380-1471.
      • Imitation of Christ.
      • Book i. Chapter 19.
      • Book i. Chapter 23.
      • Book iii. Chapter 12.
    • Imitation of Christ.
    • Book i. Chapter 19.
    • Book i. Chapter 23.
    • Book iii. Chapter 12.
  • FRANCIS RABELAIS.
    • 1483-1553.
      • Translated by Urquhart and Motteux.
      • Book i. Chapter 1. Note 2.
      • Book i. Chapter 5.
      • Book i. Chapter 11.
      • Book iv. Chapter 23.
      • Book iv. Chapter 24.
    • Translated by Urquhart and Motteux.
    • Book i. Chapter 1. Note 2.
    • Book i. Chapter 5.
    • Book i. Chapter 11.
    • Book iv. Chapter 23.
    • Book iv. Chapter 24.
  • MIGUEL DE CERVANTES.
    • 1547-1616.
      • Don Quixote. Translated by Jarvis.
      • Part i. Book iv. Ch. 20.
      • Part i. Book iv. Ch. 23.
      • Part ii. Book i. Ch. 4.
      • Part ii. Book iv. Oh. 16.
    • Don Quixote. Translated by Jarvis.
    • Part i. Book iv. Ch. 20.
    • Part i. Book iv. Ch. 23.
    • Part ii. Book i. Ch. 4.
    • Part ii. Book iv. Oh. 16.
  • SIR PHILIP SIDNEY.
    • 1554-1586.
      • The Defense of Poesy.
      • Arcadia. Book i.
    • The Defense of Poesy.
    • Arcadia. Book i.
  • THOMAS HOBBES.
    • 1588-1679.
      • The Leviathan.
      • Part i. Chap. 4.
    • The Leviathan.
    • Part i. Chap. 4.
  • FRANCIS BACON.
    • 1561-1626.
      • Essay viii. Of Marriage and Single Life.
      • Essay 1. Of Studies.
    • Essay viii. Of Marriage and Single Life.
    • Essay 1. Of Studies.
  • JOHN MILTON.
    • 1608-1674.
      • Tract on Education.
      • The Reason of Church Government urged against Prelaty.
      • Introduction to Book 2.
      • Areopagitica.
      • Apology for Smectymmius.
    • Tract on Education.
    • The Reason of Church Government urged against Prelaty.
    • Introduction to Book 2.
    • Areopagitica.
    • Apology for Smectymmius.
  • THOMAS FULLER.
    • 1608-1661.
      • Holy State. Book ii. Ch. 20. The Good Sea-captain.
      • Book iii. Ch. 12. Of Natural Fools.
      • Book iii. Ch. 22. Of Marriage.
      • Andronicus. Ad. fin. 1.
    • Holy State. Book ii. Ch. 20. The Good Sea-captain.
    • Book iii. Ch. 12. Of Natural Fools.
    • Book iii. Ch. 22. Of Marriage.
    • Andronicus. Ad. fin. 1.
  • ANDREW FLETCHER OF SALTOUN.
    • 1653-1716.
      • From a Letter to the Marquis of Montrose, the Earl of Rothes, &c.
    • From a Letter to the Marquis of Montrose, the Earl of Rothes, &c.
  • HENRY ST. JOHN, VISCOUNT BOLINGBROKE.
    • 1672-1751.
      • On the Study and Use of History. Letter 2.
    • On the Study and Use of History. Letter 2.
  • BENJAMIN FRANKLIN.
    • 1706-1790.
      • Poor Richard.
      • From a Letter to Miss Georgiana Shipley, on the Loss of her American Squirrel.
    • Poor Richard.
    • From a Letter to Miss Georgiana Shipley, on the Loss of her American Squirrel.
  • LAURENCE STERNE.
    • 1713-1768.
      • Tristam Shandy.
      • Vol. ii. Chapter xii.
      • Vol. iii. Chapter ix.
      • Vol. iii. Chapter xi.
      • Vol. vi. Chapter viii.
      • SENTIMENTAL JOURNEY.
      • Page 1.
      • In the Street. Calais.
      • The Passport. The Hotel at Paris.
      • Maria.
    • Tristam Shandy.
    • Vol. ii. Chapter xii.
    • Vol. iii. Chapter ix.
    • Vol. iii. Chapter xi.
    • Vol. vi. Chapter viii.
    • SENTIMENTAL JOURNEY.
    • Page 1.
    • In the Street. Calais.
    • The Passport. The Hotel at Paris.
    • Maria.
  • THOMAS PAINE.
    • 1737-1809.
      • Letter to the Addressers.
      • The Crisis. No. 1.
      • Age of Reason. Part ii. ad fin. (note).
    • Letter to the Addressers.
    • The Crisis. No. 1.
    • Age of Reason. Part ii. ad fin. (note).
  • DON JOSEPH PALAFOX.
    • 1780-1843.
      • At the Siege of Saragossa.
    • At the Siege of Saragossa.
  • THOMAS B. MACAULAY.
    • Edinburgh Review, Oct., 1840, on Ranke's History of the Popes.
  • JOHN RANDOLPH.
    • 1773-1833.
      • Speeches, 1828.
    • Speeches, 1828.
  • WASHINGTON IRVING.
    • The Creole Village.
  • FRANCIS DUC DE ROCHEFOUCAULD.
    • 1613-1680.
      • Maxim ccxvii.
    • Maxim ccxvii.
  • JOSEPH FOUCHE.
    • 1763-1820.
      • MISCELLANEOUS.
      • "The blood of the martyrs is the seed of the Church."
      • "Corporations have no souls."
      • "A Rowland for an Oliver."
      • "Hobson's Choice."
    • MISCELLANEOUS.
    • "The blood of the martyrs is the seed of the Church."
    • "Corporations have no souls."
    • "A Rowland for an Oliver."
    • "Hobson's Choice."
  • ADDENDA.
    • SHAKESPEARE.
      • Measure for Measure. Act v. Sc. 1.
      • King Henry VI. Part i. Act i, Sc. 1.
    • Measure for Measure. Act v. Sc. 1.
    • King Henry VI. Part i. Act i, Sc. 1.
    • MILTON.
      • Sonnet xi. To Cromwell.
    • Sonnet xi. To Cromwell.
    • GEORGE HERBERT.
      • The Elixir.
      • SAMUEL BUTLER
      • Hudibras. P. ii. C. i. Line 843.
      • JAMES THOMSON.
      • Seasons. Winter, Line 625.
      • WILLIAM WORDSWORTH
      • Tintern Abbey.
    • The Elixir.
    • SAMUEL BUTLER
    • Hudibras. P. ii. C. i. Line 843.
    • JAMES THOMSON.
    • Seasons. Winter, Line 625.
    • WILLIAM WORDSWORTH
    • Tintern Abbey.
  • INDEX
    • FOOTNOTES:
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