Familiar Quotations

A COLLECTION OF FAMILIAR QUOTATIONS.

WITH

COMPLETE INDICES OF AUTHORS AND SUBJECTS.

NEW YORK: HURST & COMPANY, PUBLISHERS.

INDEX OF AUTHORS:

PREFACE:

A COLLECTION OF

FAMILIAR QUOTATIONS

HOLY SCRIPTURES.

OLD TESTAMENT.

Genesis ii. 18.

Genesis iii. 19.

Genesis iv. 9.

Genesis iv. 13.

Genesis ix. 6.

Genesis xvi. 12.

Genesis xlii. 38.

Genesis xlix. 4.

Deuteronomy xix. 21.

Deuteronomy xxxii. 10.

Judges xvi. 9.

Ruth i. 16.

Samuel xiii. 14.

Samuel i. 20.

Samuel i. 23.

Samuel i. 25.

Samuel i. 26.

Samuel xii. 7.

Kings ix, 7.

Kings xviii. 21.

Kings xviii. 44.

Kings xix. 12.

Kings xx. 11.

Kings iv. 40.

Job i. 21.

Job iii. 17.

Job v. 7.

Job xvi. 2.

Job xix. 25.

Job xxviii. 18.

Job xxix. 15.

Job xxxi. 35.

Job xxxviii. 11.

Psalm xvi. 6.

Psalm xviii. 10.

Psalm xxiii. 2.

Psalm xxiii. 4.

Psalm xxxvii. 25.

Psalm xxxvii. 35.

Psalm xxxvii. 37.

Psalm xxxix. 3.

Psalm xlv. 1.

Psalm lv. 6.

Psalm lxxii. 9.

Psalm lxxxv. 10.

Psalm xc. 9.

Psalm cvii. 27.

Psalm cxxvii. 2.

Psalm cxxxiii. 1.

Psalm cxxxvii. 5.

Psalm cxxxvii. 2.

Psalm cxxxix. 14.

Proverbs iii. 17.

Proverbs xi. 14.

Proverbs xiii. 12.

Proverbs xiv. 9.

Proverbs xiv. 10.

Proverbs xiv. 34.

Proverbs xv. 1.

Proverbs xv. 17.

Proverbs xvi. 18.

Proverbs xvi. 31.

Proverbs xviii. 14.

Proverbs xxii. 6.

Proverbs xxiii. 5.

Proverbs xxiv. 33.

Proverbs xxvi. 13.

Proverbs xxvii. 1.

Proverbs xxviii. 1.

Ecclesiastes i. 9.

Ecclesiastes i. 14.

Ecclesiastes v. 12.

Ecclesiastes vii. 2.

Ecclesiastes vii. 16.

Ecclesiastes ix. 4.

Ecclesiastes ix. 10.

Ecclesiastes ix. 11.

Ecclesiastes xi. 1.

Ecclesiastes xii. 1.

Ecclesiastes xii. 5.

Ecclesiastes xii. 6.

Ecclesiastes xii. 7.

Ecclesiastes xii. 8.

Ecclesiastes xii. 12.

Isaiah xi. 6.

Isaiah xxviii. 10.

Isaiah xxxviii. 1.

Isaiah xl. 6.

Isaiah xl. 15.

Isaiah xlii. 3.

Isaiah liii. 7.

Isaiah lx. 22.

Isaiah lxi. 3.

Isaiah lxiv. 6.

Jeremiah vii. 3.

Jeremiah viii. 22.

Jeremiah xiii. 23.

Ezekiel xviii. 2.

Daniel v. 27.

Daniel vi. 12.

Hosea viii. 7.

Micah iv. 3.

Micah iv. 4.

Habakkuk ii. 2.

Malachi iv. 2.

Ecelesiasticus xiii. 1.

Ecelesiasticus xiii. 7.

Genesis ii. 18.

Genesis iii. 19.

Genesis iv. 9.

Genesis iv. 13.

Genesis ix. 6.

Genesis xvi. 12.

Genesis xlii. 38.

Genesis xlix. 4.

Deuteronomy xix. 21.

Deuteronomy xxxii. 10.

Judges xvi. 9.

Ruth i. 16.

Samuel xiii. 14.

Samuel i. 20.

Samuel i. 23.

Samuel i. 25.

Samuel i. 26.

Samuel xii. 7.

Kings ix, 7.

Kings xviii. 21.

Kings xviii. 44.

Kings xix. 12.

Kings xx. 11.

Kings iv. 40.

Job i. 21.

Job iii. 17.

Job v. 7.

Job xvi. 2.

Job xix. 25.

Job xxviii. 18.

Job xxix. 15.

Job xxxi. 35.

Job xxxviii. 11.

Psalm xvi. 6.

Psalm xviii. 10.

Psalm xxiii. 2.

Psalm xxiii. 4.

Psalm xxxvii. 25.

Psalm xxxvii. 35.

Psalm xxxvii. 37.

Psalm xxxix. 3.

Psalm xlv. 1.

Psalm lv. 6.

Psalm lxxii. 9.

Psalm lxxxv. 10.

Psalm xc. 9.

Psalm cvii. 27.

Psalm cxxvii. 2.

Psalm cxxxiii. 1.

Psalm cxxxvii. 5.

Psalm cxxxvii. 2.

Psalm cxxxix. 14.

Proverbs iii. 17.

Proverbs xi. 14.

Proverbs xiii. 12.

Proverbs xiv. 9.

Proverbs xiv. 10.

Proverbs xiv. 34.

Proverbs xv. 1.

Proverbs xv. 17.

Proverbs xvi. 18.

Proverbs xvi. 31.

Proverbs xviii. 14.

Proverbs xxii. 6.

Proverbs xxiii. 5.

Proverbs xxiv. 33.

Proverbs xxvi. 13.

Proverbs xxvii. 1.

Proverbs xxviii. 1.

Ecclesiastes i. 9.

Ecclesiastes i. 14.

Ecclesiastes v. 12.

Ecclesiastes vii. 2.

Ecclesiastes vii. 16.

Ecclesiastes ix. 4.

Ecclesiastes ix. 10.

Ecclesiastes ix. 11.

Ecclesiastes xi. 1.

Ecclesiastes xii. 1.

Ecclesiastes xii. 5.

Ecclesiastes xii. 6.

Ecclesiastes xii. 7.

Ecclesiastes xii. 8.

Ecclesiastes xii. 12.

Isaiah xi. 6.

Isaiah xxviii. 10.

Isaiah xxxviii. 1.

Isaiah xl. 6.

Isaiah xl. 15.

Isaiah xlii. 3.

Isaiah liii. 7.

Isaiah lx. 22.

Isaiah lxi. 3.

Isaiah lxiv. 6.

Jeremiah vii. 3.

Jeremiah viii. 22.

Jeremiah xiii. 23.

Ezekiel xviii. 2.

Daniel v. 27.

Daniel vi. 12.

Hosea viii. 7.

Micah iv. 3.

Micah iv. 4.

Habakkuk ii. 2.

Malachi iv. 2.

Ecelesiasticus xiii. 1.

Ecelesiasticus xiii. 7.

COMMON PRAYER.

Morning Prayer.

Psalm cv. 18.

The Burial Service.

Morning Prayer.

Psalm cv. 18.

The Burial Service.

NEW TESTAMENT.

Matthew ii. 18.

Matthew iv. 4.

Matthew v. 13.

Matthew v. 14.

Matthew vi. 3.

Matthew vi. 21.

Matthew vi. 24.

Matthew vi. 28.

Matthew vi. 34.

Matthew vii. 6.

Matthew vii. 7.

Matthew viii. 20.

Matthew ix. 37.

Matthew x. 16.

Matthew x. 30.

Matthew xii. 33.

Matthew xii. 34.

Matthew xiii. 57.

Matthew xiv. 27.

Matthew xv. 14.

Matthew xv. 27.

Matthew xvi. 23.

Matthew xvi. 26.

Matthew xvii. 4.

Matthew xix. 6.

Matthew xix. 24.

Matthew xx. 15.

Matthew xxii. 14.

Matthew xxiii. 24.

Matthew xxiii. 27.

Matthew xxiv. 28.

Matthew xxv. 29.

Matthew xxvi. 41.

Mark iv. 9.

Mark v. 9.

Mark ix. 44.

Luke iii. 9.

Luke iv. 23.

Luke x. 37.

Luke x. 42.

Luke xi. 23.

Luke xii. 19.

Luke xii. 35.

Luke xvi. 8.

Luke xvii. 2.

Luke xvii. 32.

Luke xix. 22.

John i. 29.

John i. 46.

John iii. 3.

John iii. 8.

John v. 35.

John vi. 12.

John vii. 24.

John xii. 8.

John xii, 35.

John xiv. 1.

John xiv. 2.

John xv. 13.

Acts ix. 5.

Acts xx. 35.

Romans ii. 11.

Romans vi. 23.

Romans viii. 28.

Romans xii. 16.

Romans xii. 20.

Romans xii. 21.

Romans xiii. 1.

Romans xiii. 7.

Romans xiii. 10.

Romans xiv. 5.

1 Corinthians iii. 6.

1 Corinthians iii. 13.

1 Corinthians v. 3.

1 Corinthians v. 6.

1 Corinthians vii. 31.

1 Corinthians ix. 22.

1 Corinthians x. 12.

1 Corinthians xiii. 1.

1 Corinthians xiii. 11.

1 Corinthians xiii. 12.

1 Corinthians xv. 33.

1 Corinthians xv. 47.

1 Corinthians xv. 55.

2 Corinthians v. 7.

2 Corinthians vi. 2.

2 Corinthians vi. 8.

Galatians vi. 5.

Galatians vi. 7.

Ephesians iv. 26.

Philippians i. 21.

Colossians ii. 21.

1 Thessalonians i. 3.

1 Thessalonians v. 21.

1 Timothy iii. 3,

1 Timothy v. 18.

1 Timothy v. 23.

1 Timothy vi. 10.

2 Timothy iv. 7.

Titus i. 15.

Hebrews xi. 1.

Hebrews xii. 6.

Hebrews xiii. 2.

James i. 12.

James iii. P

James iv. 7.

1 Peter iv. 8.

1 Peter v. 8.

2 Peter iii. 10.

1 John iv. 18.

Revelation ii. 10.

Revelation ii. 27.

Revelation xxii. 13.

Matthew ii. 18.

Matthew iv. 4.

Matthew v. 13.

Matthew v. 14.

Matthew vi. 3.

Matthew vi. 21.

Matthew vi. 24.

Matthew vi. 28.

Matthew vi. 34.

Matthew vii. 6.

Matthew vii. 7.

Matthew viii. 20.

Matthew ix. 37.

Matthew x. 16.

Matthew x. 30.

Matthew xii. 33.

Matthew xii. 34.

Matthew xiii. 57.

Matthew xiv. 27.

Matthew xv. 14.

Matthew xv. 27.

Matthew xvi. 23.

Matthew xvi. 26.

Matthew xvii. 4.

Matthew xix. 6.

Matthew xix. 24.

Matthew xx. 15.

Matthew xxii. 14.

Matthew xxiii. 24.

Matthew xxiii. 27.

Matthew xxiv. 28.

Matthew xxv. 29.

Matthew xxvi. 41.

Mark iv. 9.

Mark v. 9.

Mark ix. 44.

Luke iii. 9.

Luke iv. 23.

Luke x. 37.

Luke x. 42.

Luke xi. 23.

Luke xii. 19.

Luke xii. 35.

Luke xvi. 8.

Luke xvii. 2.

Luke xvii. 32.

Luke xix. 22.

John i. 29.

John i. 46.

John iii. 3.

John iii. 8.

John v. 35.

John vi. 12.

John vii. 24.

John xii. 8.

John xii, 35.

John xiv. 1.

John xiv. 2.

John xv. 13.

Acts ix. 5.

Acts xx. 35.

Romans ii. 11.

Romans vi. 23.

Romans viii. 28.

Romans xii. 16.

Romans xii. 20.

Romans xii. 21.

Romans xiii. 1.

Romans xiii. 7.

Romans xiii. 10.

Romans xiv. 5.

1 Corinthians iii. 6.

1 Corinthians iii. 13.

1 Corinthians v. 3.

1 Corinthians v. 6.

1 Corinthians vii. 31.

1 Corinthians ix. 22.

1 Corinthians x. 12.

1 Corinthians xiii. 1.

1 Corinthians xiii. 11.

1 Corinthians xiii. 12.

1 Corinthians xv. 33.

1 Corinthians xv. 47.

1 Corinthians xv. 55.

2 Corinthians v. 7.

2 Corinthians vi. 2.

2 Corinthians vi. 8.

Galatians vi. 5.

Galatians vi. 7.

Ephesians iv. 26.

Philippians i. 21.

Colossians ii. 21.

1 Thessalonians i. 3.

1 Thessalonians v. 21.

1 Timothy iii. 3,

1 Timothy v. 18.

1 Timothy v. 23.

1 Timothy vi. 10.

2 Timothy iv. 7.

Titus i. 15.

Hebrews xi. 1.

Hebrews xii. 6.

Hebrews xiii. 2.

James i. 12.

James iii. P

James iv. 7.

1 Peter iv. 8.

1 Peter v. 8.

2 Peter iii. 10.

1 John iv. 18.

Revelation ii. 10.

Revelation ii. 27.

Revelation xxii. 13.

SHAKESPEARE.

TEMPEST.

Act i. Sc. 2.

Act ii. Sc. 2.

Act iv. Sc. 1.

Act i. Sc. 2.

Act ii. Sc. 2.

Act iv. Sc. 1.

TWO GENTLEMEN OF VERONA.

Act i. Sc. 2.

Act iv. Sc. 1.

Act iv. Sc. 4.

Act i. Sc. 2.

Act iv. Sc. 1.

Act iv. Sc. 4.

MERRY WIVES OF WINDSOR.

Act ii. Sc. 1.

Act ii. Sc. 2.

Act v. Sc. 1.

Act ii. Sc. 1.

Act ii. Sc. 2.

Act v. Sc. 1.

TWELFTH NIGHT.

Act i. Sc. 1.

Act i. Sc, 3.

Act i. Sc. 5.

Act ii. Sc. 3.

Act ii. Sc. 4.

Act iii. Sc. 1.

Act iii. Sc, 2.

Act iii. Sc. 4.

Act i. Sc. 1.

Act i. Sc, 3.

Act i. Sc. 5.

Act ii. Sc. 3.

Act ii. Sc. 4.

Act iii. Sc. 1.

Act iii. Sc, 2.

Act iii. Sc. 4.

MEASURE FOR MEASURE.

Act i. Sc. 1.

Act i. Sc. 5.

Act ii. Sc. 2.

Act iii. Sc. 1.

Act iv. Sc. 1.

Act i. Sc. 1.

Act i. Sc. 5.

Act ii. Sc. 2.

Act iii. Sc. 1.

Act iv. Sc. 1.

MUCH ADO ABOUT NOTHING.

Act i. Sc. 1.

Act ii. Sc. 1.

Act ii. Sc. 3.

Act iii. Sc. 1.

Act iii. Sc. 2.

Act iii. Sc. 3.

Act iii. Sc. 4.

Act iv. Sc. 2.

Act v. Sc. 1.

Act i. Sc. 1.

Act ii. Sc. 1.

Act ii. Sc. 3.

Act iii. Sc. 1.

Act iii. Sc. 2.

Act iii. Sc. 3.

Act iii. Sc. 4.

Act iv. Sc. 2.

Act v. Sc. 1.

MIDSUMMER NIGHT'S DREAM.

Act i. Sc. 1.

Act i. Sc. 2.

Act ii. Sc. 2.

Act iii. Sc. 2.

Act v. Sc. 1.

Act i. Sc. 1.

Act i. Sc. 2.

Act ii. Sc. 2.

Act iii. Sc. 2.

Act v. Sc. 1.

LOVE'S LABOR'S LOST.

Act ii. Sc. 1.

Act v. Sc. 1.

Act ii. Sc. 1.

Act v. Sc. 1.

MERCHANT OF VENICE.

Act i. Sc. 1.

Act i, Sc. 1.

Act i. Sc. 3.

Act ii. Sc. 2.

Act ii, Sc. 6.

Act ii. Sc. 7.

Act iii. Sc. 1.

Act iii. Sc. 5.

Act iv. Sc. 1.

Act v. Sc. 1.

Act i. Sc. 1.

Act i, Sc. 1.

Act i. Sc. 3.

Act ii. Sc. 2.

Act ii, Sc. 6.

Act ii. Sc. 7.

Act iii. Sc. 1.

Act iii. Sc. 5.

Act iv. Sc. 1.

Act v. Sc. 1.

AS YOU LIKE IT.

Act i. Sc. 2.

Act i. Sc. 3.

Act ii. Sc. 1.

Act ii. Sc. 3.

Act ii. Sc. 7.

Act iii. Sc. 2.

Act iii. Sc. 8.

Act iv. Sc. 1.

Act iv. Sc. 3.

Act v. Sc. 2.

Act v. Sc. 4.

Epilogue.

Act i. Sc. 2.

Act i. Sc. 3.

Act ii. Sc. 1.

Act ii. Sc. 3.

Act ii. Sc. 7.

Act iii. Sc. 2.

Act iii. Sc. 8.

Act iv. Sc. 1.

Act iv. Sc. 3.

Act v. Sc. 2.

Act v. Sc. 4.

Epilogue.

TAMING OF THE SHREW.

Act iv. Sc. 1,

Act v. Sc. 2.

Act iv. Sc. 1,

Act v. Sc. 2.

WINTER'S TALE.

Act iv. Sc. 2.

Act iv. Sc. 3.

Act iv. Sc. 2.

Act iv. Sc. 3.

ALL'S WELL THAT ENDS WELL.

Act i. Sc. 1.

Act v. Sc. 3.

Act i. Sc. 1.

Act v. Sc. 3.

COMEDY OF ERRORS.

Act v. Sc. 1.

MACBETH.

Act i. Sc. 1.

Act i. Sc. 3.

Act i. Sc. 4.

Act i. Sc. 5.

Act i. Sc. 7.

Act i. Sc, 7.

Act i. Sc. 7.

Act ii. Sc. 1.

Act ii. Sc. 2.

Act ii. Sc. 3.

Act ii. Sc. 4.

Act iii. Sc, 1.

Act iii. Sc. 1.

Act iii. Sc. 2.

Act iii. Sc. 4.

Act iv. Sc. 1.

Act iv. Sc. 3.

Act v. Sc. 3.

Act v. Sc, 3.

Act v. Sc. 3.

Act v, Sc. 5.

Act v. Sc. 5.

Act. v. Sc. 7.

Act v. Sc. 7.

Act i. Sc. 1.

Act i. Sc. 3.

Act i. Sc. 4.

Act i. Sc. 5.

Act i. Sc. 7.

Act i. Sc, 7.

Act i. Sc. 7.

Act ii. Sc. 1.

Act ii. Sc. 2.

Act ii. Sc. 3.

Act ii. Sc. 4.

Act iii. Sc, 1.

Act iii. Sc. 1.

Act iii. Sc. 2.

Act iii. Sc. 4.

Act iv. Sc. 1.

Act iv. Sc. 3.

Act v. Sc. 3.

Act v. Sc, 3.

Act v. Sc. 3.

Act v, Sc. 5.

Act v. Sc. 5.

Act. v. Sc. 7.

Act v. Sc. 7.

KING JOHN.

Act ii. Sc. 1.

Act iii. Sc. 1.

Act iii. Sc. 4.

Act iv. Sc. 2.

Act ii. Sc. 1.

Act iii. Sc. 1.

Act iii. Sc. 4.

Act iv. Sc. 2.

KING RICHARD II.

Act i. Sc. 3.

Act ii. Sc. 1.

Act i. Sc. 3.

Act ii. Sc. 1.

FIRST PART OF KING HENRY IV.

Act i. Sc. 2.

Act i. Sc. 3.

Act ii. Sc. 1.

Act ii. Sc. 4.

Act iii. Sc. 1.

Act iii. Sc. 3.

Act v. Sc. 4.

Act i. Sc. 2.

Act i. Sc. 3.

Act ii. Sc. 1.

Act ii. Sc. 4.

Act iii. Sc. 1.

Act iii. Sc. 3.

Act v. Sc. 4.

SECOND PART OF KING HENRY IV.

Act i. Sc. 1.

Act i. Sc. 2.

Act ii. Sc. 2.

Act ii. Sc. 3.

Act iii. Sc. 1.

Act iv. Sc. 4.

Act v. Sc. 3.

Act i. Sc. 1.

Act i. Sc. 2.

Act ii. Sc. 2.

Act ii. Sc. 3.

Act iii. Sc. 1.

Act iv. Sc. 4.

Act v. Sc. 3.

KING HENRY V.

Act i. Sc. 1.

Act i, Sc. 1.

Act ii Sc. 1.

Act ii. Sc. 3.

Act iv. Chorus.

Act iv. Sc. 3.

Act i. Sc. 1.

Act i, Sc. 1.

Act ii Sc. 1.

Act ii. Sc. 3.

Act iv. Chorus.

Act iv. Sc. 3.

FIRST PART OF KING HENRY VI.

Act v. Sc. 3.

SECOND PART OF KING HENRY VI.

Act iii. Sc. 1.

Act iii. Sc. 2.

Act iii. Sc. 3.

Act iii. Sc. 1.

Act iii. Sc. 2.

Act iii. Sc. 3.

THIRD PART OF KING HENRY VI.

Act v. Sc. 6.

KING RICHARD III

Act i. Sc. 1.

Act i. Sc. 2.

Act i. Sc. 4.

Act iv. Sc. 2.

Act iv. Sc. 4.

Act v. Sc. 2.

Act v. Sc. 3.

Act v. Sc. 4.

Act i. Sc. 1.

Act i. Sc. 2.

Act i. Sc. 4.

Act iv. Sc. 2.

Act iv. Sc. 4.

Act v. Sc. 2.

Act v. Sc. 3.

Act v. Sc. 4.

KING HENRY VIII.

Act ii. Sc. 3.

Act iii. Sc. 2.

Act iv. Sc. 2.

Act v. Sc. 2.

Act ii. Sc. 3.

Act iii. Sc. 2.

Act iv. Sc. 2.

Act v. Sc. 2.

TROILUS AND CRESSIDA.

Act iii. Sc. 3.

CORIOLANUS.

Act iii. Sc. 1.

JULIUS CAESAR.

Act i. Sc. 2.

Act ii. Sc. 1.

Act ii. Sc. 2.

Act iii. Sc. 1.

Act iii. Sc. 2.

Act iii. Sc. 2..

Act iii. Sc. 2.

Act iv. Sc. 2.

Act iv. Sc. 3.

Act v. Sc. 5.

Act i. Sc. 2.

Act ii. Sc. 1.

Act ii. Sc. 2.

Act iii. Sc. 1.

Act iii. Sc. 2.

Act iii. Sc. 2..

Act iii. Sc. 2.

Act iv. Sc. 2.

Act iv. Sc. 3.

Act v. Sc. 5.

ANTONY AND CLEOPATRA.

Act i. Sc. 1.

Act ii. Sc. 2.

Act i. Sc. 1.

Act ii. Sc. 2.

CYMBELINE.

Act ii. Sc. 3.

Act iii. Sc. 2.

Act iii. Sc. 6.

Act ii. Sc. 3.

Act iii. Sc. 2.

Act iii. Sc. 6.

KING LEAR.

Act i. Sc. 4.

Act ii. Sc. 4.

Act iil. Sc. 2.

Act iii. Sc. 2.

Act iii. Sc. 4.

Act iii. Sc. 6.

Act iv. Sc. 6.

Act. iv. Sc. 6.

Act iv. Sc. 6.

Act v. Sc. 3.

Act. v. Sc. 3.

Act i. Sc. 4.

Act ii. Sc. 4.

Act iil. Sc. 2.

Act iii. Sc. 2.

Act iii. Sc. 4.

Act iii. Sc. 6.

Act iv. Sc. 6.

Act. iv. Sc. 6.

Act iv. Sc. 6.

Act v. Sc. 3.

Act. v. Sc. 3.

ROMEO AND JULIET.

Act i. Sc. 1.

Act i. Sc. 2.

Act i. Sc. 5.

Act ii. Sc. 2.

Act ii. Sc. 3.

Act ii. Sc. 4.

Act ii, Sc. 6.

Act iii. Sc, 1.

Act iii. Sc. 1.

Act iii. Sc. 3.

Act iii. Sc. 5.

Act iv. Sc. 2.

Act v. Sc. I.

Act v. Sc. 1.

Act v. Sc. 3.

Act i. Sc. 1.

Act i. Sc. 2.

Act i. Sc. 5.

Act ii. Sc. 2.

Act ii. Sc. 3.

Act ii. Sc. 4.

Act ii, Sc. 6.

Act iii. Sc, 1.

Act iii. Sc. 1.

Act iii. Sc. 3.

Act iii. Sc. 5.

Act iv. Sc. 2.

Act v. Sc. I.

Act v. Sc. 1.

Act v. Sc. 3.

HAMLET.

Act i. Sc. 1.

Act i. Sc. 2.

Act i, Sc. 2.

Act i. Sc. 2.

Act i. Sc. 3.

Act i. Sc. 4.

Act i. Sc. 5.

Act ii. Sc. 1.

Act ii. Sc. 2.

Act ii. Sc. 2,

Act ii. Sc. 2.

Act iii. Sc. 1.

Act iii. Sc. X.

Act iii. Sc. 2.

Act iii. Sc. 3.

Act iii. Sc. 4.

Act iv. Sc. 5.

Act v. Sc. 1.

Act v. Sc. 2.

Act i. Sc. 1.

Act i. Sc. 2.

Act i, Sc. 2.

Act i. Sc. 2.

Act i. Sc. 3.

Act i. Sc. 4.

Act i. Sc. 5.

Act ii. Sc. 1.

Act ii. Sc. 2.

Act ii. Sc. 2,

Act ii. Sc. 2.

Act iii. Sc. 1.

Act iii. Sc. X.

Act iii. Sc. 2.

Act iii. Sc. 3.

Act iii. Sc. 4.

Act iv. Sc. 5.

Act v. Sc. 1.

Act v. Sc. 2.

OTHELLO.

Act i. Sc. 1.

Act i. Sc. 3.

Act ii. Sc. 1.

Act ii. Sc. 3.

Act iii. Sc. 3.

Act iv. Sc. 1.

Act iv. Sc. 2.

Act iv. Sc. 3.

Act v. Sc. 1.

Act v. Sc. 2.

Act i. Sc. 1.

Act i. Sc. 3.

Act ii. Sc. 1.

Act ii. Sc. 3.

Act iii. Sc. 3.

Act iv. Sc. 1.

Act iv. Sc. 2.

Act iv. Sc. 3.

Act v. Sc. 1.

Act v. Sc. 2.

THOMAS TUSSER.

1523-1580.

Moral Reflections on the Wind.

FULKE GREVILLE, LORD BROOKE.

1554-1624.

Mustapha.

Act v. Sc. 4.

Sonnet LVI.

Mustapha.

Act v. Sc. 4.

Sonnet LVI.

CHRISTOPHER MARLOWE.

1565-1593.

Hero and Leander.

The Passionate Shepherd to his Love.

Hero and Leander.

The Passionate Shepherd to his Love.

SIR WALTER RALEIGH.

1552-1618.

The Nymph's Reply to the Passionate Shepherd.

The Silent Lover.

The Nymph's Reply to the Passionate Shepherd.

The Silent Lover.

JOSHUA SYLVESTER

1563-1618.

The Soul's Errand[3]

RICHARD BARNFIELD.

Address to the Nightingale.[4]

EDMUND SPENSER.

1553-1597.

Faerie Queene.

Book i. Canto i. St. 35.

Book 1. Canto iii. St. 4.

Book i. Canto ix. St. 35.

Book ii. Canto vi. St. 12.

Book iv. Canto ii. St.

Lines on his Promised Pension.

Hymn in Honor of Beauty. Line 132.

Faerie Queene.

Book i. Canto i. St. 35.

Book 1. Canto iii. St. 4.

Book i. Canto ix. St. 35.

Book ii. Canto vi. St. 12.

Book iv. Canto ii. St.

Lines on his Promised Pension.

Hymn in Honor of Beauty. Line 132.

MOTHER HUBBERD'S TALE.

SIR HENRY WOTTON.

1568-1639.

The Character of a Happy Life.

To his Mistress, the Queen of Bohemia.

The Character of a Happy Life.

To his Mistress, the Queen of Bohemia.

DR. JOHN DONNE.

1573-1631.

FUNERAL ELEGIES, ON THE PROGRESS OF THE SOUL.

The Second Anniversary. Line 245.

Elegy 8. The Comparison.

FUNERAL ELEGIES, ON THE PROGRESS OF THE SOUL.

The Second Anniversary. Line 245.

Elegy 8. The Comparison.

BEN JONSON.

1571-1637.

To Celia.

The Sweet Neglect.

Good Life, Long Life.

Epitaph on Elizabeth.

Epitaph on the Countess of Pembroke.

To the Memory of Shakespeare.

Every Man in his Humor. Act. ii. Sc. 3.

To Celia.

The Sweet Neglect.

Good Life, Long Life.

Epitaph on Elizabeth.

Epitaph on the Countess of Pembroke.

To the Memory of Shakespeare.

Every Man in his Humor. Act. ii. Sc. 3.

FRANCIS BEAUMONT.

1585-1616.

Letter to Ben Jonson.

GEORGE WITHER.

1588-1667.

The Shepherd's Resolution.

FRANCIS QUARLES.

1592-1644.

Emblems. Book ii. 2.

Book ii. Epigram 10.

Emblems. Book ii. 2.

Book ii. Epigram 10.

GEORGE HERBERT.

1593-1632.

Virtue.

SIR JOHN SUCKLING.

1608-1644.

On a Wedding.

Song.

On a Wedding.

Song.

ROBERT HERRICK.

1591-1660.

The Rock of Rubies, and the Quarrie of Pearls.

On her Feet.

To the Virgins to make much of Time.

Night Piece to Julia.

The Rock of Rubies, and the Quarrie of Pearls.

On her Feet.

To the Virgins to make much of Time.

Night Piece to Julia.

SIR RICHARD LOVELACE.

1618-1658.

Orpheus to Beasts.

To Lucasta on Going to the Wars.

To Althea from Prison.

Orpheus to Beasts.

To Lucasta on Going to the Wars.

To Althea from Prison.

JAMES SHIRLEY.

1596-1666.

Contention of Ajax and Ulysses.

RICHARD CRASHAW.

—1650.

In Praise of Lessius' Rule of Health.

THOMAS DEKKER.

—1638.

Old Fortunatus.

We are ne'er like angels till our passion dies.

Old Fortunatus.

We are ne'er like angels till our passion dies.

ABRAHAM COWLEY.

1618-1667.

The Waiting-Maid.

The Motto.

On the Death of Crashaw.

The Garden. Essay V.

The Waiting-Maid.

The Motto.

On the Death of Crashaw.

The Garden. Essay V.

SIR JOHN DENHAM.

1615-1679.

Cooper's Hill.

The Sophy. A Tragedy.

Cooper's Hill.

The Sophy. A Tragedy.

THOMAS CAREW.

1589-1639.

Disdain Returned.

Conquest by Flight.

Disdain Returned.

Conquest by Flight.

EDMUND WALLER.

1605-1687.

Verses upon his Divine Poesy.

On a Girdle.

Go, Lovely Rose.

To a Lady, Singing a Song of his Composing.

Verses upon his Divine Poesy.

On a Girdle.

Go, Lovely Rose.

To a Lady, Singing a Song of his Composing.

MILTON.

1608-1674.

PARADISE LOST.

Book i. Line 10.

Book i. Line 22.

Book i. Line 62.

Book i. Line 65.

Book i. Line 105.

Book i. Line 254.

Book i. Line 261.

Book i. Line 275.

Book i. Line 303.

Book i. Line 330.

Book i. Line 540.

Book i. Line 550.

Book i. Line 619.

Book i. Line 742.

Book ii. Line 113.

Book ii. Line 300.

Book ii. Line 306.

Book ii. Line 560.

Book ii. Line 666.

Book ii. Line 681.

Book ii. Line 846.

Book ii. Line 996.

Book iii. Line 1.

Book iii. Line 44.

Book iii. Line 495.

Book iv. Line 34.

Book iv. Line 76.

Book iv. Line 108.

Book iv. Line 297.

Book iv. Line 300.

Book iv. Line 506.

Book iv, Line 598.

Book iv. Line 639.

Book iv. Line 677.

Book iv. Line 750.

Book iv. Line 830,

Book v. Line 1.

Book v. Line 71.

Book v. Line 153.

Book v. Line 331,

Book v. Line 601.

Book v. Line 637.

Book vi. Line 211.

Book vii. Line 30.

Book viii. Line 84.

Book viii. Line 488.

Book viii. Line 502.

Book viii. Line 548.

Book viii. Line 600.

Book viii. Line 618.

Book ix. Line 249.

Book x. Line 77.

Book xii. Line 646.

PARADISE REGAINED.

Book iv Line 240.

Book iv. Line 267.

Book iv. Line 330.

SAMSON AGONISTES.

Line 293.

Line 1350.

COMUS.

Line 205.

Line 221.

Line 244.

Line 256.

Line 381.

Line 476.

Line 560.

LYCIDAS.

Line 10.

Line 14.

Line 70.

Line 101.

Line 109.

Line 168.

Line 198.

L'ALLEGRO.

Line 27.

Line 33.

Line 67.

Line 79.

Line 117.

Line 133.

Line 136.

IL PENSEROSO.

Line 39.

Line 61.

Line 106.

Line 120.

Line 159.

Sonnet to the Lady Margaret Ley.

Sonnet on his Blindness.

Second Sonnet to Cyriac Skinner.

Sonnet on his Deceased Wife.

PARADISE LOST.

Book i. Line 10.

Book i. Line 22.

Book i. Line 62.

Book i. Line 65.

Book i. Line 105.

Book i. Line 254.

Book i. Line 261.

Book i. Line 275.

Book i. Line 303.

Book i. Line 330.

Book i. Line 540.

Book i. Line 550.

Book i. Line 619.

Book i. Line 742.

Book ii. Line 113.

Book ii. Line 300.

Book ii. Line 306.

Book ii. Line 560.

Book ii. Line 666.

Book ii. Line 681.

Book ii. Line 846.

Book ii. Line 996.

Book iii. Line 1.

Book iii. Line 44.

Book iii. Line 495.

Book iv. Line 34.

Book iv. Line 76.

Book iv. Line 108.

Book iv. Line 297.

Book iv. Line 300.

Book iv. Line 506.

Book iv, Line 598.

Book iv. Line 639.

Book iv. Line 677.

Book iv. Line 750.

Book iv. Line 830,

Book v. Line 1.

Book v. Line 71.

Book v. Line 153.

Book v. Line 331,

Book v. Line 601.

Book v. Line 637.

Book vi. Line 211.

Book vii. Line 30.

Book viii. Line 84.

Book viii. Line 488.

Book viii. Line 502.

Book viii. Line 548.

Book viii. Line 600.

Book viii. Line 618.

Book ix. Line 249.

Book x. Line 77.

Book xii. Line 646.

PARADISE REGAINED.

Book iv Line 240.

Book iv. Line 267.

Book iv. Line 330.

SAMSON AGONISTES.

Line 293.

Line 1350.

COMUS.

Line 205.

Line 221.

Line 244.

Line 256.

Line 381.

Line 476.

Line 560.

LYCIDAS.

Line 10.

Line 14.

Line 70.

Line 101.

Line 109.

Line 168.

Line 198.

L'ALLEGRO.

Line 27.

Line 33.

Line 67.

Line 79.

Line 117.

Line 133.

Line 136.

IL PENSEROSO.

Line 39.

Line 61.

Line 106.

Line 120.

Line 159.

Sonnet to the Lady Margaret Ley.

Sonnet on his Blindness.

Second Sonnet to Cyriac Skinner.

Sonnet on his Deceased Wife.

SAMUEL BUTLER.

1612-1680.

Hudibras.

Part i. Canto i. Line 51

Part i. Canto i. Line 67

Part i. Canto i. Line 81

Part i. Canto i. Line 131.

Part i. Canto i. Line 149

Part i. Canto i. Line 199

Part i. Canto i. Line 215

Part i. Canto i. Line 463

Part i. Canto i. Line 489

Part i. Canto i. Line 821

Part i. Canto i. Line 852

Part i. Canto ii. Line 633

Part i. Canto ii. Line 831

Part i. Canto iii. Line 1

Part i. Canto iii. Line 263

Part i. Canto iii. Line 309

Part i. Canto iii. Line 877

Part i. Canto iii. Line 1367

Part ii. Canto i. Line 29

Part ii. Canto i. Line 465

Part ii. Canto n. Line 29

Part ii. Canto ii. Line 79

Part ii. Canto ii Line 503

Part ii. Canto iii. Line 1.

Part ii. Canto iii. Line 261.

Part ii. Canto iii. Line 580

Part ii. Canto iii. Line 923

Part ii. Canto iii. Line 1067

Part iii. Canto i. Line 3

Part iii. Canto ii. Line 175.

Part iii. Canto iii. Line 243

Part iii. Canto iii. Line 547

Hudibras.

Part i. Canto i. Line 51

Part i. Canto i. Line 67

Part i. Canto i. Line 81

Part i. Canto i. Line 131.

Part i. Canto i. Line 149

Part i. Canto i. Line 199

Part i. Canto i. Line 215

Part i. Canto i. Line 463

Part i. Canto i. Line 489

Part i. Canto i. Line 821

Part i. Canto i. Line 852

Part i. Canto ii. Line 633

Part i. Canto ii. Line 831

Part i. Canto iii. Line 1

Part i. Canto iii. Line 263

Part i. Canto iii. Line 309

Part i. Canto iii. Line 877

Part i. Canto iii. Line 1367

Part ii. Canto i. Line 29

Part ii. Canto i. Line 465

Part ii. Canto n. Line 29

Part ii. Canto ii. Line 79

Part ii. Canto ii Line 503

Part ii. Canto iii. Line 1.

Part ii. Canto iii. Line 261.

Part ii. Canto iii. Line 580

Part ii. Canto iii. Line 923

Part ii. Canto iii. Line 1067

Part iii. Canto i. Line 3

Part iii. Canto ii. Line 175.

Part iii. Canto iii. Line 243

Part iii. Canto iii. Line 547

MARQUIS OF MONTROSE.

1612-1650.

Song, "My Dear and only Love."

DRYDEN.

1631-1700.

Alexander's feast.

Line 15.

Line 60.

Line 66.

Line 78,

Line 96.

Line 99.

Line 106.

Line 120

Line 154.

Line 160.

Line 169.

Cymon and Iphigenia.

Line 84.

Absalom and Achitophet.

Part i. Line 363

Part i. Line 174

Part i. Line 534

Part i. Line 545

Part i. Line 1005

Part ii. Line 463

All for Love. Prologue.

Act iv. Sc. 1.

Conquest of Grenada. Part i. Sc. 1.

Spanish Friar. Act ii. Sc. 1.

Don Sebastian. Act i. Sc. 1.

Translation of Juvenal's 10th Satire.

Prologue to Lee's Sophonisba.

Imitation of the 29th of Horace.

Book i. Line 65.

On Milton.

Alexander's feast.

Line 15.

Line 60.

Line 66.

Line 78,

Line 96.

Line 99.

Line 106.

Line 120

Line 154.

Line 160.

Line 169.

Cymon and Iphigenia.

Line 84.

Absalom and Achitophet.

Part i. Line 363

Part i. Line 174

Part i. Line 534

Part i. Line 545

Part i. Line 1005

Part ii. Line 463

All for Love. Prologue.

Act iv. Sc. 1.

Conquest of Grenada. Part i. Sc. 1.

Spanish Friar. Act ii. Sc. 1.

Don Sebastian. Act i. Sc. 1.

Translation of Juvenal's 10th Satire.

Prologue to Lee's Sophonisba.

Imitation of the 29th of Horace.

Book i. Line 65.

On Milton.

JOHN BUNYAN.

1628-1688.

Apology for his Book.

Pilgrim's Progress.

Apology for his Book.

Pilgrim's Progress.

EARL OF ROSCOMMON.

1633-1684.

Essay on Translated Verse.

EARL OF ROCHESTER.

Written on the Bedchamber Door of Charles II.

KING CHARLES II.

Written in Parliament attending the Discussion of Lord Boss' Divorce Bill.

SHEFFIELD, DUKE OF BUCKINGHAMSHIRE.

1649-1721.

Essay on Poetry.

THOMAS OTWAY.

1651-1685.

Venice Preserved.

Act i. Sc. 1.

Venice Preserved.

Act i. Sc. 1.

JOHN NORRIS.

1657-1711.

The Parting.

NATHANIEL LEE.

1655-1692.

Alexander the Great.

Act i. Sc. 3.

Act iv. Sc. 2.

Alexander the Great.

Act i. Sc. 3.

Act iv. Sc. 2.

TOM BROWN.

—1704.

Dialogues of the Dead.

THOMAS SOUTHERN.

1659-1746.

Oroonoka.

Act ii. Sc. 1.

Oroonoka.

Act ii. Sc. 1.

DANIEL DEFOE.

1661-1731.

The True-Born Englishman.

Part i. Line 1

The True-Born Englishman.

Part i. Line 1

LOUIS THEOBALD.

1688-1744.

The Double Falsehood.

MATTHEW PRIOR.

1664-1721.

English Padlock.

Henry and Emma.

The Thief and the Cordelier.

Epilogue to Lucius.

Imitations of Horace.

Epitaph on Himself.

Ode in Imitation of Horace. B. iii. Od. 2.

English Padlock.

Henry and Emma.

The Thief and the Cordelier.

Epilogue to Lucius.

Imitations of Horace.

Epitaph on Himself.

Ode in Imitation of Horace. B. iii. Od. 2.

COLLEY CIBBER.

1671-1757.

Richard III.

Act iv. Sc. 3.

Act v. Sc. 3.

Richard III.

Act iv. Sc. 3.

Act v. Sc. 3.

JOSEPH ADDISON.

1672-1719.

CATO.

Act i. Sc. 1.

Act ii. Sc. 1.

Act iv. Sc. 1.

Act iv. Sc. 2.

Act v. Sc. 1.

Act v. Sc. I.

Act v. Sc. 1.

The Campaign.

From the Letter on Italy.

Ode.

CATO.

Act i. Sc. 1.

Act ii. Sc. 1.

Act iv. Sc. 1.

Act iv. Sc. 2.

Act v. Sc. 1.

Act v. Sc. I.

Act v. Sc. 1.

The Campaign.

From the Letter on Italy.

Ode.

JONATHAN SWIFT.

1667-1745.

Imitation of Horace. B. ii. Sat. 6.

Poetry, a Rhapsody.

Imitation of Horace. B. ii. Sat. 6.

Poetry, a Rhapsody.

WILLIAM CONGREVE.

1669-1729.

The Mourning Bride. Act i. Sc. 1.

Act iii. Sc. 1.

The Mourning Bride. Act i. Sc. 1.

Act iii. Sc. 1.

ALEXANDER POPE.

1688-1744.

ESSAY ON MAN.

Epistle i. Line 5.

Line 13.

Line 88.

Line 95.

Line 99.

Line 200.

Line 294.

Epistle ii. Line 1.

Line 217.

Line 231.

Line 276.

Line 193.

Line 203.

Line 215.

Line 247.

Line 254.

Line 281.

Line 310.

Line 330.

Line 379.

MORAL ESSAYS.

Epistle i. Line 135.

Line 149.

Line 246.

Epistle ii. Line 15.

Line 43.

Line 97.

Line 215.

Line 268.

Line 270.

Epistle iii. Line 1.

Line 95.

Line 153.

Line 161.

Line 250.

Line 285.

AN ESSAY ON CRITICISM.

Part i. Line 9.

Line 153.

Part ii. Line 215.

Line 232.

Line 297.

Line 357.

Line 362.

Line 365.

Line 525.

Part iii. Line 625.

ELEGY TO THE MEMORY OF AN UNFORTUNATE LADY.

Line 54.

THE RAPE OF THE LOCK.

Canto ii. Line 7.

Canto ii. Line 17.

Canto iii. Line 16.

Line 21.

SATIRES AND IMITATIONS OF HORACE

Prologue, Line 1.

Line 12.

Line 18.

Line 127.

Line 197.

Line 201.

Line 308.

Line 333.

Line 69.

Line 127.

Book ii. Satire ii. Line 159.

Book ii. Epistle i. Line 108.

Epilogue to the Satires.

Dialogue i. Line 136.

Epitaph on Gay.

THE DUNCIAD.

Book i. Line 54.

Book iii. Line 158.

Book iii. Line 165.

Book iv. Line 614.

ODYSSEY.

Book ii. Line 315.

Book xiv. Line 410.

Book xv. Line 79.

Book xv. Line 83.

Windsor forest.

Martinus Scriblerus on the Art of Sinking in Poetry.

Chapter xi.

Epitaph on the Hon. S. Harcourt.

ESSAY ON MAN.

Epistle i. Line 5.

Line 13.

Line 88.

Line 95.

Line 99.

Line 200.

Line 294.

Epistle ii. Line 1.

Line 217.

Line 231.

Line 276.

Line 193.

Line 203.

Line 215.

Line 247.

Line 254.

Line 281.

Line 310.

Line 330.

Line 379.

MORAL ESSAYS.

Epistle i. Line 135.

Line 149.

Line 246.

Epistle ii. Line 15.

Line 43.

Line 97.

Line 215.

Line 268.

Line 270.

Epistle iii. Line 1.

Line 95.

Line 153.

Line 161.

Line 250.

Line 285.

AN ESSAY ON CRITICISM.

Part i. Line 9.

Line 153.

Part ii. Line 215.

Line 232.

Line 297.

Line 357.

Line 362.

Line 365.

Line 525.

Part iii. Line 625.

ELEGY TO THE MEMORY OF AN UNFORTUNATE LADY.

Line 54.

THE RAPE OF THE LOCK.

Canto ii. Line 7.

Canto ii. Line 17.

Canto iii. Line 16.

Line 21.

SATIRES AND IMITATIONS OF HORACE

Prologue, Line 1.

Line 12.

Line 18.

Line 127.

Line 197.

Line 201.

Line 308.

Line 333.

Line 69.

Line 127.

Book ii. Satire ii. Line 159.

Book ii. Epistle i. Line 108.

Epilogue to the Satires.

Dialogue i. Line 136.

Epitaph on Gay.

THE DUNCIAD.

Book i. Line 54.

Book iii. Line 158.

Book iii. Line 165.

Book iv. Line 614.

ODYSSEY.

Book ii. Line 315.

Book xiv. Line 410.

Book xv. Line 79.

Book xv. Line 83.

Windsor forest.

Martinus Scriblerus on the Art of Sinking in Poetry.

Chapter xi.

Epitaph on the Hon. S. Harcourt.

THOMAS TICKELL.

1686-1740.

On the Death of Addison. Line 45.

Line 79.

Colin and Lucy.

On the Death of Addison. Line 45.

Line 79.

Colin and Lucy.

JOHN GAY.

1688-1732.

What D'ye Call 't.

Act ii. Sc. 9.

Beggars' Opera.

Act i. Sc. 1.

FABLES.

The Shepherd and the Philosopher.

The Mother, the Nurse, and the Fairy.

The Sick Man and the Angel.

The Hare and Many Friends.

Epitaph on Himself.

What D'ye Call 't.

Act ii. Sc. 9.

Beggars' Opera.

Act i. Sc. 1.

FABLES.

The Shepherd and the Philosopher.

The Mother, the Nurse, and the Fairy.

The Sick Man and the Angel.

The Hare and Many Friends.

Epitaph on Himself.

LADY MARY WORTLEY MONTAGUE.

1690-1762.

The Lady's Resolve.

NICHOLAS ROWE.

1673-1718.

The Fair Penitent.

Act ii. Sc. 1.

Act v. Sc. 1.

The Fair Penitent.

Act ii. Sc. 1.

Act v. Sc. 1.

JOHN PHILIPS.

1676-1708.

Splendid Shilling.

Line 121.

Splendid Shilling.

Line 121.

THOMAS PARNELL.

1679-1718.

The Hermit. Line 5.

BARTON BOOTH.

1681-1733.

Song.

MATTHEW GREEN.

1696-1737.

The Spleen. Line 93.

JOHN BYROM.

1691-1763.

'On the Feuds between Handel and Bononcini'.[13]

The Astrologer.

Epigram on Two Monopolists.

'On the Feuds between Handel and Bononcini'.[13]

The Astrologer.

Epigram on Two Monopolists.

BISHOP BERKELEY.

1684-1753.

On the Prospect of Planting Arts and Learning in America.

ROBERT BLAIR.

1699-1746.

The Grave. Part ii. Line 586.

EDWARD YOUNG.

1681-1765.

NIGHT THOUGHTS.

Night i. Line 1.

Night i. Line 55.

Night i. Line 154.

Night i. Line 390.

Night i. Line 393.

Night i. Line 417.

Night i. Line 424.

Night ii. Line 376.

Night ii. Line 602.

Night ii. Line 633.

Night iii. Line 81.

Night iii. Line 104

Night iv. Line 10.

Night iv. Line 15.

Night iv. Line 118.

Night v. Line 775.

Night v. Line 1011.

Night vi. Line 309.

Night vi. Line 606.

Night vii. Line 496.

Night ix. Line 771.

Night ix. Line 1660.

LOVE OF FAME.

Satire i. Line 89.

Satire ii. Line 207.

Satire vii. Line 97.

Lines Written with the Diamond Pencil of Lord Chesterfield.

NIGHT THOUGHTS.

Night i. Line 1.

Night i. Line 55.

Night i. Line 154.

Night i. Line 390.

Night i. Line 393.

Night i. Line 417.

Night i. Line 424.

Night ii. Line 376.

Night ii. Line 602.

Night ii. Line 633.

Night iii. Line 81.

Night iii. Line 104

Night iv. Line 10.

Night iv. Line 15.

Night iv. Line 118.

Night v. Line 775.

Night v. Line 1011.

Night vi. Line 309.

Night vi. Line 606.

Night vii. Line 496.

Night ix. Line 771.

Night ix. Line 1660.

LOVE OF FAME.

Satire i. Line 89.

Satire ii. Line 207.

Satire vii. Line 97.

Lines Written with the Diamond Pencil of Lord Chesterfield.

HENRY CAREY.

1663-1743.

God save the King.[16]

Chrononhotonthologos. Act i. Sc. 3.

Act ii. Sc. 4.

God save the King.[16]

Chrononhotonthologos. Act i. Sc. 3.

Act ii. Sc. 4.

ISAAC WATTS.

1674-1748.

DIVINE SONGS.

SIR SAMUEL TUKE.

—1673.

Adventures of Five Hours. Act v. Sc. 3.

AARON HILL

1685-1750.

Epilogue to Zara.

Verses Written on a Window in Scotland.

Epilogue to Zara.

Verses Written on a Window in Scotland.

RICHARD SAVAGE.

1698-1743.

The Bastard. Line 7.

JAMES THOMSON.

1700-1748.

THE SEASONS.

Spring. Line 283.

Line 465.

Line 1149.

Line 1158.

Summer. Line 1188.

Line 1285.

Line 1346.

Autumn. Line 204.

Line 283.

Winter. Line 393.

Hymn. Line 25.

Line 114.

Line 118.

Castle of Indolence. Canto i. St. 69.

Alfred. Act ii. Sc. 5.

Song, "Forever, Fortune."

Sophonisba. Act iii. Sc. 2.

Spring. Line 283.

Line 465.

Line 1149.

Line 1158.

Summer. Line 1188.

Line 1285.

Line 1346.

Autumn. Line 204.

Line 283.

Winter. Line 393.

Hymn. Line 25.

Line 114.

Line 118.

Castle of Indolence. Canto i. St. 69.

Alfred. Act ii. Sc. 5.

Song, "Forever, Fortune."

Sophonisba. Act iii. Sc. 2.

JOHN DYER.

1700-1758.

Grongar Hill. Line 163.

Line 123.

Grongar Hill. Line 163.

Line 123.

PHILIP DODDRIDGE.

1702-1751.

Epigram on his Family Arms.

ROBERT DODSLEY

1703-1764.

The Parting Kiss.

SAMUEL JOHNSON.

1709-1784.

Prologue on the Opening of Drury Lane Theatre.

Vanity of Human Wishes.

Line 1.

Line 159.

Line 221.

Line 257.

Line 306.

Line 318.

Line 346.

London. Line 166.

Line 176.

Lines added to Goldsmith's Traveller.

Line added to Goldsmith's Deserted Village.

From Dr. Madden's "Boulter's Monument."

Supposed to have been inserted by Dr. Johnson. 1745.

Basselas. Chapter i.

Epitaph on Robert Levett.

Epitaph on Claudius Phillips, the Musician.

Prologue on the Opening of Drury Lane Theatre.

Vanity of Human Wishes.

Line 1.

Line 159.

Line 221.

Line 257.

Line 306.

Line 318.

Line 346.

London. Line 166.

Line 176.

Lines added to Goldsmith's Traveller.

Line added to Goldsmith's Deserted Village.

From Dr. Madden's "Boulter's Monument."

Supposed to have been inserted by Dr. Johnson. 1745.

Basselas. Chapter i.

Epitaph on Robert Levett.

Epitaph on Claudius Phillips, the Musician.

LORD LYTTELTON

1709-1773.

Prologue to Thomson's Coriolanus.

Epigram.

Soliloquy on a Beauty in the Country.

Song.

Prologue to Thomson's Coriolanus.

Epigram.

Soliloquy on a Beauty in the Country.

Song.

EDWARD MOORE.

1712-1757.

Fable IX. The Farmer, the Spaniel, and the Cat.

Fable X. The Spider and the Bee.

The Happy Marriage.

The Gamester. Act iii. Sc. 4.

Fable IX. The Farmer, the Spaniel, and the Cat.

Fable X. The Spider and the Bee.

The Happy Marriage.

The Gamester. Act iii. Sc. 4.

WILLIAM SHENSTONE.

1714-1763.

Written on the Window of an Inn.

Jemmy Dawson.

The Schoolmistress.

Written on the Window of an Inn.

Jemmy Dawson.

The Schoolmistress.

JOHN BROWN.

1715-1766.

Barbarossa. Act. v. Sc. 3.

DAVID GARRICK.

1716-1779.

Prologue on Quitting the Stage in 1776, 10th of June.

On the Death of Mr. Pelham.

Prologue on Quitting the Stage in 1776, 10th of June.

On the Death of Mr. Pelham.

THOMAS GRAY.

1716-1771.

On a Distant Prospect of Eton College.

Progress of Poesy.

The Bard.

Elegy in a Country Churchyard.

Ode on the Pleasure arising from Vicissitude.

On a Distant Prospect of Eton College.

Progress of Poesy.

The Bard.

Elegy in a Country Churchyard.

Ode on the Pleasure arising from Vicissitude.

WILLIAM COLLINS.

1720-1756.

Ode in 1746.

The Passions. Line 1.

Line 10.

Line 28.

Line 60.

Line 68.

Line 95.

Eclogue 1. Line 5.

Ode on the Death of Thomson.

Ode in 1746.

The Passions. Line 1.

Line 10.

Line 28.

Line 60.

Line 68.

Line 95.

Eclogue 1. Line 5.

Ode on the Death of Thomson.

MARK AKENSIDE.

1721-1770.

Epistle to Curio.

NATHANIEL COTTON.

1721-1788.

The Fireside. St. 3.

St. 13.

The Fireside. St. 3.

St. 13.

JOHN HOME.

1722-1808.

Douglas. Act i. Sc. 1.

Act ii. Sc. 1.

Douglas. Act i. Sc. 1.

Act ii. Sc. 1.

OLIVER GOLDSMITH.

1728-1774.

THE TRAVELLER.

Line 1.

Line 7.

Line 22.

Line 26.

Line 77.

Line 153.

Line 172.

Line 217.

Line 251.

Line 327.

Line 372.

Line 386.

Line 409.

THE DESERTED VILLAGE.

Line 14.

Line 51.

Line 62.

Line 100.

Line 110.

Line 122.

Line 141.

Line 158.

Line 161.

Line 164.

Line 170.

Line 180.

Line 184.

Line 192.

Line 196.

Line 203.

Line 212.

Line 229.

Line 254.

Line 264.

Line 329.

Line 385.

RETALIATION.

Line 24.

Line 31.

Line 37.

Line 94.

VICAR OF WAKEFIELD.

Chapter viii. The Hermit.

Chapter xvii. Elegy on a Mad Dog.

Chapter xxiv.

Elegy on Mrs. Mary Blaise.

THE TRAVELLER.

Line 1.

Line 7.

Line 22.

Line 26.

Line 77.

Line 153.

Line 172.

Line 217.

Line 251.

Line 327.

Line 372.

Line 386.

Line 409.

THE DESERTED VILLAGE.

Line 14.

Line 51.

Line 62.

Line 100.

Line 110.

Line 122.

Line 141.

Line 158.

Line 161.

Line 164.

Line 170.

Line 180.

Line 184.

Line 192.

Line 196.

Line 203.

Line 212.

Line 229.

Line 254.

Line 264.

Line 329.

Line 385.

RETALIATION.

Line 24.

Line 31.

Line 37.

Line 94.

VICAR OF WAKEFIELD.

Chapter viii. The Hermit.

Chapter xvii. Elegy on a Mad Dog.

Chapter xxiv.

Elegy on Mrs. Mary Blaise.

TOBIAS SMOLLETT.

1721-1771.

Ode to Independence.

THOMAS PERCY.

1728-1811.

Reliques of English Poetry. The Baffled Knight.

The Friar of Orders Gray.

From Byrd's Psalmes, Sonets, &c. 1588.

Reliques of English Poetry. The Baffled Knight.

The Friar of Orders Gray.

From Byrd's Psalmes, Sonets, &c. 1588.

BEILBY PORTEUS.

1731-1808.

Death, a Poem. Line 154.

JAMES BEATTIE.

1735-1766.

The Minstrel. Book i. St. 1.

Epigram. The Bucks had dined.

The Minstrel. Book i. St. 1.

Epigram. The Bucks had dined.

CHARLES CHURCHILL.

1741-1764.

The Rosciad. Line 861.

MRS. THEALE.

1740-1822.

Three Warnings.

WILLIAM COWPER.

1731-1800.

Book i. The Sofa.

Book ii. The Timepiece.

Book iii. The Garden.

Book iv. Winter Evening.

Book v. Winter Morn in a Walk.

Book vi. Winter Walk at Noon.

Tirocinium.

Retirement.

Conversation.

John Gilpin.

Lines to his Mother's Picture.

Walking with God.

VERSES, Supposed to be Written by Alexander Selkirk.

Book i. The Sofa.

Book ii. The Timepiece.

Book iii. The Garden.

Book iv. Winter Evening.

Book v. Winter Morn in a Walk.

Book vi. Winter Walk at Noon.

Tirocinium.

Retirement.

Conversation.

John Gilpin.

Lines to his Mother's Picture.

Walking with God.

VERSES, Supposed to be Written by Alexander Selkirk.

W. J. MICKLE.

1734-1788.

The Mariner's Wife.

JOHN LANGHORNE.

1735-1779.

The Country Justice.

Part i

The Country Justice.

Part i

DR. WALCOTT.

1738-1819.

Peter Pindar's Expostulatory Odes to a great Duke and a little Lord. Ode XV.

MRS. BARBAULD.

1743-1825.

Warrington Academy.

SIR WILLIAM JONES.

1746-1794.

A Persian Song of Hafiz.

Ode in Imitation of Alcoeus.

A Persian Song of Hafiz.

Ode in Imitation of Alcoeus.

CAPTAIN CHARLES MORRIS.

—1832.

Billy Pitt and the Farmer.

JOHN TRUMBULL.

1750-1881.

McFingal. Canto i. Line 67.

Canto iii. Line 489.

McFingal. Canto i. Line 67.

Canto iii. Line 489.

RICHARD BRINSLEY SHERIDAN

1751-1816.

The Rivals. Act v. Sc. 3.

The Critic. Act ii. Sc. 1.

Act ii. Sc. 2.

School for Scandal. Act i. Sc. 1.

Act iii. Sc. 3.

The Duenna. Act i. Sc. 2.

Speech in Reply to Mr. Dundas.

The Rivals. Act v. Sc. 3.

The Critic. Act ii. Sc. 1.

Act ii. Sc. 2.

School for Scandal. Act i. Sc. 1.

Act iii. Sc. 3.

The Duenna. Act i. Sc. 2.

Speech in Reply to Mr. Dundas.

GEORGE CRABBE.

1754-1832.

Parish Register.

The Borough Schools.

The Borough Placers.

The Birth of Flattery.

Parish Register.

The Borough Schools.

The Borough Placers.

The Birth of Flattery.

ROBERT BURNS.

1759-1796.

Tom O'Shanter.

To a Mouse.

Scots wha hae.

Address to the Unco Guid.

On Captain Grose's Peregrinations through Scotland.

To a Louse.

Epistle to a Young Friend.

The Twa Dogs.

Epistle to James Smith.

Despondency.

Auld Lang Syne.

Green grow the Rashes.

Man was made to Mourn.

Death and Dr. Hornbook.

Is there for honest Poverty.

The Cotter's Saturday Night.

Tom O'Shanter.

To a Mouse.

Scots wha hae.

Address to the Unco Guid.

On Captain Grose's Peregrinations through Scotland.

To a Louse.

Epistle to a Young Friend.

The Twa Dogs.

Epistle to James Smith.

Despondency.

Auld Lang Syne.

Green grow the Rashes.

Man was made to Mourn.

Death and Dr. Hornbook.

Is there for honest Poverty.

The Cotter's Saturday Night.

THOMAS MOSS.

—1808.

The Beggar.

GEORGE COLMAN.

1762-1836.

BROAD GRINS.

The Maid of the Moor.

Lodgings for Single Gentlemen.

The Poor Gentleman.

Act i. Sc. 2.

Prologue to the Heir ft Law.

BROAD GRINS.

The Maid of the Moor.

Lodgings for Single Gentlemen.

The Poor Gentleman.

Act i. Sc. 2.

Prologue to the Heir ft Law.

THOMAS MORTON.

1764-1836.

Speed the Plough. Act i. Sc. 1.

GEORGE CANNING.

1770-1827.

POETRY OF THE ANTI-JACOBIN.

The Needy Knife-Grinder.

The Loves of the Triangles.

Line 178.

POETRY OF THE ANTI-JACOBIN.

The Needy Knife-Grinder.

The Loves of the Triangles.

Line 178.

WILLIAM WORDSWORTH.

1770-1850.

Quilt and Sorrow.

St. 41.

My Heart Leaps up.

Lucy Gray.

St. 2.

We are Seven.

The Pet Lamb.

The Brothers.

Stanzas written in Thomson.

Lucy.

The Solitary Reaper.

Rob Hoy's Grave.

St. 9.

Yarrow Unvisited.

Sonnets to National Independence and Liberty.

Part i. vi

Part i. xiv.

Part i. xvi.

Nutting.

She was a Phantom of Delight.

I Wandered Lonely.

Ruth.

Resolution and Independence.

Part i. St. 7

Hart-Leap Well.

Part ii

Tintern Abbey.

To a Skylark.

Peter Bell.

Prologue. St. 1.

Prologue. St. 27.

Part i. St. 12.

Part i. St. 15.

Part i. St. 26.

Miscellaneous Sonnets.

Part i. xxx.

Part i. xxxiii.

Part i. xxxv.

Part ii. xxxvi.

Ecclesiastical Sonnets.

Part iii. v. Walton's Book of Lives.

The Tables Turned.

A Poet's Epitaph.

St. 5.

Personal Talk.

St. 3.

The Small Celandine. (From Poems referring to the Period of Old Age.)

Elegiac Stanzas suggested by a Picture of Peele Castle in a Storm.

St. 4.

Intimations of Immorality.

St 5.

St. xi.

THE EXCURSION.

Book i.

Book ii.

Book iii.

Book iv.

Book vi.

Book vii.

Book ix.

Quilt and Sorrow.

St. 41.

My Heart Leaps up.

Lucy Gray.

St. 2.

We are Seven.

The Pet Lamb.

The Brothers.

Stanzas written in Thomson.

Lucy.

The Solitary Reaper.

Rob Hoy's Grave.

St. 9.

Yarrow Unvisited.

Sonnets to National Independence and Liberty.

Part i. vi

Part i. xiv.

Part i. xvi.

Nutting.

She was a Phantom of Delight.

I Wandered Lonely.

Ruth.

Resolution and Independence.

Part i. St. 7

Hart-Leap Well.

Part ii

Tintern Abbey.

To a Skylark.

Peter Bell.

Prologue. St. 1.

Prologue. St. 27.

Part i. St. 12.

Part i. St. 15.

Part i. St. 26.

Miscellaneous Sonnets.

Part i. xxx.

Part i. xxxiii.

Part i. xxxv.

Part ii. xxxvi.

Ecclesiastical Sonnets.

Part iii. v. Walton's Book of Lives.

The Tables Turned.

A Poet's Epitaph.

St. 5.

Personal Talk.

St. 3.

The Small Celandine. (From Poems referring to the Period of Old Age.)

Elegiac Stanzas suggested by a Picture of Peele Castle in a Storm.

St. 4.

Intimations of Immorality.

St 5.

St. xi.

THE EXCURSION.

Book i.

Book ii.

Book iii.

Book iv.

Book vi.

Book vii.

Book ix.

HON. WILLIAM ROBERT SPENCER.

1770-1834.

Lines to Lady A. Hamilton.

DR. GEORGE SEWELL.

—1726.

SAMUEL TAYLOR COLERIDGE.

1772-1834

The Ancient Mariner.

Part i.

Part ii.

Part iv.

Part v.

Part vii.

Christabel. Part ii.

The Devil's Thoughts.

Love.

Reflections on having left a Place of Retirement.

Hymn in the Vale of Chamouni.

The Three Graves.

The Visit of the Gods.

The Knight's Tomb.

Cologne.

Wallenstein.

Part i. Act ii. Sc. 4.

The Death of Wallenstein.

Act. v. Sc. 1.

Act v. Sc. 1.

The Ancient Mariner.

Part i.

Part ii.

Part iv.

Part v.

Part vii.

Christabel. Part ii.

The Devil's Thoughts.

Love.

Reflections on having left a Place of Retirement.

Hymn in the Vale of Chamouni.

The Three Graves.

The Visit of the Gods.

The Knight's Tomb.

Cologne.

Wallenstein.

Part i. Act ii. Sc. 4.

The Death of Wallenstein.

Act. v. Sc. 1.

Act v. Sc. 1.

ROBERT SOUTHEY.

1774-1843.

Curse of Kehama. Canto x.

CHARLES LAMB.

1775-1834.

Old Familiar Faces.

Detached Thoughts on Books.

Old Familiar Faces.

Detached Thoughts on Books.

THOMAS CAMPBELL.

1777-1844.

Pleasures of Hope.

Part i. Line 7.

Line 359.

Line 381.

Part ii. Line 5.

Line 23.

Line 37.

Line 45.

Line 95.

Line 194.

Line 263.

Line 325.

Line 377.

O'Connor's Child.

Lochiel's Warning.

Ye Mariners of England.

The Soldier's Dream.

Hohenlinden.

Gertrude of Wyoming.

Part iii. St. 1.

Pleasures of Hope.

Part i. Line 7.

Line 359.

Line 381.

Part ii. Line 5.

Line 23.

Line 37.

Line 45.

Line 95.

Line 194.

Line 263.

Line 325.

Line 377.

O'Connor's Child.

Lochiel's Warning.

Ye Mariners of England.

The Soldier's Dream.

Hohenlinden.

Gertrude of Wyoming.

Part iii. St. 1.

WALTER SCOTT.

1771-1832.

Canto ii. St. 1.

Canto ii. St. 12.

Canto ii. St. 22.

Canto iii. St. 2.

Canto v. St. 1.

Canto v. St. 13.

Canto vi. St. 1.

Canto vi. St. 2.

Marmion.

Canto ii. St. 27.

Canto v. St. 12.

Canto vi. St. 14.

Canto vi. St. 30,

Canto vi. St. 32.

Canto vi. Last Lines.

The Lady of the Lake.

Canto i. St. 18.

Canto i. St. 21.

Canto ii. St. 22.

Canto iv. St. 1.

Canto iv. St. 30.

Canto v. St. 10.

The Lord of the Isles.

Canto v. Stanza 18.

Old Mortality.

Vol. ii. Chapter xxi.

Bob Roy.

Vol. i. Chapter ii.

The Monastery.

Vol. i. Chapter ii.

Canto ii. St. 1.

Canto ii. St. 12.

Canto ii. St. 22.

Canto iii. St. 2.

Canto v. St. 1.

Canto v. St. 13.

Canto vi. St. 1.

Canto vi. St. 2.

Marmion.

Canto ii. St. 27.

Canto v. St. 12.

Canto vi. St. 14.

Canto vi. St. 30,

Canto vi. St. 32.

Canto vi. Last Lines.

The Lady of the Lake.

Canto i. St. 18.

Canto i. St. 21.

Canto ii. St. 22.

Canto iv. St. 1.

Canto iv. St. 30.

Canto v. St. 10.

The Lord of the Isles.

Canto v. Stanza 18.

Old Mortality.

Vol. ii. Chapter xxi.

Bob Roy.

Vol. i. Chapter ii.

The Monastery.

Vol. i. Chapter ii.

THOMAS MOORE.

1780-1852.

Lalla Rookh. The Fire-Worshippers.

The Light of the Harem.

All that's bright must fade.

Farewell! But whenever you welcome the hour.

Lalla Rookh. The Fire-Worshippers.

The Light of the Harem.

All that's bright must fade.

Farewell! But whenever you welcome the hour.

REGINALD HEBER.

1783-1826.

Christman Hymn.

Missionary Hymn.

Palestine.

Christman Hymn.

Missionary Hymn.

Palestine.

JONATHAN M. SEWALL.

Epilogue to Cato.

Written for the Bow Street Theatre, Portsmouth, N. H., 1778.

SAMUEL WOODWORTH.

1785-1842.

LORD BYRON.

1788-1821.

Childe Harold.

Canto i. St. 9.

Canto ii. St. 2.

Stanza 6.

Stanza 23.

Stanza 73.

Stanza 76.

Stanza 88.

Canto iii. St. 1.

Stanza 21.

Stanza 28.

Stanza 55.

Stanza 92.

Stanza 113.

Canto iv. St. 1.

Stanza 24.

Stanza 49.

Stanza 69.

Stanza 79.

Stanza 109.

Stanza 115.

Stanza 145.

Stanza 177.

Stanza 178.

Stanza 179.

Stanza 185.

Memoranda from his Life.

The Giaour. Line 72.

Line 92.

Line 106.

Line 123.

Line 418.

Parasina. St. 1.

The Bride of Abydos.

Canto i. St. 1.

Stanza 6.

Canto ii. St. 20.

Darkness.

Lara.

Canto i. St. 2.

The Corsair.

Canto i. St. 1.

Stanza 3.

Stanza 8.

Stanza 9.

Stanza 15.

Canto iii. St. 22.

Stanza 24.

Beppo.

Stanza 27.

Stanza 45.

Stanza 80.

The Dream.

The Waltz.

English Bards.

Monody on the Death of Sheridan.

Don Juan.

Canto i. St. 22.

Canto i. St. 117.

Canto xiii. St. 95.

Canto xv. St. 13.

Hebrew Melodies.

Childe Harold.

Canto i. St. 9.

Canto ii. St. 2.

Stanza 6.

Stanza 23.

Stanza 73.

Stanza 76.

Stanza 88.

Canto iii. St. 1.

Stanza 21.

Stanza 28.

Stanza 55.

Stanza 92.

Stanza 113.

Canto iv. St. 1.

Stanza 24.

Stanza 49.

Stanza 69.

Stanza 79.

Stanza 109.

Stanza 115.

Stanza 145.

Stanza 177.

Stanza 178.

Stanza 179.

Stanza 185.

Memoranda from his Life.

The Giaour. Line 72.

Line 92.

Line 106.

Line 123.

Line 418.

Parasina. St. 1.

The Bride of Abydos.

Canto i. St. 1.

Stanza 6.

Canto ii. St. 20.

Darkness.

Lara.

Canto i. St. 2.

The Corsair.

Canto i. St. 1.

Stanza 3.

Stanza 8.

Stanza 9.

Stanza 15.

Canto iii. St. 22.

Stanza 24.

Beppo.

Stanza 27.

Stanza 45.

Stanza 80.

The Dream.

The Waltz.

English Bards.

Monody on the Death of Sheridan.

Don Juan.

Canto i. St. 22.

Canto i. St. 117.

Canto xiii. St. 95.

Canto xv. St. 13.

Hebrew Melodies.

CHARLES WOLFE.

1791-1823.

The Burial of Sir John Moore.

JOSEPH RODMAN DRAKE.

1795-1820.

The American flag.

JOHN KEATS.

1796-1820.

Endymion. Line 1.

St. Agnes' Eve. Stanza 27.

Hyperion. Line 5.

Endymion. Line 1.

St. Agnes' Eve. Stanza 27.

Hyperion. Line 5.

ROBERT POLLOK.

1798-1827.

The Course of Time.

Book viii. Line 616.

The Course of Time.

Book viii. Line 616.

THOMAS HOOD.

1798-1845.

The Death-Bed.

The Bridge of Sighs.

The Death-Bed.

The Bridge of Sighs.

SAMUEL ROGERS.

Human Life.

A Wish.

RICHARD MONCKTON MILNES.

Tragedy of the Lac de Gaube.

Stanza 2.

The Men of Old.

Stanza 2.

The Men of Old.

BRYAN W. PROCTOR.

The Sea.

ALFRED TENNYSON.

Locksley Hall.

In Memoriam. xxvii.

Fatima. St. 3.

The Princess. Canto iv.

Canto 7.

Lady Clara Vere de Vere.

In Memoriam. xxvii.

Fatima. St. 3.

The Princess. Canto iv.

Canto 7.

Lady Clara Vere de Vere.

HENRY TAYLOR

Philip Van Artevelde.

Part i. Act i. Sc. 5.

EDWARD BULWER-LYTTON.

Richelieu. Act ii. Sc. 2.

PHILIP JAMES BAILEY.

Festus.

THOMAS K. HERVEY.

The Devil's Progress.

JAMES ALDRICH.

A Death-Bed.

WILLIAM CULLEN BRYANT.

Thanatopsis.

March.

Autumn Woods.

Forest Hymn.

The Death of the Flowers.

The Battlefield.

March.

Autumn Woods.

Forest Hymn.

The Death of the Flowers.

The Battlefield.

FITZ-GREENE HALLECK.

Marco Bozzaris.

On the Death of Joseph Rodman Drake.

Burns.

On the Death of Joseph Rodman Drake.

Burns.

CHARLES SPRAGUE.

Curiosity.

Centennial Ode.

Stanza 22.

To my Cigar.

Centennial Ode.

Stanza 22.

To my Cigar.

HENRY W. LONGFELLOW.

A Psalm of Life.

The Light of Stars.

It is not always May.

Maidenhood.

The Goblet of Life.

Resignation.

The Golden Legend.

The Light of Stars.

It is not always May.

Maidenhood.

The Goblet of Life.

Resignation.

The Golden Legend.

OLIVER WENDELL HOLMES.

A Metrical Essay.

Urania.

The Music-Grinders.

Urania.

The Music-Grinders.

JAMES RUSSELL LOWELL.

The Vision of Sir Launfal.

The Changeling.

WILLIAM BASSE.

1613-1648.

On Shakespeare.

DAVID EVERETT.

1769-1813.

Lines written for a School Declamation.

JOSEPH HOPKINSON.

1770-1842.

Hail Columbia.

F. S. KEY.

The Star-spangled Banner.

ALBERT G. GREENE.

Old Grimes.

JOHN LOUIS UHLAND.

The Passage. Translated by Mrs. Sarah Austin.

CHRISTOPHER P. CRANCH.

Stanzas.

EATON STANNARD BARRETT.

Woman.

MISS FANNY STEERS.

Song.

RICHARD BAXTER.

1615-1691.

Love breathing Thanks and Praise.

ROGER L'ESTRANGE.

1616-1704.

Fables from several Authors.

Fable 398.

MISCELLANEOUS.

From Apophthegms, &c., first gathered and compiled in Latin, by Erasmus, and now translated into English by Nicholas Vdall. 8vo. 1542. Fol. 239.

From the Musarum Deliciae, compiled by Sir John Mennis and Dr. James Smith. 1640

Fables from several Authors.

Fable 398.

MISCELLANEOUS.

From Apophthegms, &c., first gathered and compiled in Latin, by Erasmus, and now translated into English by Nicholas Vdall. 8vo. 1542. Fol. 239.

From the Musarum Deliciae, compiled by Sir John Mennis and Dr. James Smith. 1640

RICHARD GRAFTON.

Abridgement of the Chronicles of Englande. 1570. 8vo.

The Return from Parnassus. 4to. London. 1606.

Lines used by Joint Hall, in encourage the Rebels in Wat Tyler's Rebellion. Hume's History of England, Vol. I. Chap. 17.

Note i.

From the Garland, a Collection of Poems.

The Return from Parnassus. 4to. London. 1606.

Lines used by Joint Hall, in encourage the Rebels in Wat Tyler's Rebellion. Hume's History of England, Vol. I. Chap. 17.

Note i.

From the Garland, a Collection of Poems.

THOMAS A KEMPIS.

1380-1471.

Imitation of Christ.

Book i. Chapter 19.

Book i. Chapter 23.

Book iii. Chapter 12.

Imitation of Christ.

Book i. Chapter 19.

Book i. Chapter 23.

Book iii. Chapter 12.

FRANCIS RABELAIS.

1483-1553.

Translated by Urquhart and Motteux.

Book i. Chapter 1. Note 2.

Book i. Chapter 5.

Book i. Chapter 11.

Book iv. Chapter 23.

Book iv. Chapter 24.

Translated by Urquhart and Motteux.

Book i. Chapter 1. Note 2.

Book i. Chapter 5.

Book i. Chapter 11.

Book iv. Chapter 23.

Book iv. Chapter 24.

MIGUEL DE CERVANTES.

1547-1616.

Don Quixote. Translated by Jarvis.

Part i. Book iv. Ch. 20.

Part i. Book iv. Ch. 23.

Part ii. Book i. Ch. 4.

Part ii. Book iv. Oh. 16.

Don Quixote. Translated by Jarvis.

Part i. Book iv. Ch. 20.

Part i. Book iv. Ch. 23.

Part ii. Book i. Ch. 4.

Part ii. Book iv. Oh. 16.

SIR PHILIP SIDNEY.

1554-1586.

The Defense of Poesy.

Arcadia. Book i.

The Defense of Poesy.

Arcadia. Book i.

THOMAS HOBBES.

1588-1679.

The Leviathan.

Part i. Chap. 4.

The Leviathan.

Part i. Chap. 4.

FRANCIS BACON.

1561-1626.

Essay viii. Of Marriage and Single Life.

Essay 1. Of Studies.

Essay viii. Of Marriage and Single Life.

Essay 1. Of Studies.

JOHN MILTON.

1608-1674.

Tract on Education.

The Reason of Church Government urged against Prelaty.

Introduction to Book 2.

Areopagitica.

Apology for Smectymmius.

Tract on Education.

The Reason of Church Government urged against Prelaty.

Introduction to Book 2.

Areopagitica.

Apology for Smectymmius.

THOMAS FULLER.

1608-1661.

Holy State. Book ii. Ch. 20. The Good Sea-captain.

Book iii. Ch. 12. Of Natural Fools.

Book iii. Ch. 22. Of Marriage.

Andronicus. Ad. fin. 1.

Holy State. Book ii. Ch. 20. The Good Sea-captain.

Book iii. Ch. 12. Of Natural Fools.

Book iii. Ch. 22. Of Marriage.

Andronicus. Ad. fin. 1.

ANDREW FLETCHER OF SALTOUN.

1653-1716.

From a Letter to the Marquis of Montrose, the Earl of Rothes, &c.

HENRY ST. JOHN, VISCOUNT BOLINGBROKE.

1672-1751.

On the Study and Use of History. Letter 2.

BENJAMIN FRANKLIN.

1706-1790.

Poor Richard.

From a Letter to Miss Georgiana Shipley, on the Loss of her American Squirrel.

Poor Richard.

From a Letter to Miss Georgiana Shipley, on the Loss of her American Squirrel.

LAURENCE STERNE.

1713-1768.

Tristam Shandy.

Vol. ii. Chapter xii.

Vol. iii. Chapter ix.

Vol. iii. Chapter xi.

Vol. vi. Chapter viii.

SENTIMENTAL JOURNEY.

Page 1.

In the Street. Calais.

The Passport. The Hotel at Paris.

Maria.

Tristam Shandy.

Vol. ii. Chapter xii.

Vol. iii. Chapter ix.

Vol. iii. Chapter xi.

Vol. vi. Chapter viii.

SENTIMENTAL JOURNEY.

Page 1.

In the Street. Calais.

The Passport. The Hotel at Paris.

Maria.

THOMAS PAINE.

1737-1809.

Letter to the Addressers.

The Crisis. No. 1.

Age of Reason. Part ii. ad fin. (note).

Letter to the Addressers.

The Crisis. No. 1.

Age of Reason. Part ii. ad fin. (note).

DON JOSEPH PALAFOX.

1780-1843.

At the Siege of Saragossa.

THOMAS B. MACAULAY.

Edinburgh Review, Oct., 1840, on Ranke's History of the Popes.

JOHN RANDOLPH.

1773-1833.

Speeches, 1828.

WASHINGTON IRVING.

The Creole Village.

FRANCIS DUC DE ROCHEFOUCAULD.

1613-1680.

Maxim ccxvii.

JOSEPH FOUCHE.

1763-1820.

MISCELLANEOUS.

"The blood of the martyrs is the seed of the Church."

"Corporations have no souls."

"A Rowland for an Oliver."

"Hobson's Choice."

MISCELLANEOUS.

"The blood of the martyrs is the seed of the Church."

"Corporations have no souls."

"A Rowland for an Oliver."

"Hobson's Choice."

ADDENDA.

SHAKESPEARE.

Measure for Measure. Act v. Sc. 1.

King Henry VI. Part i. Act i, Sc. 1.

Measure for Measure. Act v. Sc. 1.

King Henry VI. Part i. Act i, Sc. 1.

MILTON.

Sonnet xi. To Cromwell.

GEORGE HERBERT.

The Elixir.

SAMUEL BUTLER

Hudibras. P. ii. C. i. Line 843.

JAMES THOMSON.

Seasons. Winter, Line 625.

WILLIAM WORDSWORTH

Tintern Abbey.

The Elixir.

SAMUEL BUTLER

Hudibras. P. ii. C. i. Line 843.

JAMES THOMSON.

Seasons. Winter, Line 625.

WILLIAM WORDSWORTH

Tintern Abbey.

INDEX

FOOTNOTES: