The Cutting of an Agate
Free

The Cutting of an Agate

By W. B. (William Butler) Yeats
Free
Book Description
Table of Contents
  • THE CUTTING OF AN AGATE
  • THE CUTTING OF AN AGATE
    • BY
      • WILLIAM BUTLER YEATS
        • AUTHOR OF “IDEAS OF GOOD AND EVIL,” ETC.
      • AUTHOR OF “IDEAS OF GOOD AND EVIL,” ETC.
    • WILLIAM BUTLER YEATS
      • AUTHOR OF “IDEAS OF GOOD AND EVIL,” ETC.
    • AUTHOR OF “IDEAS OF GOOD AND EVIL,” ETC.
    • PREFACE
    • CONTENTS
  • THE CUTTING OF AN AGATE
    • THOUGHTS ON LADY GREGORY’S TRANSLATIONS
      • I
      • CUCHULAIN AND HIS CYCLE
      • II
      • FION AND HIS CYCLE
      • III
    • I
    • CUCHULAIN AND HIS CYCLE
    • II
    • FION AND HIS CYCLE
    • III
    • PREFACE TO THE FIRST EDITION OF THE WELL OF THE SAINTS
    • DISCOVERIES
      • PROPHET, PRIEST AND KING
      • PERSONALITY AND THE INTELLECTUAL ESSENCES
      • THE MUSICIAN AND THE ORATOR
      • A GUITAR PLAYER
      • THE LOOKING-GLASS
      • THE TREE OF LIFE
      • THE PRAISE OF OLD WIVES’ TALES
      • THE PLAY OF MODERN MANNERS
      • HAS THE DRAMA OF CONTEMPORARY LIFE A ROOT OF ITS OWN?
      • WHY THE BLIND MAN IN ANCIENT TIMES WAS MADE A POET
      • CONCERNING SAINTS AND ARTISTS
      • THE SUBJECT MATTER OF DRAMA
      • THE TWO KINDS OF ASCETICISM
      • IN THE SERPENT’S MOUTH
      • THE BLACK AND THE WHITE ARROWS
      • HIS MISTRESS’S EYEBROWS
      • THE TRESSES OF THE HAIR
      • A TOWER ON THE APENNINES
      • THE THINKING OF THE BODY
      • RELIGIOUS BELIEF NECESSARY TO RELIGIOUS ART
      • THE HOLY PLACES
    • PROPHET, PRIEST AND KING
    • PERSONALITY AND THE INTELLECTUAL ESSENCES
    • THE MUSICIAN AND THE ORATOR
    • A GUITAR PLAYER
    • THE LOOKING-GLASS
    • THE TREE OF LIFE
    • THE PRAISE OF OLD WIVES’ TALES
    • THE PLAY OF MODERN MANNERS
    • HAS THE DRAMA OF CONTEMPORARY LIFE A ROOT OF ITS OWN?
    • WHY THE BLIND MAN IN ANCIENT TIMES WAS MADE A POET
    • CONCERNING SAINTS AND ARTISTS
    • THE SUBJECT MATTER OF DRAMA
    • THE TWO KINDS OF ASCETICISM
    • IN THE SERPENT’S MOUTH
    • THE BLACK AND THE WHITE ARROWS
    • HIS MISTRESS’S EYEBROWS
    • THE TRESSES OF THE HAIR
    • A TOWER ON THE APENNINES
    • THE THINKING OF THE BODY
    • RELIGIOUS BELIEF NECESSARY TO RELIGIOUS ART
    • THE HOLY PLACES
    • POETRY AND TRADITION
      • I
      • II
      • III
      • IV
    • I
    • II
    • III
    • IV
    • PREFACE TO THE FIRST EDITION OF JOHN M. SYNGE’S POEMS AND TRANSLATIONS
      • I
      • II
      • III
      • IV
      • V
    • I
    • II
    • III
    • IV
    • V
    • J. M. SYNGE AND THE IRELAND OF HIS TIME
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • XIV
    • THE TRAGIC THEATRE
    • JOHN SHAWE-TAYLOR
    • EDMUND SPENSER
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
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