The Canadian Elocutionist Designed for the Use of Colleges, Schools and Self Instruction, Together with a Copious Selection in Prose and Poetry of Pieces Adapted for Reading, Recitation and Practice
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Language
English
ISBN
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THE CANADIAN ELOCUTIONIST
PREFACE.
INTRODUCTION.
PART II.
TESTIMONIALS.
PART II.
TESTIMONIALS.
CHAPTER I.
SITTING.
CHAPTER II.
CHAPTER III.
CHAPTER IV.
CHAPTER V.
OROTUND QUALITY.
GUTTURAL QUALITY.
ASPIRATE QUALITY.
GUTTURAL QUALITY.
ASPIRATE QUALITY.
CHAPTER VI.
VARIATIONS OF FORCE OR STRESS.
CHAPTER VII.
CHAPTER VIII.
CHAPTER IX.
CLIMAX.
CHAPTER X.
CHAPTER XI.
B. H. S.
B. H. P.
B. H. P.
CHAPTER XII.
CHAPTER XIII.
SCENE FROM LEAH, THE FORSAKEN.
THE BATTLE OF AGINCOURT.
THE QUARREL OF BRUTUS AND CASSIUS.
HAMLET'S ADVICE TO THE PLAYERS.
EXPERIENCE WITH EUROPEAN GUIDES.
FIRST EXPERIENCE.
POOR LITTLE JOE.
NIAGARA.
THE LAUNCH OF THE SHIP.
OVER THE HILL FROM THE POOR-HOUSE.
CALLING A BOY IN THE MORNING.
AN ORDER FOR A PICTURE.
THE JESTER'S CHOICE.
THE OPENING OF THE PIANO.
LANDING OF COLUMBUS.
ST. PHILIP NERI AND THE YOUTH.
"ASK MAMMA."
THOUGH LOST TO SIGHT, TO MEMORY DEAR.
THE FAITHFUL HOUSEWIFE.
SCENE FROM RICHELIEU. Enter JULIE DE MORTEMAR
TO HER HUSBAND;
FROM THE FIRST ORATION AGAINST CATILINE.
THE BATTLE OF AGINCOURT.
THE QUARREL OF BRUTUS AND CASSIUS.
HAMLET'S ADVICE TO THE PLAYERS.
EXPERIENCE WITH EUROPEAN GUIDES.
FIRST EXPERIENCE.
POOR LITTLE JOE.
NIAGARA.
THE LAUNCH OF THE SHIP.
OVER THE HILL FROM THE POOR-HOUSE.
CALLING A BOY IN THE MORNING.
AN ORDER FOR A PICTURE.
THE JESTER'S CHOICE.
THE OPENING OF THE PIANO.
LANDING OF COLUMBUS.
ST. PHILIP NERI AND THE YOUTH.
"ASK MAMMA."
THOUGH LOST TO SIGHT, TO MEMORY DEAR.
THE FAITHFUL HOUSEWIFE.
SCENE FROM RICHELIEU. Enter JULIE DE MORTEMAR
TO HER HUSBAND;
FROM THE FIRST ORATION AGAINST CATILINE.
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