Ghetto Comedies
Free

Ghetto Comedies

By Israel Zangwill
Free
Book Description
Table of Contents
  • The Project Gutenberg eBook, Ghetto Comedies, by Israel Zangwill, Illustrated by J. H. Amschewitz
    • E-text prepared by David Edwards, Jeannie Howse, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net) from digital material generously made available by Internet Archive/Canadian Libraries (http://www.archive.org/details/toronto)
      • New 6s. Novels.
        • LONDON WILLIAM HEINEMANN, 21, BEDFORD STREET.
      • LONDON WILLIAM HEINEMANN, 21, BEDFORD STREET.
    • New 6s. Novels.
      • LONDON WILLIAM HEINEMANN, 21, BEDFORD STREET.
    • LONDON WILLIAM HEINEMANN, 21, BEDFORD STREET.
  • Ghetto Comedies
    • By
      • Israel Zangwill
        • With Illustrations by J.H. Amschewitz
        • TO MY OLD FRIEND M.D. EDER
      • With Illustrations by J.H. Amschewitz
      • TO MY OLD FRIEND M.D. EDER
      • NOTE
      • CONTENTS
      • LIST OF ILLUSTRATIONS
    • Israel Zangwill
      • With Illustrations by J.H. Amschewitz
      • TO MY OLD FRIEND M.D. EDER
    • With Illustrations by J.H. Amschewitz
    • TO MY OLD FRIEND M.D. EDER
    • NOTE
    • CONTENTS
    • LIST OF ILLUSTRATIONS
    • THE MODEL OF SORROWS
      • THE MODEL OF SORROWSToC
        • CHAPTER I
        • HOW I FOUND THE MODEL
        • CHAPTER II
        • THE MODEL'S STORY
        • CHAPTER III
        • THE PICTURE EVOLVES
        • CHAPTER IV
        • I BECOME A SORTER
        • CHAPTER V
        • LAST STAGE OF ALL
      • CHAPTER I
      • HOW I FOUND THE MODEL
      • CHAPTER II
      • THE MODEL'S STORY
      • CHAPTER III
      • THE PICTURE EVOLVES
      • CHAPTER IV
      • I BECOME A SORTER
      • CHAPTER V
      • LAST STAGE OF ALL
    • THE MODEL OF SORROWSToC
      • CHAPTER I
      • HOW I FOUND THE MODEL
      • CHAPTER II
      • THE MODEL'S STORY
      • CHAPTER III
      • THE PICTURE EVOLVES
      • CHAPTER IV
      • I BECOME A SORTER
      • CHAPTER V
      • LAST STAGE OF ALL
    • CHAPTER I
    • HOW I FOUND THE MODEL
    • CHAPTER II
    • THE MODEL'S STORY
    • CHAPTER III
    • THE PICTURE EVOLVES
    • CHAPTER IV
    • I BECOME A SORTER
    • CHAPTER V
    • LAST STAGE OF ALL
    • ANGLICIZATION
      • ANGLICIZATIONToC
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
        • X
        • XI
        • XII
        • XIII
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
    • ANGLICIZATIONToC
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • THE JEWISH TRINITY
      • THE JEWISH TRINITYToC
        • I
        • II
        • III
        • IV
        • V
      • I
      • II
      • III
      • IV
      • V
    • THE JEWISH TRINITYToC
      • I
      • II
      • III
      • IV
      • V
    • I
    • II
    • III
    • IV
    • V
    • THE SABBATH QUESTION IN SUDMINSTER
      • THE SABBATH QUESTION IN SUDMINSTERToC
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
        • X
        • XI
        • XII
        • XIII
        • XIV
        • XV
        • XVI
        • XVII
        • XVIII
        • XIX
        • XX
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
      • XX
    • THE SABBATH QUESTION IN SUDMINSTERToC
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
      • XX
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • XIV
    • XV
    • XVI
    • XVII
    • XVIII
    • XIX
    • XX
    • THE RED MARK
      • THE RED MARKToC
    • THE RED MARKToC
    • THE BEARER OF BURDENS
      • THE BEARER OF BURDENSToC
        • I
        • II
        • III
        • IV
        • V
        • VI
      • I
      • II
      • III
      • IV
      • V
      • VI
    • THE BEARER OF BURDENSToC
      • I
      • II
      • III
      • IV
      • V
      • VI
    • I
    • II
    • III
    • IV
    • V
    • VI
    • THE LUFTMENSCH
      • THE LUFTMENSCHToC
        • I
        • II
        • III
        • IV
      • I
      • II
      • III
      • IV
    • THE LUFTMENSCHToC
      • I
      • II
      • III
      • IV
    • I
    • II
    • III
    • IV
    • THE TUG OF LOVE
      • THE TUG OF LOVEToC
    • THE TUG OF LOVEToC
    • THE YIDDISH 'HAMLET'
      • THE YIDDISH 'HAMLET'ToC
        • I
        • II
        • III
      • I
      • II
      • III
    • THE YIDDISH 'HAMLET'ToC
      • I
      • II
      • III
    • I
    • II
    • III
    • THE CONVERTS
      • THE CONVERTSToC
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
    • THE CONVERTSToC
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • HOLY WEDLOCK
      • HOLY WEDLOCKToC
        • I
        • II
        • III
        • IV
      • I
      • II
      • III
      • IV
    • HOLY WEDLOCKToC
      • I
      • II
      • III
      • IV
    • I
    • II
    • III
    • IV
    • ELIJAH'S GOBLET
      • ELIJAH'S GOBLETToC
        • I
        • II
        • III
      • I
      • II
      • III
    • ELIJAH'S GOBLETToC
      • I
      • II
      • III
    • I
    • II
    • III
    • THE HIRELINGS
      • THE HIRELINGSToC
        • I
        • II
        • III
        • IV
        • V
      • I
      • II
      • III
      • IV
      • V
    • THE HIRELINGSToC
      • I
      • II
      • III
      • IV
      • V
    • I
    • II
    • III
    • IV
    • V
    • SAMOOBORONA
      • SAMOOBORONAToC
        • I
        • II
        • III
        • IV
        • V
        • VI
        • VII
        • VIII
        • IX
        • X
        • XI
        • THE END
        • BILLING AND SONS, LTD., PRINTERS, GUILDFORD.
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • THE END
      • BILLING AND SONS, LTD., PRINTERS, GUILDFORD.
    • SAMOOBORONAToC
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • THE END
      • BILLING AND SONS, LTD., PRINTERS, GUILDFORD.
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • THE END
    • BILLING AND SONS, LTD., PRINTERS, GUILDFORD.
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