Photography in the Studio and in the Field A Practical Manual Designed as a Companion Alike to the Professional and the Amateur Photographer
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Photography in the Studio and in the Field, by E. M. Estabrooke
CONTENTS.
INTRODUCTION.
GLASS.
QUALITY OF GLASS SUITABLE FOR PHOTOGRAPHIC PURPOSES AND HOW TO PREPARE IT.
TO PREPARE THE GLASS FOR USE.
ALBUMENIZING THE GLASS.
QUALITY OF GLASS SUITABLE FOR PHOTOGRAPHIC PURPOSES AND HOW TO PREPARE IT.
TO PREPARE THE GLASS FOR USE.
ALBUMENIZING THE GLASS.
COLLODION.
THE POSITIVE COLLODION PROCESS.
COLLODION FOR POSITIVES.
HOW TO COAT PLATES.
EXPOSURE OF THE PLATE.
DEVELOPER AND DEVELOPMENT.
DEVELOPER.
FIXING SOLUTION.
ARGENTIC DRY PLATES FOR POSITIVES.
DEVELOPER.
FIXING SOLUTION.
THE POSITIVE COLLODION PROCESS.
COLLODION FOR POSITIVES.
HOW TO COAT PLATES.
EXPOSURE OF THE PLATE.
DEVELOPER AND DEVELOPMENT.
DEVELOPER.
FIXING SOLUTION.
ARGENTIC DRY PLATES FOR POSITIVES.
DEVELOPER.
FIXING SOLUTION.
THE COLLODION PROCESS FOR NEGATIVES.
NEGATIVE COLLODION.
NEGATIVE COLLODION. A.
NEGATIVE COLLODION. B.
NEGATIVE COLLODION. C.
NEGATIVE COLLODION.
NEGATIVE COLLODION. A.
NEGATIVE COLLODION. B.
NEGATIVE COLLODION. C.
FORMULA FOR MAKING COLLODION COTTON.
COLLODION WITH ABOVE.
COLLODION WITH ABOVE.
THE NEGATIVE BATH.
THE NEGATIVE DEVELOPER.
DEVELOPING SOLUTION
DEVELOPING SOLUTION
FIXING SOLUTION
INTENSIFYING THE NEGATIVE.
THE BROMO ARGENTIC DRY PLATE PROCESS.
GELATINE EMULSION.
GELATINE EMULSION. A.
GELATINE EMULSION. B.
GELATINE EMULSION. C.
GELATINE EMULSION. D.
GELATINE EMULSION. A.
GELATINE EMULSION. B.
GELATINE EMULSION. C.
GELATINE EMULSION. D.
DESCRIPTION OF APPARATUS USED IN MAKING AND WASHING EMULSIONS.
THE DARK CHAMBER.
TO PREPARE THE GLASS.
COATING THE PLATES.
THE COOLING TABLE.
THE DRYING ROOM.
THE DARK CHAMBER.
TO PREPARE THE GLASS.
COATING THE PLATES.
THE COOLING TABLE.
THE DRYING ROOM.
DEVELOPING ROOM FOR DRY PLATES.
DEVELOPMENT OF DRY PLATES.
DRY PLATE DEVELOPER, A.
FIXING SOLUTION.
CLEARING SOLUTION.
FERROUS OXALATE DEVELOPER.
AMMONIA PYRO DEVELOPER.
INTENSIFICATION OF DRY PLATE NEGATIVES.
INTENSIFYING SOLUTION. A.
ROCHE'S INTENSIFIER. B.
FERROUS OXALATE DEVELOPER.
AMMONIA PYRO DEVELOPER.
INTENSIFICATION OF DRY PLATE NEGATIVES.
INTENSIFYING SOLUTION. A.
ROCHE'S INTENSIFIER. B.
PRACTICALITIES.
RETOUCHING, OR STIPPLING THE NEGATIVE.
SILVER PRINTING.
THE PRINTING ROOM.
THE SILVERING ROOM.
THE SILVER SOLUTION FOR PAPER.
TO SILVER THE PAPER.
FUMING THE PAPER.
TONING THE PRINTS.
THE TONING SOLUTION.
FIXING THE PRINTS.
MOUNTING THE PRINTS.
SPOTTING THE PRINTS.
LUBRICATING THE PRINTS.
THE PRINTING ROOM.
THE SILVERING ROOM.
THE SILVER SOLUTION FOR PAPER.
TO SILVER THE PAPER.
FUMING THE PAPER.
TONING THE PRINTS.
THE TONING SOLUTION.
FIXING THE PRINTS.
MOUNTING THE PRINTS.
SPOTTING THE PRINTS.
LUBRICATING THE PRINTS.
THE PHOTOGRAPHIC STUDIO.
CAMERA LENSES.
THE OPTICS OF PHOTOGRAPHY.
THE OPTICS OF PHOTOGRAPHY.
CAMERA BOXES.
THE CAMERA BOX FOR POSITIVES AND THE MULTIPLIER.
THE CAMERA FOR NEGATIVES, WET OR DRY. CLIMAX IMPERIAL CAMERAS.
THE "BENSTER" PLATE-HOLDER.
THE CAMERA BOX FOR POSITIVES AND THE MULTIPLIER.
THE CAMERA FOR NEGATIVES, WET OR DRY. CLIMAX IMPERIAL CAMERAS.
THE "BENSTER" PLATE-HOLDER.
CAMERA BOXES
THE COPYING AND ENLARGING AND REDUCING CAMERA.
THE CAMERA FOR VIEWING AND OUT-DOOR WORK.
THE NOVEL VIEW CAMERA.
THE KLAUBER CAMERA.
THE COPYING AND ENLARGING AND REDUCING CAMERA.
THE CAMERA FOR VIEWING AND OUT-DOOR WORK.
THE NOVEL VIEW CAMERA.
THE KLAUBER CAMERA.
CAMERA STANDS.
THE LEVER STAND.
SCREW STAND,
THE BALANCE STAND.
THE BOWDISH STAND.
FIG. 24.—THE AUTOMATIC STAND.
FIG. 25.—THE GEM CITY STAND.
FIG. 26.—THE HANDY CAMERA STAND.
FIG. 27.—MAGIC CAMERA STAND.
FIG. 28.—IRON CENTRE STAND.
THE LEVER STAND.
SCREW STAND,
THE BALANCE STAND.
THE BOWDISH STAND.
FIG. 24.—THE AUTOMATIC STAND.
FIG. 25.—THE GEM CITY STAND.
FIG. 26.—THE HANDY CAMERA STAND.
FIG. 27.—MAGIC CAMERA STAND.
FIG. 28.—IRON CENTRE STAND.
THE PNEUMATIC SHUTTER FOR THE CAMERA.
CADETT'S PATENT PNEUMATIC PHOTOGRAPHIC SHUTTER.
PROSCH'S "DUPLEX" PHOTOGRAPHIC SHUTTER.
CADETT'S PATENT PNEUMATIC PHOTOGRAPHIC SHUTTER.
PROSCH'S "DUPLEX" PHOTOGRAPHIC SHUTTER.
HEAD-RESTS.
SUCCESS HEAD-REST.
THE RIGID HEAD-REST.
SPENCER HEAD-REST.
SUCCESS HEAD-REST.
THE RIGID HEAD-REST.
SPENCER HEAD-REST.
POSING CHAIRS.
THE BOWDISH CHAIR.
THE BOWDISH CHAIR.
PART SECOND.
FIELD PHOTOGRAPHY.
THE AMATEUR OUTFIT.
THE VIEWING OUTFIT CONSISTS OF:
DRY PLATES.
ANTHONY'S PATENT PERFECT DOUBLE DRY PLATE HOLDERS OR SHIELDS.
THE VIEW CAMERA FOR AMATEURS.
DETECTIVE CAMERA.
THE PATENT BIJOU CAMERA.
ANTHONY'S PATENT SATCHEL DETECTIVE CAMERA.
THE AMATEUR OUTFIT.
THE VIEWING OUTFIT CONSISTS OF:
DRY PLATES.
ANTHONY'S PATENT PERFECT DOUBLE DRY PLATE HOLDERS OR SHIELDS.
THE VIEW CAMERA FOR AMATEURS.
DETECTIVE CAMERA.
THE PATENT BIJOU CAMERA.
ANTHONY'S PATENT SATCHEL DETECTIVE CAMERA.
AMATEUR EQUIPMENTS FOR FIELD WORK.
EQUIPMENT NO. 1.
THE FAIRY CAMERA.
THE NOVEL CAMERA WITH DOUBLE SWING BACK IN THE ACT OF BEING REVERSED.
EQUIPMENT NO. 1.
THE FAIRY CAMERA.
THE NOVEL CAMERA WITH DOUBLE SWING BACK IN THE ACT OF BEING REVERSED.
THE VIEW LENS. (See article on lenses in Part First.)
THE DOUBLE COMBINATION
THE PLATYSCOPE LENS
WIDE ANGLE LENSES.
THE DOUBLE COMBINATION
THE PLATYSCOPE LENS
WIDE ANGLE LENSES.
THE TRIPOD OR CAMERA STAND.
THE INSTANTANEOUS SHUTTER.
THE DROP SHUTTER,
THE DROP SHUTTER,
THE CARRYING BOX.
THE DEVELOPING OUTFIT FOR AMATEURS.
THE WASHING BOX.
NEGATIVE RACKS,
CHEMICAL COMPONENTS OF THE DEVELOPER.
THE AMATEUR DARK ROOM.
FERROUS OXALATE DEVELOPMENT OF DRY PLATES. (ROCHE.)
COOPER'S SODA DEVELOPER.
FERRO-CYANIDE OF POTASSIUM DEVELOPER.
CLEARING SOLUTION.
THE WASHING BOX.
NEGATIVE RACKS,
CHEMICAL COMPONENTS OF THE DEVELOPER.
THE AMATEUR DARK ROOM.
FERROUS OXALATE DEVELOPMENT OF DRY PLATES. (ROCHE.)
COOPER'S SODA DEVELOPER.
FERRO-CYANIDE OF POTASSIUM DEVELOPER.
CLEARING SOLUTION.
EASTMAN'S IMPROVED NEGATIVE PAPER.
HOW TO USE THE EASTMAN-WALKER ROLL-HOLDER.
THE ROCHE FILM.
ENLARGING AND DUPLICATING SMALL NEGATIVES.
THE COPYING AND DUPLICATING CAMERA.
DUPLICATE NEGATIVES BY CONTACT.
THE COPYING AND DUPLICATING CAMERA.
DUPLICATE NEGATIVES BY CONTACT.
PRINTING PROCESSES.
PRINTING ON ANTHONY'S GELATINO BROMIDE PAPER.
THE MAGIC LANTERN AND ITS USE
LANTERN SLIDES.
PRINTING BY ANTHONY'S COLLODIO CHLORIDE.
FORMULA FOR COLLODIO CHLORIDE.
PRINTING ON ANTHONY'S GELATINO BROMIDE PAPER.
THE MAGIC LANTERN AND ITS USE
LANTERN SLIDES.
PRINTING BY ANTHONY'S COLLODIO CHLORIDE.
FORMULA FOR COLLODIO CHLORIDE.
THE ENLARGING CAMERA
TO ENLARGE NEGATIVES BY THE REVERSING ACTION OF LIGHT.
TO ENLARGE NEGATIVES BY THE REVERSING ACTION OF LIGHT.
PRINTING WITHOUT SALTS OF SILVER, FROM THE "SILVER SUNBEAM."
THE FERRO-PRUSSIATE, OR BLUE PROCESS.
ANOTHER PROCESS FOR BLUE PRINTS.
ANOTHER PROCESS—THE CYANOTYPE.
PROCESS WITH SALTS OF URANIUM.
NITRATE OF SILVER DEVELOPER.
CHLORIDE OF GOLD DEVELOPER.
PROCESS FOR RED PICTURES.
PROCESS FOR GREEN PICTURES.
PROCESS FOR VIOLET PICTURES.
THE FERRO-PRUSSIATE, OR BLUE PROCESS.
ANOTHER PROCESS FOR BLUE PRINTS.
ANOTHER PROCESS—THE CYANOTYPE.
PROCESS WITH SALTS OF URANIUM.
NITRATE OF SILVER DEVELOPER.
CHLORIDE OF GOLD DEVELOPER.
PROCESS FOR RED PICTURES.
PROCESS FOR GREEN PICTURES.
PROCESS FOR VIOLET PICTURES.
TRANSPARENCIES ON GLASS AND OPAL.
FORMULA FOR DEVELOPING DRY PLATE TRANSPARENCIES.
FERROUS OXALATE DEVELOPER FOR TRANSPARENCIES.
PORCELAIN AND OPAL TRANSPARENCIES
TRANSPARENCIES BY WET COLLODION. From the Photographic Times.
ANTHONY'S BICYCLE CAMERA.
FORMULA FOR DEVELOPING DRY PLATE TRANSPARENCIES.
FERROUS OXALATE DEVELOPER FOR TRANSPARENCIES.
PORCELAIN AND OPAL TRANSPARENCIES
TRANSPARENCIES BY WET COLLODION. From the Photographic Times.
ANTHONY'S BICYCLE CAMERA.
PHOTO MICROGRAPHY.
THE CAMERA.
PRACTICAL SUGGESTIONS.
THE CAMERA.
PRACTICAL SUGGESTIONS.
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