Blog
FAQ
Sign In
Sign Up
Store
Vautrin: A Drama in Five Acts
Free

Vautrin: A Drama in Five Acts

By Honoré de Balzac
Free
Read Now
DescriptionTable of ContentsReviews
Book Description
Table of Contents
  • VAUTRIN A DRAMA IN FIVE ACTS
    • AUTHOR'S PREFACE
      • PERSONS OF THE PLAY
    • PERSONS OF THE PLAY
  • VAUTRIN
    • ACT I.
      • SCENE FIRST. (A room in the house of the Duc de Montsorel.) The Duchesse de Montsorel and Mademoiselle de Vaudrey.
        • SCENE SECOND.
        • SCENE THIRD. Mademoiselle de Vaudrey and Felicite.
        • SCENE FOURTH.
        • SCENE FIFTH. Joseph and Vautrin. (Vautrin wears a tan-colored overcoat, trimmed with fur, over the black evening dress of a foreign diplomatic minister.)
        • SCENE SIXTH.
        • SCENE SEVENTH.
        • SCENE EIGHTH. The Duchesse de Montsorel and Mademoiselle de Vaudrey.
        • SCENE NINTH. The same persons, and the Duc de Montsorel (who enters as the duchess pronounces the last sentence).
        • SCENE TENTH. Mademoiselle de Vaudrey and the Duchess.
      • SCENE SECOND.
      • SCENE THIRD. Mademoiselle de Vaudrey and Felicite.
      • SCENE FOURTH.
      • SCENE FIFTH. Joseph and Vautrin. (Vautrin wears a tan-colored overcoat, trimmed with fur, over the black evening dress of a foreign diplomatic minister.)
      • SCENE SIXTH.
      • SCENE SEVENTH.
      • SCENE EIGHTH. The Duchesse de Montsorel and Mademoiselle de Vaudrey.
      • SCENE NINTH. The same persons, and the Duc de Montsorel (who enters as the duchess pronounces the last sentence).
      • SCENE TENTH. Mademoiselle de Vaudrey and the Duchess.
      • ACT II.
        • SCENE FIRST. (Scene the same as in preceding act.) The Duc de Montsorel and Joseph.
        • SCENE SECOND. The preceding and Felicite. (To explain his presence in his wife's room, the duke looks over articles lying on the table, and discovers a letter in a book.)
        • SCENE THIRD. The preceding, and Blondet, alias the Chevalier de Saint-Charles. (Joseph and Saint-Charles walk together from the centre door, and eye each other attentively.)
        • SCENE FOURTH. The Duke and Saint-Charles.
        • SCENE FIFTH. The preceding and the Marquis de Montsorel.
        • SCENE SIXTH. The Duke and the Marquis.
        • SCENE SEVENTH. The Duke, the Duchess and the Marquis.
        • SCENE EIGHTH. The same persons and Joseph.
        • SCENE NINTH. The same persons, the Duchesse de Christoval and the Princesse d'Arjos.
        • SCENE TENTH. The same persons, Joseph and Raoul de Frescas.
        • SCENE ELEVENTH. The same persons, except Raoul.
        • SCENE TWELFTH. The Marquis and the Duke.
        • SCENE THIRTEENTH. The same persons and Vautrin. (Vautrin is dressed all in black; at the beginning of the scene he puts on an air of compunction and humility.)
      • SCENE FIRST. (Scene the same as in preceding act.) The Duc de Montsorel and Joseph.
      • SCENE SECOND. The preceding and Felicite. (To explain his presence in his wife's room, the duke looks over articles lying on the table, and discovers a letter in a book.)
      • SCENE THIRD. The preceding, and Blondet, alias the Chevalier de Saint-Charles. (Joseph and Saint-Charles walk together from the centre door, and eye each other attentively.)
      • SCENE FOURTH. The Duke and Saint-Charles.
      • SCENE FIFTH. The preceding and the Marquis de Montsorel.
      • SCENE SIXTH. The Duke and the Marquis.
      • SCENE SEVENTH. The Duke, the Duchess and the Marquis.
      • SCENE EIGHTH. The same persons and Joseph.
      • SCENE NINTH. The same persons, the Duchesse de Christoval and the Princesse d'Arjos.
      • SCENE TENTH. The same persons, Joseph and Raoul de Frescas.
      • SCENE ELEVENTH. The same persons, except Raoul.
      • SCENE TWELFTH. The Marquis and the Duke.
      • SCENE THIRTEENTH. The same persons and Vautrin. (Vautrin is dressed all in black; at the beginning of the scene he puts on an air of compunction and humility.)
      • ACT III.
        • SCENE FIRST. (A room in the house of Raoul de Frescas.)
        • SCENE SECOND. Vautrin and Lafouraille. (Vautrin is dressed in long white duck trousers and a waistcoat of the same material, slippers of red morocco,—the morning dress of a business man.)
        • SCENE THIRD. The same persons, Buteux, Philosopher and Fil-de-Soie.
        • SCENE FOURTH.
        • SCENE FIFTH. Vautrin and Lafouraille.
        • SCENE SIXTH. Lafouraille and Saint-Charles.
        • SCENE SEVENTH.
        • SCENE EIGHTH. Saint-Charles, Vautrin and Lafouraille. (Vautrin wears a bright maroon coat, of old-fashioned cut, with large heavy buttons; his breeches are black silk, as are his stockings. His shoes have gold buckles, his waistcoat is flowered, he wears two watch-chains, his cravat belongs to the time of the Revolution; his wig is white, his face old, keen, withered, dissipated looking. He speaks low, and his voice is cracked.)
        • SCENE NINTH. Vautrin and Lafouraille.
        • SCENE TENTH. Vautrin and Raoul de Frescas.
      • SCENE FIRST. (A room in the house of Raoul de Frescas.)
      • SCENE SECOND. Vautrin and Lafouraille. (Vautrin is dressed in long white duck trousers and a waistcoat of the same material, slippers of red morocco,—the morning dress of a business man.)
      • SCENE THIRD. The same persons, Buteux, Philosopher and Fil-de-Soie.
      • SCENE FOURTH.
      • SCENE FIFTH. Vautrin and Lafouraille.
      • SCENE SIXTH. Lafouraille and Saint-Charles.
      • SCENE SEVENTH.
      • SCENE EIGHTH. Saint-Charles, Vautrin and Lafouraille. (Vautrin wears a bright maroon coat, of old-fashioned cut, with large heavy buttons; his breeches are black silk, as are his stockings. His shoes have gold buckles, his waistcoat is flowered, he wears two watch-chains, his cravat belongs to the time of the Revolution; his wig is white, his face old, keen, withered, dissipated looking. He speaks low, and his voice is cracked.)
      • SCENE NINTH. Vautrin and Lafouraille.
      • SCENE TENTH. Vautrin and Raoul de Frescas.
      • ACT IV.
        • SCENE FIRST. (Drawing-room of the Duchesse de Christoval.) The Duchesse de Christoval and Inez.
        • SCENE SECOND. The same persons, a footman and Vautrin.
        • SCENE THIRD. The Duchess and Vautrin.
        • SCENE FOURTH.
        • SCENE FIFTH. Vautrin, the Duchesse de Christoval and Inez.
        • SCENE SIXTH. The same persons, and Raoul.
        • SCENE SEVENTH. Inez (standing at the door through which her mother has passed); Raoul (at the other side of the stage).
        • SCENE EIGHTH The same persons and the Marquis de Montsorel.
        • SCENE NINTH. The Marquis and Raoul; later, Vautrin.
        • SCENE TENTH. Raoul, Vautrin, the Marquis and the Duchesse de Montsorel; Later, the Duchesse de Christoval and Inez.
        • SCENE ELEVENTH. The Duchesse de Christoval, the Duchesse de Montsorel, Raoul and Vautrin.
        • SCENE TWELFTH. Raoul, Vautrin and later Lafouraille.
      • SCENE FIRST. (Drawing-room of the Duchesse de Christoval.) The Duchesse de Christoval and Inez.
      • SCENE SECOND. The same persons, a footman and Vautrin.
      • SCENE THIRD. The Duchess and Vautrin.
      • SCENE FOURTH.
      • SCENE FIFTH. Vautrin, the Duchesse de Christoval and Inez.
      • SCENE SIXTH. The same persons, and Raoul.
      • SCENE SEVENTH. Inez (standing at the door through which her mother has passed); Raoul (at the other side of the stage).
      • SCENE EIGHTH The same persons and the Marquis de Montsorel.
      • SCENE NINTH. The Marquis and Raoul; later, Vautrin.
      • SCENE TENTH. Raoul, Vautrin, the Marquis and the Duchesse de Montsorel; Later, the Duchesse de Christoval and Inez.
      • SCENE ELEVENTH. The Duchesse de Christoval, the Duchesse de Montsorel, Raoul and Vautrin.
      • SCENE TWELFTH. Raoul, Vautrin and later Lafouraille.
      • ACT V.
        • SCENE FIRST. (The scene is laid at the Montsorel house, in a room on the ground floor.)
        • SCENE SECOND. Joseph, Lafouraille and Buteux; later, Vautrin.
        • SCENE THIRD.
        • SCENE FOURTH. Joseph and Vautrin.
        • SCENE FIFTH.
        • SCENE SIXTH Joseph, a footman; and afterwards Saint-Charles.
        • SCENE SEVENTH.
        • SCENE EIGHTH. Saint-Charles, the Duchesse de Montsorel and Mademoiselle de Vaudrey.
        • SCENE NINTH. The same persons, the Duc de Montsorel and a footman.
        • SCENE TENTH. The Duchess, Mademoiselle de Vaudrey and Vautrin.
        • SCENE ELEVENTH. The Duchess and Vautrin.
        • SCENE TWELFTH. The same persons and Mademoiselle de Vaudrey on one side of the stage, Saint-Charles on the other, and domestics.
        • SCENE THIRTEENTH. Vautrin and the Duchess.
        • SCENE FOURTEENTH. The same persons, the Duke, Lafouraille, Buteux, Saint-Charles, and all the domestics.
        • SCENE FIFTEENTH. The same persons, the Duchesse de Christoval, Inez and Mademoiselle de Vaudrey.
        • SCENE SIXTEENTH. The same persons, Raoul and Lafouraille. (The last named does not tarry.)
        • SCENE SEVENTEENTH. The same persons, a police officer, guards and servants.
      • SCENE FIRST. (The scene is laid at the Montsorel house, in a room on the ground floor.)
      • SCENE SECOND. Joseph, Lafouraille and Buteux; later, Vautrin.
      • SCENE THIRD.
      • SCENE FOURTH. Joseph and Vautrin.
      • SCENE FIFTH.
      • SCENE SIXTH Joseph, a footman; and afterwards Saint-Charles.
      • SCENE SEVENTH.
      • SCENE EIGHTH. Saint-Charles, the Duchesse de Montsorel and Mademoiselle de Vaudrey.
      • SCENE NINTH. The same persons, the Duc de Montsorel and a footman.
      • SCENE TENTH. The Duchess, Mademoiselle de Vaudrey and Vautrin.
      • SCENE ELEVENTH. The Duchess and Vautrin.
      • SCENE TWELFTH. The same persons and Mademoiselle de Vaudrey on one side of the stage, Saint-Charles on the other, and domestics.
      • SCENE THIRTEENTH. Vautrin and the Duchess.
      • SCENE FOURTEENTH. The same persons, the Duke, Lafouraille, Buteux, Saint-Charles, and all the domestics.
      • SCENE FIFTEENTH. The same persons, the Duchesse de Christoval, Inez and Mademoiselle de Vaudrey.
      • SCENE SIXTEENTH. The same persons, Raoul and Lafouraille. (The last named does not tarry.)
      • SCENE SEVENTEENTH. The same persons, a police officer, guards and servants.
      • *** START: FULL LICENSE ***
        • Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works
        • Section 2. Information about the Mission of Project Gutenberg-tm
        • Section 3. Information about the Project Gutenberg Literary Archive Foundation
        • Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
        • Section 5. General Information About Project Gutenberg-tm electronic works.
      • Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works
      • Section 2. Information about the Mission of Project Gutenberg-tm
      • Section 3. Information about the Project Gutenberg Literary Archive Foundation
      • Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
      • Section 5. General Information About Project Gutenberg-tm electronic works.
    • SCENE FIRST. (A room in the house of the Duc de Montsorel.) The Duchesse de Montsorel and Mademoiselle de Vaudrey.
      • SCENE SECOND.
      • SCENE THIRD. Mademoiselle de Vaudrey and Felicite.
      • SCENE FOURTH.
      • SCENE FIFTH. Joseph and Vautrin. (Vautrin wears a tan-colored overcoat, trimmed with fur, over the black evening dress of a foreign diplomatic minister.)
      • SCENE SIXTH.
      • SCENE SEVENTH.
      • SCENE EIGHTH. The Duchesse de Montsorel and Mademoiselle de Vaudrey.
      • SCENE NINTH. The same persons, and the Duc de Montsorel (who enters as the duchess pronounces the last sentence).
      • SCENE TENTH. Mademoiselle de Vaudrey and the Duchess.
    • SCENE SECOND.
    • SCENE THIRD. Mademoiselle de Vaudrey and Felicite.
    • SCENE FOURTH.
    • SCENE FIFTH. Joseph and Vautrin. (Vautrin wears a tan-colored overcoat, trimmed with fur, over the black evening dress of a foreign diplomatic minister.)
    • SCENE SIXTH.
    • SCENE SEVENTH.
    • SCENE EIGHTH. The Duchesse de Montsorel and Mademoiselle de Vaudrey.
    • SCENE NINTH. The same persons, and the Duc de Montsorel (who enters as the duchess pronounces the last sentence).
    • SCENE TENTH. Mademoiselle de Vaudrey and the Duchess.
    • ACT II.
      • SCENE FIRST. (Scene the same as in preceding act.) The Duc de Montsorel and Joseph.
      • SCENE SECOND. The preceding and Felicite. (To explain his presence in his wife's room, the duke looks over articles lying on the table, and discovers a letter in a book.)
      • SCENE THIRD. The preceding, and Blondet, alias the Chevalier de Saint-Charles. (Joseph and Saint-Charles walk together from the centre door, and eye each other attentively.)
      • SCENE FOURTH. The Duke and Saint-Charles.
      • SCENE FIFTH. The preceding and the Marquis de Montsorel.
      • SCENE SIXTH. The Duke and the Marquis.
      • SCENE SEVENTH. The Duke, the Duchess and the Marquis.
      • SCENE EIGHTH. The same persons and Joseph.
      • SCENE NINTH. The same persons, the Duchesse de Christoval and the Princesse d'Arjos.
      • SCENE TENTH. The same persons, Joseph and Raoul de Frescas.
      • SCENE ELEVENTH. The same persons, except Raoul.
      • SCENE TWELFTH. The Marquis and the Duke.
      • SCENE THIRTEENTH. The same persons and Vautrin. (Vautrin is dressed all in black; at the beginning of the scene he puts on an air of compunction and humility.)
    • SCENE FIRST. (Scene the same as in preceding act.) The Duc de Montsorel and Joseph.
    • SCENE SECOND. The preceding and Felicite. (To explain his presence in his wife's room, the duke looks over articles lying on the table, and discovers a letter in a book.)
    • SCENE THIRD. The preceding, and Blondet, alias the Chevalier de Saint-Charles. (Joseph and Saint-Charles walk together from the centre door, and eye each other attentively.)
    • SCENE FOURTH. The Duke and Saint-Charles.
    • SCENE FIFTH. The preceding and the Marquis de Montsorel.
    • SCENE SIXTH. The Duke and the Marquis.
    • SCENE SEVENTH. The Duke, the Duchess and the Marquis.
    • SCENE EIGHTH. The same persons and Joseph.
    • SCENE NINTH. The same persons, the Duchesse de Christoval and the Princesse d'Arjos.
    • SCENE TENTH. The same persons, Joseph and Raoul de Frescas.
    • SCENE ELEVENTH. The same persons, except Raoul.
    • SCENE TWELFTH. The Marquis and the Duke.
    • SCENE THIRTEENTH. The same persons and Vautrin. (Vautrin is dressed all in black; at the beginning of the scene he puts on an air of compunction and humility.)
    • ACT III.
      • SCENE FIRST. (A room in the house of Raoul de Frescas.)
      • SCENE SECOND. Vautrin and Lafouraille. (Vautrin is dressed in long white duck trousers and a waistcoat of the same material, slippers of red morocco,—the morning dress of a business man.)
      • SCENE THIRD. The same persons, Buteux, Philosopher and Fil-de-Soie.
      • SCENE FOURTH.
      • SCENE FIFTH. Vautrin and Lafouraille.
      • SCENE SIXTH. Lafouraille and Saint-Charles.
      • SCENE SEVENTH.
      • SCENE EIGHTH. Saint-Charles, Vautrin and Lafouraille. (Vautrin wears a bright maroon coat, of old-fashioned cut, with large heavy buttons; his breeches are black silk, as are his stockings. His shoes have gold buckles, his waistcoat is flowered, he wears two watch-chains, his cravat belongs to the time of the Revolution; his wig is white, his face old, keen, withered, dissipated looking. He speaks low, and his voice is cracked.)
      • SCENE NINTH. Vautrin and Lafouraille.
      • SCENE TENTH. Vautrin and Raoul de Frescas.
    • SCENE FIRST. (A room in the house of Raoul de Frescas.)
    • SCENE SECOND. Vautrin and Lafouraille. (Vautrin is dressed in long white duck trousers and a waistcoat of the same material, slippers of red morocco,—the morning dress of a business man.)
    • SCENE THIRD. The same persons, Buteux, Philosopher and Fil-de-Soie.
    • SCENE FOURTH.
    • SCENE FIFTH. Vautrin and Lafouraille.
    • SCENE SIXTH. Lafouraille and Saint-Charles.
    • SCENE SEVENTH.
    • SCENE EIGHTH. Saint-Charles, Vautrin and Lafouraille. (Vautrin wears a bright maroon coat, of old-fashioned cut, with large heavy buttons; his breeches are black silk, as are his stockings. His shoes have gold buckles, his waistcoat is flowered, he wears two watch-chains, his cravat belongs to the time of the Revolution; his wig is white, his face old, keen, withered, dissipated looking. He speaks low, and his voice is cracked.)
    • SCENE NINTH. Vautrin and Lafouraille.
    • SCENE TENTH. Vautrin and Raoul de Frescas.
    • ACT IV.
      • SCENE FIRST. (Drawing-room of the Duchesse de Christoval.) The Duchesse de Christoval and Inez.
      • SCENE SECOND. The same persons, a footman and Vautrin.
      • SCENE THIRD. The Duchess and Vautrin.
      • SCENE FOURTH.
      • SCENE FIFTH. Vautrin, the Duchesse de Christoval and Inez.
      • SCENE SIXTH. The same persons, and Raoul.
      • SCENE SEVENTH. Inez (standing at the door through which her mother has passed); Raoul (at the other side of the stage).
      • SCENE EIGHTH The same persons and the Marquis de Montsorel.
      • SCENE NINTH. The Marquis and Raoul; later, Vautrin.
      • SCENE TENTH. Raoul, Vautrin, the Marquis and the Duchesse de Montsorel; Later, the Duchesse de Christoval and Inez.
      • SCENE ELEVENTH. The Duchesse de Christoval, the Duchesse de Montsorel, Raoul and Vautrin.
      • SCENE TWELFTH. Raoul, Vautrin and later Lafouraille.
    • SCENE FIRST. (Drawing-room of the Duchesse de Christoval.) The Duchesse de Christoval and Inez.
    • SCENE SECOND. The same persons, a footman and Vautrin.
    • SCENE THIRD. The Duchess and Vautrin.
    • SCENE FOURTH.
    • SCENE FIFTH. Vautrin, the Duchesse de Christoval and Inez.
    • SCENE SIXTH. The same persons, and Raoul.
    • SCENE SEVENTH. Inez (standing at the door through which her mother has passed); Raoul (at the other side of the stage).
    • SCENE EIGHTH The same persons and the Marquis de Montsorel.
    • SCENE NINTH. The Marquis and Raoul; later, Vautrin.
    • SCENE TENTH. Raoul, Vautrin, the Marquis and the Duchesse de Montsorel; Later, the Duchesse de Christoval and Inez.
    • SCENE ELEVENTH. The Duchesse de Christoval, the Duchesse de Montsorel, Raoul and Vautrin.
    • SCENE TWELFTH. Raoul, Vautrin and later Lafouraille.
    • ACT V.
      • SCENE FIRST. (The scene is laid at the Montsorel house, in a room on the ground floor.)
      • SCENE SECOND. Joseph, Lafouraille and Buteux; later, Vautrin.
      • SCENE THIRD.
      • SCENE FOURTH. Joseph and Vautrin.
      • SCENE FIFTH.
      • SCENE SIXTH Joseph, a footman; and afterwards Saint-Charles.
      • SCENE SEVENTH.
      • SCENE EIGHTH. Saint-Charles, the Duchesse de Montsorel and Mademoiselle de Vaudrey.
      • SCENE NINTH. The same persons, the Duc de Montsorel and a footman.
      • SCENE TENTH. The Duchess, Mademoiselle de Vaudrey and Vautrin.
      • SCENE ELEVENTH. The Duchess and Vautrin.
      • SCENE TWELFTH. The same persons and Mademoiselle de Vaudrey on one side of the stage, Saint-Charles on the other, and domestics.
      • SCENE THIRTEENTH. Vautrin and the Duchess.
      • SCENE FOURTEENTH. The same persons, the Duke, Lafouraille, Buteux, Saint-Charles, and all the domestics.
      • SCENE FIFTEENTH. The same persons, the Duchesse de Christoval, Inez and Mademoiselle de Vaudrey.
      • SCENE SIXTEENTH. The same persons, Raoul and Lafouraille. (The last named does not tarry.)
      • SCENE SEVENTEENTH. The same persons, a police officer, guards and servants.
    • SCENE FIRST. (The scene is laid at the Montsorel house, in a room on the ground floor.)
    • SCENE SECOND. Joseph, Lafouraille and Buteux; later, Vautrin.
    • SCENE THIRD.
    • SCENE FOURTH. Joseph and Vautrin.
    • SCENE FIFTH.
    • SCENE SIXTH Joseph, a footman; and afterwards Saint-Charles.
    • SCENE SEVENTH.
    • SCENE EIGHTH. Saint-Charles, the Duchesse de Montsorel and Mademoiselle de Vaudrey.
    • SCENE NINTH. The same persons, the Duc de Montsorel and a footman.
    • SCENE TENTH. The Duchess, Mademoiselle de Vaudrey and Vautrin.
    • SCENE ELEVENTH. The Duchess and Vautrin.
    • SCENE TWELFTH. The same persons and Mademoiselle de Vaudrey on one side of the stage, Saint-Charles on the other, and domestics.
    • SCENE THIRTEENTH. Vautrin and the Duchess.
    • SCENE FOURTEENTH. The same persons, the Duke, Lafouraille, Buteux, Saint-Charles, and all the domestics.
    • SCENE FIFTEENTH. The same persons, the Duchesse de Christoval, Inez and Mademoiselle de Vaudrey.
    • SCENE SIXTEENTH. The same persons, Raoul and Lafouraille. (The last named does not tarry.)
    • SCENE SEVENTEENTH. The same persons, a police officer, guards and servants.
    • *** START: FULL LICENSE ***
      • Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works
      • Section 2. Information about the Mission of Project Gutenberg-tm
      • Section 3. Information about the Project Gutenberg Literary Archive Foundation
      • Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
      • Section 5. General Information About Project Gutenberg-tm electronic works.
    • Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works
    • Section 2. Information about the Mission of Project Gutenberg-tm
    • Section 3. Information about the Project Gutenberg Literary Archive Foundation
    • Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation
    • Section 5. General Information About Project Gutenberg-tm electronic works.
The book hasn't received reviews yet.
You May Also Like
A Street of Paris and Its Inhabitant
Free
A Street of Paris and Its Inhabitant
By Honoré de Balzac
The Jealousies of a Country Town
Free
The Jealousies of a Country Town
By Honoré de Balzac
The Resources of Quinola: A Comedy in a Prologue and Five Acts
Free
The Resources of Quinola: A Comedy in a Prologue and Five Acts
By Honoré de Balzac
The Red Inn
Free
The Red Inn
By Honoré de Balzac
An Episode under the Terror
Free
An Episode under the Terror
By Honoré de Balzac
Poor Relations
Free
Poor Relations
By Honoré de Balzac
Free
The Thirteen
By Honoré de Balzac
The Celibates
Free
The Celibates
By Honoré de Balzac
Free
The Unknown Masterpiece 1845
By Honoré de Balzac
Free
Pamela Giraud: A Play in Five Acts
By Honoré de Balzac
Also Available On
Categories
Arts & Photography489Biographies & Memoirs83Business & Money149Children's Books1726Christian Books & Bibles993Comics & Graphic Novels6Computers & Technology877Cookbooks, Food & Wine24Crafts, Hobbies & Home207Education & Teaching3932Engineering & Transportation1Gay & Lesbian3Health, Fitness & Dieting14History5886Humor & Entertainment165Law154Literature & Fiction19921Medical Books2Mystery, Thriller & Suspense24Other3126Parenting & Relationships12Politics & Social Sciences1482Professional & Technical26Reference11Religion & Spirituality1751Romance275Science & Math1241Science Fiction & Fantasy211Self-Help42Sports & Outdoors48Teen & Young Adult161Test Preparation182Travel115
Curated Lists
Solutions
Corporate & Other BusinessesPublishers & AuthorsReaders
About BookFusion
About UsBlogContact Us
Copyright © 2022 BookFusion
AboutCopyrightsTerms & ConditionsPrivacyHelp