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- VAUTRIN A DRAMA IN FIVE ACTS
- AUTHOR'S PREFACE
- PERSONS OF THE PLAY
- PERSONS OF THE PLAY
- AUTHOR'S PREFACE
- VAUTRIN
- ACT I.
- SCENE FIRST. (A room in the house of the Duc de Montsorel.) The Duchesse de Montsorel and Mademoiselle de Vaudrey.
- SCENE SECOND.
- SCENE THIRD. Mademoiselle de Vaudrey and Felicite.
- SCENE FOURTH.
- SCENE FIFTH. Joseph and Vautrin. (Vautrin wears a tan-colored overcoat, trimmed with fur, over the black evening dress of a foreign diplomatic minister.)
- SCENE SIXTH.
- SCENE SEVENTH.
- SCENE EIGHTH. The Duchesse de Montsorel and Mademoiselle de Vaudrey.
- SCENE NINTH. The same persons, and the Duc de Montsorel (who enters as the duchess pronounces the last sentence).
- SCENE TENTH. Mademoiselle de Vaudrey and the Duchess.
- SCENE SECOND.
- SCENE THIRD. Mademoiselle de Vaudrey and Felicite.
- SCENE FOURTH.
- SCENE FIFTH. Joseph and Vautrin. (Vautrin wears a tan-colored overcoat, trimmed with fur, over the black evening dress of a foreign diplomatic minister.)
- SCENE SIXTH.
- SCENE SEVENTH.
- SCENE EIGHTH. The Duchesse de Montsorel and Mademoiselle de Vaudrey.
- SCENE NINTH. The same persons, and the Duc de Montsorel (who enters as the duchess pronounces the last sentence).
- SCENE TENTH. Mademoiselle de Vaudrey and the Duchess.
- ACT II.
- SCENE FIRST. (Scene the same as in preceding act.) The Duc de Montsorel and Joseph.
- SCENE SECOND. The preceding and Felicite. (To explain his presence in his wife's room, the duke looks over articles lying on the table, and discovers a letter in a book.)
- SCENE THIRD. The preceding, and Blondet, alias the Chevalier de Saint-Charles. (Joseph and Saint-Charles walk together from the centre door, and eye each other attentively.)
- SCENE FOURTH. The Duke and Saint-Charles.
- SCENE FIFTH. The preceding and the Marquis de Montsorel.
- SCENE SIXTH. The Duke and the Marquis.
- SCENE SEVENTH. The Duke, the Duchess and the Marquis.
- SCENE EIGHTH. The same persons and Joseph.
- SCENE NINTH. The same persons, the Duchesse de Christoval and the Princesse d'Arjos.
- SCENE TENTH. The same persons, Joseph and Raoul de Frescas.
- SCENE ELEVENTH. The same persons, except Raoul.
- SCENE TWELFTH. The Marquis and the Duke.
- SCENE THIRTEENTH. The same persons and Vautrin. (Vautrin is dressed all in black; at the beginning of the scene he puts on an air of compunction and humility.)
- SCENE FIRST. (Scene the same as in preceding act.) The Duc de Montsorel and Joseph.
- SCENE SECOND. The preceding and Felicite. (To explain his presence in his wife's room, the duke looks over articles lying on the table, and discovers a letter in a book.)
- SCENE THIRD. The preceding, and Blondet, alias the Chevalier de Saint-Charles. (Joseph and Saint-Charles walk together from the centre door, and eye each other attentively.)
- SCENE FOURTH. The Duke and Saint-Charles.
- SCENE FIFTH. The preceding and the Marquis de Montsorel.
- SCENE SIXTH. The Duke and the Marquis.
- SCENE SEVENTH. The Duke, the Duchess and the Marquis.
- SCENE EIGHTH. The same persons and Joseph.
- SCENE NINTH. The same persons, the Duchesse de Christoval and the Princesse d'Arjos.
- SCENE TENTH. The same persons, Joseph and Raoul de Frescas.
- SCENE ELEVENTH. The same persons, except Raoul.
- SCENE TWELFTH. The Marquis and the Duke.
- SCENE THIRTEENTH. The same persons and Vautrin. (Vautrin is dressed all in black; at the beginning of the scene he puts on an air of compunction and humility.)
- ACT III.
- SCENE FIRST. (A room in the house of Raoul de Frescas.)
- SCENE SECOND. Vautrin and Lafouraille. (Vautrin is dressed in long white duck trousers and a waistcoat of the same material, slippers of red morocco,—the morning dress of a business man.)
- SCENE THIRD. The same persons, Buteux, Philosopher and Fil-de-Soie.
- SCENE FOURTH.
- SCENE FIFTH. Vautrin and Lafouraille.
- SCENE SIXTH. Lafouraille and Saint-Charles.
- SCENE SEVENTH.
- SCENE EIGHTH. Saint-Charles, Vautrin and Lafouraille. (Vautrin wears a bright maroon coat, of old-fashioned cut, with large heavy buttons; his breeches are black silk, as are his stockings. His shoes have gold buckles, his waistcoat is flowered, he wears two watch-chains, his cravat belongs to the time of the Revolution; his wig is white, his face old, keen, withered, dissipated looking. He speaks low, and his voice is cracked.)
- SCENE NINTH. Vautrin and Lafouraille.
- SCENE TENTH. Vautrin and Raoul de Frescas.
- SCENE FIRST. (A room in the house of Raoul de Frescas.)
- SCENE SECOND. Vautrin and Lafouraille. (Vautrin is dressed in long white duck trousers and a waistcoat of the same material, slippers of red morocco,—the morning dress of a business man.)
- SCENE THIRD. The same persons, Buteux, Philosopher and Fil-de-Soie.
- SCENE FOURTH.
- SCENE FIFTH. Vautrin and Lafouraille.
- SCENE SIXTH. Lafouraille and Saint-Charles.
- SCENE SEVENTH.
- SCENE EIGHTH. Saint-Charles, Vautrin and Lafouraille. (Vautrin wears a bright maroon coat, of old-fashioned cut, with large heavy buttons; his breeches are black silk, as are his stockings. His shoes have gold buckles, his waistcoat is flowered, he wears two watch-chains, his cravat belongs to the time of the Revolution; his wig is white, his face old, keen, withered, dissipated looking. He speaks low, and his voice is cracked.)
- SCENE NINTH. Vautrin and Lafouraille.
- SCENE TENTH. Vautrin and Raoul de Frescas.
- ACT IV.
- SCENE FIRST. (Drawing-room of the Duchesse de Christoval.) The Duchesse de Christoval and Inez.
- SCENE SECOND. The same persons, a footman and Vautrin.
- SCENE THIRD. The Duchess and Vautrin.
- SCENE FOURTH.
- SCENE FIFTH. Vautrin, the Duchesse de Christoval and Inez.
- SCENE SIXTH. The same persons, and Raoul.
- SCENE SEVENTH. Inez (standing at the door through which her mother has passed); Raoul (at the other side of the stage).
- SCENE EIGHTH The same persons and the Marquis de Montsorel.
- SCENE NINTH. The Marquis and Raoul; later, Vautrin.
- SCENE TENTH. Raoul, Vautrin, the Marquis and the Duchesse de Montsorel; Later, the Duchesse de Christoval and Inez.
- SCENE ELEVENTH. The Duchesse de Christoval, the Duchesse de Montsorel, Raoul and Vautrin.
- SCENE TWELFTH. Raoul, Vautrin and later Lafouraille.
- SCENE FIRST. (Drawing-room of the Duchesse de Christoval.) The Duchesse de Christoval and Inez.
- SCENE SECOND. The same persons, a footman and Vautrin.
- SCENE THIRD. The Duchess and Vautrin.
- SCENE FOURTH.
- SCENE FIFTH. Vautrin, the Duchesse de Christoval and Inez.
- SCENE SIXTH. The same persons, and Raoul.
- SCENE SEVENTH. Inez (standing at the door through which her mother has passed); Raoul (at the other side of the stage).
- SCENE EIGHTH The same persons and the Marquis de Montsorel.
- SCENE NINTH. The Marquis and Raoul; later, Vautrin.
- SCENE TENTH. Raoul, Vautrin, the Marquis and the Duchesse de Montsorel; Later, the Duchesse de Christoval and Inez.
- SCENE ELEVENTH. The Duchesse de Christoval, the Duchesse de Montsorel, Raoul and Vautrin.
- SCENE TWELFTH. Raoul, Vautrin and later Lafouraille.
- ACT V.
- SCENE FIRST. (The scene is laid at the Montsorel house, in a room on the ground floor.)
- SCENE SECOND. Joseph, Lafouraille and Buteux; later, Vautrin.
- SCENE THIRD.
- SCENE FOURTH. Joseph and Vautrin.
- SCENE FIFTH.
- SCENE SIXTH Joseph, a footman; and afterwards Saint-Charles.
- SCENE SEVENTH.
- SCENE EIGHTH. Saint-Charles, the Duchesse de Montsorel and Mademoiselle de Vaudrey.
- SCENE NINTH. The same persons, the Duc de Montsorel and a footman.
- SCENE TENTH. The Duchess, Mademoiselle de Vaudrey and Vautrin.
- SCENE ELEVENTH. The Duchess and Vautrin.
- SCENE TWELFTH. The same persons and Mademoiselle de Vaudrey on one side of the stage, Saint-Charles on the other, and domestics.
- SCENE THIRTEENTH. Vautrin and the Duchess.
- SCENE FOURTEENTH. The same persons, the Duke, Lafouraille, Buteux, Saint-Charles, and all the domestics.
- SCENE FIFTEENTH. The same persons, the Duchesse de Christoval, Inez and Mademoiselle de Vaudrey.
- SCENE SIXTEENTH. The same persons, Raoul and Lafouraille. (The last named does not tarry.)
- SCENE SEVENTEENTH. The same persons, a police officer, guards and servants.
- SCENE FIRST. (The scene is laid at the Montsorel house, in a room on the ground floor.)
- SCENE SECOND. Joseph, Lafouraille and Buteux; later, Vautrin.
- SCENE THIRD.
- SCENE FOURTH. Joseph and Vautrin.
- SCENE FIFTH.
- SCENE SIXTH Joseph, a footman; and afterwards Saint-Charles.
- SCENE SEVENTH.
- SCENE EIGHTH. Saint-Charles, the Duchesse de Montsorel and Mademoiselle de Vaudrey.
- SCENE NINTH. The same persons, the Duc de Montsorel and a footman.
- SCENE TENTH. The Duchess, Mademoiselle de Vaudrey and Vautrin.
- SCENE ELEVENTH. The Duchess and Vautrin.
- SCENE TWELFTH. The same persons and Mademoiselle de Vaudrey on one side of the stage, Saint-Charles on the other, and domestics.
- SCENE THIRTEENTH. Vautrin and the Duchess.
- SCENE FOURTEENTH. The same persons, the Duke, Lafouraille, Buteux, Saint-Charles, and all the domestics.
- SCENE FIFTEENTH. The same persons, the Duchesse de Christoval, Inez and Mademoiselle de Vaudrey.
- SCENE SIXTEENTH. The same persons, Raoul and Lafouraille. (The last named does not tarry.)
- SCENE SEVENTEENTH. The same persons, a police officer, guards and servants.
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- SCENE FIRST. (A room in the house of the Duc de Montsorel.) The Duchesse de Montsorel and Mademoiselle de Vaudrey.
- SCENE FIRST. (A room in the house of the Duc de Montsorel.) The Duchesse de Montsorel and Mademoiselle de Vaudrey.
- SCENE SECOND.
- SCENE THIRD. Mademoiselle de Vaudrey and Felicite.
- SCENE FOURTH.
- SCENE FIFTH. Joseph and Vautrin. (Vautrin wears a tan-colored overcoat, trimmed with fur, over the black evening dress of a foreign diplomatic minister.)
- SCENE SIXTH.
- SCENE SEVENTH.
- SCENE EIGHTH. The Duchesse de Montsorel and Mademoiselle de Vaudrey.
- SCENE NINTH. The same persons, and the Duc de Montsorel (who enters as the duchess pronounces the last sentence).
- SCENE TENTH. Mademoiselle de Vaudrey and the Duchess.
- SCENE SECOND.
- SCENE THIRD. Mademoiselle de Vaudrey and Felicite.
- SCENE FOURTH.
- SCENE FIFTH. Joseph and Vautrin. (Vautrin wears a tan-colored overcoat, trimmed with fur, over the black evening dress of a foreign diplomatic minister.)
- SCENE SIXTH.
- SCENE SEVENTH.
- SCENE EIGHTH. The Duchesse de Montsorel and Mademoiselle de Vaudrey.
- SCENE NINTH. The same persons, and the Duc de Montsorel (who enters as the duchess pronounces the last sentence).
- SCENE TENTH. Mademoiselle de Vaudrey and the Duchess.
- ACT II.
- SCENE FIRST. (Scene the same as in preceding act.) The Duc de Montsorel and Joseph.
- SCENE SECOND. The preceding and Felicite. (To explain his presence in his wife's room, the duke looks over articles lying on the table, and discovers a letter in a book.)
- SCENE THIRD. The preceding, and Blondet, alias the Chevalier de Saint-Charles. (Joseph and Saint-Charles walk together from the centre door, and eye each other attentively.)
- SCENE FOURTH. The Duke and Saint-Charles.
- SCENE FIFTH. The preceding and the Marquis de Montsorel.
- SCENE SIXTH. The Duke and the Marquis.
- SCENE SEVENTH. The Duke, the Duchess and the Marquis.
- SCENE EIGHTH. The same persons and Joseph.
- SCENE NINTH. The same persons, the Duchesse de Christoval and the Princesse d'Arjos.
- SCENE TENTH. The same persons, Joseph and Raoul de Frescas.
- SCENE ELEVENTH. The same persons, except Raoul.
- SCENE TWELFTH. The Marquis and the Duke.
- SCENE THIRTEENTH. The same persons and Vautrin. (Vautrin is dressed all in black; at the beginning of the scene he puts on an air of compunction and humility.)
- SCENE FIRST. (Scene the same as in preceding act.) The Duc de Montsorel and Joseph.
- SCENE SECOND. The preceding and Felicite. (To explain his presence in his wife's room, the duke looks over articles lying on the table, and discovers a letter in a book.)
- SCENE THIRD. The preceding, and Blondet, alias the Chevalier de Saint-Charles. (Joseph and Saint-Charles walk together from the centre door, and eye each other attentively.)
- SCENE FOURTH. The Duke and Saint-Charles.
- SCENE FIFTH. The preceding and the Marquis de Montsorel.
- SCENE SIXTH. The Duke and the Marquis.
- SCENE SEVENTH. The Duke, the Duchess and the Marquis.
- SCENE EIGHTH. The same persons and Joseph.
- SCENE NINTH. The same persons, the Duchesse de Christoval and the Princesse d'Arjos.
- SCENE TENTH. The same persons, Joseph and Raoul de Frescas.
- SCENE ELEVENTH. The same persons, except Raoul.
- SCENE TWELFTH. The Marquis and the Duke.
- SCENE THIRTEENTH. The same persons and Vautrin. (Vautrin is dressed all in black; at the beginning of the scene he puts on an air of compunction and humility.)
- ACT III.
- SCENE FIRST. (A room in the house of Raoul de Frescas.)
- SCENE SECOND. Vautrin and Lafouraille. (Vautrin is dressed in long white duck trousers and a waistcoat of the same material, slippers of red morocco,—the morning dress of a business man.)
- SCENE THIRD. The same persons, Buteux, Philosopher and Fil-de-Soie.
- SCENE FOURTH.
- SCENE FIFTH. Vautrin and Lafouraille.
- SCENE SIXTH. Lafouraille and Saint-Charles.
- SCENE SEVENTH.
- SCENE EIGHTH. Saint-Charles, Vautrin and Lafouraille. (Vautrin wears a bright maroon coat, of old-fashioned cut, with large heavy buttons; his breeches are black silk, as are his stockings. His shoes have gold buckles, his waistcoat is flowered, he wears two watch-chains, his cravat belongs to the time of the Revolution; his wig is white, his face old, keen, withered, dissipated looking. He speaks low, and his voice is cracked.)
- SCENE NINTH. Vautrin and Lafouraille.
- SCENE TENTH. Vautrin and Raoul de Frescas.
- SCENE FIRST. (A room in the house of Raoul de Frescas.)
- SCENE SECOND. Vautrin and Lafouraille. (Vautrin is dressed in long white duck trousers and a waistcoat of the same material, slippers of red morocco,—the morning dress of a business man.)
- SCENE THIRD. The same persons, Buteux, Philosopher and Fil-de-Soie.
- SCENE FOURTH.
- SCENE FIFTH. Vautrin and Lafouraille.
- SCENE SIXTH. Lafouraille and Saint-Charles.
- SCENE SEVENTH.
- SCENE EIGHTH. Saint-Charles, Vautrin and Lafouraille. (Vautrin wears a bright maroon coat, of old-fashioned cut, with large heavy buttons; his breeches are black silk, as are his stockings. His shoes have gold buckles, his waistcoat is flowered, he wears two watch-chains, his cravat belongs to the time of the Revolution; his wig is white, his face old, keen, withered, dissipated looking. He speaks low, and his voice is cracked.)
- SCENE NINTH. Vautrin and Lafouraille.
- SCENE TENTH. Vautrin and Raoul de Frescas.
- ACT IV.
- SCENE FIRST. (Drawing-room of the Duchesse de Christoval.) The Duchesse de Christoval and Inez.
- SCENE SECOND. The same persons, a footman and Vautrin.
- SCENE THIRD. The Duchess and Vautrin.
- SCENE FOURTH.
- SCENE FIFTH. Vautrin, the Duchesse de Christoval and Inez.
- SCENE SIXTH. The same persons, and Raoul.
- SCENE SEVENTH. Inez (standing at the door through which her mother has passed); Raoul (at the other side of the stage).
- SCENE EIGHTH The same persons and the Marquis de Montsorel.
- SCENE NINTH. The Marquis and Raoul; later, Vautrin.
- SCENE TENTH. Raoul, Vautrin, the Marquis and the Duchesse de Montsorel; Later, the Duchesse de Christoval and Inez.
- SCENE ELEVENTH. The Duchesse de Christoval, the Duchesse de Montsorel, Raoul and Vautrin.
- SCENE TWELFTH. Raoul, Vautrin and later Lafouraille.
- SCENE FIRST. (Drawing-room of the Duchesse de Christoval.) The Duchesse de Christoval and Inez.
- SCENE SECOND. The same persons, a footman and Vautrin.
- SCENE THIRD. The Duchess and Vautrin.
- SCENE FOURTH.
- SCENE FIFTH. Vautrin, the Duchesse de Christoval and Inez.
- SCENE SIXTH. The same persons, and Raoul.
- SCENE SEVENTH. Inez (standing at the door through which her mother has passed); Raoul (at the other side of the stage).
- SCENE EIGHTH The same persons and the Marquis de Montsorel.
- SCENE NINTH. The Marquis and Raoul; later, Vautrin.
- SCENE TENTH. Raoul, Vautrin, the Marquis and the Duchesse de Montsorel; Later, the Duchesse de Christoval and Inez.
- SCENE ELEVENTH. The Duchesse de Christoval, the Duchesse de Montsorel, Raoul and Vautrin.
- SCENE TWELFTH. Raoul, Vautrin and later Lafouraille.
- ACT V.
- SCENE FIRST. (The scene is laid at the Montsorel house, in a room on the ground floor.)
- SCENE SECOND. Joseph, Lafouraille and Buteux; later, Vautrin.
- SCENE THIRD.
- SCENE FOURTH. Joseph and Vautrin.
- SCENE FIFTH.
- SCENE SIXTH Joseph, a footman; and afterwards Saint-Charles.
- SCENE SEVENTH.
- SCENE EIGHTH. Saint-Charles, the Duchesse de Montsorel and Mademoiselle de Vaudrey.
- SCENE NINTH. The same persons, the Duc de Montsorel and a footman.
- SCENE TENTH. The Duchess, Mademoiselle de Vaudrey and Vautrin.
- SCENE ELEVENTH. The Duchess and Vautrin.
- SCENE TWELFTH. The same persons and Mademoiselle de Vaudrey on one side of the stage, Saint-Charles on the other, and domestics.
- SCENE THIRTEENTH. Vautrin and the Duchess.
- SCENE FOURTEENTH. The same persons, the Duke, Lafouraille, Buteux, Saint-Charles, and all the domestics.
- SCENE FIFTEENTH. The same persons, the Duchesse de Christoval, Inez and Mademoiselle de Vaudrey.
- SCENE SIXTEENTH. The same persons, Raoul and Lafouraille. (The last named does not tarry.)
- SCENE SEVENTEENTH. The same persons, a police officer, guards and servants.
- SCENE FIRST. (The scene is laid at the Montsorel house, in a room on the ground floor.)
- SCENE SECOND. Joseph, Lafouraille and Buteux; later, Vautrin.
- SCENE THIRD.
- SCENE FOURTH. Joseph and Vautrin.
- SCENE FIFTH.
- SCENE SIXTH Joseph, a footman; and afterwards Saint-Charles.
- SCENE SEVENTH.
- SCENE EIGHTH. Saint-Charles, the Duchesse de Montsorel and Mademoiselle de Vaudrey.
- SCENE NINTH. The same persons, the Duc de Montsorel and a footman.
- SCENE TENTH. The Duchess, Mademoiselle de Vaudrey and Vautrin.
- SCENE ELEVENTH. The Duchess and Vautrin.
- SCENE TWELFTH. The same persons and Mademoiselle de Vaudrey on one side of the stage, Saint-Charles on the other, and domestics.
- SCENE THIRTEENTH. Vautrin and the Duchess.
- SCENE FOURTEENTH. The same persons, the Duke, Lafouraille, Buteux, Saint-Charles, and all the domestics.
- SCENE FIFTEENTH. The same persons, the Duchesse de Christoval, Inez and Mademoiselle de Vaudrey.
- SCENE SIXTEENTH. The same persons, Raoul and Lafouraille. (The last named does not tarry.)
- SCENE SEVENTEENTH. The same persons, a police officer, guards and servants.
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- ACT I.
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