Selections from the Poems and Plays of Robert Browning
Free

Selections from the Poems and Plays of Robert Browning

By Robert Browning
Free
Book Description
Table of Contents
  • The Project Gutenberg eBook of Selections from the Poems and Plays of Robert Browning, by Robert Browning, Edited by Myra Reynolds
    • E-text prepared by Brian Sogard, Carla Foust, and the Project Gutenberg Online Distributed Proofreading Team (http://www.pgdp.net)
      • Transcriber's note
    • Transcriber's note
  • SELECTIONS FROM The Poems and Plays OF Robert Browning
    • CONTENTS
    • INTRODUCTION
      • THE LIFE OF BROWNING
      • THE POETRY OF BROWNING
      • FOOTNOTES:
    • THE LIFE OF BROWNING
    • THE POETRY OF BROWNING
    • FOOTNOTES:
    • BIBLIOGRAPHY
    • CHRONOLOGICAL TABLE
    • SONGS FROM PARACELSUS
      • I
      • "HEAP CASSIA, SANDAL-BUDS, AND STRIPES"
      • II
      • "OVER THE SEA OUR GALLEYS WENT"
      • III
      • "THUS THE MAYNE GLIDETH"
    • I
    • "HEAP CASSIA, SANDAL-BUDS, AND STRIPES"
    • II
    • "OVER THE SEA OUR GALLEYS WENT"
    • III
    • "THUS THE MAYNE GLIDETH"
    • CAVALIER TUNES
      • I
      • MARCHING ALONG
      • II
      • GIVE A ROUSE
      • III BOOT AND SADDLE
    • I
    • MARCHING ALONG
    • II
    • GIVE A ROUSE
    • III BOOT AND SADDLE
    • THE LOST LEADER
    • "HOW THEY BROUGHT THE GOOD NEWS FROM GHENT TO AIX"
    • GARDEN FANCIES
      • THE FLOWER'S NAME
    • THE FLOWER'S NAME
    • MEETING AT NIGHT
    • PARTING AT MORNING
    • EVELYN HOPE
    • LOVE AMONG THE RUINS
    • UP AT A VILLA—DOWN IN THE CITY
      • (AS DISTINGUISHED BY AN ITALIAN PERSON OF QUALITY)
    • (AS DISTINGUISHED BY AN ITALIAN PERSON OF QUALITY)
    • A TOCCATA OF GALUPPI'S
    • OLD PICTURES IN FLORENCE
    • "DE GUSTIBUS——"
    • HOME-THOUGHTS, FROM ABROAD
    • HOME-THOUGHTS, FROM THE SEA
    • SAUL
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • XIV
    • XV
    • XVI
    • XVII
    • XVIII
    • XIX
    • MY STAR
    • TWO IN THE CAMPAGNA
    • IN THREE DAYS
    • THE GUARDIAN-ANGEL
      • A PICTURE AT FANO
    • A PICTURE AT FANO
    • MEMORABILIA
    • INCIDENT OF THE FRENCH CAMP
    • MY LAST DUCHESS
      • FERRARA
    • FERRARA
    • THE BOY AND THE ANGEL
    • THE PIED PIPER OF HAMELIN;
      • A CHILD'S STORY
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
    • A CHILD'S STORY
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • XIV
    • XV
    • THE FLIGHT OF THE DUCHESS
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • XIV
    • XV
    • XVI
    • XVII
    • A GRAMMARIAN'S FUNERAL
      • SHORTLY AFTER THE REVIVAL OF LEARNING IN EUROPE
    • SHORTLY AFTER THE REVIVAL OF LEARNING IN EUROPE
    • "CHILDE ROLAND TO THE DARK TOWER CAME"
      • (See Edgar's song in Lear)
    • (See Edgar's song in Lear)
    • HOW IT STRIKES A CONTEMPORARY
    • FRA LIPPO LIPPI
    • ANDREA DEL SARTO
      • Called "The Faultless Painter"
    • Called "The Faultless Painter"
    • THE BISHOP ORDERS HIS TOMB AT SAINT PRAXED'S CHURCH
      • Rome, 15—
    • Rome, 15—
    • CLEON
      • "As certain also of your own poets have said"—
    • "As certain also of your own poets have said"—
    • ONE WORD MORE
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • XIV
    • XV
    • XVI
    • XVII
    • XVIII
    • XIX
    • ABT VOGLER
      • (AFTER HE HAS BEEN EXTEMPORIZING UPON THE MUSICAL INSTRUMENT OF HIS INVENTION)
    • (AFTER HE HAS BEEN EXTEMPORIZING UPON THE MUSICAL INSTRUMENT OF HIS INVENTION)
    • RABBI BEN EZRA
    • CALIBAN UPON SETEBOS; OR NATURAL THEOLOGY IN THE ISLAND
      • "Thou thoughtest that I was altogether such an one as thyself."
    • "Thou thoughtest that I was altogether such an one as thyself."
    • MAY AND DEATH
    • PROSPICE
    • A FACE
    • O LYRIC LOVE
    • PROLOGUE TO PACCHIAROTTO
    • HOUSE
    • SHOP
    • HERVÉ RIEL
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • "GOOD, TO FORGIVE"
    • "SUCH A STARVED BANK OF MOSS"
    • EPILOGUE TO THE TWO POETS OF CROISIC
    • PHEIDIPPIDES
      • Χαιρετε, νικωμεν.
    • Χαιρετε, νικωμεν.
    • MULÉYKEH
    • WANTING IS—WHAT?
    • NEVER THE TIME AND THE PLACE
    • THE PATRIOT
    • INSTANS TYRANNUS
      • I
      • II
      • III
      • IV
      • V
      • VI
      • VII
    • I
    • II
    • III
    • IV
    • V
    • VI
    • VII
    • THE ITALIAN IN ENGLAND
    • "ROUND US THE WILD CREATURES"
    • PROLOGUE TO ASOLANDO
    • SUMMUM BONUM
    • EPILOGUE TO ASOLANDO
    • PIPPA PASSES
      • A DRAMA
      • INTRODUCTION
      • New Year's Day at Asolo in the Trevisan
      • I. Morning
      • II.—NOON
        • III.—EVENING
      • III.—EVENING
      • IV.—NIGHT
    • A DRAMA
    • INTRODUCTION
    • New Year's Day at Asolo in the Trevisan
    • I. Morning
    • II.—NOON
      • III.—EVENING
    • III.—EVENING
    • IV.—NIGHT
    • NOTES
      • SONGS FROM PARACELSUS
        • Song I
        • Song II. (Book IV)
        • Song III. (Book V)
      • Song I
      • Song II. (Book IV)
      • Song III. (Book V)
      • CAVALIER TUNES
      • THE LOST LEADER
      • HOW THEY BROUGHT THE GOOD NEWS FROM GHENT TO AIX
      • THE FLOWER'S NAME
      • MEETING AT NIGHT AND PARTING AT MORNING
      • EVELYN HOPE
      • LOVE AMONG THE RUINS
      • UP AT A VILLA—DOWN IN THE CITY
      • A TOCCATA OF GALUPPI'S
      • OLD PICTURES IN FLORENCE
      • "DE GUSTIBUS—"
      • HOME-THOUGHTS FROM ABROAD
      • HOME-THOUGHTS FROM THE SEA
      • SAUL
      • MY STAR
      • TWO IN THE CAMPAGNA
      • IN THREE DAYS
      • THE GUARDIAN ANGEL
      • MEMORABILIA
      • INCIDENT OF THE FRENCH CAMP
      • MY LAST DUCHESS
      • THE BOY AND THE ANGEL
      • THE PIED PIPER OF HAMELIN
      • THE FLIGHT OF THE DUCHESS
      • A GRAMMARIAN'S FUNERAL
      • "CHILDE ROLAND TO THE DARK TOWER CAME"
      • HOW IT STRIKES A CONTEMPORARY
      • FRA LIPPO LIPPI
      • ANDREA DEL SARTO
      • THE BISHOP ORDERS HIS TOMB AT ST. PRAXED'S CHURCH
      • CLEON
      • ONE WORD MORE
      • ABT VOGLER
      • RABBI BEN EZRA
      • CALIBAN UPON SETEBOS
      • MAY AND DEATH
      • PROSPICE
      • A FACE
      • O LYRIC LOVE
      • A WALL
      • HOUSE AND SHOP
      • HERVÉ RIEL
      • "GOOD TO FORGIVE"
      • "SUCH A STARVED BANK OF MOSS"
      • EPILOGUE TO THE TWO POETS OF CROISIC
      • PHEIDIPPIDES
      • MULÉYKEH
      • WANTING IS—WHAT?
      • "NEVER THE TIME AND THE PLACE"
      • THE PATRIOT
      • INSTANS TYRANNUS
      • THE ITALIAN IN ENGLAND
      • "ROUND US THE WILD CREATURES"
      • PROLOGUE TO ASOLANDO
      • SUMMUM BONUM
      • EPILOGUE TO ASOLANDO
      • PIPPA PASSES
        • Introduction
        • Morning
        • Interlude I
        • Noon
        • Interlude II
        • Evening
        • Interlude III
        • Night
        • Epilogue
      • Introduction
      • Morning
      • Interlude I
      • Noon
      • Interlude II
      • Evening
      • Interlude III
      • Night
      • Epilogue
      • Transcriber's note
    • SONGS FROM PARACELSUS
      • Song I
      • Song II. (Book IV)
      • Song III. (Book V)
    • Song I
    • Song II. (Book IV)
    • Song III. (Book V)
    • CAVALIER TUNES
    • THE LOST LEADER
    • HOW THEY BROUGHT THE GOOD NEWS FROM GHENT TO AIX
    • THE FLOWER'S NAME
    • MEETING AT NIGHT AND PARTING AT MORNING
    • EVELYN HOPE
    • LOVE AMONG THE RUINS
    • UP AT A VILLA—DOWN IN THE CITY
    • A TOCCATA OF GALUPPI'S
    • OLD PICTURES IN FLORENCE
    • "DE GUSTIBUS—"
    • HOME-THOUGHTS FROM ABROAD
    • HOME-THOUGHTS FROM THE SEA
    • SAUL
    • MY STAR
    • TWO IN THE CAMPAGNA
    • IN THREE DAYS
    • THE GUARDIAN ANGEL
    • MEMORABILIA
    • INCIDENT OF THE FRENCH CAMP
    • MY LAST DUCHESS
    • THE BOY AND THE ANGEL
    • THE PIED PIPER OF HAMELIN
    • THE FLIGHT OF THE DUCHESS
    • A GRAMMARIAN'S FUNERAL
    • "CHILDE ROLAND TO THE DARK TOWER CAME"
    • HOW IT STRIKES A CONTEMPORARY
    • FRA LIPPO LIPPI
    • ANDREA DEL SARTO
    • THE BISHOP ORDERS HIS TOMB AT ST. PRAXED'S CHURCH
    • CLEON
    • ONE WORD MORE
    • ABT VOGLER
    • RABBI BEN EZRA
    • CALIBAN UPON SETEBOS
    • MAY AND DEATH
    • PROSPICE
    • A FACE
    • O LYRIC LOVE
    • A WALL
    • HOUSE AND SHOP
    • HERVÉ RIEL
    • "GOOD TO FORGIVE"
    • "SUCH A STARVED BANK OF MOSS"
    • EPILOGUE TO THE TWO POETS OF CROISIC
    • PHEIDIPPIDES
    • MULÉYKEH
    • WANTING IS—WHAT?
    • "NEVER THE TIME AND THE PLACE"
    • THE PATRIOT
    • INSTANS TYRANNUS
    • THE ITALIAN IN ENGLAND
    • "ROUND US THE WILD CREATURES"
    • PROLOGUE TO ASOLANDO
    • SUMMUM BONUM
    • EPILOGUE TO ASOLANDO
    • PIPPA PASSES
      • Introduction
      • Morning
      • Interlude I
      • Noon
      • Interlude II
      • Evening
      • Interlude III
      • Night
      • Epilogue
    • Introduction
    • Morning
    • Interlude I
    • Noon
    • Interlude II
    • Evening
    • Interlude III
    • Night
    • Epilogue
    • Transcriber's note
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