The Voice in Singing
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Language
English
ISBN
Unknown
Transcriber’s Note.
The Voice in Singing
CONTENTS
TRANSLATOR’S PREFACE
INTRODUCTION
I VOCAL MUSIC ITS RISE, DEVELOPMENT AND DECLINE
II PHYSIOLOGICAL VIEW FORMATION OF SOUND BY THE ORGAN OF THE HUMAN VOICE
OBSERVATIONS WITH THE LARYNGOSCOPE BY MANUEL GARCIA
EMISSION OF THE CHEST VOICE
PRODUCTION OF THE FALSETTO
MANNER IN WHICH THE SOUNDS ARE FORMED
MY OWN OBSERVATIONS WITH THE LARYNGOSCOPE
THE CHEST REGISTER
THE FALSETTO REGISTER
THE HEAD REGISTER
ABNORMAL MOVEMENTS OF THE GLOTTIS
RESULTS OF THE FOREGOING OBSERVATIONS
PRACTICAL APPLICATION OF THESE OBSERVATIONS TO THE CULTIVATION OF THE SINGING VOICE
III PHYSICAL VIEW FORMATION OF SOUNDS BY THE VOCAL ORGAN
TONE, AND ITS LAWS OF VIBRATION
THE PROPERTIES OF TONE (KLANG)
THE TIMBRE (KLANGFARBE) OF TONES
OVER-TONES (OBERTÖNE)
THE VOWELS
PARTIAL TONES
BEATS (DIE SCHWEBUNGEN)
APPLICATION OF THE NATURAL LAWS LYING AT THE FOUNDATION OF MUSICAL SOUNDS TO THE CULTURE OF THE VOICE IN SINGING
THE CONTROL OF THE BREATH
THE CORRECT TOUCH OF THE VOICE (TONANSATZ) 14
FORMATION OF VOWELS AND CONSONANTS
FLEXIBILITY OF VOICE
SPEECH
IV THE ÆSTHETIC VIEW OF THE ART OF SINGING
RHYTHM
CORRECT UNDERSTANDING OF THE TEMPO
COMPOSITION
EXTERNAL AIDS TO A FINE EXECUTION
TIME OF INSTRUCTION
CONCLUSION
Programme To Beethoven’s Pastoral Symphony, December 22, 1808.
Programme To a Prize Symphony, by Joachim Raff, performed in Vienna, 1863.
APPENDIX
STRUCTURE OF THE VOCAL ORGANS
THE LUNGS
THE TRACHEA, OR WINDPIPE,
THE LARYNX
Transcriber’s Note.
Textual representation of the diagram on page 68
IN THE MALE VOICE
IN THE FEMALE VOICE
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