The Life and Writings of Henry Fuseli, Volume 1 (of 3)
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Engraved by Deane from a Painting by Harlow
London, Published by Henry Colburn & Richard Bentley, 1830.
THE LIFE
WRITINGS
HENRY FUSELI, Esq. M.A. R.A.
THE FORMER WRITTEN, AND THE LATTER EDITED BY
JOHN KNOWLES, F.R.S.
IN THREE VOLUMES.
IN THREE VOLUMES.
VOL. I.
THE RIGHT HONORABLE
THE RIGHT HONORABLE
SUSAN,
COUNTESS DOWAGER OF GUILFORD,
BARONESS NORTH AND GUILFORD.
ADVERTISEMENT.
COUNTESS DOWAGER OF GUILFORD,
BARONESS NORTH AND GUILFORD.
ADVERTISEMENT.
CONTENTS
OF
OF
THE FIRST VOLUME.
THE
THE
LIFE
JOHN KNOWLES, F.R.S.
IN THREE VOLUMES.
IN THREE VOLUMES.
VOL. I.
THE RIGHT HONORABLE
THE RIGHT HONORABLE
SUSAN,
COUNTESS DOWAGER OF GUILFORD,
BARONESS NORTH AND GUILFORD.
ADVERTISEMENT.
COUNTESS DOWAGER OF GUILFORD,
BARONESS NORTH AND GUILFORD.
ADVERTISEMENT.
CONTENTS
OF
OF
THE FIRST VOLUME.
THE
THE
LIFE
HENRY FUSELI,
M.A. R.A.
M.A. R.A.
CHAPTER I.
CHAPTER II.
CHAPTER III
CHAPTER IV.
CHAPTER V.
COWPER'S HOMER.
COWPER'S HOMER.
CHAPTER VI.
ROSCOE'S LORENZO DE MEDICI.
SONETTO.
SONETTO.
ROSCOE'S LORENZO DE MEDICI.
SONETTO.
SONETTO.
CHAPTER VII.
CHAPTER VIII.
TO HENRY FUSELI, ESQ. R.A.
ON HIS LATE PICTURE OF THE CONSPIRACY OF CATILINE.
ON HIS LATE PICTURE OF THE CONSPIRACY OF CATILINE.
A CATALOGUE
TO HENRY FUSELI, ESQ. R.A.
ON HIS LATE PICTURE OF THE CONSPIRACY OF CATILINE.
ON HIS LATE PICTURE OF THE CONSPIRACY OF CATILINE.
A CATALOGUE
MILTON GALLERY,
AS IT WAS OPENED THE 20TH OF MAY, 1799.
PARADISE LOST.
Picture I.—A Sketch.
Picture II.
Picture III.—A Sketch.
Picture IV.
Picture V.
Picture VI.
Picture VII.
Picture VIII.
Picture IX.
Picture X.
Picture XI.
Picture XII.
Picture XIII.
Picture XIV.
Picture XV.—A Sketch.
Picture XVI.
Picture XVII.
Picture XVIII.
Picture XIX.
Picture XX.
Picture XXI.
Picture XXII.
Picture XXIII.
Picture XXIV.
Picture XXV.
Picture XXVI.
Picture XXVII.
Picture I.—A Sketch.
Picture II.
Picture III.—A Sketch.
Picture IV.
Picture V.
Picture VI.
Picture VII.
Picture VIII.
Picture IX.
Picture X.
Picture XI.
Picture XII.
Picture XIII.
Picture XIV.
Picture XV.—A Sketch.
Picture XVI.
Picture XVII.
Picture XVIII.
Picture XIX.
Picture XX.
Picture XXI.
Picture XXII.
Picture XXIII.
Picture XXIV.
Picture XXV.
Picture XXVI.
Picture XXVII.
PARADISE REGAINED.
Picture XXVIII.
Picture XXVIII.
HYMN ON THE NATIVITY.
Picture XXIX.
Picture XXIX.
L'ALLEGRO.
Picture XXX.
Picture XXXI.
Picture XXXII.
Picture XXX.
Picture XXXI.
Picture XXXII.
IL PENSIEROSO.
Picture XXXIII.
Picture XXXIV.
Picture XXXIII.
Picture XXXIV.
COMUS.
Picture XXXV.
Picture XXXVI.
Picture XXXV.
Picture XXXVI.
LYCIDAS.
Picture XXXVII.
Picture XXXVIII.
Picture XXXIX.
Picture XL.
Picture XXXVII.
Picture XXXVIII.
Picture XXXIX.
Picture XL.
PARADISE LOST.
Picture XLI.
Picture XLII.
Picture XLIII.
Picture XLI.
Picture XLII.
Picture XLIII.
ELEGY ON THE DEATH OF A FAIR INFANT.
Picture XLIV.
Picture XLIV.
L'ALLEGRO.
Picture XLV.
Picture XLV.
IL PENSIEROSO.
Picture XLVI.
Picture XLVI.
SONNET III.
Picture XLVII.
Picture XLVII.
AS IT WAS OPENED THE 20TH OF MAY, 1799.
PARADISE LOST.
Picture I.—A Sketch.
Picture II.
Picture III.—A Sketch.
Picture IV.
Picture V.
Picture VI.
Picture VII.
Picture VIII.
Picture IX.
Picture X.
Picture XI.
Picture XII.
Picture XIII.
Picture XIV.
Picture XV.—A Sketch.
Picture XVI.
Picture XVII.
Picture XVIII.
Picture XIX.
Picture XX.
Picture XXI.
Picture XXII.
Picture XXIII.
Picture XXIV.
Picture XXV.
Picture XXVI.
Picture XXVII.
Picture I.—A Sketch.
Picture II.
Picture III.—A Sketch.
Picture IV.
Picture V.
Picture VI.
Picture VII.
Picture VIII.
Picture IX.
Picture X.
Picture XI.
Picture XII.
Picture XIII.
Picture XIV.
Picture XV.—A Sketch.
Picture XVI.
Picture XVII.
Picture XVIII.
Picture XIX.
Picture XX.
Picture XXI.
Picture XXII.
Picture XXIII.
Picture XXIV.
Picture XXV.
Picture XXVI.
Picture XXVII.
PARADISE REGAINED.
Picture XXVIII.
Picture XXVIII.
HYMN ON THE NATIVITY.
Picture XXIX.
Picture XXIX.
L'ALLEGRO.
Picture XXX.
Picture XXXI.
Picture XXXII.
Picture XXX.
Picture XXXI.
Picture XXXII.
IL PENSIEROSO.
Picture XXXIII.
Picture XXXIV.
Picture XXXIII.
Picture XXXIV.
COMUS.
Picture XXXV.
Picture XXXVI.
Picture XXXV.
Picture XXXVI.
LYCIDAS.
Picture XXXVII.
Picture XXXVIII.
Picture XXXIX.
Picture XL.
Picture XXXVII.
Picture XXXVIII.
Picture XXXIX.
Picture XL.
PARADISE LOST.
Picture XLI.
Picture XLII.
Picture XLIII.
Picture XLI.
Picture XLII.
Picture XLIII.
ELEGY ON THE DEATH OF A FAIR INFANT.
Picture XLIV.
Picture XLIV.
L'ALLEGRO.
Picture XLV.
Picture XLV.
IL PENSIEROSO.
Picture XLVI.
Picture XLVI.
SONNET III.
Picture XLVII.
Picture XLVII.
CHAPTER IX.
JULIO ROMANO—THE CIRCUMCISION.
PAOLO VERONESE.
THE MADONNA OF FOLIGNO—RAPHAEL.
RAPHAEL WITH HIS MAITRE D'ARMES.
JOHN AB EYCK.
PHILIPP DE CAMPAGNE—THE VISION OF ST. AMBROSE.
A DEAD CHRIST.
LE BRUN—THE DEATH OF CATO.
NICHOLAS POUSSIN.
A. VANDYCK.—LA MÈRE DE PITIÉ.—ST. MARTIN, &c.
TITIAN—PORTRAIT OF TITIAN AND HIS MISTRESS.
PAOLO VERONESE.
THE MADONNA OF FOLIGNO—RAPHAEL.
RAPHAEL WITH HIS MAITRE D'ARMES.
JOHN AB EYCK.
PHILIPP DE CAMPAGNE—THE VISION OF ST. AMBROSE.
A DEAD CHRIST.
LE BRUN—THE DEATH OF CATO.
NICHOLAS POUSSIN.
A. VANDYCK.—LA MÈRE DE PITIÉ.—ST. MARTIN, &c.
TITIAN—PORTRAIT OF TITIAN AND HIS MISTRESS.
JULIO ROMANO—THE CIRCUMCISION.
PAOLO VERONESE.
THE MADONNA OF FOLIGNO—RAPHAEL.
RAPHAEL WITH HIS MAITRE D'ARMES.
JOHN AB EYCK.
PHILIPP DE CAMPAGNE—THE VISION OF ST. AMBROSE.
A DEAD CHRIST.
LE BRUN—THE DEATH OF CATO.
NICHOLAS POUSSIN.
A. VANDYCK.—LA MÈRE DE PITIÉ.—ST. MARTIN, &c.
TITIAN—PORTRAIT OF TITIAN AND HIS MISTRESS.
PAOLO VERONESE.
THE MADONNA OF FOLIGNO—RAPHAEL.
RAPHAEL WITH HIS MAITRE D'ARMES.
JOHN AB EYCK.
PHILIPP DE CAMPAGNE—THE VISION OF ST. AMBROSE.
A DEAD CHRIST.
LE BRUN—THE DEATH OF CATO.
NICHOLAS POUSSIN.
A. VANDYCK.—LA MÈRE DE PITIÉ.—ST. MARTIN, &c.
TITIAN—PORTRAIT OF TITIAN AND HIS MISTRESS.
CHAPTER X.
CHAPTER XI.
CHAPTER XII.
CHAPTER XIII.
CHAPTER XIV.
UGOLINO.
THE DIDO.
THE INFANT HERCULES.
THE DIDO.
THE INFANT HERCULES.
UGOLINO.
THE DIDO.
THE INFANT HERCULES.
THE DIDO.
THE INFANT HERCULES.
CHAPTER XV.
APPENDIX.
VERSES
TO HENRY FUSELI, ESQ. R.A.
ADDRESSED TO HENRY FUSELI, ESQ. R.A.
ON SEEING ENGRAVINGS FROM HIS
DESIGNS,
A VISION.
TO HENRY FUSELI, ESQ. R.A.
ADDRESSED TO HENRY FUSELI, ESQ. R.A.
ON SEEING ENGRAVINGS FROM HIS
DESIGNS,
A VISION.
FOOTNOTES:
END OF THE FIRST VOLUME.
END OF THE FIRST VOLUME.
TRANSCRIBER'S NOTES
VERSES
TO HENRY FUSELI, ESQ. R.A.
ADDRESSED TO HENRY FUSELI, ESQ. R.A.
ON SEEING ENGRAVINGS FROM HIS
DESIGNS,
A VISION.
TO HENRY FUSELI, ESQ. R.A.
ADDRESSED TO HENRY FUSELI, ESQ. R.A.
ON SEEING ENGRAVINGS FROM HIS
DESIGNS,
A VISION.
FOOTNOTES:
END OF THE FIRST VOLUME.
END OF THE FIRST VOLUME.
TRANSCRIBER'S NOTES
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