The Art of the Moving Picture
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The Project Gutenberg eBook, The Art Of The Moving Picture, by Vachel Lindsay
E-text prepared by Jonathan Ingram and the Project Gutenberg Online Distributed Proofreading Team
THE ART OF THE MOVING PICTURE
Dedicated
GEORGE MATHER RICHARDS
THE ART STUDENT DAYS WE SPENT TOGETHER WHEN
THE METROPOLITAN MUSEUM WAS
OUR PICTURE-DRAMA
THE ART STUDENT DAYS WE SPENT TOGETHER WHEN
THE METROPOLITAN MUSEUM WAS
OUR PICTURE-DRAMA
GEORGE MATHER RICHARDS
THE ART STUDENT DAYS WE SPENT TOGETHER WHEN
THE METROPOLITAN MUSEUM WAS
OUR PICTURE-DRAMA
THE ART STUDENT DAYS WE SPENT TOGETHER WHEN
THE METROPOLITAN MUSEUM WAS
OUR PICTURE-DRAMA
A WORD FROM THE DIRECTOR OF THE DENVER ART ASSOCIATION
BOOK I—THE GENERAL PHOTOPLAY SITUATION IN AMERICA, JANUARY 1, 1922
BOOK II—THE UNCHALLENGED OUTLINE OF PHOTOPLAY CRITICAL METHOD
CHAPTER I
THE POINT OF VIEW
THE POINT OF VIEW
CHAPTER II
THE PHOTOPLAY OF ACTION
THE PHOTOPLAY OF ACTION
CHAPTER III
THE INTIMATE PHOTOPLAY
THE INTIMATE PHOTOPLAY
CHAPTER IV
THE MOTION PICTURE OF FAIRY SPLENDOR
THE MOTION PICTURE OF FAIRY SPLENDOR
CHAPTER V
THE PICTURE OF CROWD SPLENDOR
THE PICTURE OF CROWD SPLENDOR
CHAPTER VI
PATRIOTIC SPLENDOR
PATRIOTIC SPLENDOR
CHAPTER VII
RELIGIOUS SPLENDOR
RELIGIOUS SPLENDOR
CHAPTER VIII
SCULPTURE-IN-MOTION
SCULPTURE-IN-MOTION
CHAPTER IX
PAINTING-IN-MOTION
PAINTING-IN-MOTION
CHAPTER X
FURNITURE, TRAPPINGS, AND INVENTIONS IN MOTION
FURNITURE, TRAPPINGS, AND INVENTIONS IN MOTION
CHAPTER XI
ARCHITECTURE-IN-MOTION
ARCHITECTURE-IN-MOTION
CHAPTER XII
THIRTY DIFFERENCES BETWEEN THE PHOTOPLAYS AND THE STAGE
THIRTY DIFFERENCES BETWEEN THE PHOTOPLAYS AND THE STAGE
CHAPTER XIII
HIEROGLYPHICS
HIEROGLYPHICS
BOOK III. MORE PERSONAL SPECULATIONS AND AFTERTHOUGHTS NOT BROUGHT FORWARD SO DOGMATICALLY
CHAPTER XIV
THE ORCHESTRA, CONVERSATION, AND THE CENSORSHIP
THE ORCHESTRA, CONVERSATION, AND THE CENSORSHIP
CHAPTER XV
THE SUBSTITUTE FOR THE SALOON
THE SUBSTITUTE FOR THE SALOON
CHAPTER XVI
CALIFORNIA AND AMERICA
CALIFORNIA AND AMERICA
CHAPTER XVII
PROGRESS AND ENDOWMENT
PROGRESS AND ENDOWMENT
CHAPTER XVIII
ARCHITECTS AS CRUSADERS
ARCHITECTS AS CRUSADERS
CHAPTER XIX
ON COMING FORTH BY DAY
ON COMING FORTH BY DAY
CHAPTER XX
THE PROPHET-WIZARD
THE PROPHET-WIZARD
CHAPTER XXI
THE ACCEPTABLE YEAR OF THE LORD
THE ACCEPTABLE YEAR OF THE LORD
CHAPTER I
THE POINT OF VIEW
THE POINT OF VIEW
CHAPTER II
THE PHOTOPLAY OF ACTION
THE PHOTOPLAY OF ACTION
CHAPTER III
THE INTIMATE PHOTOPLAY
THE INTIMATE PHOTOPLAY
CHAPTER IV
THE MOTION PICTURE OF FAIRY SPLENDOR
THE MOTION PICTURE OF FAIRY SPLENDOR
CHAPTER V
THE PICTURE OF CROWD SPLENDOR
THE PICTURE OF CROWD SPLENDOR
CHAPTER VI
PATRIOTIC SPLENDOR
PATRIOTIC SPLENDOR
CHAPTER VII
RELIGIOUS SPLENDOR
RELIGIOUS SPLENDOR
CHAPTER VIII
SCULPTURE-IN-MOTION
SCULPTURE-IN-MOTION
CHAPTER IX
PAINTING-IN-MOTION
PAINTING-IN-MOTION
CHAPTER X
FURNITURE, TRAPPINGS, AND INVENTIONS IN MOTION
FURNITURE, TRAPPINGS, AND INVENTIONS IN MOTION
CHAPTER XI
ARCHITECTURE-IN-MOTION
ARCHITECTURE-IN-MOTION
CHAPTER XII
THIRTY DIFFERENCES BETWEEN THE PHOTOPLAYS AND THE STAGE
THIRTY DIFFERENCES BETWEEN THE PHOTOPLAYS AND THE STAGE
CHAPTER XIII
HIEROGLYPHICS
HIEROGLYPHICS
BOOK III. MORE PERSONAL SPECULATIONS AND AFTERTHOUGHTS NOT BROUGHT FORWARD SO DOGMATICALLY
CHAPTER XIV
THE ORCHESTRA, CONVERSATION, AND THE CENSORSHIP
THE ORCHESTRA, CONVERSATION, AND THE CENSORSHIP
CHAPTER XV
THE SUBSTITUTE FOR THE SALOON
THE SUBSTITUTE FOR THE SALOON
CHAPTER XVI
CALIFORNIA AND AMERICA
CALIFORNIA AND AMERICA
CHAPTER XVII
PROGRESS AND ENDOWMENT
PROGRESS AND ENDOWMENT
CHAPTER XVIII
ARCHITECTS AS CRUSADERS
ARCHITECTS AS CRUSADERS
CHAPTER XIX
ON COMING FORTH BY DAY
ON COMING FORTH BY DAY
CHAPTER XX
THE PROPHET-WIZARD
THE PROPHET-WIZARD
CHAPTER XXI
THE ACCEPTABLE YEAR OF THE LORD
THE ACCEPTABLE YEAR OF THE LORD
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