The Art of the Moving Picture
Free

The Art of the Moving Picture

By Vachel Lindsay
Free
Book Description
Table of Contents
  • The Project Gutenberg eBook, The Art Of The Moving Picture, by Vachel Lindsay
    • E-text prepared by Jonathan Ingram and the Project Gutenberg Online Distributed Proofreading Team
  • THE ART OF THE MOVING PICTURE
    • Dedicated
      • GEORGE MATHER RICHARDS
        • THE ART STUDENT DAYS WE SPENT TOGETHER WHEN
        • THE METROPOLITAN MUSEUM WAS
        • OUR PICTURE-DRAMA
      • THE ART STUDENT DAYS WE SPENT TOGETHER WHEN
      • THE METROPOLITAN MUSEUM WAS
      • OUR PICTURE-DRAMA
    • GEORGE MATHER RICHARDS
      • THE ART STUDENT DAYS WE SPENT TOGETHER WHEN
      • THE METROPOLITAN MUSEUM WAS
      • OUR PICTURE-DRAMA
    • THE ART STUDENT DAYS WE SPENT TOGETHER WHEN
    • THE METROPOLITAN MUSEUM WAS
    • OUR PICTURE-DRAMA
    • A WORD FROM THE DIRECTOR OF THE DENVER ART ASSOCIATION
    • BOOK I—THE GENERAL PHOTOPLAY SITUATION IN AMERICA, JANUARY 1, 1922
    • BOOK II—THE UNCHALLENGED OUTLINE OF PHOTOPLAY CRITICAL METHOD
      • CHAPTER I
        • THE POINT OF VIEW
      • THE POINT OF VIEW
      • CHAPTER II
        • THE PHOTOPLAY OF ACTION
      • THE PHOTOPLAY OF ACTION
      • CHAPTER III
        • THE INTIMATE PHOTOPLAY
      • THE INTIMATE PHOTOPLAY
      • CHAPTER IV
        • THE MOTION PICTURE OF FAIRY SPLENDOR
      • THE MOTION PICTURE OF FAIRY SPLENDOR
      • CHAPTER V
        • THE PICTURE OF CROWD SPLENDOR
      • THE PICTURE OF CROWD SPLENDOR
      • CHAPTER VI
        • PATRIOTIC SPLENDOR
      • PATRIOTIC SPLENDOR
      • CHAPTER VII
        • RELIGIOUS SPLENDOR
      • RELIGIOUS SPLENDOR
      • CHAPTER VIII
        • SCULPTURE-IN-MOTION
      • SCULPTURE-IN-MOTION
      • CHAPTER IX
        • PAINTING-IN-MOTION
      • PAINTING-IN-MOTION
      • CHAPTER X
        • FURNITURE, TRAPPINGS, AND INVENTIONS IN MOTION
      • FURNITURE, TRAPPINGS, AND INVENTIONS IN MOTION
      • CHAPTER XI
        • ARCHITECTURE-IN-MOTION
      • ARCHITECTURE-IN-MOTION
      • CHAPTER XII
        • THIRTY DIFFERENCES BETWEEN THE PHOTOPLAYS AND THE STAGE
      • THIRTY DIFFERENCES BETWEEN THE PHOTOPLAYS AND THE STAGE
      • CHAPTER XIII
        • HIEROGLYPHICS
      • HIEROGLYPHICS
      • BOOK III. MORE PERSONAL SPECULATIONS AND AFTERTHOUGHTS NOT BROUGHT FORWARD SO DOGMATICALLY
      • CHAPTER XIV
        • THE ORCHESTRA, CONVERSATION, AND THE CENSORSHIP
      • THE ORCHESTRA, CONVERSATION, AND THE CENSORSHIP
      • CHAPTER XV
        • THE SUBSTITUTE FOR THE SALOON
      • THE SUBSTITUTE FOR THE SALOON
      • CHAPTER XVI
        • CALIFORNIA AND AMERICA
      • CALIFORNIA AND AMERICA
      • CHAPTER XVII
        • PROGRESS AND ENDOWMENT
      • PROGRESS AND ENDOWMENT
      • CHAPTER XVIII
        • ARCHITECTS AS CRUSADERS
      • ARCHITECTS AS CRUSADERS
      • CHAPTER XIX
        • ON COMING FORTH BY DAY
      • ON COMING FORTH BY DAY
      • CHAPTER XX
        • THE PROPHET-WIZARD
      • THE PROPHET-WIZARD
      • CHAPTER XXI
        • THE ACCEPTABLE YEAR OF THE LORD
      • THE ACCEPTABLE YEAR OF THE LORD
    • CHAPTER I
      • THE POINT OF VIEW
    • THE POINT OF VIEW
    • CHAPTER II
      • THE PHOTOPLAY OF ACTION
    • THE PHOTOPLAY OF ACTION
    • CHAPTER III
      • THE INTIMATE PHOTOPLAY
    • THE INTIMATE PHOTOPLAY
    • CHAPTER IV
      • THE MOTION PICTURE OF FAIRY SPLENDOR
    • THE MOTION PICTURE OF FAIRY SPLENDOR
    • CHAPTER V
      • THE PICTURE OF CROWD SPLENDOR
    • THE PICTURE OF CROWD SPLENDOR
    • CHAPTER VI
      • PATRIOTIC SPLENDOR
    • PATRIOTIC SPLENDOR
    • CHAPTER VII
      • RELIGIOUS SPLENDOR
    • RELIGIOUS SPLENDOR
    • CHAPTER VIII
      • SCULPTURE-IN-MOTION
    • SCULPTURE-IN-MOTION
    • CHAPTER IX
      • PAINTING-IN-MOTION
    • PAINTING-IN-MOTION
    • CHAPTER X
      • FURNITURE, TRAPPINGS, AND INVENTIONS IN MOTION
    • FURNITURE, TRAPPINGS, AND INVENTIONS IN MOTION
    • CHAPTER XI
      • ARCHITECTURE-IN-MOTION
    • ARCHITECTURE-IN-MOTION
    • CHAPTER XII
      • THIRTY DIFFERENCES BETWEEN THE PHOTOPLAYS AND THE STAGE
    • THIRTY DIFFERENCES BETWEEN THE PHOTOPLAYS AND THE STAGE
    • CHAPTER XIII
      • HIEROGLYPHICS
    • HIEROGLYPHICS
    • BOOK III. MORE PERSONAL SPECULATIONS AND AFTERTHOUGHTS NOT BROUGHT FORWARD SO DOGMATICALLY
    • CHAPTER XIV
      • THE ORCHESTRA, CONVERSATION, AND THE CENSORSHIP
    • THE ORCHESTRA, CONVERSATION, AND THE CENSORSHIP
    • CHAPTER XV
      • THE SUBSTITUTE FOR THE SALOON
    • THE SUBSTITUTE FOR THE SALOON
    • CHAPTER XVI
      • CALIFORNIA AND AMERICA
    • CALIFORNIA AND AMERICA
    • CHAPTER XVII
      • PROGRESS AND ENDOWMENT
    • PROGRESS AND ENDOWMENT
    • CHAPTER XVIII
      • ARCHITECTS AS CRUSADERS
    • ARCHITECTS AS CRUSADERS
    • CHAPTER XIX
      • ON COMING FORTH BY DAY
    • ON COMING FORTH BY DAY
    • CHAPTER XX
      • THE PROPHET-WIZARD
    • THE PROPHET-WIZARD
    • CHAPTER XXI
      • THE ACCEPTABLE YEAR OF THE LORD
    • THE ACCEPTABLE YEAR OF THE LORD
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