Maxim Gorki
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Language
English
ISBN
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The Project Gutenberg eBook, Maxim Gorki, by Hans Ostwald, Translated by Frances A. Welby
E-text prepared by Al Haines
MAXIM GORKI
Illustrated Cameos of Literature. Edited by George Brandes
MAXIM GORKI
Illustrated Cameos of Literature. Edited by George Brandes
Maxim Gorki
By
Hans Ostwald
Translated by Frances A. Welby
William Heinemann 1905
William Heinemann 1905
INTRODUCTION
Translated by Frances A. Welby
William Heinemann 1905
William Heinemann 1905
INTRODUCTION
CONTENTS
ILLUSTRATIONS
1. Maxim Gorki . . . . . . . . . . . . . . . . . . Frontispiece
2. Maxim Gorki (in 1900)
3. Beggar Collecting for a Church Fund
4. Tartar Day-Labourer
5. Tramps—the Seated Figure is the Original of Luka
6. A Page from Gorki's Last Work
7. The Bare-footed Brigade on the Volga-Quay, at Nijni Novgorod
8. Love-Scene between Polja and Nil, Act 3 of "The Bezemenovs"
9. Gambling-Scene, Act 2 of "The Doss-house"
10. A Confabulation, Act 2 of "The Doss-house"
11. Concluding Scene, Act 3 of "The Doss-house"
12. The Actor, in "The Doss-house"
13. Vasilissa, the Keeper of "The Doss-house"
14. Nastja, servant in "The Doss-house"
15. The Baron, in "The Doss-house"
16. Letter to Herr Max Reinhardt
Maxim Gorki (in 1900)
Beggar collecting for a church fund (After a sketch by Gorki)
Tartar day-labourer (After a sketch by Gorki)
Tramps—the seated figure is the original of Luka (After a sketch by Gorki)
A page from Gorki's last work (Transcribed and forwarded by the author to Hans Ostwald)
The bare-footed brigade on the Volga-quay, and Nijni Novgorod (After a sketch by Gorki)
Love-scene between Polja and Nil (Act III. of "The Bezemenovs")
Gambling scene (Act II. of "The Doss-house")
A confabulation (Act II. of "The Doss-house")
Concluding scene (Act III. of "The Doss-house")
The actor (From "The Doss-house")
Vasilissa (Keeper of the "Doss-house")
Nastja (Servant in "The Doss-house")
The baron (From "The Doss-house")
Letter to Max Reinhardt
Letter to Herr Max Reinhardt
1. Maxim Gorki . . . . . . . . . . . . . . . . . . Frontispiece
2. Maxim Gorki (in 1900)
3. Beggar Collecting for a Church Fund
4. Tartar Day-Labourer
5. Tramps—the Seated Figure is the Original of Luka
6. A Page from Gorki's Last Work
7. The Bare-footed Brigade on the Volga-Quay, at Nijni Novgorod
8. Love-Scene between Polja and Nil, Act 3 of "The Bezemenovs"
9. Gambling-Scene, Act 2 of "The Doss-house"
10. A Confabulation, Act 2 of "The Doss-house"
11. Concluding Scene, Act 3 of "The Doss-house"
12. The Actor, in "The Doss-house"
13. Vasilissa, the Keeper of "The Doss-house"
14. Nastja, servant in "The Doss-house"
15. The Baron, in "The Doss-house"
16. Letter to Herr Max Reinhardt
Maxim Gorki (in 1900)
Beggar collecting for a church fund (After a sketch by Gorki)
Tartar day-labourer (After a sketch by Gorki)
Tramps—the seated figure is the original of Luka (After a sketch by Gorki)
A page from Gorki's last work (Transcribed and forwarded by the author to Hans Ostwald)
The bare-footed brigade on the Volga-quay, and Nijni Novgorod (After a sketch by Gorki)
Love-scene between Polja and Nil (Act III. of "The Bezemenovs")
Gambling scene (Act II. of "The Doss-house")
A confabulation (Act II. of "The Doss-house")
Concluding scene (Act III. of "The Doss-house")
The actor (From "The Doss-house")
Vasilissa (Keeper of the "Doss-house")
Nastja (Servant in "The Doss-house")
The baron (From "The Doss-house")
Letter to Max Reinhardt
Letter to Herr Max Reinhardt
ENGLISH TRANSLATIONS OF GORKI'S WORKS
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