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Table of Contents
- The Project Gutenberg eBook, Maxim Gorki, by Hans Ostwald, Translated by Frances A. Welby
- E-text prepared by Al Haines
- MAXIM GORKI
- Illustrated Cameos of Literature. Edited by George Brandes
- MAXIM GORKI
- Illustrated Cameos of Literature. Edited by George Brandes
- E-text prepared by Al Haines
- Maxim Gorki
- By
- Hans Ostwald
- Translated by Frances A. Welby
- William Heinemann 1905
- William Heinemann 1905
- INTRODUCTION
- Translated by Frances A. Welby
- Translated by Frances A. Welby
- William Heinemann 1905
- William Heinemann 1905
- INTRODUCTION
- CONTENTS
- ILLUSTRATIONS
- 1. Maxim Gorki . . . . . . . . . . . . . . . . . . Frontispiece
- 2. Maxim Gorki (in 1900)
- 3. Beggar Collecting for a Church Fund
- 4. Tartar Day-Labourer
- 5. Tramps—the Seated Figure is the Original of Luka
- 6. A Page from Gorki's Last Work
- 7. The Bare-footed Brigade on the Volga-Quay, at Nijni Novgorod
- 8. Love-Scene between Polja and Nil, Act 3 of "The Bezemenovs"
- 9. Gambling-Scene, Act 2 of "The Doss-house"
- 10. A Confabulation, Act 2 of "The Doss-house"
- 11. Concluding Scene, Act 3 of "The Doss-house"
- 12. The Actor, in "The Doss-house"
- 13. Vasilissa, the Keeper of "The Doss-house"
- 14. Nastja, servant in "The Doss-house"
- 15. The Baron, in "The Doss-house"
- 16. Letter to Herr Max Reinhardt
- Maxim Gorki (in 1900)
- Beggar collecting for a church fund (After a sketch by Gorki)
- Tartar day-labourer (After a sketch by Gorki)
- Tramps—the seated figure is the original of Luka (After a sketch by Gorki)
- A page from Gorki's last work (Transcribed and forwarded by the author to Hans Ostwald)
- The bare-footed brigade on the Volga-quay, and Nijni Novgorod (After a sketch by Gorki)
- Love-scene between Polja and Nil (Act III. of "The Bezemenovs")
- Gambling scene (Act II. of "The Doss-house")
- A confabulation (Act II. of "The Doss-house")
- Concluding scene (Act III. of "The Doss-house")
- The actor (From "The Doss-house")
- Vasilissa (Keeper of the "Doss-house")
- Nastja (Servant in "The Doss-house")
- The baron (From "The Doss-house")
- Letter to Max Reinhardt
- Letter to Herr Max Reinhardt
- 1. Maxim Gorki . . . . . . . . . . . . . . . . . . Frontispiece
- 2. Maxim Gorki (in 1900)
- 3. Beggar Collecting for a Church Fund
- 4. Tartar Day-Labourer
- 5. Tramps—the Seated Figure is the Original of Luka
- 6. A Page from Gorki's Last Work
- 7. The Bare-footed Brigade on the Volga-Quay, at Nijni Novgorod
- 8. Love-Scene between Polja and Nil, Act 3 of "The Bezemenovs"
- 9. Gambling-Scene, Act 2 of "The Doss-house"
- 10. A Confabulation, Act 2 of "The Doss-house"
- 11. Concluding Scene, Act 3 of "The Doss-house"
- 12. The Actor, in "The Doss-house"
- 13. Vasilissa, the Keeper of "The Doss-house"
- 14. Nastja, servant in "The Doss-house"
- 15. The Baron, in "The Doss-house"
- 16. Letter to Herr Max Reinhardt
- Maxim Gorki (in 1900)
- Beggar collecting for a church fund (After a sketch by Gorki)
- Tartar day-labourer (After a sketch by Gorki)
- Tramps—the seated figure is the original of Luka (After a sketch by Gorki)
- A page from Gorki's last work (Transcribed and forwarded by the author to Hans Ostwald)
- The bare-footed brigade on the Volga-quay, and Nijni Novgorod (After a sketch by Gorki)
- Love-scene between Polja and Nil (Act III. of "The Bezemenovs")
- Gambling scene (Act II. of "The Doss-house")
- A confabulation (Act II. of "The Doss-house")
- Concluding scene (Act III. of "The Doss-house")
- The actor (From "The Doss-house")
- Vasilissa (Keeper of the "Doss-house")
- Nastja (Servant in "The Doss-house")
- The baron (From "The Doss-house")
- Letter to Max Reinhardt
- Letter to Herr Max Reinhardt
- ENGLISH TRANSLATIONS OF GORKI'S WORKS
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