Les Misérables, v. 3-5 Fantine - Cosette - Marius - The Idyll and the Epic - Jean Valjean
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LES MISÉRABLES.
BY
VICTOR HUGO.
PART THIRD.
MARIUS.
AUTHORIZED TRANSLATION BY SIR LASCELLES WRAXALL.
TABLE OF CONTENTS.
MARIUS.
MARIUS
PARIS STUDIED IN ITS GAMIN.
PARVULUS.
THE GAMIN'S CHARACTERISTICS.
HE IS AGREEABLE.
HE MAY BE USEFUL.
HIS CONFINES.
A BIT OF HISTORY.
THE GAMIN WOULD HAVE HIS PLACE IN INDIAN CASTES.
A CHARMING ANECDOTE OF THE LAST KING.
THE OLD SOUL OF GAUL.
ECCE PARIS, ECCE HOMO.
THE REIGN OF RIDICULE.
THE FUTURE LATENT IN THE PEOPLE.
LITTLE GAVROCHE.
LE GRAND BOURGEOIS.
NINETY YEARS AND TWO-AND-THIRTY TEETH.
LIKE MASTER, LIKE HOME.
LUC ESPRIT.
AN ASPIRING CENTENARIAN.
BASQUE AND NICOLETTE.
MAGNON AND HER TWO LITTLE ONES.
RULE: NO ONE RECEIVED UNTIL EVENING.
TWO DO NOT MAKE A PAIR.
GRANDFATHER AND GRANDSON.
AN OLD DRAWING-ROOM.
A RED SPECTRE OF THAT DAY.
REQUIESCANT!
THE END OF THE BRIGAND.
MARIUS MEETS A CHURCHWARDEN.
WHAT RESULTED FROM MEETING A CHURCHWARDEN.
SOME PETTICOAT.
MARBLE AGAINST GRANITE.
THE FRIENDS OF THE A. B. C.
A GROUP THAT NEARLY BECAME HISTORICAL.
BOSSUET'S FUNERAL ORATION ON BLONDEAU.
MARIUS IS ASTONISHED.
THE BACK ROOM OF THE CAFÉ MUSAIN.
ENLARGEMENT OF THE HORIZON.
RES ANGUSTA.
THE GOOD OF MISFORTUNE.
MARIUS IS INDIGENT.
MARIUS POOR.
MARIUS GROWS.
M. MABŒUF.
POVERTY A GOOD NEIGHBOR TO MISERY.
THE SUBSTITUTE.
THE CONJUNCTION OF TWO STARS.
NICKNAMES AND SURNAMES.
LUX FACTA EST.
THE EFFECT OF SPRING.
BEGINNING OF A GREAT MALADY.
MAME BOUGON IS THUNDER-STRUCK.
TAKEN PRISONER.
ADVENTURES OF THE LETTER "U" LEFT TO CONJECTURES.
EVEN INVALIDS MAY BE LUCKY.
ECLIPSE.
PATRON MINETTE.
MINES AND MINERS.
THE BOTTOM.
BABET, GUEULEMER, CLAQUESOUS, AND MONTPARNASSE.
COMPOSITION OF THE TROOP.
THE EVIL POOR.
MARIUS LOOKING FOR A GIRL'S BONNET MEETS A MAN'S CAP.
MARIUS FINDS SOMETHING.
FOUR LETTERS.
A ROSE IN WRETCHEDNESS.
A PROVIDENTIAL PEEP-HOLE.
THE WILD-BEAST MAN IN HIS LAIR.
STRATEGY AND TACTICS.
A SUNBEAM IN THE GARRET.
JONDRETTE ALMOST CRIES.
THE TARIFF OF CAB-FARES.
WRETCHEDNESS OFFERS HELP TO SORROW.
THE USE OF M. LEBLANC'S FIVE-FRANC PIECE.
PLOT AND COUNTERPLOT.
A POLICE-AGENT GIVES A LAWYER TWO "KNOCK-ME-DOWNS."
JONDRETTE MAKES HIS PURCHASE.
A SONG TO AN ENGLISH AIR POPULAR IN 1832.
THE USE OF MARIUS'S FIVE-FRANC PIECE.
THE TWO CHAIRS FACE TO FACE.
TREATING OF DARK DEPTHS.
THE TRAP.
ALWAYS BEGIN BY ARRESTING THE VICTIMS.
THE LITTLE CHILD WHO CRIED IN VOLUME SECOND.
END OF PART THIRD.
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