Ostrannenie
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Language
English
ISBN
Unknown
Ostrannenie
Contents
Editorial
Acknowledgments
Introduction: Ostran(n)enie as an“Attractive” Concept
PART I Theory Formation Ostranenie,the Avant-Garde and The Cinema of Attractions
The Gesture of Revolution or Misquoting as Device1
Ostranenie, “The Montage of Attractions”and Early Cinema’s “Properly Irreducible Alien Quality”
Part II Mutations and Appropriations Alienation Theories and Terminologies
Ostranenie, Innovation, and Media History1
Knight’s Moves: Brecht and Russian Formalism in Britain in the 1970s
Ostranenie in French Film Studies:Translation Problems and Conflicting Interests
Christian Metz and the Russian Formalists: A “Rendez-vous Manqué”?
Part III Cognitive and Evolutionary-Cognitive Approaches to Ostranenie Perception,Cognitive Gaps and Cognitive Schemes
Should I See What I Believe?Audiovisual Ostranenie and Evolutionary-Cognitive Film Theory
On Perception, Ostranenie, and Specificity
Estrangement and the Representation of Life in Art
The Perception of Reality as Deformed Realism
Part IV Discussions On Ostranenie,Différance, and the Uncanny
Conversation with András Bálint Kovács
Conversation with Laura Mulvey
Notes
General Bibliography
Notes on Contributors
Index of Names
Index of Film Titles
Index of Subjects
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