How to Sing [Meine Gesangskunst]
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Language
English
ISBN
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HOW TO SING
[MEINE GESANGSKUNST]
BY
LILLI LEHMANN
TRANSLATED FROM THE GERMAN
BY
RICHARD ALDRICH
CONTENTS
MY PURPOSE
MY TITLE TO WRITE ON THE ART OF SONG
SECTION I
PRELIMINARY PRACTICE
SECTION II
OF THE BREATH
SECTION III
OF THE BREATH AND WHIRLING CURRENTS
(SINGING FORWARD)
SECTION IV
THE SINGER'S PHYSIOLOGICAL STUDIES
SECTION V
EQUALIZING THE VOICE; BREATH; FORM
SECTION VI
THE ATTACK
SECTION VII
NASAL. NASAL SINGING
SECTION VIII
SINGING TOWARD THE NOSE. HEAD VOICE
SECTION IX
THE HEAD VOICE
SECTION X
SENSATION AND POSITION OF THE TONGUE
SECTION XI
THE SENSATIONS OF THE PALATE
SECTION XII
THE SENSATION OF THE RESONANCE OF THE HEAD CAVITIES
SECTION XIII
SINGING COVERED
SECTION XIV
ON VOCAL REGISTERS
SECTION XV
DEVELOPMENT AND EQUALIZATION
SECTION XVI
WHITE VOICES
SECTION XVII
THEODOR WACHTEL
SECTION XVIII
THE HIGHEST HEAD TONES
SECTION XIX
EXTENSION OF THE COMPASS AND EQUALIZATION OF REGISTERS
SECTION XX
THE TREMOLO
SECTION XXI
THE CURE
SECTION XXII
THE TONGUE
SECTION XXIII
PREPARATION FOR SINGING
SECTION XXIV
THE POSITION OF THE MOUTH (CONTRACTION OF THE MUSCLES OF SPEECH)
SECTION XXV
CONNECTION OF VOWELS
SECTION XXVI
THE LIPS
SECTION XXVII
THE VOWEL-SOUND AH
SECTION XXVIII
ITALIAN AND GERMAN
SECTION XXIX
AUXILIARY VOWELS
SECTION XXX
RESONANT CONSONANTS
SECTION XXXI
PRACTICAL EXERCISES
SECTION XXXII
THE GREAT SCALE
SECTION XXXIII
VELOCITY
SECTION XXXIV
TRILL
SECTION XXXV
HOW TO HOLD ONE'S SELF WHEN PRACTISING
SECTION XXXVI
CONCERNING EXPRESSION
SECTION XXXVII
BEFORE THE PUBLIC
SECTION XXXVIII
INTERPRETATION
SECTION XXXIX
IN CONCLUSION
NOTE
A Good Remedy for Catarrh and Hoarseness
FOOTNOTES
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