Essentials in Conducting
Free

Essentials in Conducting

By Karl Wilson Gehrkens
Free
Book Description
Table of Contents
  • ESSENTIALS IN CONDUCTING
    • To the Memory of ROBERT C. BEDFORD for many years Secretary of the Board of Trustees of TUSKEGEE INSTITUTE
    • CONTENTS
    • PREFACE
  • Essentials in Conducting
    • CHAPTER I
      • Introduction
    • Introduction
    • CHAPTER II
      • Personal Traits Necessary in Conducting
    • Personal Traits Necessary in Conducting
    • CHAPTER III
      • The Technique of the Baton
    • The Technique of the Baton
    • CHAPTER IV
      • Interpretation in Conducting
        • INTRODUCTORY
      • INTRODUCTORY
    • Interpretation in Conducting
      • INTRODUCTORY
    • INTRODUCTORY
    • CHAPTER V
      • Interpretation in Conducting
        • (Continued)
        • TEMPO
      • (Continued)
      • TEMPO
    • Interpretation in Conducting
      • (Continued)
      • TEMPO
    • (Continued)
    • TEMPO
    • CHAPTER VI
      • Interpretation in Conducting
        • (Continued)
        • DYNAMICS
      • (Continued)
      • DYNAMICS
    • Interpretation in Conducting
      • (Continued)
      • DYNAMICS
    • (Continued)
    • DYNAMICS
    • CHAPTER VII
      • Interpretation in Conducting
        • (Concluded)
        • TIMBRE, PHRASING, ET CETERA
      • (Concluded)
      • TIMBRE, PHRASING, ET CETERA
    • Interpretation in Conducting
      • (Concluded)
      • TIMBRE, PHRASING, ET CETERA
    • (Concluded)
    • TIMBRE, PHRASING, ET CETERA
    • CHAPTER VIII
      • The Supervisor of Music as Conductor
    • The Supervisor of Music as Conductor
    • CHAPTER IX
      • The Community Chorus Conductor
    • The Community Chorus Conductor
    • CHAPTER X
      • The Orchestral Conductor
    • The Orchestral Conductor
    • CHAPTER XI
      • Directing the Church Choir
    • Directing the Church Choir
    • CHAPTER XII
      • The Boy Choir and Its Problems
    • The Boy Choir and Its Problems
    • CHAPTER XIII
      • The Conductor as Voice Trainer
    • The Conductor as Voice Trainer
    • CHAPTER XIV
      • The Art of Program Making
    • The Art of Program Making
    • CHAPTER XV
      • Conductor and Accompanist
    • Conductor and Accompanist
    • CHAPTER XVI
      • Efficiency in the Rehearsal
    • Efficiency in the Rehearsal
    • APPENDIX A
      • Reference List
    • Reference List
    • APPENDIX B
      • HAYDN—SYMPHONY No. 3
        • “Surprise” Symphony
        • Score of Second Movement
      • “Surprise” Symphony
      • Score of Second Movement
    • HAYDN—SYMPHONY No. 3
      • “Surprise” Symphony
      • Score of Second Movement
    • “Surprise” Symphony
    • Score of Second Movement
    • INDEX
      • A
      • B
      • C
      • D
      • E
      • F
      • G
      • H
      • I
      • L
      • M
      • N
      • O
      • P
      • Q
      • R
      • S
      • T
      • U
      • V
      • W
    • A
    • B
    • C
    • D
    • E
    • F
    • G
    • H
    • I
    • L
    • M
    • N
    • O
    • P
    • Q
    • R
    • S
    • T
    • U
    • V
    • W
    • FOOTNOTES
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