Music: An Art and a Language
Free

Music: An Art and a Language

By Walter Raymond Spalding
Free
Book Description
Table of Contents
  • MUSIC: AN ART AND A LANGUAGE
    • BY
    • WALTER RAYMOND SPALDING
    • Preface
    • Contents
  • Music: an Art and a Language
    • CHAPTER I
      • PRELIMINARY CONSIDERATIONS
    • PRELIMINARY CONSIDERATIONS
    • CHAPTER II
      • THE FOLK-SONG
    • THE FOLK-SONG
    • CHAPTER III
      • POLYPHONIC MUSIC; SEBASTIAN BACH
      • Fugue in E-flat Major, No. VII, in the First Book.
    • POLYPHONIC MUSIC; SEBASTIAN BACH
    • Fugue in E-flat Major, No. VII, in the First Book.
    • CHAPTER IV
      • THE MUSICAL SENTENCE
      • Minuetto of Beethoven’s First Sonata.[58]
      • First Sentence of the First Movement of the Twelfth Sonata.
    • THE MUSICAL SENTENCE
    • Minuetto of Beethoven’s First Sonata.[58]
    • First Sentence of the First Movement of the Twelfth Sonata.
    • CHAPTER V
      • THE TWO-PART AND THREE-PART FORMS
    • THE TWO-PART AND THREE-PART FORMS
    • CHAPTER VI
      • THE CLASSICAL AND THE MODERN SUITE
      • LIST OF DANCES
    • THE CLASSICAL AND THE MODERN SUITE
    • LIST OF DANCES
    • CHAPTER VII
      • THE OLDER RONDO FORM
    • THE OLDER RONDO FORM
    • CHAPTER VIII
      • THE VARIATION FORM
    • THE VARIATION FORM
    • CHAPTER IX
      • THE SONATA-FORM AND ITS FOUNDERS, EMMANUEL BACH AND HAYDN
      • THE SONATA-FORM OR FIRST-MOVEMENT FORM
    • THE SONATA-FORM AND ITS FOUNDERS, EMMANUEL BACH AND HAYDN
    • THE SONATA-FORM OR FIRST-MOVEMENT FORM
    • CHAPTER X
      • MOZART. THE PERFECTION OF CLASSIC STRUCTURE AND STYLE
    • MOZART. THE PERFECTION OF CLASSIC STRUCTURE AND STYLE
    • CHAPTER XI
      • BEETHOVEN, THE TONE-POET
      • Symphony No. 5[150]
      • The Coriolanus Overture
    • BEETHOVEN, THE TONE-POET
    • Symphony No. 5[150]
    • The Coriolanus Overture
    • CHAPTER XII
      • THE ROMANTIC COMPOSERS. SCHUBERT AND WEBER
    • THE ROMANTIC COMPOSERS. SCHUBERT AND WEBER
    • CHAPTER XIII
      • SCHUMANN AND MENDELSSOHN
      • Des Abends.
      • Warum?
      • Novellette in E major.
      • Song, Mondnacht.
      • Overture to Manfred.
      • Symphony in D Minor.
    • SCHUMANN AND MENDELSSOHN
    • Des Abends.
    • Warum?
    • Novellette in E major.
    • Song, Mondnacht.
    • Overture to Manfred.
    • Symphony in D Minor.
    • CHAPTER XIV
      • CHOPIN AND PIANOFORTE STYLE
      • Prelude in C Major, Op. 28, No. 1.
      • Étude in A-flat Major, Op. 25, No. 1.
      • Mazurka in F-sharp Minor, Op. 6, No. 1.
      • Polonaise in E-flat Minor, Op. 26, No. 11.
      • Barcarolle in F-sharp Major, Op. 60.
      • Scherzo in C-sharp Minor, Op. 39.
    • CHOPIN AND PIANOFORTE STYLE
    • Prelude in C Major, Op. 28, No. 1.
    • Étude in A-flat Major, Op. 25, No. 1.
    • Mazurka in F-sharp Minor, Op. 6, No. 1.
    • Polonaise in E-flat Minor, Op. 26, No. 11.
    • Barcarolle in F-sharp Major, Op. 60.
    • Scherzo in C-sharp Minor, Op. 39.
    • CHAPTER XV
      • BERLIOZ AND LISZT. PROGRAMME MUSIC
      • The Carnaval Romain Overture (See Supplement No. 57)
      • Symphonic Poem, Orpheus
      • The Faust Symphony
      • Concert Étude, Waldesrauschen (See Supplement No. 59)
    • BERLIOZ AND LISZT. PROGRAMME MUSIC
    • The Carnaval Romain Overture (See Supplement No. 57)
    • Symphonic Poem, Orpheus
    • The Faust Symphony
    • Concert Étude, Waldesrauschen (See Supplement No. 59)
    • CHAPTER XVI
      • BRAHMS
      • Sonata for Violin and Pianoforte
      • Ballade in G minor for Pianoforte (See Supplement No. 60)
      • Song—Meine Liebe ist grün wie der Fliederbusch (See Supplement No. 61)
    • BRAHMS
    • Sonata for Violin and Pianoforte
    • Ballade in G minor for Pianoforte (See Supplement No. 60)
    • Song—Meine Liebe ist grün wie der Fliederbusch (See Supplement No. 61)
    • CHAPTER XVII
      • CÉSAR FRANCK
      • Sonata for Violin and Pianoforte in A Major
      • Symphonic Variations for Pianoforte and Orchestra
    • CÉSAR FRANCK
    • Sonata for Violin and Pianoforte in A Major
    • Symphonic Variations for Pianoforte and Orchestra
    • CHAPTER XVIII
      • THE MODERN FRENCH SCHOOL—D’INDY AND DEBUSSY
    • THE MODERN FRENCH SCHOOL—D’INDY AND DEBUSSY
    • CHAPTER XIX
      • NATIONAL SCHOOLS—RUSSIAN, BOHEMIAN AND SCANDINAVIAN
    • NATIONAL SCHOOLS—RUSSIAN, BOHEMIAN AND SCANDINAVIAN
    • CHAPTER XX
      • THE VARIED TENDENCIES OF MODERN MUSIC
    • THE VARIED TENDENCIES OF MODERN MUSIC
  • Index
    • A
      • B
      • C
      • D
      • E
      • F
      • G
      • H
      • I
      • J
      • K
      • L
      • M
      • N
      • O
      • P
      • Q
      • R
      • S
      • T
      • V
      • W
    • B
    • C
    • D
    • E
    • F
    • G
    • H
    • I
    • J
    • K
    • L
    • M
    • N
    • O
    • P
    • Q
    • R
    • S
    • T
    • V
    • W
    • LIST OF COMPOSITIONS REFERRED TO IN THIS WORK
    • CRITICAL and HISTORICAL ESSAYS
    • TONAL COUNTERPOINT
      • Studies in Part-Writing
    • Studies in Part-Writing
    • MODERN HARMONY;
      • ITS THEORY AND PRACTICE
        • Arthur Foote, A.M. and Walter R. Spalding, A.M.
      • Arthur Foote, A.M. and Walter R. Spalding, A.M.
    • ITS THEORY AND PRACTICE
      • Arthur Foote, A.M. and Walter R. Spalding, A.M.
    • Arthur Foote, A.M. and Walter R. Spalding, A.M.
    • FOOTNOTES
    • CORRECTED MUSIC
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