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Table of Contents
- MUSIC: AN ART AND A LANGUAGE
- BY
- WALTER RAYMOND SPALDING
- Preface
- Contents
- Music: an Art and a Language
- CHAPTER I
- PRELIMINARY CONSIDERATIONS
- PRELIMINARY CONSIDERATIONS
- CHAPTER II
- THE FOLK-SONG
- THE FOLK-SONG
- CHAPTER III
- POLYPHONIC MUSIC; SEBASTIAN BACH
- Fugue in E-flat Major, No. VII, in the First Book.
- POLYPHONIC MUSIC; SEBASTIAN BACH
- Fugue in E-flat Major, No. VII, in the First Book.
- CHAPTER IV
- THE MUSICAL SENTENCE
- Minuetto of Beethoven’s First Sonata.[58]
- First Sentence of the First Movement of the Twelfth Sonata.
- THE MUSICAL SENTENCE
- Minuetto of Beethoven’s First Sonata.[58]
- First Sentence of the First Movement of the Twelfth Sonata.
- CHAPTER V
- THE TWO-PART AND THREE-PART FORMS
- THE TWO-PART AND THREE-PART FORMS
- CHAPTER VI
- THE CLASSICAL AND THE MODERN SUITE
- LIST OF DANCES
- THE CLASSICAL AND THE MODERN SUITE
- LIST OF DANCES
- CHAPTER VII
- THE OLDER RONDO FORM
- THE OLDER RONDO FORM
- CHAPTER VIII
- THE VARIATION FORM
- THE VARIATION FORM
- CHAPTER IX
- THE SONATA-FORM AND ITS FOUNDERS, EMMANUEL BACH AND HAYDN
- THE SONATA-FORM OR FIRST-MOVEMENT FORM
- THE SONATA-FORM AND ITS FOUNDERS, EMMANUEL BACH AND HAYDN
- THE SONATA-FORM OR FIRST-MOVEMENT FORM
- CHAPTER X
- MOZART. THE PERFECTION OF CLASSIC STRUCTURE AND STYLE
- MOZART. THE PERFECTION OF CLASSIC STRUCTURE AND STYLE
- CHAPTER XI
- BEETHOVEN, THE TONE-POET
- Symphony No. 5[150]
- The Coriolanus Overture
- BEETHOVEN, THE TONE-POET
- Symphony No. 5[150]
- The Coriolanus Overture
- CHAPTER XII
- THE ROMANTIC COMPOSERS. SCHUBERT AND WEBER
- THE ROMANTIC COMPOSERS. SCHUBERT AND WEBER
- CHAPTER XIII
- SCHUMANN AND MENDELSSOHN
- Des Abends.
- Warum?
- Novellette in E major.
- Song, Mondnacht.
- Overture to Manfred.
- Symphony in D Minor.
- SCHUMANN AND MENDELSSOHN
- Des Abends.
- Warum?
- Novellette in E major.
- Song, Mondnacht.
- Overture to Manfred.
- Symphony in D Minor.
- CHAPTER XIV
- CHOPIN AND PIANOFORTE STYLE
- Prelude in C Major, Op. 28, No. 1.
- Étude in A-flat Major, Op. 25, No. 1.
- Mazurka in F-sharp Minor, Op. 6, No. 1.
- Polonaise in E-flat Minor, Op. 26, No. 11.
- Barcarolle in F-sharp Major, Op. 60.
- Scherzo in C-sharp Minor, Op. 39.
- CHOPIN AND PIANOFORTE STYLE
- Prelude in C Major, Op. 28, No. 1.
- Étude in A-flat Major, Op. 25, No. 1.
- Mazurka in F-sharp Minor, Op. 6, No. 1.
- Polonaise in E-flat Minor, Op. 26, No. 11.
- Barcarolle in F-sharp Major, Op. 60.
- Scherzo in C-sharp Minor, Op. 39.
- CHAPTER XV
- BERLIOZ AND LISZT. PROGRAMME MUSIC
- The Carnaval Romain Overture (See Supplement No. 57)
- Symphonic Poem, Orpheus
- The Faust Symphony
- Concert Étude, Waldesrauschen (See Supplement No. 59)
- BERLIOZ AND LISZT. PROGRAMME MUSIC
- The Carnaval Romain Overture (See Supplement No. 57)
- Symphonic Poem, Orpheus
- The Faust Symphony
- Concert Étude, Waldesrauschen (See Supplement No. 59)
- CHAPTER XVI
- BRAHMS
- Sonata for Violin and Pianoforte
- Ballade in G minor for Pianoforte (See Supplement No. 60)
- Song—Meine Liebe ist grün wie der Fliederbusch (See Supplement No. 61)
- BRAHMS
- Sonata for Violin and Pianoforte
- Ballade in G minor for Pianoforte (See Supplement No. 60)
- Song—Meine Liebe ist grün wie der Fliederbusch (See Supplement No. 61)
- CHAPTER XVII
- CÉSAR FRANCK
- Sonata for Violin and Pianoforte in A Major
- Symphonic Variations for Pianoforte and Orchestra
- CÉSAR FRANCK
- Sonata for Violin and Pianoforte in A Major
- Symphonic Variations for Pianoforte and Orchestra
- CHAPTER XVIII
- THE MODERN FRENCH SCHOOL—D’INDY AND DEBUSSY
- THE MODERN FRENCH SCHOOL—D’INDY AND DEBUSSY
- CHAPTER XIX
- NATIONAL SCHOOLS—RUSSIAN, BOHEMIAN AND SCANDINAVIAN
- NATIONAL SCHOOLS—RUSSIAN, BOHEMIAN AND SCANDINAVIAN
- CHAPTER XX
- THE VARIED TENDENCIES OF MODERN MUSIC
- THE VARIED TENDENCIES OF MODERN MUSIC
- CHAPTER I
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- V
- W
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- V
- W
- LIST OF COMPOSITIONS REFERRED TO IN THIS WORK
- CRITICAL and HISTORICAL ESSAYS
- TONAL COUNTERPOINT
- Studies in Part-Writing
- Studies in Part-Writing
- MODERN HARMONY;
- ITS THEORY AND PRACTICE
- Arthur Foote, A.M. and Walter R. Spalding, A.M.
- Arthur Foote, A.M. and Walter R. Spalding, A.M.
- ITS THEORY AND PRACTICE
- ITS THEORY AND PRACTICE
- Arthur Foote, A.M. and Walter R. Spalding, A.M.
- Arthur Foote, A.M. and Walter R. Spalding, A.M.
- FOOTNOTES
- CORRECTED MUSIC
- A
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