History of English Literature Volume 1 (of 3)
Free

History of English Literature Volume 1 (of 3)

By Hippolyte Taine
Free
Book Description
Table of Contents
  • HISTORY OF
  • ENGLISH LITERATURE
    • HIPPOLYTE ADOLPHE TAINE
      • TRANSLATED FROM THE FRENCH BY HENRY VAN LAUN
      • WITH A SPECIAL INTRODUCTION BY
      • J. SCOTT CLARK, A. M.
    • #THE WORLD'S# GREAT CLASSICS
    • LIBRARY COMMITTE 1
    • TIMOTHY DWIGHT, D.D. LLD. RICHARD HENRY STODDARD ARTHUR RICHMOND MARSH. A.B. PAVL VAN DYKE, D.D. ALBERT ELLERY BERGH
      • •ILLUSTRATED•WITH•NEARLY•TWO• •HUNDRED•PHOTOGRAVURES•ETCHINGS• •COLORED•PLATES•AND•FULL• •PAGE•PORTRAITS•OF•GREAT•AUTHORS•
      • DEDICATION
      • SPECIAL INTRODUCTION
  • CONTENTS
    • INTRODUCTION
    • BOOK I.—THE SOURCE
      • CHAPTER FIRST The Saxons
      • CHAPTER SECOND The Normans
      • CHAPTER THIRD The New Tongue
    • BOOK II.—THE RENAISSANCE
      • CHAPTER FIRST The Pagan Renaissance
      • CHAPTER SECOND The Theatre
      • CHAPTER THIRD Ben Jonson
      • CHAPTER FOURTH Shakespeare
      • INDEX
  • ILLUSTRATIONS
    • HISTORY OF ENGLISH LITERATURE
      • INTRODUCTION
      • I. Historical documents serve only as a clue to reconstruct the visible individual
      • II. The outer man is only a clue to study the inner invisible man
      • III. The state and the actions of the inner and invisible man have their causes in certain general ways of thought and feeling
      • IV. Chief causes of thought and feeling. Their historical effects
      • V. The three primordial forces.—Race
      • VI. History is a mechanical and psychological problem. Within certain limits man can foretell
      • VII. Law of formation of a group. Examples and indications
      • VIII. General problem and future of history. Psychological method. Value of literature. Purpose in writing this book
      • BOOK I.—THE SOURCE
      • CHAPTER FIRST
      • The Saxons
      • SECTION I.—The Coast of the North Sea
      • SECTION II.—The Northern Barbarians
      • SECTION III.—Saxon Ideas
      • SECTION IV.—Saxon Heroes
      • SECTION V.—Pagan Poems
      • SECTION VI.—Christian Poems
      • SECTION VII.—Primitive Saxon Authors
      • SECTION VIII.—Virility of the Saxon Race
      • CHAPTER SECOND
      • The Normans
      • SECTION I.—The Feudal Man
      • SECTION II.—Normans and Saxons Contrasted
      • SECTION III.—French Forms of Thought
      • SECTION IV.—The Normans in England
      • SECTION V.—The English Tongue—Early English Literary Impulses
      • SECTION VI.—Feudal Civilization
      • SECTION VII.—Persistence of Saxon Ideas
      • SECTION VIII.—The English Constitution
      • SECTION IX.—Piers Plowman and Wyclif
      • CHAPTER THIRD
      • The New Tongue
      • SECTION I.—The First Great Poet
      • SECTION II.—The Decline of the Middle Ages
      • SECTION III.—The Poetry of Chaucer
      • SECTION IV.—Characteristics of the Canterbury Tales
      • SECTION V.—The Art of Chaucer
      • SECTION VI.—Scholastic Philosophy
      • BOOK II.—THE RENAISSANCE
      • CHAPTER FIRST
      • The Pagan Renaissance
      • PART I.—Manners of the Time
      • SECTION I.—Ideas of the Middle Ages
      • SECTION II.—Growth of New Ideas
      • SECTION III.—Popular Festivals
      • SECTION IV.—Influence of Classic Literature
      • PART II.—Poetry
      • SECTION I.—Renaissance of Saxon Genius
      • SECTION II.—The Earl of Surrey
      • SECTION III.—Surrey's Style
      • SECTION IV.—Development of Artistic Ideas
      • SECTION V.—Wherein Lies the Strength of the Poetry of this Period
      • SECTION VI.—Edmund Spenser
      • SECTION VII.—Spenser in his Relation to the Renaissance
      • PART III.—Prose
      • SECTION I.—The Decay of Poetry
      • SECTION II.—The Intellectual Level of the Renaissance
      • SECTION III.—Robert Burton
      • SECTION IV.—Sir Thomas Browne
      • SECTION V.—Francis Bacon
      • CHAPTER SECOND
      • The Theatre
      • SECTION I.—The Public and the Stage
      • SECTION II.—Manners of the Sixteenth Century
      • SECTION III.—Some Aspects of the English Mind
      • SECTION IV.—The Poets of the Period
      • SECTION V.—Formation of the Drama
      • SECTION VI.—Furious Passions—Exaggerated Characters
      • SECTION VII.—Female Characters
      • CHAPTER THIRD
      • Ben Jonson
      • SECTION I.—The Man—His Life
      • SECTION II.—His Freedom and Precision of Style
      • SECTION III.—The Dramas Catiline and Sejanus
      • SECTION IV.—Comedies
      • SECTION V.—Limits of Jonson's Talent—His Smaller Poems—His Masques
      • SECTION VI.—General Idea of Shakespeare
      • CHAPTER FOURTH
      • Shakespeare
      • SECTION I.—Life and Character of Shakespeare
      • SECTION II.—Shakespeare's Style—Copiousness—Excesses
      • SECTION III.—Shakespeare's Language And Manners
      • SECTION IV.—Dramatis Personæ
      • SECTION V.—Men of Wit
      • SECTION VI.—Shakespeare's Women
      • SECTION VII.—Types of Villains
      • SECTION VIII.—Principal Characters
      • SECTION IX.—Characteristics of Shakespeare's Genius
      • INDEX
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