Punch, or the London Charivari, Volume 99, July 19, 1890
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Punch, or the London Charivari, Volume 99, July 19, 1890
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The Project Gutenberg eBook, Punch, or the London Charivari, Vol. 99, July 19, 1890, by Various, Edited by F. C. Burnand
PUNCH, OR THE LONDON CHARIVARI.
Vol. 99.
July 19, 1890.
OUR BOOKING-OFFICE.
PARALLEL.
PARALLEL.
OUR NEW ADVERTISEMENT COLUMN.
LAT. 60° 8' N. LONG. 4° 30' E.
LAT. 60° 8' N. LONG. 4° 30' E.
"THE CUP THAT CHE-(HIC)-ERS!"
CATCHING;
OR, HOW FAR WILL IT GO?
(Being a Forecast of the spread of the Strike Fever, from a Next Week's Diary.)
(Being a Forecast of the spread of the Strike Fever, from a Next Week's Diary.)
OR, HOW FAR WILL IT GO?
(Being a Forecast of the spread of the Strike Fever, from a Next Week's Diary.)
(Being a Forecast of the spread of the Strike Fever, from a Next Week's Diary.)
SHAKSPEARE ONCE AGAIN, ADAPTED TO THE SITUATION.
(See Titus Andronicus, Act II., Sc. 1.)
Aaron (the Agitator) loquitur.—
Aaron (the Agitator) loquitur.—
INFELICITOUS QUOTATIONS.
(See Titus Andronicus, Act II., Sc. 1.)
Aaron (the Agitator) loquitur.—
Aaron (the Agitator) loquitur.—
INFELICITOUS QUOTATIONS.
SONG SENTIMENTIANA.
(A delightful "All-the-Year-Sound" Resort for the Fashionable Composer.)
EXAMPLE V.—Of the transformative powers of Love, under condition of Proximity.
EXAMPLE V.—Of the transformative powers of Love, under condition of Proximity.
(A delightful "All-the-Year-Sound" Resort for the Fashionable Composer.)
EXAMPLE V.—Of the transformative powers of Love, under condition of Proximity.
EXAMPLE V.—Of the transformative powers of Love, under condition of Proximity.
TO MRS. H.M. STANLEY.
THE ANGLO-GERMAN CONCERTINA.
WEEK BY WEEK.
THE OPERA-GOER'S DIARY.
PURELY A MATTER OF BISLEYNESS.
ROBERT ON MATRIMONY.
WHAT OUR ARTIST (THE ILLUSTRATOR) HAS TO PUT UP WITH.
WHAT OUR ARTIST (THE ILLUSTRATOR) HAS TO PUT UP WITH.
THE LYING SPIRIT.
Time the Avenger!
THE LYING SPIRIT.
Time the Avenger!
THE LYING SPIRIT.
A GRUMBLE FOR THE GRENADIERS.
VOCES POPULI.
AT A DANCE.
SHADOWING AT HENLEY REGATTA.
AT A DANCE.
SHADOWING AT HENLEY REGATTA.
ESSENCE OF PARLIAMENT.
EXTRACTED FROM THE DIARY OF TOBY, M.P.
"THE SHADOWLESS MAN."
EXTRACTED FROM THE DIARY OF TOBY, M.P.
"THE SHADOWLESS MAN."
MR. PUNCH'S DICTIONARY OF PHRASES.
AT THE ACADEMY SOIRÉE.
AT LORD'S.
ELECTIONEERING.
PARLIAMENTARY.
IN THE SMOKING-ROOM.
AT LORD'S.
ELECTIONEERING.
PARLIAMENTARY.
IN THE SMOKING-ROOM.
AT THE ACADEMY SOIRÉE.
AT LORD'S.
ELECTIONEERING.
PARLIAMENTARY.
IN THE SMOKING-ROOM.
AT LORD'S.
ELECTIONEERING.
PARLIAMENTARY.
IN THE SMOKING-ROOM.
DISCIPLINE!
(A Farcical Tragedy, in Two Scenes—not licensed for representation.)
SCENE I.—The Barrack Square. Present—No. 1 Company, awaiting inspection.
SCENE II.—Before the Enemy. Present—No. 1 Company awaiting orders to advance.
SCENE I.—The Barrack Square. Present—No. 1 Company, awaiting inspection.
SCENE II.—Before the Enemy. Present—No. 1 Company awaiting orders to advance.
(A Farcical Tragedy, in Two Scenes—not licensed for representation.)
SCENE I.—The Barrack Square. Present—No. 1 Company, awaiting inspection.
SCENE II.—Before the Enemy. Present—No. 1 Company awaiting orders to advance.
SCENE I.—The Barrack Square. Present—No. 1 Company, awaiting inspection.
SCENE II.—Before the Enemy. Present—No. 1 Company awaiting orders to advance.
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