The Works of Aphra Behn, Volume I
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English
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THE WORKS
PREFACE.
MEMOIR OF MRS. BEHN.
THE TEXT.
THE PORTRAITS OF MRS. BEHN.
THE ROVER; OR,
ARGUMENT.
SOURCE.
THEATRICAL HISTORY.
THE ROVER;
PROLOGUE,
DRAMATIS PERSONÆ.
MEN.
WOMEN.
WOMEN.
SCENE Naples, in Carnival-time.
ACT I.
SCENE I. A chamber.
SCENE II. A Long Street.
SCENE II. A Long Street.
ACT II.
SCENE I. The Long Street.
SCENE II. A Fine Chamber.
SCENE II. A Fine Chamber.
ACT III.
SCENE I. A Street.
SCENE II. __Lucetta's_ House._
SCENE III. The Garden, in the Night.
SCENE IV. Changes to the Street.
SCENE II. __Lucetta's_ House._
SCENE III. The Garden, in the Night.
SCENE IV. Changes to the Street.
ACT IV.
SCENE I. A fine Room.
SCENE II. The Molo.
SCENE III. A Street.
SCENE II. The Molo.
SCENE III. A Street.
ACT V.
SCENE I. Blunt's Chamber.
EPILOGUE
POST-SCRIPT
NOTES ON THE TEXT.
NOTES: CRITICAL AND EXPLANATORY.
THE ROVER; OR,
NOTES: CRITICAL AND EXPLANATORY.
THE ROVER; OR,
ARGUMENT.
SOURCE.
THEATRICAL HISTORY.
THE ROVER.
PROLOGUE,
DRAMATIS PERSONÆ.
MEN.
WOMEN.
SCENE, Madrid.
WOMEN.
SCENE, Madrid.
ACT I.
SCENE I. A Street.
ACT II.
SCENE I. The Street.
SCENE II. Changes to a fine Chamber.
SCENE II. Changes to a fine Chamber.
ACT III.
SCENE I. A House.
ACT IV.
SCENE I. The Street, or Backside of the Piazza dark.
ACT V.
SCENE I. A Chamber.
SCENE II. The Street.
SCENE III. Willmore's Lodging.
SCENE II. The Street.
SCENE III. Willmore's Lodging.
EPILOGUE.
NOTES ON THE TEXT.
NOTES: CRITICAL AND EXPLANATORY.
THE DUTCH LOVER.
NOTES: CRITICAL AND EXPLANATORY.
THE DUTCH LOVER.
ARGUMENT.
SOURCE.
THEATRICAL HISTORY.
AN EPISTLE TO THE READER.
DRAMATIS PERSONÆ.
MEN.
THE DUTCH LOVER.
ACT I.
SCENE I. A Street.
SCENE II. Ambrosio's House.
SCENE III. A Grove.
SCENE II. Ambrosio's House.
SCENE III. A Grove.
ACT II.
SCENE I. The Street.
SCENE II. The Scene changes to a Chamber.
SCENE III. A Street.
SCENE IV. Changes to a dark Hall.
SCENE V. _Changes to the Street. Discovers Alonzo alone._
SCENE VI. _Chamber of Cleonte._
SCENE VII. The Street.
SCENE II. The Scene changes to a Chamber.
SCENE III. A Street.
SCENE IV. Changes to a dark Hall.
SCENE V. _Changes to the Street. Discovers Alonzo alone._
SCENE VI. _Chamber of Cleonte._
SCENE VII. The Street.
ACT III.
SCENE I. _House of Carlo._
SCENE II. A flat Grove.
SCENE III. Draws off. A Grove.
SCENE IV. The Garden.
SCENE II. A flat Grove.
SCENE III. Draws off. A Grove.
SCENE IV. The Garden.
ACT IV.
SCENE I. __Carlo's_ House._
SCENE II. The Street.
SCENE III. A deep Grove.
SCENE II. The Street.
SCENE III. A deep Grove.
ACT V.
SCENE I. A Garden.
SCENE II. __Carlo's_ House._
SCENE II. __Carlo's_ House._
EPILOGUE.
NOTES ON THE TEXT.
NOTES: CRITICAL AND EXPLANATORY.
THE ROUNDHEADS; OR,
NOTES: CRITICAL AND EXPLANATORY.
THE ROUNDHEADS; OR,
ARGUMENT.
SOURCE.
THEATRICAL HISTORY.
THE ROUND-HEADS;
PROLOGUE,
DRAMATIS PERSONÆ.
MEN.
WOMEN.
WOMEN.
ACT I.
SCENE I. The Street.
SCENE II. _A Chamber in Lambert's House._
SCENE II. _A Chamber in Lambert's House._
ACT II.
SCENE I. _A Chamber of State in Lambert's House._
ACT III.
SCENE I. A Council-Chamber, great Table, Chairs, and Papers.
SCENE II. _A Chamber in Lady Desbro's House._
SCENE II. _A Chamber in Lady Desbro's House._
ACT IV.
SCENE I. _A Chamber in La. Desbro's House. Candles, and Lights._
SCENE II. _A fine Chamber in La. Lambert's House._
SCENE III. _A great Chamber of State, and Canopy in Lambert's House._
SCENE IV. Flat.
SCENE II. _A fine Chamber in La. Lambert's House._
SCENE III. _A great Chamber of State, and Canopy in Lambert's House._
SCENE IV. Flat.
ACT V.
SCENE I. A Street.
SCENE II. _Changes to a Chamber in La. Lambert's House._
SCENE III. The Street.
SCENE IV. _A Chamber in Lambert's House._
SCENE V. A Street; a great Bonfire, with Spits, and Rumps roasting, and the Mobile about the Fire, with Pots, Bottles, Fiddles.
SCENE II. _Changes to a Chamber in La. Lambert's House._
SCENE III. The Street.
SCENE IV. _A Chamber in Lambert's House._
SCENE V. A Street; a great Bonfire, with Spits, and Rumps roasting, and the Mobile about the Fire, with Pots, Bottles, Fiddles.
EPILOGUE.
NOTES ON THE TEXT.
NOTES: CRITICAL AND EXPLANATORY.
NOTES: CRITICAL AND EXPLANATORY.
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