The Works of Aphra Behn, Volume III
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THE WORKS OF APHRA BEHN, VOL. III
EDITED BY MONTAGUE SUMMERS
MCMXV
CONTENTS:
MCMXV
CONTENTS:
THE TOWN-FOP; OR, SIR TIMOTHY TAWDREY.
ARGUMENT.
SOURCE.
THEATRICAL HISTORY.
PROLOGUE.
PROLOGUE.
DRAMATIS PERSONAE.
MEN.
WOMEN.
MEN.
WOMEN.
SOURCE.
THEATRICAL HISTORY.
PROLOGUE.
PROLOGUE.
DRAMATIS PERSONAE.
MEN.
WOMEN.
MEN.
WOMEN.
ACT I.
SCENE II. A Chamber.
SCENE II. A Chamber.
ACT II.
SCENE II. A Chamber.
SCENE III. Sir Timothy's House.
SCENE IV. Lord Plotwell's House.
SCENE V. The Street.
SCENE II. A Chamber.
SCENE III. Sir Timothy's House.
SCENE IV. Lord Plotwell's House.
SCENE V. The Street.
ACT III.
SCENE II_. A Bed Chamber_.
SCENE III. A Street.
SCENE II_. A Bed Chamber_.
SCENE III. A Street.
ACT IV.
SCENE II. A Baudy House.
SCENE III. Another Chamber in the Brothel, a Table with Box and Dice.
SCENE II. A Baudy House.
SCENE III. Another Chamber in the Brothel, a Table with Box and Dice.
ACT V.
SCENE II. Lord Plotwell's House.
SCENE III. A Street.
SCENE IV. Changes to the Inside of Friendlove's Lodgings.
EPILOGUE.
SCENE II. Lord Plotwell's House.
SCENE III. A Street.
SCENE IV. Changes to the Inside of Friendlove's Lodgings.
EPILOGUE.
THE FALSE COUNT.
ARGUMENT.
SOURCE.
THEATRICAL HISTORY.
PROLOGUE.
DRAMATIS PERSONAE.
MEN.
WOMEN.
MEN.
WOMEN.
SOURCE.
THEATRICAL HISTORY.
PROLOGUE.
DRAMATIS PERSONAE.
MEN.
WOMEN.
MEN.
WOMEN.
ACT I.
SCENE II. A Chamber.
SCENE II. A Chamber.
ACT II.
SCENE II. Changes to the Street.
SCENE III. The inside of the House.
SCENE II. Changes to the Street.
SCENE III. The inside of the House.
ACT III.
SCENE II. Francisco's house.
SCENE II. Francisco's house.
ACT IV.
SCENE II. A Garden.
SCENE II. A Garden.
ACT V.
EPILOGUE.
EPILOGUE.
THE LUCKY CHANCE; OR, AN ALDERMAN'S BARGAIN.
ARGUMENT.
SOURCE.
THEATRICAL HISTORY.
PREFACE.
SOURCE.
THEATRICAL HISTORY.
PREFACE.
THE LUCKY CHANCE;
PROLOGUE,
DRAMATIS PERSONAE
MEN.
MEN.
PROLOGUE,
DRAMATIS PERSONAE
MEN.
MEN.
ACT I.
SCENE II. Sir Cautious Fulbank's House.
SCENE III. The House of Sir Feeble.
SCENE II. Sir Cautious Fulbank's House.
SCENE III. The House of Sir Feeble.
ACT II.
SCENE II. Sir Feeble's House.
SCENE II. Sir Feeble's House.
ACT III.
SCENE II. _Changes to the Bed-chamber; Leticia in an undressing by the Women at the Table_.
SCENE III. Changes to a Wash-house, or Out-House.
SCENE IV. _A Chamber in the Apartments of L. _Fulbank.
SCENE V. In the same House. The flat Scene of the Hall.
SCENE VI. The Street.
SCENE II. _Changes to the Bed-chamber; Leticia in an undressing by the Women at the Table_.
SCENE III. Changes to a Wash-house, or Out-House.
SCENE IV. _A Chamber in the Apartments of L. _Fulbank.
SCENE V. In the same House. The flat Scene of the Hall.
SCENE VI. The Street.
ACT IV.
ACT V.
SCENE II. A Bed-chamber.
SCENE III. Sir Cautious his Garden.
SCENE IV. Lady Fulbank's Anti-chamber.
SCENE V. Changes to a Bed-chamber.
SCENE VI. Draws over, and represents another Room in the same House.
SCENE VII. Changes to the Anti-chamber.
EPILOGUE.
SCENE II. A Bed-chamber.
SCENE III. Sir Cautious his Garden.
SCENE IV. Lady Fulbank's Anti-chamber.
SCENE V. Changes to a Bed-chamber.
SCENE VI. Draws over, and represents another Room in the same House.
SCENE VII. Changes to the Anti-chamber.
EPILOGUE.
THE FORC'D MARRIAGE; OR, THE JEALOUS BRIDEGROOM.
ARGUMENT.
SOURCE.
THEATRICAL HISTORY.
THE FORC'D MARRIAGE;
PROLOGUE.
PROLOGUE.
DRAMATIS PERSONAE.
MEN.
MEN.
SOURCE.
THEATRICAL HISTORY.
THE FORC'D MARRIAGE;
PROLOGUE.
PROLOGUE.
DRAMATIS PERSONAE.
MEN.
MEN.
ACT I.
SCENE II. Galatea's Apartments.
SCENE III. A room in the house of Orgulius.
SCENE IV. Philander's Apartments.
SCENE II. Galatea's Apartments.
SCENE III. A room in the house of Orgulius.
SCENE IV. Philander's Apartments.
ACT II.
THE REPRESENTATION OF THE WEDDING.
SCENE I. The Palace.
SCENE II. The Court Gallery.
SCENE III.
SCENE IV. Philander's Bed-chamber.
SCENE V. The Court Gallery.
SCENE VI. Draws off, discovers Philander_ and_ Alcander with Musick at the Chamber-door of Erminia; to them Pisaro, who listens whilst the Song is sung.
SCENE VII. The Court Gallery.
THE REPRESENTATION OF THE WEDDING.
SCENE I. The Palace.
SCENE II. The Court Gallery.
SCENE III.
SCENE IV. Philander's Bed-chamber.
SCENE V. The Court Gallery.
SCENE VI. Draws off, discovers Philander_ and_ Alcander with Musick at the Chamber-door of Erminia; to them Pisaro, who listens whilst the Song is sung.
SCENE VII. The Court Gallery.
ACT III.
SCENE II. The Palace.
SCENE III. Galatea's Apartments.
SCENE II. The Palace.
SCENE III. Galatea's Apartments.
ACT IV.
SCENE II. The Apartments of Alcippus.
SCENE III. The Court Gallery.
SCENE IV.
SCENE V. The Court Gallery.
SCENE VI. A Bed-chamber.
SCENE VII. The Palace.
SCENE VIII. The Gallery.
SCENE IX. Philander's Apartments.
SCENE II. The Apartments of Alcippus.
SCENE III. The Court Gallery.
SCENE IV.
SCENE V. The Court Gallery.
SCENE VI. A Bed-chamber.
SCENE VII. The Palace.
SCENE VIII. The Gallery.
SCENE IX. Philander's Apartments.
ACT V.
SCENE II. The Bedchamber of Alcippus.
SCENE III. The King's Chamber.
SCENE IV. The Court Gallery.
SCENE V.
EPILOGUE,
SCENE II. The Bedchamber of Alcippus.
SCENE III. The King's Chamber.
SCENE IV. The Court Gallery.
SCENE V.
EPILOGUE,
THE EMPEROR OF THE MOON.
ARGUMENT.
SOURCE.
THEATRICAL HISTORY.
SOURCE.
THEATRICAL HISTORY.
THE EMPEROR OF THE MOON.
PROLOGUE,
DRAMATIS PERSONAE.
MEN.
MEN.
PROLOGUE,
DRAMATIS PERSONAE.
MEN.
MEN.
ACT I.
SCENE II. A Garden.
SCENE III. The Chamber of Bellemante.
SCENE II. A Garden.
SCENE III. The Chamber of Bellemante.
ACT II.
SCENE II. Changes to the Street.
SCENE III. Changes to the Inside of the House. The Front of the Scene is only a Curtain or Hangings, to be drawn up at Pleasure.
SCENE IV. Draws off to Bellemante's Chamber, discovers Elaria, Bellemante and Mopsophil in Night-Gowns.
SCENE V. The Garden.
SCENE II. Changes to the Street.
SCENE III. Changes to the Inside of the House. The Front of the Scene is only a Curtain or Hangings, to be drawn up at Pleasure.
SCENE IV. Draws off to Bellemante's Chamber, discovers Elaria, Bellemante and Mopsophil in Night-Gowns.
SCENE V. The Garden.
ACT III.
SCENE II. Changes to the Doctor's House. The Hall.
SCENE III. The Last. The Gallery richly adorn'd with Scenes and Lights.
EPILOGUE,
SCENE II. Changes to the Doctor's House. The Hall.
SCENE III. The Last. The Gallery richly adorn'd with Scenes and Lights.
EPILOGUE,
NOTES ON THE TEXT.
THE TOWN FOP.
THE FALSE COUNT.
THE LUCKY CHANCE.
THE FORC'D MARRIAGE.
THE EMPEROR OF THE MOON.
THE FALSE COUNT.
THE LUCKY CHANCE.
THE FORC'D MARRIAGE.
THE EMPEROR OF THE MOON.
NOTES: CRITICAL AND EXPLANATORY.
THE TOWN FOP.
THE FALSE COUNT.
THE LUCKY CHANCE.
THE FORC'D MARRIAGE.
THE EMPEROR OF THE MOON.
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THE TOWN FOP.
THE FALSE COUNT.
THE LUCKY CHANCE.
THE FORC'D MARRIAGE.
THE EMPEROR OF THE MOON.
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