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- THE WORKS OF APHRA BEHN, VOL. III
- EDITED BY MONTAGUE SUMMERS
- MCMXV
- CONTENTS:
- MCMXV
- CONTENTS:
- EDITED BY MONTAGUE SUMMERS
- THE TOWN-FOP; OR, SIR TIMOTHY TAWDREY.
- ARGUMENT.
- SOURCE.
- THEATRICAL HISTORY.
- PROLOGUE.
- PROLOGUE.
- DRAMATIS PERSONAE.
- MEN.
- WOMEN.
- MEN.
- WOMEN.
- SOURCE.
- THEATRICAL HISTORY.
- PROLOGUE.
- PROLOGUE.
- DRAMATIS PERSONAE.
- MEN.
- WOMEN.
- MEN.
- WOMEN.
- ACT I.
- SCENE II. A Chamber.
- SCENE II. A Chamber.
- ACT II.
- SCENE II. A Chamber.
- SCENE III. Sir Timothy's House.
- SCENE IV. Lord Plotwell's House.
- SCENE V. The Street.
- SCENE II. A Chamber.
- SCENE III. Sir Timothy's House.
- SCENE IV. Lord Plotwell's House.
- SCENE V. The Street.
- ACT III.
- SCENE II_. A Bed Chamber_.
- SCENE III. A Street.
- SCENE II_. A Bed Chamber_.
- SCENE III. A Street.
- ACT IV.
- SCENE II. A Baudy House.
- SCENE III. Another Chamber in the Brothel, a Table with Box and Dice.
- SCENE II. A Baudy House.
- SCENE III. Another Chamber in the Brothel, a Table with Box and Dice.
- ACT V.
- SCENE II. Lord Plotwell's House.
- SCENE III. A Street.
- SCENE IV. Changes to the Inside of Friendlove's Lodgings.
- EPILOGUE.
- SCENE II. Lord Plotwell's House.
- SCENE III. A Street.
- SCENE IV. Changes to the Inside of Friendlove's Lodgings.
- EPILOGUE.
- ARGUMENT.
- THE FALSE COUNT.
- ARGUMENT.
- SOURCE.
- THEATRICAL HISTORY.
- PROLOGUE.
- DRAMATIS PERSONAE.
- MEN.
- WOMEN.
- MEN.
- WOMEN.
- SOURCE.
- THEATRICAL HISTORY.
- PROLOGUE.
- DRAMATIS PERSONAE.
- MEN.
- WOMEN.
- MEN.
- WOMEN.
- ACT I.
- SCENE II. A Chamber.
- SCENE II. A Chamber.
- ACT II.
- SCENE II. Changes to the Street.
- SCENE III. The inside of the House.
- SCENE II. Changes to the Street.
- SCENE III. The inside of the House.
- ACT III.
- SCENE II. Francisco's house.
- SCENE II. Francisco's house.
- ACT IV.
- SCENE II. A Garden.
- SCENE II. A Garden.
- ACT V.
- EPILOGUE.
- EPILOGUE.
- ARGUMENT.
- THE LUCKY CHANCE; OR, AN ALDERMAN'S BARGAIN.
- ARGUMENT.
- SOURCE.
- THEATRICAL HISTORY.
- PREFACE.
- SOURCE.
- THEATRICAL HISTORY.
- PREFACE.
- THE LUCKY CHANCE;
- PROLOGUE,
- DRAMATIS PERSONAE
- MEN.
- MEN.
- PROLOGUE,
- DRAMATIS PERSONAE
- MEN.
- MEN.
- ACT I.
- SCENE II. Sir Cautious Fulbank's House.
- SCENE III. The House of Sir Feeble.
- SCENE II. Sir Cautious Fulbank's House.
- SCENE III. The House of Sir Feeble.
- ACT II.
- SCENE II. Sir Feeble's House.
- SCENE II. Sir Feeble's House.
- ACT III.
- SCENE II. _Changes to the Bed-chamber; Leticia in an undressing by the Women at the Table_.
- SCENE III. Changes to a Wash-house, or Out-House.
- SCENE IV. _A Chamber in the Apartments of L. _Fulbank.
- SCENE V. In the same House. The flat Scene of the Hall.
- SCENE VI. The Street.
- SCENE II. _Changes to the Bed-chamber; Leticia in an undressing by the Women at the Table_.
- SCENE III. Changes to a Wash-house, or Out-House.
- SCENE IV. _A Chamber in the Apartments of L. _Fulbank.
- SCENE V. In the same House. The flat Scene of the Hall.
- SCENE VI. The Street.
- ACT IV.
- ACT V.
- SCENE II. A Bed-chamber.
- SCENE III. Sir Cautious his Garden.
- SCENE IV. Lady Fulbank's Anti-chamber.
- SCENE V. Changes to a Bed-chamber.
- SCENE VI. Draws over, and represents another Room in the same House.
- SCENE VII. Changes to the Anti-chamber.
- EPILOGUE.
- SCENE II. A Bed-chamber.
- SCENE III. Sir Cautious his Garden.
- SCENE IV. Lady Fulbank's Anti-chamber.
- SCENE V. Changes to a Bed-chamber.
- SCENE VI. Draws over, and represents another Room in the same House.
- SCENE VII. Changes to the Anti-chamber.
- EPILOGUE.
- ARGUMENT.
- THE FORC'D MARRIAGE; OR, THE JEALOUS BRIDEGROOM.
- ARGUMENT.
- SOURCE.
- THEATRICAL HISTORY.
- THE FORC'D MARRIAGE;
- PROLOGUE.
- PROLOGUE.
- DRAMATIS PERSONAE.
- MEN.
- MEN.
- SOURCE.
- THEATRICAL HISTORY.
- THE FORC'D MARRIAGE;
- PROLOGUE.
- PROLOGUE.
- DRAMATIS PERSONAE.
- MEN.
- MEN.
- ACT I.
- SCENE II. Galatea's Apartments.
- SCENE III. A room in the house of Orgulius.
- SCENE IV. Philander's Apartments.
- SCENE II. Galatea's Apartments.
- SCENE III. A room in the house of Orgulius.
- SCENE IV. Philander's Apartments.
- ACT II.
- THE REPRESENTATION OF THE WEDDING.
- SCENE I. The Palace.
- SCENE II. The Court Gallery.
- SCENE III.
- SCENE IV. Philander's Bed-chamber.
- SCENE V. The Court Gallery.
- SCENE VI. Draws off, discovers Philander_ and_ Alcander with Musick at the Chamber-door of Erminia; to them Pisaro, who listens whilst the Song is sung.
- SCENE VII. The Court Gallery.
- THE REPRESENTATION OF THE WEDDING.
- SCENE I. The Palace.
- SCENE II. The Court Gallery.
- SCENE III.
- SCENE IV. Philander's Bed-chamber.
- SCENE V. The Court Gallery.
- SCENE VI. Draws off, discovers Philander_ and_ Alcander with Musick at the Chamber-door of Erminia; to them Pisaro, who listens whilst the Song is sung.
- SCENE VII. The Court Gallery.
- ACT III.
- SCENE II. The Palace.
- SCENE III. Galatea's Apartments.
- SCENE II. The Palace.
- SCENE III. Galatea's Apartments.
- ACT IV.
- SCENE II. The Apartments of Alcippus.
- SCENE III. The Court Gallery.
- SCENE IV.
- SCENE V. The Court Gallery.
- SCENE VI. A Bed-chamber.
- SCENE VII. The Palace.
- SCENE VIII. The Gallery.
- SCENE IX. Philander's Apartments.
- SCENE II. The Apartments of Alcippus.
- SCENE III. The Court Gallery.
- SCENE IV.
- SCENE V. The Court Gallery.
- SCENE VI. A Bed-chamber.
- SCENE VII. The Palace.
- SCENE VIII. The Gallery.
- SCENE IX. Philander's Apartments.
- ACT V.
- SCENE II. The Bedchamber of Alcippus.
- SCENE III. The King's Chamber.
- SCENE IV. The Court Gallery.
- SCENE V.
- EPILOGUE,
- SCENE II. The Bedchamber of Alcippus.
- SCENE III. The King's Chamber.
- SCENE IV. The Court Gallery.
- SCENE V.
- EPILOGUE,
- ARGUMENT.
- THE EMPEROR OF THE MOON.
- ARGUMENT.
- SOURCE.
- THEATRICAL HISTORY.
- SOURCE.
- THEATRICAL HISTORY.
- THE EMPEROR OF THE MOON.
- PROLOGUE,
- DRAMATIS PERSONAE.
- MEN.
- MEN.
- PROLOGUE,
- DRAMATIS PERSONAE.
- MEN.
- MEN.
- ACT I.
- SCENE II. A Garden.
- SCENE III. The Chamber of Bellemante.
- SCENE II. A Garden.
- SCENE III. The Chamber of Bellemante.
- ACT II.
- SCENE II. Changes to the Street.
- SCENE III. Changes to the Inside of the House. The Front of the Scene is only a Curtain or Hangings, to be drawn up at Pleasure.
- SCENE IV. Draws off to Bellemante's Chamber, discovers Elaria, Bellemante and Mopsophil in Night-Gowns.
- SCENE V. The Garden.
- SCENE II. Changes to the Street.
- SCENE III. Changes to the Inside of the House. The Front of the Scene is only a Curtain or Hangings, to be drawn up at Pleasure.
- SCENE IV. Draws off to Bellemante's Chamber, discovers Elaria, Bellemante and Mopsophil in Night-Gowns.
- SCENE V. The Garden.
- ACT III.
- SCENE II. Changes to the Doctor's House. The Hall.
- SCENE III. The Last. The Gallery richly adorn'd with Scenes and Lights.
- EPILOGUE,
- SCENE II. Changes to the Doctor's House. The Hall.
- SCENE III. The Last. The Gallery richly adorn'd with Scenes and Lights.
- EPILOGUE,
- ARGUMENT.
- NOTES ON THE TEXT.
- THE TOWN FOP.
- THE FALSE COUNT.
- THE LUCKY CHANCE.
- THE FORC'D MARRIAGE.
- THE EMPEROR OF THE MOON.
- THE FALSE COUNT.
- THE LUCKY CHANCE.
- THE FORC'D MARRIAGE.
- THE EMPEROR OF THE MOON.
- NOTES: CRITICAL AND EXPLANATORY.
- THE TOWN FOP.
- THE FALSE COUNT.
- THE LUCKY CHANCE.
- THE FORC'D MARRIAGE.
- THE EMPEROR OF THE MOON.
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- THE TOWN FOP.
- THE FALSE COUNT.
- THE LUCKY CHANCE.
- THE FORC'D MARRIAGE.
- THE EMPEROR OF THE MOON.
- *** START: FULL LICENSE ***
- Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works
- Section 2. Information about the Mission of Project Gutenberg-tm
- Section 3. Information about the Project Gutenberg Literary Archive Foundation
- Section 5. General Information About Project Gutenberg-tm electronic works.
- Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works
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- THE TOWN FOP.
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