The Complete Poetical Works of Samuel Taylor Coleridge Vol I (of II)
Free
The Complete Poetical Works of Samuel Taylor Coleridge Vol I (of II)
By Samuel Taylor Coleridge
Free
Book Description

Table of Contents
  • THE
  • COMPLETE POETICAL WORKS
  • OF
  • SAMUEL TAYLOR COLERIDGE
    • INCLUDING
      • POEMS AND VERSIONS OF POEMS NOW
      • PUBLISHED FOR THE FIRST TIME
        • EDITED
      • EDITED
      • WITH TEXTUAL AND BIBLIOGRAPHICAL NOTES
        • BY
      • BY
    • POEMS AND VERSIONS OF POEMS NOW
    • PUBLISHED FOR THE FIRST TIME
      • EDITED
    • EDITED
    • WITH TEXTUAL AND BIBLIOGRAPHICAL NOTES
      • BY
    • BY
    • ERNEST HARTLEY COLERIDGE
      • OXFORD AT THE CLARENDON PRESS 1912
    • OXFORD AT THE CLARENDON PRESS 1912
    • PREFACE
    • CONTENTS OF THE TWO VOLUMES
    • ABBREVIATIONS
    • ERRATA
  • POETICAL WORKS
    • POEMS
    • EASTER HOLIDAYS[1:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • DURA NAVIS[2:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • NIL PEJUS EST CAELIBE VITÂ[4:1]
      • [IN CHRIST'S HOSPITAL BOOK]
      • FOOTNOTES:
    • [IN CHRIST'S HOSPITAL BOOK]
    • FOOTNOTES:
    • SONNET[5:1]
      • TO THE AUTUMNAL MOON
      • FOOTNOTES:
      • LINENOTES:
    • TO THE AUTUMNAL MOON
    • FOOTNOTES:
    • LINENOTES:
    • ANTHEM[5:2]
      • FOR THE CHILDREN OF CHRIST'S HOSPITAL
      • FOOTNOTES:
      • LINENOTES:
    • FOR THE CHILDREN OF CHRIST'S HOSPITAL
    • FOOTNOTES:
    • LINENOTES:
    • JULIA[6:1]
      • [IN CHRIST'S HOSPITAL BOOK]
      • FOOTNOTES:
      • LINENOTES:
    • [IN CHRIST'S HOSPITAL BOOK]
    • FOOTNOTES:
    • LINENOTES:
    • QUAE NOCENT DOCENT[7:1]
      • [IN CHRIST'S HOSPITAL BOOK]
      • FOOTNOTES:
    • [IN CHRIST'S HOSPITAL BOOK]
    • FOOTNOTES:
    • THE NOSE[8:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • TO THE MUSE[9:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • DESTRUCTION OF THE BASTILE[10:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • LIFE[11:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • PROGRESS OF VICE[12:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • MONODY ON THE DEATH OF CHATTERTON[13:1]
      • [FIRST VERSION, IN CHRIST'S HOSPITAL BOOK—1790]
      • FOOTNOTES:
      • LINENOTES:
    • [FIRST VERSION, IN CHRIST'S HOSPITAL BOOK—1790]
    • FOOTNOTES:
    • LINENOTES:
    • AN INVOCATION[16:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • ANNA AND HARLAND[16:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • TO THE EVENING STAR[16:3]
      • FOOTNOTES:
    • FOOTNOTES:
    • PAIN[17:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • ON A LADY WEEPING[17:2]
      • IMITATION FROM THE LATIN OF NICOLAUS ARCHIUS
    • IMITATION FROM THE LATIN OF NICOLAUS ARCHIUS
    • MONODY ON A TEA-KETTLE[18:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • GENEVIEVE[19:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • ON RECEIVING AN ACCOUNT THAT HIS ONLY SISTER'S DEATH WAS INEVITABLE[20:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • ON SEEING A YOUTH AFFECTIONATELY WELCOMED BY A SISTER[21:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • A MATHEMATICAL PROBLEM[21:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • HONOUR[24:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • ON IMITATION[26:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • INSIDE THE COACH[26:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • DEVONSHIRE ROADS[27:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • MUSIC[28:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • SONNET[29:1]
      • ON QUITTING SCHOOL FOR COLLEGE
      • FOOTNOTES:
      • LINENOTES:
    • ON QUITTING SCHOOL FOR COLLEGE
    • FOOTNOTES:
    • LINENOTES:
    • ABSENCE[29:2]
      • A FAREWELL ODE ON QUITTING SCHOOL FOR JESUS COLLEGE, CAMBRIDGE
      • FOOTNOTES:
      • LINENOTES:
    • A FAREWELL ODE ON QUITTING SCHOOL FOR JESUS COLLEGE, CAMBRIDGE
    • FOOTNOTES:
    • LINENOTES:
    • HAPPINESS[30:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • A WISH[33:1]
      • WRITTEN IN JESUS WOOD, FEB. 10, 1792
      • FOOTNOTES:
    • WRITTEN IN JESUS WOOD, FEB. 10, 1792
    • FOOTNOTES:
    • AN ODE IN THE MANNER OF ANACREON[33:2]
      • FOOTNOTES:
    • FOOTNOTES:
    • TO DISAPPOINTMENT[34:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • A FRAGMENT FOUND IN A LECTURE-ROOM[35:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • ODE[35:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • A LOVER'S COMPLAINT TO HIS MISTRESS[36:1]
      • WHO DESERTED HIM IN QUEST OF A MORE WEALTHY HUSBAND IN THE EAST INDIES
      • FOOTNOTES:
    • WHO DESERTED HIM IN QUEST OF A MORE WEALTHY HUSBAND IN THE EAST INDIES
    • FOOTNOTES:
    • WITH FIELDING'S 'AMELIA'[37:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • WRITTEN AFTER A WALK BEFORE SUPPER[37:3]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • IMITATED FROM OSSIAN[38:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE COMPLAINT OF NINATHÓMA[39:1]
      • FROM THE SAME
      • FOOTNOTES:
      • LINENOTES:
    • FROM THE SAME
    • FOOTNOTES:
    • LINENOTES:
    • SONGS OF THE PIXIES[40:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE ROSE[45:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • KISSES[46:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE GENTLE LOOK[47:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • SONNET[48:2]
      • TO THE RIVER OTTER
      • FOOTNOTES:
      • LINENOTES:
      • First Draft
    • TO THE RIVER OTTER
    • FOOTNOTES:
    • LINENOTES:
    • First Draft
    • AN EFFUSION AT EVENING
      • WRITTEN IN AUGUST, 1792
    • WRITTEN IN AUGUST, 1792
    • LINES[51:1]
      • ON AN AUTUMNAL EVENING
      • FOOTNOTES:
      • LINENOTES:
    • ON AN AUTUMNAL EVENING
    • FOOTNOTES:
    • LINENOTES:
    • TO FORTUNE[54:1]
      • To Fortune
      • FOOTNOTES:
    • To Fortune
    • FOOTNOTES:
    • PERSPIRATION. A TRAVELLING ECLOGUE[56:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • [AVE, ATQUE VALE!][56:2]
      • FOOTNOTES:
    • FOOTNOTES:
    • ON BALA HILL[56:3]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • LINES[57:1]
      • WRITTEN AT THE KING'S ARMS, ROSS, FORMERLY THE HOUSE OF THE 'MAN OF ROSS'
      • FOOTNOTES:
      • LINENOTES:
    • WRITTEN AT THE KING'S ARMS, ROSS, FORMERLY THE HOUSE OF THE 'MAN OF ROSS'
    • FOOTNOTES:
    • LINENOTES:
    • IMITATED FROM THE WELSH[58:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • LINES[58:2]
      • TO A BEAUTIFUL SPRING IN A VILLAGE
      • FOOTNOTES:
      • LINENOTES:
    • TO A BEAUTIFUL SPRING IN A VILLAGE
    • FOOTNOTES:
    • LINENOTES:
    • IMITATIONS AD LYRAM[59:1]
      • (CASIMIR, BOOK II. ODE 3)
      • FOOTNOTES:
      • LINENOTES:
    • (CASIMIR, BOOK II. ODE 3)
    • FOOTNOTES:
    • LINENOTES:
    • TO LESBIA[60:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE DEATH OF THE STARLING[61:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • MORIENS SUPERSTITI[61:2]
      • FOOTNOTES:
    • FOOTNOTES:
    • MORIENTI SUPERSTES
    • THE SIGH[62:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE KISS[63:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • TO A YOUNG LADY[64:1]
      • WITH A POEM ON THE FRENCH REVOLUTION
      • FOOTNOTES:
      • LINENOTES:
    • WITH A POEM ON THE FRENCH REVOLUTION
    • FOOTNOTES:
    • LINENOTES:
    • TRANSLATION[66:1]
      • OF WRANGHAM'S 'HENDECASYLLABI AD BRUNTONAM E GRANTA EXITURAM' [KAL. OCT. MDCCXC]
      • FOOTNOTES:
    • OF WRANGHAM'S 'HENDECASYLLABI AD BRUNTONAM E GRANTA EXITURAM' [KAL. OCT. MDCCXC]
    • FOOTNOTES:
    • TO MISS BRUNTON[67:1]
      • WITH THE PRECEDING TRANSLATION
      • FOOTNOTES:
    • WITH THE PRECEDING TRANSLATION
    • FOOTNOTES:
    • EPITAPH ON AN INFANT[68:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • PANTISOCRACY[68:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • ON THE PROSPECT OF ESTABLISHING A PANTISOCRACY IN AMERICA[69:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • ELEGY[69:2]
      • IMITATED FROM ONE OF AKENSIDE'S BLANK-VERSE INSCRIPTIONS [(No.) III.]
      • FOOTNOTES:
      • LINENOTES:
    • IMITATED FROM ONE OF AKENSIDE'S BLANK-VERSE INSCRIPTIONS [(No.) III.]
    • FOOTNOTES:
    • LINENOTES:
    • THE FADED FLOWER[70:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • THE OUTCAST[71:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • DOMESTIC PEACE[71:2]
      • [FROM 'THE FALL OF ROBESPIERRE', ACT I, L. 210]
      • FOOTNOTES:
      • LINENOTES:
    • [FROM 'THE FALL OF ROBESPIERRE', ACT I, L. 210]
    • FOOTNOTES:
    • LINENOTES:
    • ON A DISCOVERY MADE TOO LATE[72:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • TO THE AUTHOR OF 'THE ROBBERS'[72:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • MELANCHOLY[73:1]
      • A FRAGMENT
      • FOOTNOTES:
      • LINENOTES:
    • A FRAGMENT
    • FOOTNOTES:
    • LINENOTES:
    • TO A YOUNG ASS[74:2]
      • ITS MOTHER BEING TETHERED NEAR IT
      • FOOTNOTES:
      • LINENOTES:
    • ITS MOTHER BEING TETHERED NEAR IT
    • FOOTNOTES:
    • LINENOTES:
    • LINES ON A FRIEND[76:1]
      • WHO DIED OF A FRENZY FEVER INDUCED BY CALUMNIOUS REPORTS
      • FOOTNOTES:
      • LINENOTES:
    • WHO DIED OF A FRENZY FEVER INDUCED BY CALUMNIOUS REPORTS
    • FOOTNOTES:
    • LINENOTES:
    • TO A FRIEND[78:1]
      • [Charles Lamb]
      • TOGETHER WITH AN UNFINISHED POEM
      • FOOTNOTES:
      • LINENOTES:
    • [Charles Lamb]
    • TOGETHER WITH AN UNFINISHED POEM
    • FOOTNOTES:
    • LINENOTES:
    • SONNETS ON EMINENT CHARACTERS
      • CONTRIBUTED TO THE 'MORNING CHRONICLE' IN DECEMBER 1794 AND JANUARY 1795
    • CONTRIBUTED TO THE 'MORNING CHRONICLE' IN DECEMBER 1794 AND JANUARY 1795
    • I[79:2]
      • TO THE HONOURABLE MR. ERSKINE
      • FOOTNOTES:
      • LINENOTES:
    • TO THE HONOURABLE MR. ERSKINE
    • FOOTNOTES:
    • LINENOTES:
    • II[80:1]
      • BURKE
      • FOOTNOTES:
      • LINENOTES:
    • BURKE
    • FOOTNOTES:
    • LINENOTES:
    • III[81:1]
      • PRIESTLEY
      • FOOTNOTES:
      • LINENOTES:
    • PRIESTLEY
    • FOOTNOTES:
    • LINENOTES:
    • IV[82:1]
      • LA FAYETTE
      • FOOTNOTES:
      • LINENOTES:
    • LA FAYETTE
    • FOOTNOTES:
    • LINENOTES:
    • V[82:3]
      • KOSKIUSKO
      • FOOTNOTES:
      • LINENOTES:
    • KOSKIUSKO
    • FOOTNOTES:
    • LINENOTES:
    • VI[83:1]
      • PITT
      • FOOTNOTES:
      • LINENOTES:
    • PITT
    • FOOTNOTES:
    • LINENOTES:
    • VII[84:1]
      • TO THE REV. W. L. BOWLES[84:2]
      • [FIRST VERSION, PRINTED IN 'MORNING CHRONICLE', DECEMBER 26, 1794]
      • FOOTNOTES:
      • LINENOTES:
      • [SECOND VERSION][85:1]
      • FOOTNOTES:
      • LINENOTES:
    • TO THE REV. W. L. BOWLES[84:2]
    • [FIRST VERSION, PRINTED IN 'MORNING CHRONICLE', DECEMBER 26, 1794]
    • FOOTNOTES:
    • LINENOTES:
    • [SECOND VERSION][85:1]
    • FOOTNOTES:
    • LINENOTES:
    • VIII[85:2]
      • MRS. SIDDONS
      • FOOTNOTES:
      • LINENOTES:
    • MRS. SIDDONS
    • FOOTNOTES:
    • LINENOTES:
    • IX
      • TO WILLIAM GODWIN[86:1]
      • AUTHOR OF 'POLITICAL JUSTICE'
      • FOOTNOTES:
    • TO WILLIAM GODWIN[86:1]
    • AUTHOR OF 'POLITICAL JUSTICE'
    • FOOTNOTES:
    • X[87:1]
      • TO ROBERT SOUTHEY
      • OF BALIOL COLLEGE, OXFORD, AUTHOR OF THE 'RETROSPECT', AND OTHER POEMS
      • FOOTNOTES:
    • TO ROBERT SOUTHEY
    • OF BALIOL COLLEGE, OXFORD, AUTHOR OF THE 'RETROSPECT', AND OTHER POEMS
    • FOOTNOTES:
    • XI[87:2]
      • TO RICHARD BRINSLEY SHERIDAN, ESQ.
      • FOOTNOTES:
      • LINENOTES:
    • TO RICHARD BRINSLEY SHERIDAN, ESQ.
    • FOOTNOTES:
    • LINENOTES:
    • TO LORD STANHOPE[89:1]
      • ON READING HIS LATE PROTEST IN THE HOUSE OF LORDS
      • ['MORNING CHRONICLE,' JAN. 31, 1795]
      • FOOTNOTES:
    • ON READING HIS LATE PROTEST IN THE HOUSE OF LORDS
    • ['MORNING CHRONICLE,' JAN. 31, 1795]
    • FOOTNOTES:
    • TO EARL STANHOPE[89:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • LINES[90:2]
      • TO A FRIEND IN ANSWER TO A MELANCHOLY LETTER
      • FOOTNOTES:
      • LINENOTES:
    • TO A FRIEND IN ANSWER TO A MELANCHOLY LETTER
    • FOOTNOTES:
    • LINENOTES:
    • TO AN INFANT[91:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • TO THE REV. W. J. HORT[92:1]
      • WHILE TEACHING A YOUNG LADY SOME SONG-TUNES ON HIS FLUTE
      • FOOTNOTES:
      • LINENOTES:
    • WHILE TEACHING A YOUNG LADY SOME SONG-TUNES ON HIS FLUTE
    • FOOTNOTES:
    • LINENOTES:
    • PITY[93:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • TO THE NIGHTINGALE[93:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • LINES[94:1]
      • COMPOSED WHILE CLIMBING THE LEFT ASCENT OF BROCKLEY COOMB, SOMERSETSHIRE, MAY 1795
      • FOOTNOTES:
      • LINENOTES:
    • COMPOSED WHILE CLIMBING THE LEFT ASCENT OF BROCKLEY COOMB, SOMERSETSHIRE, MAY 1795
    • FOOTNOTES:
    • LINENOTES:
    • LINES IN THE MANNER OF SPENSER[94:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE HOUR WHEN WE SHALL MEET AGAIN[96:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • LINES[96:2]
      • WRITTEN AT SHURTON BARS, NEAR BRIDGEWATER, SEPTEMBER 1795, IN ANSWER TO A LETTER FROM BRISTOL
      • FOOTNOTES:
      • LINENOTES:
    • WRITTEN AT SHURTON BARS, NEAR BRIDGEWATER, SEPTEMBER 1795, IN ANSWER TO A LETTER FROM BRISTOL
    • FOOTNOTES:
    • LINENOTES:
    • THE EOLIAN HARP[100:1]
      • COMPOSED AT CLEVEDON, SOMERSETSHIRE
      • FOOTNOTES:
      • LINENOTES:
    • COMPOSED AT CLEVEDON, SOMERSETSHIRE
    • FOOTNOTES:
    • LINENOTES:
    • TO THE AUTHOR OF POEMS[102:2]
      • [Joseph Cottle]
      • PUBLISHED ANONYMOUSLY AT BRISTOL IN SEPTEMBER 1795
      • FOOTNOTES:
      • LINENOTES:
    • [Joseph Cottle]
    • PUBLISHED ANONYMOUSLY AT BRISTOL IN SEPTEMBER 1795
    • FOOTNOTES:
    • LINENOTES:
    • THE SILVER THIMBLE[104:1]
      • THE PRODUCTION OF A YOUNG LADY, ADDRESSED TO THE AUTHOR OF THE POEMS ALLUDED TO IN THE PRECEDING EPISTLE
      • FOOTNOTES:
      • LINENOTES:
    • THE PRODUCTION OF A YOUNG LADY, ADDRESSED TO THE AUTHOR OF THE POEMS ALLUDED TO IN THE PRECEDING EPISTLE
    • FOOTNOTES:
    • LINENOTES:
    • REFLECTIONS ON HAVING LEFT A PLACE OF RETIREMENT[106:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • RELIGIOUS MUSINGS[108:1]
      • A DESULTORY POEM, WRITTEN ON THE CHRISTMAS EVE OF 1794
      • FOOTNOTES:
      • LINENOTES:
    • A DESULTORY POEM, WRITTEN ON THE CHRISTMAS EVE OF 1794
    • FOOTNOTES:
    • LINENOTES:
    • MONODY ON THE DEATH OF CHATTERTON[125:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE DESTINY OF NATIONS[131:1]
      • A VISION
      • FOOTNOTES:
      • LINENOTES:
    • A VISION
    • FOOTNOTES:
    • LINENOTES:
    • VER PERPETUUM[148:1]
      • FRAGMENT
        • From an unpublished poem.
      • From an unpublished poem.
      • FOOTNOTES:
    • FRAGMENT
      • From an unpublished poem.
    • From an unpublished poem.
    • FOOTNOTES:
    • ON OBSERVING A BLOSSOM ON THE FIRST OF FEBRUARY 1796[148:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • TO A PRIMROSE[149:2]
      • THE FIRST SEEN IN THE SEASON
      • FOOTNOTES:
      • LINENOTES:
    • THE FIRST SEEN IN THE SEASON
    • FOOTNOTES:
    • LINENOTES:
    • VERSES[150:1]
      • ADDRESSED TO J. HORNE TOOKE AND THE COMPANY WHO MET ON JUNE 28TH, 1796, TO CELEBRATE HIS POLL AT THE WESTMINSTER ELECTION
      • FOOTNOTES:
      • LINENOTES:
    • ADDRESSED TO J. HORNE TOOKE AND THE COMPANY WHO MET ON JUNE 28TH, 1796, TO CELEBRATE HIS POLL AT THE WESTMINSTER ELECTION
    • FOOTNOTES:
    • LINENOTES:
    • ON A LATE CONNUBIAL RUPTURE IN HIGH LIFE[152:1]
      • [PRINCE AND PRINCESS OF WALES]
      • FOOTNOTES:
      • LINENOTES:
    • [PRINCE AND PRINCESS OF WALES]
    • FOOTNOTES:
    • LINENOTES:
    • SONNET[152:2]
      • ON RECEIVING A LETTER INFORMING ME OF THE BIRTH OF A SON
      • FOOTNOTES:
      • LINENOTES:
    • ON RECEIVING A LETTER INFORMING ME OF THE BIRTH OF A SON
    • FOOTNOTES:
    • LINENOTES:
    • SONNET[153:1]
      • COMPOSED ON A JOURNEY HOMEWARD; THE AUTHOR HAVING RECEIVED INTELLIGENCE OF THE BIRTH OF A SON, SEPT. 20, 1796
      • FOOTNOTES:
      • LINENOTES:
    • COMPOSED ON A JOURNEY HOMEWARD; THE AUTHOR HAVING RECEIVED INTELLIGENCE OF THE BIRTH OF A SON, SEPT. 20, 1796
    • FOOTNOTES:
    • LINENOTES:
    • SONNET[154:2]
      • TO A FRIEND WHO ASKED, HOW I FELT WHEN THE NURSE FIRST PRESENTED MY INFANT TO ME
      • FOOTNOTES:
      • LINENOTES:
    • TO A FRIEND WHO ASKED, HOW I FELT WHEN THE NURSE FIRST PRESENTED MY INFANT TO ME
    • FOOTNOTES:
    • LINENOTES:
    • SONNET[155:1]
      • [TO CHARLES LLOYD]
      • FOOTNOTES:
    • [TO CHARLES LLOYD]
    • FOOTNOTES:
    • TO A YOUNG FRIEND[155:2]
      • ON HIS PROPOSING TO DOMESTICATE WITH THE AUTHOR
        • Composed in 1796
      • Composed in 1796
      • FOOTNOTES:
      • LINENOTES:
    • ON HIS PROPOSING TO DOMESTICATE WITH THE AUTHOR
      • Composed in 1796
    • Composed in 1796
    • FOOTNOTES:
    • LINENOTES:
    • ADDRESSED TO A YOUNG MAN OF FORTUNE[157:1] [C. Lloyd]
      • WHO ABANDONED HIMSELF TO AN INDOLENT AND CAUSELESS MELANCHOLY
      • FOOTNOTES:
      • LINENOTES:
    • WHO ABANDONED HIMSELF TO AN INDOLENT AND CAUSELESS MELANCHOLY
    • FOOTNOTES:
    • LINENOTES:
    • TO A FRIEND[158:1]
      • [Charles Lamb]
      • WHO HAD DECLARED HIS INTENTION OF WRITING NO MORE POETRY
      • FOOTNOTES:
      • LINENOTES:
    • [Charles Lamb]
    • WHO HAD DECLARED HIS INTENTION OF WRITING NO MORE POETRY
    • FOOTNOTES:
    • LINENOTES:
    • ODE TO THE DEPARTING YEAR[160:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE RAVEN[169:1]
      • A CHRISTMAS TALE, TOLD BY A SCHOOL-BOY TO HIS LITTLE BROTHERS AND SISTERS
      • FOOTNOTES:
      • LINENOTES:
    • A CHRISTMAS TALE, TOLD BY A SCHOOL-BOY TO HIS LITTLE BROTHERS AND SISTERS
    • FOOTNOTES:
    • LINENOTES:
    • TO AN UNFORTUNATE WOMAN AT THE THEATRE[171:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • TO AN UNFORTUNATE WOMAN[172:1]
      • WHOM THE AUTHOR HAD KNOWN IN THE DAYS OF HER INNOCENCE
      • FOOTNOTES:
      • LINENOTES:
    • WHOM THE AUTHOR HAD KNOWN IN THE DAYS OF HER INNOCENCE
    • FOOTNOTES:
    • LINENOTES:
    • TO THE REV. GEORGE COLERIDGE[173:1]
      • OF OTTERY ST. MARY, DEVON
      • FOOTNOTES:
      • LINENOTES:
    • OF OTTERY ST. MARY, DEVON
    • FOOTNOTES:
    • LINENOTES:
    • ON THE CHRISTENING OF A FRIEND'S CHILD[176:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • TRANSLATION[177:1]
      • OF A LATIN INSCRIPTION BY THE REV. W. L. BOWLES IN NETHER-STOWEY CHURCH
      • FOOTNOTES:
      • LINENOTES:
    • OF A LATIN INSCRIPTION BY THE REV. W. L. BOWLES IN NETHER-STOWEY CHURCH
    • FOOTNOTES:
    • LINENOTES:
    • THIS LIME-TREE BOWER MY PRISON[178:1]
      • [ADDRESSED TO CHARLES LAMB, OF THE INDIA HOUSE, LONDON]
      • FOOTNOTES:
      • LINENOTES:
    • [ADDRESSED TO CHARLES LAMB, OF THE INDIA HOUSE, LONDON]
    • FOOTNOTES:
    • LINENOTES:
    • THE FOSTER-MOTHER'S TALE[182:1]
      • A DRAMATIC FRAGMENT
      • FOOTNOTES:
      • LINENOTES:
    • A DRAMATIC FRAGMENT
    • FOOTNOTES:
    • LINENOTES:
    • THE DUNGEON[185:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE RIME OF THE ANCIENT MARINER[186:1]
      • IN SEVEN PARTS
      • ARGUMENT
      • FOOTNOTES:
      • LINENOTES:
    • IN SEVEN PARTS
    • ARGUMENT
    • FOOTNOTES:
    • LINENOTES:
    • SONNETS ATTEMPTED IN THE MANNER OF CONTEMPORARY WRITERS[209:1]
      • [SIGNED 'NEHEMIAH HIGGINBOTTOM']
      • FOOTNOTES:
      • LINENOTES:
    • [SIGNED 'NEHEMIAH HIGGINBOTTOM']
    • FOOTNOTES:
    • LINENOTES:
    • PARLIAMENTARY OSCILLATORS[211:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • CHRISTABEL[213:1]
      • PREFACE
      • FOOTNOTES:
      • LINENOTES:
    • PREFACE
    • FOOTNOTES:
    • LINENOTES:
    • LINES TO W. L.[236:1]
      • WHILE HE SANG A SONG TO PURCELL'S MUSIC
      • FOOTNOTES:
      • LINENOTES:
    • WHILE HE SANG A SONG TO PURCELL'S MUSIC
    • FOOTNOTES:
    • LINENOTES:
    • FIRE, FAMINE, AND SLAUGHTER[237:1]
      • A WAR ECLOGUE
      • FOOTNOTES:
      • LINENOTES:
    • A WAR ECLOGUE
    • FOOTNOTES:
    • LINENOTES:
    • FROST AT MIDNIGHT[240:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • FRANCE: AN ODE[243:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE OLD MAN OF THE ALPS[248:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • TO A YOUNG LADY[252:1]
      • [Miss Lavinia Poole]
        • ON HER RECOVERY FROM A FEVER
      • ON HER RECOVERY FROM A FEVER
      • FOOTNOTES:
      • LINENOTES:
    • [Miss Lavinia Poole]
      • ON HER RECOVERY FROM A FEVER
    • ON HER RECOVERY FROM A FEVER
    • FOOTNOTES:
    • LINENOTES:
    • LEWTI[253:1]
      • OR THE CIRCASSIAN LOVE-CHAUNT
      • FOOTNOTES:
      • LINENOTES:
    • OR THE CIRCASSIAN LOVE-CHAUNT
    • FOOTNOTES:
    • LINENOTES:
    • FEARS IN SOLITUDE[256:1]
      • WRITTEN IN APRIL 1798, DURING THE ALARM OF AN INVASION
      • FOOTNOTES:
      • LINENOTES:
    • WRITTEN IN APRIL 1798, DURING THE ALARM OF AN INVASION
    • FOOTNOTES:
    • LINENOTES:
    • THE NIGHTINGALE[264:1]
      • A CONVERSATION POEM, APRIL, 1798
      • FOOTNOTES:
      • LINENOTES:
    • A CONVERSATION POEM, APRIL, 1798
    • FOOTNOTES:
    • LINENOTES:
    • THE THREE GRAVES[267:1]
      • A FRAGMENT OF A SEXTON'S TALE
      • FOOTNOTES:
      • LINENOTES:
    • A FRAGMENT OF A SEXTON'S TALE
    • FOOTNOTES:
    • LINENOTES:
    • THE WANDERINGS OF CAIN[285:1]
      • PREFATORY NOTE
    • PREFATORY NOTE
    • THE WANDERINGS OF CAIN
      • CANTO II
      • FOOTNOTES:
      • LINENOTES:
    • CANTO II
    • FOOTNOTES:
    • LINENOTES:
    • TO ——[292:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE BALLAD OF THE DARK LADIÉ[293:1]
      • A FRAGMENT
      • FOOTNOTES:
      • LINENOTES:
    • A FRAGMENT
    • FOOTNOTES:
    • LINENOTES:
    • KUBLA KHAN[295:1]:
      • Or, A Vision in a Dream. A Fragment.
    • Or, A Vision in a Dream. A Fragment.
    • KUBLA KHAN
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • RECANTATION[299:1]
      • ILLUSTRATED IN THE STORY OF THE MAD OX
      • FOOTNOTES:
      • LINENOTES:
    • ILLUSTRATED IN THE STORY OF THE MAD OX
    • FOOTNOTES:
    • LINENOTES:
    • HEXAMETERS[304:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • TRANSLATION OF A PASSAGE IN OTTFRIED'S METRICAL PARAPHRASE OF THE GOSPEL
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • CATULLIAN HENDECASYLLABLES[307:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE HOMERIC HEXAMETER[307:2]
      • DESCRIBED AND EXEMPLIFIED
      • FOOTNOTES:
    • DESCRIBED AND EXEMPLIFIED
    • FOOTNOTES:
    • THE OVIDIAN ELEGIAC METRE
      • DESCRIBED AND EXEMPLIFIED
    • DESCRIBED AND EXEMPLIFIED
    • ON A CATARACT[308:1]
      • FROM A CAVERN NEAR THE SUMMIT OF A MOUNTAIN PRECIPICE
      • FOOTNOTES:
      • LINENOTES:
    • FROM A CAVERN NEAR THE SUMMIT OF A MOUNTAIN PRECIPICE
    • FOOTNOTES:
    • LINENOTES:
    • TELL'S BIRTH-PLACE[309:1]
      • IMITATED FROM STOLBERG
      • FOOTNOTES:
      • LINENOTES:
    • IMITATED FROM STOLBERG
    • FOOTNOTES:
    • LINENOTES:
    • THE VISIT OF THE GODS[310:1]
      • IMITATED FROM SCHILLER
      • FOOTNOTES:
    • IMITATED FROM SCHILLER
    • FOOTNOTES:
    • FROM THE GERMAN[311:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • WATER BALLAD[311:2]
      • [FROM THE FRENCH]
      • FOOTNOTES:
    • [FROM THE FRENCH]
    • FOOTNOTES:
    • ON AN INFANT[312:1]
      • WHICH DIED BEFORE BAPTISM
      • FOOTNOTES:
      • LINENOTES:
    • WHICH DIED BEFORE BAPTISM
    • FOOTNOTES:
    • LINENOTES:
    • SOMETHING CHILDISH, BUT VERY NATURAL[313:1]
      • WRITTEN IN GERMANY
      • FOOTNOTES:
      • LINENOTES:
    • WRITTEN IN GERMANY
    • FOOTNOTES:
    • LINENOTES:
    • HOME-SICK[314:1]
      • WRITTEN IN GERMANY
      • FOOTNOTES:
      • LINENOTES:
    • WRITTEN IN GERMANY
    • FOOTNOTES:
    • LINENOTES:
    • LINES[315:1]
      • WRITTEN IN THE ALBUM AT ELBINGERODE, IN THE HARTZ FOREST
      • FOOTNOTES:
      • LINENOTES:
    • WRITTEN IN THE ALBUM AT ELBINGERODE, IN THE HARTZ FOREST
    • FOOTNOTES:
    • LINENOTES:
    • THE BRITISH STRIPLING'S WAR-SONG[317:1]
      • IMITATED FROM STOLBERG
      • FOOTNOTES:
      • LINENOTES:
    • IMITATED FROM STOLBERG
    • FOOTNOTES:
    • LINENOTES:
    • NAMES[318:1]
      • [FROM LESSING]
      • FOOTNOTES:
      • LINENOTES:
    • [FROM LESSING]
    • FOOTNOTES:
    • LINENOTES:
    • THE DEVIL'S THOUGHTS[319:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • LINES COMPOSED IN A CONCERT-ROOM[324:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • WESTPHALIAN SONG[326:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • HEXAMETERS[326:2]
      • PARAPHRASE OF PSALM XLVI
      • FOOTNOTES:
    • PARAPHRASE OF PSALM XLVI
    • FOOTNOTES:
    • HYMN TO THE EARTH[327:1]
      • [IMITATED FROM STOLBERG'S HYMNE AN DIE ERDE]
      • HEXAMETERS
      • FOOTNOTES:
      • LINENOTES:
    • [IMITATED FROM STOLBERG'S HYMNE AN DIE ERDE]
    • HEXAMETERS
    • FOOTNOTES:
    • LINENOTES:
    • MAHOMET[329:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • LOVE[330:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • ODE TO GEORGIANA, DUCHESS OF DEVONSHIRE[335:1]
      • ON THE TWENTY-FOURTH STANZA IN HER 'PASSAGE OVER MOUNT GOTHARD'
      • FOOTNOTES:
      • LINENOTES:
    • ON THE TWENTY-FOURTH STANZA IN HER 'PASSAGE OVER MOUNT GOTHARD'
    • FOOTNOTES:
    • LINENOTES:
    • A CHRISTMAS CAROL[338:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • TALLEYRAND TO LORD GRENVILLE[340:1]
      • A METRICAL EPISTLE
      • FOOTNOTES:
      • LINENOTES:
    • A METRICAL EPISTLE
    • FOOTNOTES:
    • LINENOTES:
    • APOLOGIA PRO VITA SUA[345:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE KEEPSAKE[345:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • A THOUGHT SUGGESTED BY A VIEW[347:1]
      • OF SADDLEBACK IN CUMBERLAND
      • FOOTNOTES:
      • LINENOTES:
    • OF SADDLEBACK IN CUMBERLAND
    • FOOTNOTES:
    • LINENOTES:
    • THE MAD MONK[347:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • INSCRIPTION FOR A SEAT BY THE ROAD SIDE HALF-WAY UP A STEEP HILL FACING SOUTH[349:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • A STRANGER MINSTREL[350:1]
      • WRITTEN [TO MRS. ROBINSON,] A FEW WEEKS BEFORE HER DEATH
      • FOOTNOTES:
      • LINENOTES:
    • WRITTEN [TO MRS. ROBINSON,] A FEW WEEKS BEFORE HER DEATH
    • FOOTNOTES:
    • LINENOTES:
    • ALCAEUS TO SAPPHO[353:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • THE TWO ROUND SPACES ON THE TOMBSTONE[353:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE SNOW-DROP[356:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • ON REVISITING THE SEA-SHORE[359:1]
      • AFTER LONG ABSENCE, UNDER STRONG MEDICAL RECOMMENDATION NOT TO BATHE
      • FOOTNOTES:
      • LINENOTES:
    • AFTER LONG ABSENCE, UNDER STRONG MEDICAL RECOMMENDATION NOT TO BATHE
    • FOOTNOTES:
    • LINENOTES:
    • ODE TO TRANQUILLITY[360:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • TO ASRA[361:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • THE SECOND BIRTH[362:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • LOVE'S SANCTUARY[362:2]
      • FOOTNOTES:
    • FOOTNOTES:
    • DEJECTION: AN ODE[362:3]
      • [WRITTEN APRIL 4, 1802]
      • FOOTNOTES:
      • LINENOTES:
    • [WRITTEN APRIL 4, 1802]
    • FOOTNOTES:
    • LINENOTES:
    • THE PICTURE[369:1]
      • OR THE LOVER'S RESOLUTION
      • FOOTNOTES:
      • LINENOTES:
    • OR THE LOVER'S RESOLUTION
    • FOOTNOTES:
    • LINENOTES:
    • TO MATILDA BETHAM FROM A STRANGER[374:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • HYMN BEFORE SUN-RISE, IN THE VALE OF CHAMOUNI[376:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE GOOD, GREAT MAN[381:1]
      • REPLY TO THE ABOVE
      • FOOTNOTES:
      • LINENOTES:
    • REPLY TO THE ABOVE
    • FOOTNOTES:
    • LINENOTES:
    • INSCRIPTION FOR A FOUNTAIN ON A HEATH[381:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • AN ODE TO THE RAIN[382:2]
      • COMPOSED BEFORE DAYLIGHT, ON THE MORNING APPOINTED FOR THE DEPARTURE OF A VERY WORTHY, BUT NOT VERY PLEASANT VISITOR, WHOM IT WAS FEARED THE RAIN MIGHT DETAIN
      • FOOTNOTES:
      • LINENOTES:
    • COMPOSED BEFORE DAYLIGHT, ON THE MORNING APPOINTED FOR THE DEPARTURE OF A VERY WORTHY, BUT NOT VERY PLEASANT VISITOR, WHOM IT WAS FEARED THE RAIN MIGHT DETAIN
    • FOOTNOTES:
    • LINENOTES:
    • A DAY-DREAM[385:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • ANSWER TO A CHILD'S QUESTION[386:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE DAY-DREAM[386:2]
      • FROM AN EMIGRANT TO HIS ABSENT WIFE
      • FOOTNOTES:
      • LINENOTES:
    • FROM AN EMIGRANT TO HIS ABSENT WIFE
    • FOOTNOTES:
    • LINENOTES:
    • THE HAPPY HUSBAND[388:1]
      • A FRAGMENT
      • FOOTNOTES:
      • LINENOTES:
    • A FRAGMENT
    • FOOTNOTES:
    • LINENOTES:
    • THE PAINS OF SLEEP[389:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE EXCHANGE[391:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • AD VILMUM AXIOLOGUM[391:2]
      • [TO WILLIAM WORDSWORTH]
      • FOOTNOTES:
      • LINENOTES:
    • [TO WILLIAM WORDSWORTH]
    • FOOTNOTES:
    • LINENOTES:
    • AN EXILE[392:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • SONNET[392:2]
      • [TRANSLATED FROM MARINI]
      • FOOTNOTES:
    • [TRANSLATED FROM MARINI]
    • FOOTNOTES:
    • PHANTOM[393:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • A SUNSET[393:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • WHAT IS LIFE?[394:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE BLOSSOMING OF THE SOLITARY DATE-TREE[395:1]
      • A LAMENT
      • FOOTNOTES:
      • LINENOTES:
    • A LAMENT
    • FOOTNOTES:
    • LINENOTES:
    • SEPARATION[397:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • THE RASH CONJURER[399:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • A CHILD'S EVENING PRAYER[401:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • METRICAL FEET[401:2]
      • LESSON FOR A BOY
      • FOOTNOTES:
      • LINENOTES:
    • LESSON FOR A BOY
    • FOOTNOTES:
    • LINENOTES:
    • FAREWELL TO LOVE[402:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • TO WILLIAM WORDSWORTH[403:1]
      • COMPOSED ON THE NIGHT AFTER HIS RECITATION OF A POEM ON THE GROWTH OF AN INDIVIDUAL MIND
      • FOOTNOTES:
      • LINENOTES:
    • COMPOSED ON THE NIGHT AFTER HIS RECITATION OF A POEM ON THE GROWTH OF AN INDIVIDUAL MIND
    • FOOTNOTES:
    • LINENOTES:
    • AN ANGEL VISITANT[409:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • RECOLLECTIONS OF LOVE[409:2]
      • FOOTNOTES:
    • FOOTNOTES:
    • TO TWO SISTERS[410:1]
      • [Mary Morgan and Charlotte Brent]
        • A WANDERER'S FAREWELL
      • A WANDERER'S FAREWELL
      • FOOTNOTES:
    • [Mary Morgan and Charlotte Brent]
      • A WANDERER'S FAREWELL
    • A WANDERER'S FAREWELL
    • FOOTNOTES:
    • PSYCHE[412:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • A TOMBLESS EPITAPH[413:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • FOR A MARKET-CLOCK[414:1]
      • (IMPROMPTU)
      • FOOTNOTES:
    • (IMPROMPTU)
    • FOOTNOTES:
    • THE MADMAN AND THE LETHARGIST[414:2]
      • AN EXAMPLE
      • FOOTNOTES:
    • AN EXAMPLE
    • FOOTNOTES:
    • THE VISIONARY HOPE[416:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • EPITAPH ON AN INFANT[417:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE VIRGIN'S CRADLE-HYMN[417:2]
      • COPIED FROM A PRINT OF THE VIRGIN IN A ROMAN CATHOLIC VILLAGE IN GERMANY
      • FOOTNOTES:
      • LINENOTES:
    • COPIED FROM A PRINT OF THE VIRGIN IN A ROMAN CATHOLIC VILLAGE IN GERMANY
    • FOOTNOTES:
    • LINENOTES:
    • TO A LADY[418:1]
      • OFFENDED BY A SPORTIVE OBSERVATION THAT WOMEN HAVE NO SOULS
      • FOOTNOTES:
      • LINENOTES:
    • OFFENDED BY A SPORTIVE OBSERVATION THAT WOMEN HAVE NO SOULS
    • FOOTNOTES:
    • LINENOTES:
    • REASON FOR LOVE'S BLINDNESS[418:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE SUICIDE'S ARGUMENT[419:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • TIME, REAL AND IMAGINARY[419:2]
      • AN ALLEGORY
      • FOOTNOTES:
    • AN ALLEGORY
    • FOOTNOTES:
    • AN INVOCATION[420:1]
      • From remorse
        • [Act iii, Scene i. ll. 69-82.]
      • [Act iii, Scene i. ll. 69-82.]
      • FOOTNOTES:
      • LINENOTES:
    • From remorse
      • [Act iii, Scene i. ll. 69-82.]
    • [Act iii, Scene i. ll. 69-82.]
    • FOOTNOTES:
    • LINENOTES:
    • THE NIGHT-SCENE[421:1]
      • A DRAMATIC FRAGMENT
      • FOOTNOTES:
      • LINENOTES:
    • A DRAMATIC FRAGMENT
    • FOOTNOTES:
    • LINENOTES:
    • A HYMN[423:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • TO A LADY[424:1]
      • WITH FALCONER'S SHIPWRECK
      • FOOTNOTES:
      • LINENOTES:
    • WITH FALCONER'S SHIPWRECK
    • FOOTNOTES:
    • LINENOTES:
    • HUMAN LIFE[425:1]
      • —ON THE DENIAL OF IMMORTALITY
      • FOOTNOTES:
      • LINENOTES:
    • —ON THE DENIAL OF IMMORTALITY
    • FOOTNOTES:
    • LINENOTES:
    • SONG[426:1]
      • FROM ZAPOLYA
      • FOOTNOTES:
      • LINENOTES:
    • FROM ZAPOLYA
    • FOOTNOTES:
    • LINENOTES:
    • HUNTING SONG[427:1]
      • FROM ZAPOLYA
      • FOOTNOTES:
      • LINENOTES:
    • FROM ZAPOLYA
    • FOOTNOTES:
    • LINENOTES:
    • FAITH, HOPE, AND CHARITY[427:2]
      • FROM THE ITALIAN OF GUARINI
      • FOOTNOTES:
    • FROM THE ITALIAN OF GUARINI
    • FOOTNOTES:
    • TO NATURE[429:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • LIMBO[429:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • NE PLUS ULTRA[431:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • THE KNIGHT'S TOMB[432:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • ON DONNE'S POETRY[433:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • ISRAEL'S LAMENT[433:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • FANCY IN NUBIBUS[435:1]
      • OR THE POET IN THE CLOUDS
      • FOOTNOTES:
      • LINENOTES:
    • OR THE POET IN THE CLOUDS
    • FOOTNOTES:
    • LINENOTES:
    • THE TEARS OF A GRATEFUL PEOPLE[436:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • YOUTH AND AGE[439:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE REPROOF AND REPLY[441:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • FIRST ADVENT OF LOVE[443:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE DELINQUENT TRAVELLERS[443:3]
      • FOOTNOTES:
    • FOOTNOTES:
    • WORK WITHOUT HOPE[447:1]
      • LINES COMPOSED 21ST FEBRUARY 1825
      • FOOTNOTES:
      • LINENOTES:
    • LINES COMPOSED 21ST FEBRUARY 1825
    • FOOTNOTES:
    • LINENOTES:
    • SANCTI DOMINICI PALLIUM[448:1]
      • A DIALOGUE BETWEEN POET AND FRIEND
        • FOUND WRITTEN ON THE BLANK LEAF AT THE BEGINNING OF BUTLER'S 'BOOK OF THE CHURCH' (1825)
      • FOUND WRITTEN ON THE BLANK LEAF AT THE BEGINNING OF BUTLER'S 'BOOK OF THE CHURCH' (1825)
      • FOOTNOTES:
      • LINENOTES:
    • A DIALOGUE BETWEEN POET AND FRIEND
      • FOUND WRITTEN ON THE BLANK LEAF AT THE BEGINNING OF BUTLER'S 'BOOK OF THE CHURCH' (1825)
    • FOUND WRITTEN ON THE BLANK LEAF AT THE BEGINNING OF BUTLER'S 'BOOK OF THE CHURCH' (1825)
    • FOOTNOTES:
    • LINENOTES:
    • SONG[450:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • A CHARACTER[451:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE TWO FOUNTS[454:1]
      • STANZAS ADDRESSED TO A LADY ON HER RECOVERY WITH UNBLEMISHED LOOKS, FROM A SEVERE ATTACK OF PAIN
      • FOOTNOTES:
      • LINENOTES:
    • STANZAS ADDRESSED TO A LADY ON HER RECOVERY WITH UNBLEMISHED LOOKS, FROM A SEVERE ATTACK OF PAIN
    • FOOTNOTES:
    • LINENOTES:
    • CONSTANCY TO AN IDEAL OBJECT[455:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE PANG MORE SHARP THAN ALL[457:1]
      • AN ALLEGORY
      • FOOTNOTES:
    • AN ALLEGORY
    • FOOTNOTES:
    • DUTY SURVIVING SELF-LOVE[459:1]
      • THE ONLY SURE FRIEND OF DECLINING LIFE
      • A SOLILOQUY
      • FOOTNOTES:
      • LINENOTES:
    • THE ONLY SURE FRIEND OF DECLINING LIFE
    • A SOLILOQUY
    • FOOTNOTES:
    • LINENOTES:
    • HOMELESS[460:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • LINES[460:2]
      • SUGGESTED BY THE LAST WORDS OF BERENGARIUS
      • OB. ANNO DOM. 1088
      • FOOTNOTES:
      • LINENOTES:
    • SUGGESTED BY THE LAST WORDS OF BERENGARIUS
    • OB. ANNO DOM. 1088
    • FOOTNOTES:
    • LINENOTES:
    • EPITAPHIUM TESTAMENTARIUM[462:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • THE IMPROVISATORE[462:3]
      • OR, 'JOHN ANDERSON, MY JO, JOHN'
      • FOOTNOTES:
    • OR, 'JOHN ANDERSON, MY JO, JOHN'
    • FOOTNOTES:
    • TO MARY PRIDHAM[468:1]
      • [AFTERWARDS MRS. DERWENT COLERIDGE]
      • FOOTNOTES:
      • LINENOTES:
    • [AFTERWARDS MRS. DERWENT COLERIDGE]
    • FOOTNOTES:
    • LINENOTES:
    • ALICE DU CLOS[469:1]
      • OR THE FORKED TONGUE
        • A BALLAD
      • A BALLAD
      • FOOTNOTES:
      • LINENOTES:
    • OR THE FORKED TONGUE
      • A BALLAD
    • A BALLAD
    • FOOTNOTES:
    • LINENOTES:
    • LOVE'S BURIAL-PLACE[475:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • LINES[476:1]
      • TO A COMIC AUTHOR, ON AN ABUSIVE REVIEW
      • FOOTNOTES:
      • LINENOTES:
    • TO A COMIC AUTHOR, ON AN ABUSIVE REVIEW
    • FOOTNOTES:
    • LINENOTES:
    • COLOGNE[477:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • ON MY JOYFUL DEPARTURE[477:5]
      • FROM THE SAME CITY
      • FOOTNOTES:
    • FROM THE SAME CITY
    • FOOTNOTES:
    • THE GARDEN OF BOCCACCIO[478:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • LOVE, HOPE, AND PATIENCE IN EDUCATION[481:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • TO MISS A. T.[482:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • LINES[483:1]
      • WRITTEN IN COMMONPLACE BOOK OF MISS BARBOUR, DAUGHTER OF THE MINISTER OF THE U.S.A. TO ENGLAND
      • FOOTNOTES:
      • LINENOTES:
    • WRITTEN IN COMMONPLACE BOOK OF MISS BARBOUR, DAUGHTER OF THE MINISTER OF THE U.S.A. TO ENGLAND
    • FOOTNOTES:
    • LINENOTES:
    • SONG, ex improviso[483:2]
      • ON HEARING A SONG IN PRAISE OF A LADY'S BEAUTY
      • FOOTNOTES:
      • LINENOTES:
    • ON HEARING A SONG IN PRAISE OF A LADY'S BEAUTY
    • FOOTNOTES:
    • LINENOTES:
    • LOVE AND FRIENDSHIP OPPOSITE[484:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • NOT AT HOME[484:2]
      • FOOTNOTES:
    • FOOTNOTES:
    • PHANTOM OR FACT[484:3]
      • A DIALOGUE IN VERSE
      • FOOTNOTES:
    • A DIALOGUE IN VERSE
    • FOOTNOTES:
    • DESIRE[485:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • CHARITY IN THOUGHT[486:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • HUMILITY THE MOTHER OF CHARITY[486:2]
      • FOOTNOTES:
    • FOOTNOTES:
    • [COELI ENARRANT][486:3]
      • FOOTNOTES:
    • FOOTNOTES:
    • REASON[487:1]
      • FOOTNOTES:
    • FOOTNOTES:
    • SELF-KNOWLEDGE[487:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • FORBEARANCE[488:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • LOVE'S APPARITION AND EVANISHMENT[488:3]
      • AN ALLEGORIC ROMANCE
      • FOOTNOTES:
      • LINENOTES:
    • AN ALLEGORIC ROMANCE
    • FOOTNOTES:
    • LINENOTES:
    • TO THE YOUNG ARTIST[490:1]
      • KAYSER OF KASERWERTH
      • FOOTNOTES:
    • KAYSER OF KASERWERTH
    • FOOTNOTES:
    • MY BAPTISMAL BIRTH-DAY[490:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • EPITAPH[491:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • INDEX OF FIRST LINES
    • TRANSCRIBER'S NOTES:
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