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Poems of Coleridge

By Samuel Taylor Coleridge

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Table of Contents

POEMS OF COLERIDGE
- CONTENTS
  - INTRODUCTION
- INTRODUCTION
- INTRODUCTION
SELECTIONS FROM THE POEMS OF COLERIDGE
- THE RIME OF THE ANCIENT MARINER
  - ARGUMENT
    - PART I
    - PART III
    - PART IV
    - PART V
    - PART VI
    - FIRST VOICE
    - PART VII
  - PART I
  - PART III
  - PART IV
  - PART V
  - PART VI
  - FIRST VOICE
  - PART VII
- ARGUMENT
  - PART I
  - PART III
  - PART IV
  - PART V
  - PART VI
  - FIRST VOICE
  - PART VII
- PART I
- PART III
- PART IV
- PART V
- PART VI
- FIRST VOICE
- PART VII
- CHRISTABEL
  - PART THE FIRST
    - THE CONCLUSION TO PART THE FIRST
    - PART THE SECOND
    - THE CONCLUSION TO PART THE SECOND
  - THE CONCLUSION TO PART THE FIRST
  - PART THE SECOND
  - THE CONCLUSION TO PART THE SECOND
- PART THE FIRST
  - THE CONCLUSION TO PART THE FIRST
  - PART THE SECOND
  - THE CONCLUSION TO PART THE SECOND
- THE CONCLUSION TO PART THE FIRST
- PART THE SECOND
- THE CONCLUSION TO PART THE SECOND
- KUBLA KHAN
- LEWTI OR THE CIRCASSIAN LOVE-CHAUNT
- THE BALLAD OF THE DARK LADIE A FRAGMENT
- LOVE
- THE THREE GRAVES
  - PART II
- PART II
- DEJECTION: AN ODE
  - I
  - II
  - III
  - IV
    - V
    - VI
    - VII
    - VIII
  - V
  - VI
  - VII
  - VIII
- I
- II
- III
- IV
  - V
  - VI
  - VII
  - VIII
- V
- VI
- VII
- VIII
- ODE TO TRANQUILLITY
- FRANCE: AN ODE
  - I
- I
- FEARS IN SOLITUDE
- THIS LIME-TREE BOWER MY PRISON
- TO A GENTLEMAN
- HYMN BEFORE SUN-RISE, IN THE VALE OF CHAMOUNI
- FROST AT MIDNIGHT
- THE NIGHTINGALE
- THE EOLIAN HARP
- THE PICTURE
- THE GARDEN OF BOCCACCIO
- THE TWO FOUNTS
- A DAY-DREAM
- SONNET
- LINES TO W. LINLEY, ESQ.
- DOMESTIC PEACE
- SONG
- HUNTING SONG
- WESTPHALIAN SONG
- YOUTH AND AGE
- WORK WITHOUT HOPE
- TIME, REAL AND IMAGINARY
- LOVE'S APPARITION AND EVANISHMENT
- L'ENVOY
- LOVE, HOPE, AND PATIENCE IN EDUCATION
- DUTY SURVIVING SELF-LOVE
- LOVE'S FIRST HOPE
- PHANTOM
  - TO NATURE
    - FANCY IN NUBIBUS
    - CONSTANCY TO AN IDEAL OBJECT
  - FANCY IN NUBIBUS
  - CONSTANCY TO AN IDEAL OBJECT
- TO NATURE
  - FANCY IN NUBIBUS
  - CONSTANCY TO AN IDEAL OBJECT
- FANCY IN NUBIBUS
- CONSTANCY TO AN IDEAL OBJECT
- PHANTOM OR FACT
  - AUTHOR
- AUTHOR
- LINES
- FORBEARANCE
- SANCTI DOMINICI PALLIUM
- ON DONNE'S POETRY
- ON A BAD SINGER
- NE PLUS ULTRA
- HUMAN LIFE
- THE BUTTERFLY
- THE PANG MORE SHARP THAN ALL
  - I
- I
- THE VISIONARY HOPE
- THE PAINS OF SLEEP
- LOVE'S BURIAL-PLACE
- LOVE, A SWORD
- THE KISS
- NOT AT HOME
- NAMES
- TO LESBIA
- THE DEATH OF THE STARLING
- ON A CATARACT
  - STROPHE
- STROPHE
- HYMN TO THE EARTH
  - HEXAMETERS
- HEXAMETERS
- THE VISIT OF THE GODS
- TRANSLATION OF A PASSAGE IN OTTFRIED'S METRICAL PARAPHRASE OF THE GOSPEL
- THE VIRGIN'S CRADLE-HYMN
- EPITAPH ON AN INFANT
- ON AN INFANT WHICH DIED BEFORE BAPTISM
- EPITAPH ON AN INFANT
- AN ODE TO THE RAIN
  - I
- I
- ANSWER TO A CHILD'S QUESTION
- LINES ON A CHILD
- THE KNIGHT'S TOMB
- FIRE, FAMINE, AND SLAUGHTER
- THE TWO ROUND SPACES ON THE TOMBSTONE
- THE DEVIL'S THOUGHTS
- COLOGNE
- SONNETS ATTEMPTED IN THE MANNER OF CONTEMPORARY WRITERS
- LIMBO
- METRICAL FEET
- THE HOMERIC HEXAMETER DESCRIBED AND EXEMPLIFIED
- THE OVIDIAN ELEGIAC METRE DESCRIBED AND EXEMPLIFIED
- CATULLIAN HENDECASYLLABLES
- TO ——
- EPITAPH ON A BAD MAN
- THE SUICIDE'S ARGUMENT
- THE GOOD, GREAT MAN
- INSCRIPTION FOR A FOUNTAIN ON A HEATH
- INSCRIPTION FOR A TIME-PIECE
  - A TOMBLESS EPITAPH
- A TOMBLESS EPITAPH
- EPITAPH
- NOTES
  - PART I
    - PART II
    - PART III
  - PART II
  - PART III
  - PART IV
    - PART V
    - PART VI
  - PART V
  - PART VI
  - PART VII
- PART I
  - PART II
  - PART III
- PART II
- PART III
- PART IV
  - PART V
  - PART VI
- PART V
- PART VI
- PART VII

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