The Complete Poetical Works of Samuel Taylor Coleridge Vol I and II
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Contents
Reviews
Language
English
ISBN
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THE
EDITED
IN TWO VOLUMES
PREFACE
CONTENTS OF THE TWO VOLUMES
VOLUME I
VOLUME II
APPENDIX I
APPENDIX II
APPENDIX III
APPENDIX IV
APPENDIX V
APPENDIX VI
BIBLIOGRAPHY OF THE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE 1135
BIBLIOGRAPHICAL APPENDIX
VOLUME II
APPENDIX I
APPENDIX II
APPENDIX III
APPENDIX IV
APPENDIX V
APPENDIX VI
BIBLIOGRAPHY OF THE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE 1135
BIBLIOGRAPHICAL APPENDIX
ABBREVIATIONS
ERRATA
POETICAL WORKS
POEMS
EASTER HOLIDAYS[1:1]
VERSE 1ST
FOOTNOTES:
FOOTNOTES:
DURA NAVIS[2:1]
FOOTNOTES:
NIL PEJUS EST CAELIBE VITÂ[4:1]
I
FOOTNOTES:
FOOTNOTES:
SONNET[5:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
ANTHEM[5:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
JULIA[6:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
QUAE NOCENT DOCENT[7:1]
FOOTNOTES:
THE NOSE[8:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO THE MUSE[9:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
DESTRUCTION OF THE BASTILE[10:1]
I
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
LIFE[11:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
PROGRESS OF VICE[12:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
MONODY ON THE DEATH OF CHATTERTON[13:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
AN INVOCATION[16:1]
FOOTNOTES:
ANNA AND HARLAND[16:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO THE EVENING STAR[16:3]
FOOTNOTES:
PAIN[17:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
ON A LADY WEEPING[17:2]
FOOTNOTES:
MONODY ON A TEA-KETTLE[18:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
GENEVIEVE[19:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
ON RECEIVING AN ACCOUNT THAT HIS ONLY SISTER'S DEATH WAS INEVITABLE[20:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
ON SEEING A YOUTH AFFECTIONATELY WELCOMED BY A SISTER[21:1]
FOOTNOTES:
A MATHEMATICAL PROBLEM[21:2]
TO THE REV. GEORGE COLERIDGE
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
HONOUR[24:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
ON IMITATION[26:1]
FOOTNOTES:
INSIDE THE COACH[26:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
DEVONSHIRE ROADS[27:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
MUSIC[28:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
SONNET[29:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
ABSENCE[29:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
HAPPINESS[30:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
A WISH[33:1]
FOOTNOTES:
AN ODE IN THE MANNER OF ANACREON[33:2]
FOOTNOTES:
TO DISAPPOINTMENT[34:1]
FOOTNOTES:
A FRAGMENT FOUND IN A LECTURE-ROOM[35:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
ODE[35:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
A LOVER'S COMPLAINT TO HIS MISTRESS[36:1]
FOOTNOTES:
WITH FIELDING'S 'AMELIA'[37:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
WRITTEN AFTER A WALK BEFORE SUPPER[37:3]
FOOTNOTES:
LINENOTES:
LINENOTES:
IMITATED FROM OSSIAN[38:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE COMPLAINT OF NINATHÓMA[39:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
SONGS OF THE PIXIES[40:1]
I
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
THE ROSE[45:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
KISSES[46:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE GENTLE LOOK[47:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
SONNET[48:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
FIRST DRAFT
LINES[51:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO FORTUNE[54:1]
TO THE EDITOR OF THE 'MORNING CHRONICLE'
TO FORTUNE
FOOTNOTES:
TO FORTUNE
FOOTNOTES:
PERSPIRATION. A TRAVELLING ECLOGUE[56:1]
FOOTNOTES:
[AVE, ATQUE VALE!][56:2]
FOOTNOTES:
ON BALA HILL[56:3]
FOOTNOTES:
LINENOTES:
LINENOTES:
LINES[57:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
IMITATED FROM THE WELSH[58:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
LINES[58:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
IMITATIONS
FOOTNOTES:
LINENOTES:
LINENOTES:
TO LESBIA[60:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE DEATH OF THE STARLING[61:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
MORIENS SUPERSTITI[61:2]
FOOTNOTES:
MORIENTI SUPERSTES
THE SIGH[62:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE KISS[63:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO A YOUNG LADY[64:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
TRANSLATION[66:1]
FOOTNOTES:
TO MISS BRUNTON[67:1]
FOOTNOTES:
EPITAPH ON AN INFANT[68:1]
FOOTNOTES:
PANTISOCRACY[68:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
ON THE PROSPECT OF ESTABLISHING A PANTISOCRACY IN AMERICA[69:1]
FOOTNOTES:
ELEGY[69:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE FADED FLOWER[70:1]
FOOTNOTES:
THE OUTCAST[71:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
DOMESTIC PEACE[71:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
ON A DISCOVERY MADE TOO LATE[72:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO THE AUTHOR OF 'THE ROBBERS'[72:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
MELANCHOLY[73:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO A YOUNG ASS[74:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
LINES ON A FRIEND[76:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO A FRIEND[78:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
SONNETS ON EMINENT CHARACTERS
I[79:2]
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
II[80:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
III[81:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
IV[82:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
V[82:3]
FOOTNOTES:
LINENOTES:
LINENOTES:
VI[83:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
VII[84:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
[SECOND VERSION][85:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
VIII[85:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
IX
FOOTNOTES:
X[87:1]
FOOTNOTES:
XI[87:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO LORD STANHOPE[89:1]
FOOTNOTES:
TO EARL STANHOPE[89:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
LINES[90:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO AN INFANT[91:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO THE REV. W. J. HORT[92:1]
I
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
PITY[93:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO THE NIGHTINGALE[93:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
LINES[94:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
LINES IN THE MANNER OF SPENSER[94:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE HOUR WHEN WE SHALL MEET AGAIN[96:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
LINES[96:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE EOLIAN HARP[100:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO THE AUTHOR OF POEMS[102:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE SILVER THIMBLE[104:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
REFLECTIONS ON HAVING LEFT A PLACE OF RETIREMENT[106:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
RELIGIOUS MUSINGS[108:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
MONODY ON THE DEATH OF CHATTERTON[125:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE DESTINY OF NATIONS[131:1]
FOOTNOTES:
LITERAL TRANSLATION.
LINENOTES:
LITERAL TRANSLATION.
LINENOTES:
VER PERPETUUM[148:1]
FOOTNOTES:
ON OBSERVING A BLOSSOM ON THE FIRST OF FEBRUARY 1796[148:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO A PRIMROSE[149:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
VERSES[150:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
ON A LATE CONNUBIAL RUPTURE IN HIGH LIFE[152:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
SONNET[152:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
SONNET[153:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
SONNET[154:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
SONNET[155:1]
FOOTNOTES:
TO A YOUNG FRIEND[155:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
ADDRESSED TO A YOUNG MAN OF FORTUNE[157:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO A FRIEND[158:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
ODE TO THE DEPARTING YEAR[160:1]
ARGUMENT
I
FOOTNOTES:
LINENOTES:
I
FOOTNOTES:
LINENOTES:
THE RAVEN[169:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO AN UNFORTUNATE WOMAN AT THE THEATRE[171:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO AN UNFORTUNATE WOMAN[172:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO THE REV. GEORGE COLERIDGE[173:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
ON THE CHRISTENING OF A FRIEND'S CHILD[176:1]
FOOTNOTES:
TRANSLATION[177:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THIS LIME-TREE BOWER MY PRISON[178:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE FOSTER-MOTHER'S TALE[182:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE DUNGEON[185:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE RIME OF THE ANCIENT MARINER[186:1]
ARGUMENT
PART I
PART II
PART III
PART IV
PART V
PART VI
PART VII
FOOTNOTES:
LINENOTES:
PART I
PART II
PART III
PART IV
PART V
PART VI
PART VII
FOOTNOTES:
LINENOTES:
SONNETS ATTEMPTED IN THE MANNER OF CONTEMPORARY WRITERS[209:1]
I
II
III
FOOTNOTES:
LINENOTES:
II
III
FOOTNOTES:
LINENOTES:
PARLIAMENTARY OSCILLATORS[211:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
CHRISTABEL[213:1]
PREFACE
PART I
THE CONCLUSION TO PART I
PART II
THE CONCLUSION TO PART II
FOOTNOTES:
LINENOTES:
PART I] Book the First MS. W., S. T. C. (c), S. H.: Part the First 1828, 1829.
PART I
THE CONCLUSION TO PART I
PART II
THE CONCLUSION TO PART II
FOOTNOTES:
LINENOTES:
PART I] Book the First MS. W., S. T. C. (c), S. H.: Part the First 1828, 1829.
LINES TO W. L.[236:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
FIRE, FAMINE, AND SLAUGHTER[237:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
FROST AT MIDNIGHT[240:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
FRANCE: AN ODE[243:1]
I
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
THE OLD MAN OF THE ALPS[248:1]
FOOTNOTES:
TO A YOUNG LADY[252:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
LEWTI[253:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
FEARS IN SOLITUDE[256:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE NIGHTINGALE[264:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE THREE GRAVES[267:1]
[PART I—FROM MS.]
[PART II—FROM MS.][271:3]
PART III[276:1]
PART IV
FOOTNOTES:
LINENOTES:
[PART II—FROM MS.][271:3]
PART III[276:1]
PART IV
FOOTNOTES:
LINENOTES:
THE WANDERINGS OF CAIN[285:1]
PREFATORY NOTE
THE WANDERINGS OF CAIN
CANTO II
FOOTNOTES:
LINENOTES:
THE WANDERINGS OF CAIN
CANTO II
FOOTNOTES:
LINENOTES:
TO ——[292:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE BALLAD OF THE DARK LADIÉ[293:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
KUBLA KHAN[295:1]:
KUBLA KHAN
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
RECANTATION[299:1]
I
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
HEXAMETERS[304:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
TRANSLATION OF A PASSAGE IN OTTFRIED'S METRICAL PARAPHRASE OF THE GOSPEL
FOOTNOTES:
LINENOTES:
LINENOTES:
CATULLIAN HENDECASYLLABLES[307:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE HOMERIC HEXAMETER[307:2]
FOOTNOTES:
THE OVIDIAN ELEGIAC METRE
ON A CATARACT[308:1]
STROPHE
ANTISTROPHE
FOOTNOTES:
LINENOTES:
ANTISTROPHE
FOOTNOTES:
LINENOTES:
TELL'S BIRTH-PLACE[309:1]
I
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
THE VISIT OF THE GODS[310:1]
FOOTNOTES:
FROM THE GERMAN[311:1]
FOOTNOTES:
WATER BALLAD[311:2]
FOOTNOTES:
ON AN INFANT[312:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
SOMETHING CHILDISH, BUT VERY NATURAL[313:1]
FOOTNOTES:
HOME-SICK[314:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
LINES[315:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE BRITISH STRIPLING'S WAR-SONG[317:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
NAMES[318:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE DEVIL'S THOUGHTS[319:1]
I
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
LINES COMPOSED IN A CONCERT-ROOM[324:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
WESTPHALIAN SONG[326:1]
FOOTNOTES:
HEXAMETERS[326:2]
FOOTNOTES:
HYMN TO THE EARTH[327:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
MAHOMET[329:1]
FOOTNOTES:
LOVE[330:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
ODE TO GEORGIANA, DUCHESS OF DEVONSHIRE[335:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
A CHRISTMAS CAROL[338:1]
I
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
TALLEYRAND TO LORD GRENVILLE[340:1]
TALLEYRAND, MINISTER OF FOREIGN AFFAIRS AT PARIS, TO LORD GRENVILLE, SECRETARY OF STATE IN GREAT BRITAIN FOR FOREIGN AFFAIRS, AUDITOR OF THE EXCHEQUER, A LORD OF TRADE, AN ELDER BROTHER OF TRINITY HOUSE, ETC.
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
APOLOGIA PRO VITA SUA[345:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE KEEPSAKE[345:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
A THOUGHT SUGGESTED BY A VIEW[347:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE MAD MONK[347:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
INSCRIPTION FOR A SEAT BY THE ROAD SIDE HALF-WAY UP A STEEP HILL FACING SOUTH[349:1]
FOOTNOTES:
A STRANGER MINSTREL[350:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
ALCAEUS TO SAPPHO[353:1]
FOOTNOTES:
THE TWO ROUND SPACES ON THE TOMBSTONE[353:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE SNOW-DROP[356:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
ON REVISITING THE SEA-SHORE[359:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
ODE TO TRANQUILLITY[360:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO ASRA[361:1]
FOOTNOTES:
THE SECOND BIRTH[362:1]
FOOTNOTES:
LOVE'S SANCTUARY[362:2]
FOOTNOTES:
DEJECTION: AN ODE[362:3]
I
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
THE PICTURE[369:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO MATILDA BETHAM FROM A STRANGER[374:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
HYMN BEFORE SUN-RISE, IN THE VALE OF CHAMOUNI[376:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE GOOD, GREAT MAN[381:1]
REPLY TO THE ABOVE
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
INSCRIPTION FOR A FOUNTAIN ON A HEATH[381:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
AN ODE TO THE RAIN[382:2]
I
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
A DAY-DREAM[385:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
ANSWER TO A CHILD'S QUESTION[386:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE DAY-DREAM[386:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE HAPPY HUSBAND[388:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE PAINS OF SLEEP[389:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE EXCHANGE[391:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
AD VILMUM AXIOLOGUM[391:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
AN EXILE[392:1]
FOOTNOTES:
SONNET[392:2]
FOOTNOTES:
PHANTOM[393:1]
FOOTNOTES:
A SUNSET[393:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
WHAT IS LIFE?[394:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE BLOSSOMING OF THE SOLITARY DATE-TREE[395:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
SEPARATION[397:1]
FOOTNOTES:
THE RASH CONJURER[399:1]
FOOTNOTES:
A CHILD'S EVENING PRAYER[401:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
METRICAL FEET[401:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
FAREWELL TO LOVE[402:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO WILLIAM WORDSWORTH[403:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
AN ANGEL VISITANT[409:1]
FOOTNOTES:
RECOLLECTIONS OF LOVE[409:2]
I
FOOTNOTES:
FOOTNOTES:
TO TWO SISTERS[410:1]
FOOTNOTES:
PSYCHE[412:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
A TOMBLESS EPITAPH[413:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
FOR A MARKET-CLOCK[414:1]
FOOTNOTES:
THE MADMAN AND THE LETHARGIST[414:2]
FOOTNOTES:
THE VISIONARY HOPE[416:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
EPITAPH ON AN INFANT[417:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE VIRGIN'S CRADLE-HYMN[417:2]
ENGLISH[417:3]
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
TO A LADY[418:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
REASON FOR LOVE'S BLINDNESS[418:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE SUICIDE'S ARGUMENT[419:1]
NATURE'S ANSWER
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
TIME, REAL AND IMAGINARY[419:2]
FOOTNOTES:
AN INVOCATION[420:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE NIGHT-SCENE[421:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
A HYMN[423:1]
FOOTNOTES:
TO A LADY[424:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
HUMAN LIFE[425:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
SONG[426:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
HUNTING SONG[427:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
FAITH, HOPE, AND CHARITY[427:2]
FAITH
CHARITY
HOPE
ALL
CHARITY AND FAITH
CHARITY
HOPE. FAITH
CHARITY. HOPE
FAITH
FAITH. HOPE. CHARITY
FOOTNOTES:
CHARITY
HOPE
ALL
CHARITY AND FAITH
CHARITY
HOPE. FAITH
CHARITY. HOPE
FAITH
FAITH. HOPE. CHARITY
FOOTNOTES:
TO NATURE[429:1]
FOOTNOTES:
LIMBO[429:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
NE PLUS ULTRA[431:1]
FOOTNOTES:
THE KNIGHT'S TOMB[432:1]
FOOTNOTES:
ON DONNE'S POETRY[433:1]
FOOTNOTES:
ISRAEL'S LAMENT[433:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
FANCY IN NUBIBUS[435:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE TEARS OF A GRATEFUL PEOPLE[436:1]
FOOTNOTES:
YOUTH AND AGE[439:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE REPROOF AND REPLY[441:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
FIRST ADVENT OF LOVE[443:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE DELINQUENT TRAVELLERS[443:3]
FOOTNOTES:
WORK WITHOUT HOPE[447:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
SANCTI DOMINICI PALLIUM[448:1]
POET
FRIEND
FRIEND
POET
FOOTNOTES:
LINENOTES:
FRIEND
FRIEND
POET
FOOTNOTES:
LINENOTES:
SONG[450:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
A CHARACTER[451:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE TWO FOUNTS[454:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
CONSTANCY TO AN IDEAL OBJECT[455:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE PANG MORE SHARP THAN ALL[457:1]
I
FOOTNOTES:
FOOTNOTES:
DUTY SURVIVING SELF-LOVE[459:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
HOMELESS[460:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
LINES[460:2]
REFLECTION ON THE ABOVE
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
EPITAPHIUM TESTAMENTARIUM[462:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE IMPROVISATORE[462:3]
FOOTNOTES:
TO MARY PRIDHAM[468:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
ALICE DU CLOS[469:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
LOVE'S BURIAL-PLACE[475:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
LINES[476:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
COLOGNE[477:1]
FOOTNOTES:
ON MY JOYFUL DEPARTURE[477:5]
FOOTNOTES:
THE GARDEN OF BOCCACCIO[478:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
LOVE, HOPE, AND PATIENCE IN EDUCATION[481:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
TO MISS A. T.[482:1]
FOOTNOTES:
LINES[483:1]
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
LOVE AND FRIENDSHIP OPPOSITE[484:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
NOT AT HOME[484:2]
FOOTNOTES:
PHANTOM OR FACT[484:3]
AUTHOR
FRIEND
AUTHOR
FOOTNOTES:
FRIEND
AUTHOR
FOOTNOTES:
DESIRE[485:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
CHARITY IN THOUGHT[486:1]
FOOTNOTES:
HUMILITY THE MOTHER OF CHARITY[486:2]
FOOTNOTES:
[COELI ENARRANT][486:3]
FOOTNOTES:
REASON[487:1]
FOOTNOTES:
SELF-KNOWLEDGE[487:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
FORBEARANCE[488:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
LOVE'S APPARITION AND EVANISHMENT[488:3]
L'ENVOY
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
TO THE YOUNG ARTIST[490:1]
FOOTNOTES:
MY BAPTISMAL BIRTH-DAY[490:2]
FOOTNOTES:
LINENOTES:
LINENOTES:
EPITAPH[491:1]
FOOTNOTES:
LINENOTES:
LINENOTES:
THE
EDITED
IN TWO VOLUMES
HENRY FROWDE, M.A. PUBLISHER TO THE UNIVERSITY OF OXFORD LONDON, EDINBURGH, NEW YORK TORONTO AND MELBOURNE
IN TWO VOLUMES
HENRY FROWDE, M.A. PUBLISHER TO THE UNIVERSITY OF OXFORD LONDON, EDINBURGH, NEW YORK TORONTO AND MELBOURNE
CONTENTS OF VOL. II
DRAMATIC WORKS
EPIGRAMS 951
JEUX D'ESPRIT 976
METRICAL EXPERIMENTS 1014
APPENDIX I
APPENDIX II
APPENDIX III
APPENDIX IV
APPENDIX V
APPENDIX VI
BIBLIOGRAPHY OF THE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE 1135
BIBLIOGRAPHICAL APPENDIX
INDEX OF FIRST LINES 1189
ERRATA
EPIGRAMS 951
JEUX D'ESPRIT 976
METRICAL EXPERIMENTS 1014
APPENDIX I
APPENDIX II
APPENDIX III
APPENDIX IV
APPENDIX V
APPENDIX VI
BIBLIOGRAPHY OF THE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE 1135
BIBLIOGRAPHICAL APPENDIX
INDEX OF FIRST LINES 1189
ERRATA
DRAMATIC WORKS
THE FALL OF ROBESPIERRE[495:1]
TO
DEAR SIR,
FOOTNOTES:
DEAR SIR,
FOOTNOTES:
ACT I
SCENE—The Thuilleries.
FOOTNOTES:
FOOTNOTES:
ACT II
SCENE—The Convention.
ACT III
SCENE CONTINUES.
OSORIO
DRAMATIS PERSONAE
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
ACT THE FIRST[519:1]
SCENE—The sea shore on the coast of Granada.
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
ACT THE SECOND
SCENE THE FIRST.—A wild and mountainous country. OSORIO and FERDINAND are discovered at a little distance from a house, which stands under the brow of a slate rock, the rock covered with vines.
LINENOTES:
SCENE II.
LINENOTES:
SCENE II.
ACT THE THIRD
SCENE THE FIRST.—A hall of armory, with an altar in the part farthest from the stage.
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
ACT THE FOURTH
SCENE THE FIRST.—A cavern, dark except where a gleam of moonlight is seen on one side of the further end of it, supposed to be cast on it from a cranny [crevice Remorse] in a part of the cavern out of sight.
FOOTNOTES:
LINENOTES:
SCENE III
FOOTNOTES:
LINENOTES:
SCENE III
ACT THE FIFTH
SCENE THE FIRST.—The Sea Shore.
SCENE.—A Dungeon.
FOOTNOTES:
LINENOTES:
SCENE.—A Dungeon.
FOOTNOTES:
LINENOTES:
THE PICCOLOMINI[598:1]
PREFACE TO THE FIRST EDITION
FOOTNOTES:
FOOTNOTES:
THE PICCOLOMINI[600:1]
ACT I
SCENE I
FOOTNOTES:
DRAMATIS PERSONAE
LINENOTES:
SCENE II
FOOTNOTES:
LINENOTES:
SCENE III
LINENOTES:
SCENE IV
FOOTNOTES:
LINENOTES:
SCENE V
LINENOTES:
SCENE VI
LINENOTES:
SCENE VII
LINENOTES:
SCENE VIII
LINENOTES:
SCENE IX
LINENOTES:
SCENE X
FOOTNOTES:
LINENOTES:
SCENE XI
FOOTNOTES:
LINENOTES:
SCENE XII
FOOTNOTES:
LINENOTES:
FOOTNOTES:
DRAMATIS PERSONAE
LINENOTES:
SCENE II
FOOTNOTES:
LINENOTES:
SCENE III
LINENOTES:
SCENE IV
FOOTNOTES:
LINENOTES:
SCENE V
LINENOTES:
SCENE VI
LINENOTES:
SCENE VII
LINENOTES:
SCENE VIII
LINENOTES:
SCENE IX
LINENOTES:
SCENE X
FOOTNOTES:
LINENOTES:
SCENE XI
FOOTNOTES:
LINENOTES:
SCENE XII
FOOTNOTES:
LINENOTES:
ACT II
SCENE I
LINENOTES:
SCENE II
FOOTNOTES:
LINENOTES:
SCENE III
FOOTNOTES:
LINENOTES:
SCENE IV
FOOTNOTES:
LINENOTES:
SCENE V
FOOTNOTES:
LINENOTES:
SCENE VI
FOOTNOTES:
LITERAL TRANSLATION.
BALLAD.
LINENOTES:
SCENE VII
FOOTNOTES:
LINENOTES:
SCENE VIII
LINENOTES:
SCENE IX
SCENE X
SCENE XI
LINENOTES:
SCENE XII
FOOTNOTES:
LINENOTES:
SCENE XIII
LINENOTES:
SCENE XIV
LINENOTES:
LINENOTES:
SCENE II
FOOTNOTES:
LINENOTES:
SCENE III
FOOTNOTES:
LINENOTES:
SCENE IV
FOOTNOTES:
LINENOTES:
SCENE V
FOOTNOTES:
LINENOTES:
SCENE VI
FOOTNOTES:
LITERAL TRANSLATION.
BALLAD.
LINENOTES:
SCENE VII
FOOTNOTES:
LINENOTES:
SCENE VIII
LINENOTES:
SCENE IX
SCENE X
SCENE XI
LINENOTES:
SCENE XII
FOOTNOTES:
LINENOTES:
SCENE XIII
LINENOTES:
SCENE XIV
LINENOTES:
ACT III
SCENE I
LINENOTES:
SCENE II
LINENOTES:
SCENE III
LINENOTES:
LINENOTES:
SCENE II
LINENOTES:
SCENE III
LINENOTES:
ACT IV
SCENE I
LINENOTES:
SCENE II
SCENE III
LINENOTES:
SCENE IV
LINENOTES:
SCENE V
FOOTNOTES:
LINENOTES:
SCENE VI
LINENOTES:
SCENE VII
FOOTNOTES:
LINENOTES:
LINENOTES:
SCENE II
SCENE III
LINENOTES:
SCENE IV
LINENOTES:
SCENE V
FOOTNOTES:
LINENOTES:
SCENE VI
LINENOTES:
SCENE VII
FOOTNOTES:
LINENOTES:
ACT V
SCENE I
LINENOTES:
SCENE II
LINENOTES:
SCENE III
LINENOTES:
SCENE IV
LINENOTES:
SCENE V
FOOTNOTES:
LINENOTES:
SCENE VI
LINENOTES:
LINENOTES:
SCENE II
LINENOTES:
SCENE III
LINENOTES:
SCENE IV
LINENOTES:
SCENE V
FOOTNOTES:
LINENOTES:
SCENE VI
LINENOTES:
THE DEATH OF WALLENSTEIN
PREFACE OF THE TRANSLATOR TO THE FIRST EDITION
LINENOTES:
DRAMATIS PERSONAE
DRAMATIS PERSONAE
THE DEATH OF WALLENSTEIN
ACT I
SCENE I
LINENOTES:
SCENE II
LINENOTES:
SCENE III
LINENOTES:
SCENE IV
LINENOTES:
SCENE V
SCENE VI
LINENOTES:
SCENE VII
LINENOTES:
SCENE VIII
LINENOTES:
SCENE IX
SCENE X
LINENOTES:
SCENE XI
SCENE XII
LINENOTES:
LINENOTES:
SCENE II
LINENOTES:
SCENE III
LINENOTES:
SCENE IV
LINENOTES:
SCENE V
SCENE VI
LINENOTES:
SCENE VII
LINENOTES:
SCENE VIII
LINENOTES:
SCENE IX
SCENE X
LINENOTES:
SCENE XI
SCENE XII
LINENOTES:
ACT II
SCENE I
LINENOTES:
SCENE II
SCENE III
FOOTNOTES:
LINENOTES:
SCENE IV
SCENE V
LINENOTES:
SCENE VI
FOOTNOTES:
LINENOTES:
SCENE VII
SCENE VIII
LINENOTES:
SCENE IX
LINENOTES:
SCENE X
SCENE XI
LINENOTES:
LINENOTES:
SCENE II
SCENE III
FOOTNOTES:
LINENOTES:
SCENE IV
SCENE V
LINENOTES:
SCENE VI
FOOTNOTES:
LINENOTES:
SCENE VII
SCENE VIII
LINENOTES:
SCENE IX
LINENOTES:
SCENE X
SCENE XI
LINENOTES:
ACT III
SCENE I
LINENOTES:
SCENE II
LINENOTES:
SCENE III
LINENOTES:
SCENE IV
SCENE V
LINENOTES:
SCENE VI
LINENOTES:
SCENE VII
LINENOTES:
SCENE VIII
FOOTNOTES:
LINENOTES:
SCENE IX
LINENOTES:
LINENOTES:
SCENE II
LINENOTES:
SCENE III
LINENOTES:
SCENE IV
SCENE V
LINENOTES:
SCENE VI
LINENOTES:
SCENE VII
LINENOTES:
SCENE VIII
FOOTNOTES:
LINENOTES:
SCENE IX
LINENOTES:
ACT IV
SCENE I
SCENE II
LINENOTES:
SCENE III
LINENOTES:
SCENE IV
LINENOTES:
SCENE V
LINENOTES:
SCENE VI
FOOTNOTES:
LINENOTES:
SCENE II
LINENOTES:
SCENE III
LINENOTES:
SCENE IV
LINENOTES:
SCENE V
LINENOTES:
SCENE VI
FOOTNOTES:
LINENOTES:
ACT V
SCENE I
FOOTNOTES:
LINENOTES:
SCENE II
SCENE III
LINENOTES:
SCENE IV
LINENOTES:
SCENE V
SCENE VI
SCENE VII
LINENOTES:
SCENE VIII
LINENOTES:
SCENE IX
LINENOTES:
SCENE X
LINENOTES:
THE PICCOLOMINI.
THE DEATH OF WALLENSTEIN.
FOOTNOTES:
LINENOTES:
SCENE II
SCENE III
LINENOTES:
SCENE IV
LINENOTES:
SCENE V
SCENE VI
SCENE VII
LINENOTES:
SCENE VIII
LINENOTES:
SCENE IX
LINENOTES:
SCENE X
LINENOTES:
THE PICCOLOMINI.
THE DEATH OF WALLENSTEIN.
REMORSE[812:1]
PREFACE
FOOTNOTES:
PROLOGUE
FOOTNOTES:
EPILOGUE
REMORSE[819:1]
DRAMATIS PERSONAE
FOOTNOTES:
FOOTNOTES:
ACT I
SCENE I
FOOTNOTES:
LINENOTES:
SCENE II
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
SCENE II
FOOTNOTES:
LINENOTES:
ACT II
SCENE I
LINENOTES:
SCENE II
FOOTNOTES:
LINENOTES:
LINENOTES:
SCENE II
FOOTNOTES:
LINENOTES:
ACT III
SCENE I
LINENOTES:
SCENE II
FOOTNOTES:
LINENOTES:
LINENOTES:
SCENE II
FOOTNOTES:
LINENOTES:
ACT IV
SCENE I
FOOTNOTES:
LINENOTES:
SCENE II
FOOTNOTES:
LINENOTES:
SCENE III
LINENOTES:
FOOTNOTES:
LINENOTES:
SCENE II
FOOTNOTES:
LINENOTES:
SCENE III
LINENOTES:
ACT V
SCENE I
LINENOTES:
LINENOTES:
APPENDIX
ZAPOLYA[883:1]
ADVERTISEMENT
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
PART I
CHARACTERS
SCENE I
LINENOTES:
SCENE I
LINENOTES:
PART II
ADDITIONAL CHARACTERS
USURPATION ENDED; OR, SHE COMES AGAIN
ACT I
SCENE I
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
ACT II
SCENE I
SONG
LINENOTES:
SONG
LINENOTES:
ACT III
SCENE I
LINENOTES:
LINENOTES:
ACT IV
SCENE I
SCENE.—Chamber in CASIMIR'S Castle. Confederates discovered.
LINENOTES:
SCENE.—Chamber in CASIMIR'S Castle. Confederates discovered.
LINENOTES:
EPIGRAMS[951:1]
LINENOTES:
LINENOTES:
LINENOTES:
LINENOTES:
ANOTHER VERSION
OBIIT SATURDAY, SEPT. 10, 1830.
ANOTHER VERSION
FOOTNOTES:
LINENOTES:
LINENOTES:
LINENOTES:
ANOTHER VERSION
OBIIT SATURDAY, SEPT. 10, 1830.
ANOTHER VERSION
FOOTNOTES:
JEUX D'ESPRIT
LINENOTES:
A.
B.
A.
B.
LINENOTES:
FOOTNOTES:
A.
B.
A.
B.
LINENOTES:
FOOTNOTES:
FRAGMENTS FROM A NOTEBOOK[988:1]
LINENOTES:
LINENOTES:
LINENOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
LINENOTES:
LINENOTES:
FOOTNOTES:
FRAGMENTS[996:1]
ANOTHER VERSION
LINENOTES:
ANOTHER ON THE SAME SUBJECT BY S. T. C. HIMSELF
FOOTNOTES:
LINENOTES:
ANOTHER ON THE SAME SUBJECT BY S. T. C. HIMSELF
FOOTNOTES:
METRICAL EXPERIMENTS[1014:1]
NOTES BY PROFESSOR SAINTSBURY
FOOTNOTES:
FOOTNOTES:
APPENDIX I
A
EFFUSION 35
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
B
FOOTNOTES:
C
[DRAFT I]
[DRAFT II]
LINENOTES:
[DRAFT III]
[DRAFT II]
LINENOTES:
[DRAFT III]
D
BOOK I, ll. 33-51.
BOOK III, ll. 73-82.
BOOK IV, ll. 328-336.
FOOTNOTES:
LINENOTES:
BOOK III, ll. 73-82.
BOOK IV, ll. 328-336.
FOOTNOTES:
LINENOTES:
E
ARGUMENT
I.
II.
III.
IV.
V.
VI.
FIRST VOICE.
SECOND VOICE.
FIRST VOICE.
SECOND VOICE.
VII.
FOOTNOTES:
LINENOTES:
I.
II.
III.
IV.
V.
VI.
FIRST VOICE.
SECOND VOICE.
FIRST VOICE.
SECOND VOICE.
VII.
FOOTNOTES:
LINENOTES:
F
G
LEWTI; OR THE CIRCASSIAN'S LOVE-CHANT
FOOTNOTES:
FOOTNOTES:
H
TO THE EDITOR OF THE MORNING POST.
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
I
LONDON.
FOOTNOTES:
DRAMATIS PERSONÆ.
Scene, partly at the Country seat of Donna Oropeza, and partly in Pampilona [sic], the Capital of Navarre.
FOOTNOTES:
DRAMATIS PERSONÆ.
Scene, partly at the Country seat of Donna Oropeza, and partly in Pampilona [sic], the Capital of Navarre.
THE TRIUMPH OF LOYALTY
SCENE I. A cultivated Plain, skirted on the Left by a Wood. The Pyrenees are visible in the distance. Small knots of Soldiers all in the military Dress of the middle Ages are seen passing across the Stage. Then
LINENOTES:
LINENOTES:
J
K
LINENOTES:
DEJECTION:
I
II
III
IV
VIII
IX
FOOTNOTES:
LINENOTES:
DEJECTION:
I
II
III
IV
VIII
IX
FOOTNOTES:
LINENOTES:
L
FOOTNOTES:
LINENOTES:
LINENOTES:
M
ARIA SPONTANEA
MS. II
MS. II
N
[FIRST DRAFT]
FOOTNOTES:
FOOTNOTES:
O
FOOTNOTES:
P
FOOTNOTES:
Q
FOOTNOTES:
R[1090:2]
FOOTNOTES:
APPENDIX II
FOOTNOTES:
LINENOTES:
LINENOTES:
APPENDIX III
APOLOGETIC PREFACE TO 'FIRE, FAMINE, AND SLAUGHTER'[1097:1]
FOOTNOTES:
LINENOTES:
FOOTNOTES:
LINENOTES:
APPENDIX IV
A
B
C
FOOTNOTES:
D
E
TO THOMAS POOLE, OF STOWEY.
FOOTNOTES:
FOOTNOTES:
F
APPENDIX V
MOTTO TO 'A LAY SERMON', 1817
MUTUAL PASSION
THE HOUR-GLASS
MUTUAL PASSION
THE HOUR-GLASS
APPENDIX VI
A
B
DAS DISTICHON
C
D
E
F
G
H
I
J
K
B
DAS DISTICHON
C
D
E
F
G
H
I
J
K
L
M
N
O
P
FEDE.
CARITÀ.
SPERANZA.
FE. SP. CA.
CA. FE.
FE. SP.
CA.
SP. FE.
CA. SP.
FE.
FE. SP. CA.
Q
M
N
O
P
FEDE.
CARITÀ.
SPERANZA.
FE. SP. CA.
CA. FE.
FE. SP.
CA.
SP. FE.
CA. SP.
FE.
FE. SP. CA.
Q
BIBLIOGRAPHY
I
II
PREFACE
NOTES ATTACHED TO A FIRST DRAFT OF THE PREFACE TO THE FIRST EDITION [MS. R]
CONTENTS
III
[INTRODUCTION]
[SONNETS]
IV
V
CONTENTS
SONNETS.
SUPPLEMENT.
PREFACE TO THE FIRST EDITION
P. [69].
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
PREFACE
CONTENTS
XV
XVI
XVII
XVIII
XIX
XX
CONTENTS
VOLUME I
SIBYLLINE LEAVES
VOLUME II
VOLUME III
XXI
PREFACE
XXII
XXIII
XXIV
XXV
XXVI
CONTENTS
VOLUME II
VOLUME III
XXVII
XXVIII
XXIX
XXX
XXXI
XXXII
XXXIII
XXXIV
ADVERTISEMENT
PREFACE TO THE PRESENT EDITION [1852]
XXXV
CONTENTS
XXXVI
XXXVII
XXXVIII
XXXIX
ADVERTISEMENT
APPENDIX
XL
XLI
XLII
XLIII
XLIV
XLV
XLVI
XLVII
XLVIII
XLIX
L
LI
LII
LIII
LIV
FOOTNOTES:
II
PREFACE
NOTES ATTACHED TO A FIRST DRAFT OF THE PREFACE TO THE FIRST EDITION [MS. R]
CONTENTS
III
[INTRODUCTION]
[SONNETS]
IV
V
CONTENTS
SONNETS.
SUPPLEMENT.
PREFACE TO THE FIRST EDITION
P. [69].
VI
VII
VIII
IX
X
XI
XII
XIII
XIV
PREFACE
CONTENTS
XV
XVI
XVII
XVIII
XIX
XX
CONTENTS
VOLUME I
SIBYLLINE LEAVES
VOLUME II
VOLUME III
XXI
PREFACE
XXII
XXIII
XXIV
XXV
XXVI
CONTENTS
VOLUME II
VOLUME III
XXVII
XXVIII
XXIX
XXX
XXXI
XXXII
XXXIII
XXXIV
ADVERTISEMENT
PREFACE TO THE PRESENT EDITION [1852]
XXXV
CONTENTS
XXXVI
XXXVII
XXXVIII
XXXIX
ADVERTISEMENT
APPENDIX
XL
XLI
XLII
XLIII
XLIV
XLV
XLVI
XLVII
XLVIII
XLIX
L
LI
LII
LIII
LIV
FOOTNOTES:
BIBLIOGRAPHICAL APPENDIX
POEMS AND POETICAL FRAGMENTS.
INDEX OF FIRST LINES
TRANSCRIBER'S NOTES:
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