Free
The Complete Poetical Works of Samuel Taylor Coleridge Vol I and II
By Samuel Taylor Coleridge
Free
Book Description
Table of Contents
- THE
- EDITED
- IN TWO VOLUMES
- PREFACE
- CONTENTS OF THE TWO VOLUMES
- VOLUME I
- VOLUME II
- APPENDIX I
- APPENDIX II
- APPENDIX III
- APPENDIX IV
- APPENDIX V
- APPENDIX VI
- BIBLIOGRAPHY OF THE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE 1135
- BIBLIOGRAPHICAL APPENDIX
- VOLUME II
- APPENDIX I
- APPENDIX II
- APPENDIX III
- APPENDIX IV
- APPENDIX V
- APPENDIX VI
- BIBLIOGRAPHY OF THE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE 1135
- BIBLIOGRAPHICAL APPENDIX
- VOLUME I
- ABBREVIATIONS
- ERRATA
- POETICAL WORKS
- POEMS
- EASTER HOLIDAYS[1:1]
- VERSE 1ST
- FOOTNOTES:
- FOOTNOTES:
- VERSE 1ST
- DURA NAVIS[2:1]
- FOOTNOTES:
- NIL PEJUS EST CAELIBE VITÂ[4:1]
- I
- FOOTNOTES:
- FOOTNOTES:
- I
- SONNET[5:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- ANTHEM[5:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- JULIA[6:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- QUAE NOCENT DOCENT[7:1]
- FOOTNOTES:
- THE NOSE[8:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO THE MUSE[9:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- DESTRUCTION OF THE BASTILE[10:1]
- I
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- I
- LIFE[11:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- PROGRESS OF VICE[12:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- MONODY ON THE DEATH OF CHATTERTON[13:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- AN INVOCATION[16:1]
- FOOTNOTES:
- ANNA AND HARLAND[16:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO THE EVENING STAR[16:3]
- FOOTNOTES:
- PAIN[17:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- ON A LADY WEEPING[17:2]
- FOOTNOTES:
- MONODY ON A TEA-KETTLE[18:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- GENEVIEVE[19:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- ON RECEIVING AN ACCOUNT THAT HIS ONLY SISTER'S DEATH WAS INEVITABLE[20:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- ON SEEING A YOUTH AFFECTIONATELY WELCOMED BY A SISTER[21:1]
- FOOTNOTES:
- A MATHEMATICAL PROBLEM[21:2]
- TO THE REV. GEORGE COLERIDGE
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- TO THE REV. GEORGE COLERIDGE
- HONOUR[24:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- ON IMITATION[26:1]
- FOOTNOTES:
- INSIDE THE COACH[26:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- DEVONSHIRE ROADS[27:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- MUSIC[28:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- SONNET[29:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- ABSENCE[29:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- HAPPINESS[30:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- A WISH[33:1]
- FOOTNOTES:
- AN ODE IN THE MANNER OF ANACREON[33:2]
- FOOTNOTES:
- TO DISAPPOINTMENT[34:1]
- FOOTNOTES:
- A FRAGMENT FOUND IN A LECTURE-ROOM[35:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- ODE[35:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- A LOVER'S COMPLAINT TO HIS MISTRESS[36:1]
- FOOTNOTES:
- WITH FIELDING'S 'AMELIA'[37:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- WRITTEN AFTER A WALK BEFORE SUPPER[37:3]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- IMITATED FROM OSSIAN[38:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE COMPLAINT OF NINATHÓMA[39:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- SONGS OF THE PIXIES[40:1]
- I
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- I
- THE ROSE[45:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- KISSES[46:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE GENTLE LOOK[47:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- SONNET[48:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- FIRST DRAFT
- LINES[51:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO FORTUNE[54:1]
- TO THE EDITOR OF THE 'MORNING CHRONICLE'
- TO FORTUNE
- FOOTNOTES:
- TO FORTUNE
- FOOTNOTES:
- TO THE EDITOR OF THE 'MORNING CHRONICLE'
- PERSPIRATION. A TRAVELLING ECLOGUE[56:1]
- FOOTNOTES:
- [AVE, ATQUE VALE!][56:2]
- FOOTNOTES:
- ON BALA HILL[56:3]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- LINES[57:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- IMITATED FROM THE WELSH[58:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- LINES[58:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- IMITATIONS
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO LESBIA[60:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE DEATH OF THE STARLING[61:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- MORIENS SUPERSTITI[61:2]
- FOOTNOTES:
- MORIENTI SUPERSTES
- THE SIGH[62:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE KISS[63:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO A YOUNG LADY[64:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TRANSLATION[66:1]
- FOOTNOTES:
- TO MISS BRUNTON[67:1]
- FOOTNOTES:
- EPITAPH ON AN INFANT[68:1]
- FOOTNOTES:
- PANTISOCRACY[68:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- ON THE PROSPECT OF ESTABLISHING A PANTISOCRACY IN AMERICA[69:1]
- FOOTNOTES:
- ELEGY[69:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE FADED FLOWER[70:1]
- FOOTNOTES:
- THE OUTCAST[71:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- DOMESTIC PEACE[71:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- ON A DISCOVERY MADE TOO LATE[72:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO THE AUTHOR OF 'THE ROBBERS'[72:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- MELANCHOLY[73:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO A YOUNG ASS[74:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- LINES ON A FRIEND[76:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO A FRIEND[78:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- SONNETS ON EMINENT CHARACTERS
- I[79:2]
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- I[79:2]
- II[80:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- III[81:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- IV[82:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- V[82:3]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- VI[83:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- VII[84:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- [SECOND VERSION][85:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- VIII[85:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- IX
- FOOTNOTES:
- X[87:1]
- FOOTNOTES:
- XI[87:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO LORD STANHOPE[89:1]
- FOOTNOTES:
- TO EARL STANHOPE[89:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- LINES[90:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO AN INFANT[91:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO THE REV. W. J. HORT[92:1]
- I
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- I
- PITY[93:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO THE NIGHTINGALE[93:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- LINES[94:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- LINES IN THE MANNER OF SPENSER[94:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE HOUR WHEN WE SHALL MEET AGAIN[96:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- LINES[96:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE EOLIAN HARP[100:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO THE AUTHOR OF POEMS[102:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE SILVER THIMBLE[104:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- REFLECTIONS ON HAVING LEFT A PLACE OF RETIREMENT[106:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- RELIGIOUS MUSINGS[108:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- MONODY ON THE DEATH OF CHATTERTON[125:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE DESTINY OF NATIONS[131:1]
- FOOTNOTES:
- LITERAL TRANSLATION.
- LINENOTES:
- LITERAL TRANSLATION.
- LINENOTES:
- FOOTNOTES:
- VER PERPETUUM[148:1]
- FOOTNOTES:
- ON OBSERVING A BLOSSOM ON THE FIRST OF FEBRUARY 1796[148:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO A PRIMROSE[149:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- VERSES[150:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- ON A LATE CONNUBIAL RUPTURE IN HIGH LIFE[152:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- SONNET[152:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- SONNET[153:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- SONNET[154:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- SONNET[155:1]
- FOOTNOTES:
- TO A YOUNG FRIEND[155:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- ADDRESSED TO A YOUNG MAN OF FORTUNE[157:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO A FRIEND[158:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- ODE TO THE DEPARTING YEAR[160:1]
- ARGUMENT
- I
- FOOTNOTES:
- LINENOTES:
- I
- FOOTNOTES:
- LINENOTES:
- ARGUMENT
- THE RAVEN[169:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO AN UNFORTUNATE WOMAN AT THE THEATRE[171:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO AN UNFORTUNATE WOMAN[172:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO THE REV. GEORGE COLERIDGE[173:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- ON THE CHRISTENING OF A FRIEND'S CHILD[176:1]
- FOOTNOTES:
- TRANSLATION[177:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THIS LIME-TREE BOWER MY PRISON[178:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE FOSTER-MOTHER'S TALE[182:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE DUNGEON[185:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE RIME OF THE ANCIENT MARINER[186:1]
- ARGUMENT
- PART I
- PART II
- PART III
- PART IV
- PART V
- PART VI
- PART VII
- FOOTNOTES:
- LINENOTES:
- PART I
- PART II
- PART III
- PART IV
- PART V
- PART VI
- PART VII
- FOOTNOTES:
- LINENOTES:
- ARGUMENT
- SONNETS ATTEMPTED IN THE MANNER OF CONTEMPORARY WRITERS[209:1]
- I
- II
- III
- FOOTNOTES:
- LINENOTES:
- II
- III
- FOOTNOTES:
- LINENOTES:
- I
- PARLIAMENTARY OSCILLATORS[211:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- CHRISTABEL[213:1]
- PREFACE
- PART I
- THE CONCLUSION TO PART I
- PART II
- THE CONCLUSION TO PART II
- FOOTNOTES:
- LINENOTES:
- PART I] Book the First MS. W., S. T. C. (c), S. H.: Part the First 1828, 1829.
- PART I
- THE CONCLUSION TO PART I
- PART II
- THE CONCLUSION TO PART II
- FOOTNOTES:
- LINENOTES:
- PART I] Book the First MS. W., S. T. C. (c), S. H.: Part the First 1828, 1829.
- PREFACE
- LINES TO W. L.[236:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- FIRE, FAMINE, AND SLAUGHTER[237:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- FROST AT MIDNIGHT[240:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- FRANCE: AN ODE[243:1]
- I
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- I
- THE OLD MAN OF THE ALPS[248:1]
- FOOTNOTES:
- TO A YOUNG LADY[252:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- LEWTI[253:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- FEARS IN SOLITUDE[256:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE NIGHTINGALE[264:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE THREE GRAVES[267:1]
- [PART I—FROM MS.]
- [PART II—FROM MS.][271:3]
- PART III[276:1]
- PART IV
- FOOTNOTES:
- LINENOTES:
- [PART II—FROM MS.][271:3]
- PART III[276:1]
- PART IV
- FOOTNOTES:
- LINENOTES:
- [PART I—FROM MS.]
- THE WANDERINGS OF CAIN[285:1]
- PREFATORY NOTE
- THE WANDERINGS OF CAIN
- CANTO II
- FOOTNOTES:
- LINENOTES:
- THE WANDERINGS OF CAIN
- CANTO II
- FOOTNOTES:
- LINENOTES:
- PREFATORY NOTE
- TO ——[292:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE BALLAD OF THE DARK LADIÉ[293:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- KUBLA KHAN[295:1]:
- KUBLA KHAN
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- KUBLA KHAN
- RECANTATION[299:1]
- I
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- I
- HEXAMETERS[304:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TRANSLATION OF A PASSAGE IN OTTFRIED'S METRICAL PARAPHRASE OF THE GOSPEL
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- CATULLIAN HENDECASYLLABLES[307:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE HOMERIC HEXAMETER[307:2]
- FOOTNOTES:
- THE OVIDIAN ELEGIAC METRE
- ON A CATARACT[308:1]
- STROPHE
- ANTISTROPHE
- FOOTNOTES:
- LINENOTES:
- ANTISTROPHE
- FOOTNOTES:
- LINENOTES:
- STROPHE
- TELL'S BIRTH-PLACE[309:1]
- I
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- I
- THE VISIT OF THE GODS[310:1]
- FOOTNOTES:
- FROM THE GERMAN[311:1]
- FOOTNOTES:
- WATER BALLAD[311:2]
- FOOTNOTES:
- ON AN INFANT[312:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- SOMETHING CHILDISH, BUT VERY NATURAL[313:1]
- FOOTNOTES:
- HOME-SICK[314:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- LINES[315:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE BRITISH STRIPLING'S WAR-SONG[317:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- NAMES[318:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE DEVIL'S THOUGHTS[319:1]
- I
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- I
- LINES COMPOSED IN A CONCERT-ROOM[324:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- WESTPHALIAN SONG[326:1]
- FOOTNOTES:
- HEXAMETERS[326:2]
- FOOTNOTES:
- HYMN TO THE EARTH[327:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- MAHOMET[329:1]
- FOOTNOTES:
- LOVE[330:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- ODE TO GEORGIANA, DUCHESS OF DEVONSHIRE[335:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- A CHRISTMAS CAROL[338:1]
- I
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- I
- TALLEYRAND TO LORD GRENVILLE[340:1]
- TALLEYRAND, MINISTER OF FOREIGN AFFAIRS AT PARIS, TO LORD GRENVILLE, SECRETARY OF STATE IN GREAT BRITAIN FOR FOREIGN AFFAIRS, AUDITOR OF THE EXCHEQUER, A LORD OF TRADE, AN ELDER BROTHER OF TRINITY HOUSE, ETC.
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- TALLEYRAND, MINISTER OF FOREIGN AFFAIRS AT PARIS, TO LORD GRENVILLE, SECRETARY OF STATE IN GREAT BRITAIN FOR FOREIGN AFFAIRS, AUDITOR OF THE EXCHEQUER, A LORD OF TRADE, AN ELDER BROTHER OF TRINITY HOUSE, ETC.
- APOLOGIA PRO VITA SUA[345:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE KEEPSAKE[345:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- A THOUGHT SUGGESTED BY A VIEW[347:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE MAD MONK[347:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- INSCRIPTION FOR A SEAT BY THE ROAD SIDE HALF-WAY UP A STEEP HILL FACING SOUTH[349:1]
- FOOTNOTES:
- A STRANGER MINSTREL[350:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- ALCAEUS TO SAPPHO[353:1]
- FOOTNOTES:
- THE TWO ROUND SPACES ON THE TOMBSTONE[353:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE SNOW-DROP[356:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- ON REVISITING THE SEA-SHORE[359:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- ODE TO TRANQUILLITY[360:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO ASRA[361:1]
- FOOTNOTES:
- THE SECOND BIRTH[362:1]
- FOOTNOTES:
- LOVE'S SANCTUARY[362:2]
- FOOTNOTES:
- DEJECTION: AN ODE[362:3]
- I
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- I
- THE PICTURE[369:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO MATILDA BETHAM FROM A STRANGER[374:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- HYMN BEFORE SUN-RISE, IN THE VALE OF CHAMOUNI[376:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE GOOD, GREAT MAN[381:1]
- REPLY TO THE ABOVE
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- REPLY TO THE ABOVE
- INSCRIPTION FOR A FOUNTAIN ON A HEATH[381:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- AN ODE TO THE RAIN[382:2]
- I
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- I
- A DAY-DREAM[385:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- ANSWER TO A CHILD'S QUESTION[386:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE DAY-DREAM[386:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE HAPPY HUSBAND[388:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE PAINS OF SLEEP[389:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE EXCHANGE[391:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- AD VILMUM AXIOLOGUM[391:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- AN EXILE[392:1]
- FOOTNOTES:
- SONNET[392:2]
- FOOTNOTES:
- PHANTOM[393:1]
- FOOTNOTES:
- A SUNSET[393:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- WHAT IS LIFE?[394:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE BLOSSOMING OF THE SOLITARY DATE-TREE[395:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- SEPARATION[397:1]
- FOOTNOTES:
- THE RASH CONJURER[399:1]
- FOOTNOTES:
- A CHILD'S EVENING PRAYER[401:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- METRICAL FEET[401:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- FAREWELL TO LOVE[402:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO WILLIAM WORDSWORTH[403:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- AN ANGEL VISITANT[409:1]
- FOOTNOTES:
- RECOLLECTIONS OF LOVE[409:2]
- I
- FOOTNOTES:
- FOOTNOTES:
- I
- TO TWO SISTERS[410:1]
- FOOTNOTES:
- PSYCHE[412:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- A TOMBLESS EPITAPH[413:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- FOR A MARKET-CLOCK[414:1]
- FOOTNOTES:
- THE MADMAN AND THE LETHARGIST[414:2]
- FOOTNOTES:
- THE VISIONARY HOPE[416:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- EPITAPH ON AN INFANT[417:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE VIRGIN'S CRADLE-HYMN[417:2]
- ENGLISH[417:3]
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- ENGLISH[417:3]
- TO A LADY[418:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- REASON FOR LOVE'S BLINDNESS[418:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE SUICIDE'S ARGUMENT[419:1]
- NATURE'S ANSWER
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- NATURE'S ANSWER
- TIME, REAL AND IMAGINARY[419:2]
- FOOTNOTES:
- AN INVOCATION[420:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE NIGHT-SCENE[421:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- A HYMN[423:1]
- FOOTNOTES:
- TO A LADY[424:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- HUMAN LIFE[425:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- SONG[426:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- HUNTING SONG[427:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- FAITH, HOPE, AND CHARITY[427:2]
- FAITH
- CHARITY
- HOPE
- ALL
- CHARITY AND FAITH
- CHARITY
- HOPE. FAITH
- CHARITY. HOPE
- FAITH
- FAITH. HOPE. CHARITY
- FOOTNOTES:
- CHARITY
- HOPE
- ALL
- CHARITY AND FAITH
- CHARITY
- HOPE. FAITH
- CHARITY. HOPE
- FAITH
- FAITH. HOPE. CHARITY
- FOOTNOTES:
- FAITH
- TO NATURE[429:1]
- FOOTNOTES:
- LIMBO[429:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- NE PLUS ULTRA[431:1]
- FOOTNOTES:
- THE KNIGHT'S TOMB[432:1]
- FOOTNOTES:
- ON DONNE'S POETRY[433:1]
- FOOTNOTES:
- ISRAEL'S LAMENT[433:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- FANCY IN NUBIBUS[435:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE TEARS OF A GRATEFUL PEOPLE[436:1]
- FOOTNOTES:
- YOUTH AND AGE[439:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE REPROOF AND REPLY[441:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- FIRST ADVENT OF LOVE[443:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE DELINQUENT TRAVELLERS[443:3]
- FOOTNOTES:
- WORK WITHOUT HOPE[447:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- SANCTI DOMINICI PALLIUM[448:1]
- POET
- FRIEND
- FRIEND
- POET
- FOOTNOTES:
- LINENOTES:
- FRIEND
- FRIEND
- POET
- FOOTNOTES:
- LINENOTES:
- POET
- SONG[450:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- A CHARACTER[451:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE TWO FOUNTS[454:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- CONSTANCY TO AN IDEAL OBJECT[455:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE PANG MORE SHARP THAN ALL[457:1]
- I
- FOOTNOTES:
- FOOTNOTES:
- I
- DUTY SURVIVING SELF-LOVE[459:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- HOMELESS[460:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- LINES[460:2]
- REFLECTION ON THE ABOVE
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- REFLECTION ON THE ABOVE
- EPITAPHIUM TESTAMENTARIUM[462:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE IMPROVISATORE[462:3]
- FOOTNOTES:
- TO MARY PRIDHAM[468:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- ALICE DU CLOS[469:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- LOVE'S BURIAL-PLACE[475:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- LINES[476:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- COLOGNE[477:1]
- FOOTNOTES:
- ON MY JOYFUL DEPARTURE[477:5]
- FOOTNOTES:
- THE GARDEN OF BOCCACCIO[478:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- LOVE, HOPE, AND PATIENCE IN EDUCATION[481:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- TO MISS A. T.[482:1]
- FOOTNOTES:
- LINES[483:1]
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LOVE AND FRIENDSHIP OPPOSITE[484:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- NOT AT HOME[484:2]
- FOOTNOTES:
- PHANTOM OR FACT[484:3]
- AUTHOR
- FRIEND
- AUTHOR
- FOOTNOTES:
- FRIEND
- AUTHOR
- FOOTNOTES:
- AUTHOR
- DESIRE[485:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- CHARITY IN THOUGHT[486:1]
- FOOTNOTES:
- HUMILITY THE MOTHER OF CHARITY[486:2]
- FOOTNOTES:
- [COELI ENARRANT][486:3]
- FOOTNOTES:
- REASON[487:1]
- FOOTNOTES:
- SELF-KNOWLEDGE[487:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- FORBEARANCE[488:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- LOVE'S APPARITION AND EVANISHMENT[488:3]
- L'ENVOY
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- L'ENVOY
- TO THE YOUNG ARTIST[490:1]
- FOOTNOTES:
- MY BAPTISMAL BIRTH-DAY[490:2]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- EPITAPH[491:1]
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- THE
- EDITED
- IN TWO VOLUMES
- HENRY FROWDE, M.A. PUBLISHER TO THE UNIVERSITY OF OXFORD LONDON, EDINBURGH, NEW YORK TORONTO AND MELBOURNE
- IN TWO VOLUMES
- HENRY FROWDE, M.A. PUBLISHER TO THE UNIVERSITY OF OXFORD LONDON, EDINBURGH, NEW YORK TORONTO AND MELBOURNE
- EDITED
- CONTENTS OF VOL. II
- DRAMATIC WORKS
- EPIGRAMS 951
- JEUX D'ESPRIT 976
- METRICAL EXPERIMENTS 1014
- APPENDIX I
- APPENDIX II
- APPENDIX III
- APPENDIX IV
- APPENDIX V
- APPENDIX VI
- BIBLIOGRAPHY OF THE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE 1135
- BIBLIOGRAPHICAL APPENDIX
- INDEX OF FIRST LINES 1189
- ERRATA
- EPIGRAMS 951
- JEUX D'ESPRIT 976
- METRICAL EXPERIMENTS 1014
- APPENDIX I
- APPENDIX II
- APPENDIX III
- APPENDIX IV
- APPENDIX V
- APPENDIX VI
- BIBLIOGRAPHY OF THE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE 1135
- BIBLIOGRAPHICAL APPENDIX
- INDEX OF FIRST LINES 1189
- ERRATA
- DRAMATIC WORKS
- DRAMATIC WORKS
- THE FALL OF ROBESPIERRE[495:1]
- TO
- DEAR SIR,
- FOOTNOTES:
- DEAR SIR,
- FOOTNOTES:
- TO
- ACT I
- SCENE—The Thuilleries.
- FOOTNOTES:
- FOOTNOTES:
- SCENE—The Thuilleries.
- ACT II
- SCENE—The Convention.
- ACT III
- SCENE CONTINUES.
- OSORIO
- DRAMATIS PERSONAE
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- DRAMATIS PERSONAE
- ACT THE FIRST[519:1]
- SCENE—The sea shore on the coast of Granada.
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- SCENE—The sea shore on the coast of Granada.
- ACT THE SECOND
- SCENE THE FIRST.—A wild and mountainous country. OSORIO and FERDINAND are discovered at a little distance from a house, which stands under the brow of a slate rock, the rock covered with vines.
- LINENOTES:
- SCENE II.
- LINENOTES:
- SCENE II.
- SCENE THE FIRST.—A wild and mountainous country. OSORIO and FERDINAND are discovered at a little distance from a house, which stands under the brow of a slate rock, the rock covered with vines.
- ACT THE THIRD
- SCENE THE FIRST.—A hall of armory, with an altar in the part farthest from the stage.
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- SCENE THE FIRST.—A hall of armory, with an altar in the part farthest from the stage.
- ACT THE FOURTH
- SCENE THE FIRST.—A cavern, dark except where a gleam of moonlight is seen on one side of the further end of it, supposed to be cast on it from a cranny [crevice Remorse] in a part of the cavern out of sight.
- FOOTNOTES:
- LINENOTES:
- SCENE III
- FOOTNOTES:
- LINENOTES:
- SCENE III
- SCENE THE FIRST.—A cavern, dark except where a gleam of moonlight is seen on one side of the further end of it, supposed to be cast on it from a cranny [crevice Remorse] in a part of the cavern out of sight.
- ACT THE FIFTH
- SCENE THE FIRST.—The Sea Shore.
- SCENE.—A Dungeon.
- FOOTNOTES:
- LINENOTES:
- SCENE.—A Dungeon.
- FOOTNOTES:
- LINENOTES:
- SCENE THE FIRST.—The Sea Shore.
- THE PICCOLOMINI[598:1]
- PREFACE TO THE FIRST EDITION
- FOOTNOTES:
- FOOTNOTES:
- PREFACE TO THE FIRST EDITION
- THE PICCOLOMINI[600:1]
- ACT I
- SCENE I
- FOOTNOTES:
- DRAMATIS PERSONAE
- LINENOTES:
- SCENE II
- FOOTNOTES:
- LINENOTES:
- SCENE III
- LINENOTES:
- SCENE IV
- FOOTNOTES:
- LINENOTES:
- SCENE V
- LINENOTES:
- SCENE VI
- LINENOTES:
- SCENE VII
- LINENOTES:
- SCENE VIII
- LINENOTES:
- SCENE IX
- LINENOTES:
- SCENE X
- FOOTNOTES:
- LINENOTES:
- SCENE XI
- FOOTNOTES:
- LINENOTES:
- SCENE XII
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- DRAMATIS PERSONAE
- LINENOTES:
- SCENE II
- FOOTNOTES:
- LINENOTES:
- SCENE III
- LINENOTES:
- SCENE IV
- FOOTNOTES:
- LINENOTES:
- SCENE V
- LINENOTES:
- SCENE VI
- LINENOTES:
- SCENE VII
- LINENOTES:
- SCENE VIII
- LINENOTES:
- SCENE IX
- LINENOTES:
- SCENE X
- FOOTNOTES:
- LINENOTES:
- SCENE XI
- FOOTNOTES:
- LINENOTES:
- SCENE XII
- FOOTNOTES:
- LINENOTES:
- SCENE I
- ACT II
- SCENE I
- LINENOTES:
- SCENE II
- FOOTNOTES:
- LINENOTES:
- SCENE III
- FOOTNOTES:
- LINENOTES:
- SCENE IV
- FOOTNOTES:
- LINENOTES:
- SCENE V
- FOOTNOTES:
- LINENOTES:
- SCENE VI
- FOOTNOTES:
- LITERAL TRANSLATION.
- BALLAD.
- LINENOTES:
- SCENE VII
- FOOTNOTES:
- LINENOTES:
- SCENE VIII
- LINENOTES:
- SCENE IX
- SCENE X
- SCENE XI
- LINENOTES:
- SCENE XII
- FOOTNOTES:
- LINENOTES:
- SCENE XIII
- LINENOTES:
- SCENE XIV
- LINENOTES:
- LINENOTES:
- SCENE II
- FOOTNOTES:
- LINENOTES:
- SCENE III
- FOOTNOTES:
- LINENOTES:
- SCENE IV
- FOOTNOTES:
- LINENOTES:
- SCENE V
- FOOTNOTES:
- LINENOTES:
- SCENE VI
- FOOTNOTES:
- LITERAL TRANSLATION.
- BALLAD.
- LINENOTES:
- SCENE VII
- FOOTNOTES:
- LINENOTES:
- SCENE VIII
- LINENOTES:
- SCENE IX
- SCENE X
- SCENE XI
- LINENOTES:
- SCENE XII
- FOOTNOTES:
- LINENOTES:
- SCENE XIII
- LINENOTES:
- SCENE XIV
- LINENOTES:
- SCENE I
- ACT III
- SCENE I
- LINENOTES:
- SCENE II
- LINENOTES:
- SCENE III
- LINENOTES:
- LINENOTES:
- SCENE II
- LINENOTES:
- SCENE III
- LINENOTES:
- SCENE I
- ACT IV
- SCENE I
- LINENOTES:
- SCENE II
- SCENE III
- LINENOTES:
- SCENE IV
- LINENOTES:
- SCENE V
- FOOTNOTES:
- LINENOTES:
- SCENE VI
- LINENOTES:
- SCENE VII
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- SCENE II
- SCENE III
- LINENOTES:
- SCENE IV
- LINENOTES:
- SCENE V
- FOOTNOTES:
- LINENOTES:
- SCENE VI
- LINENOTES:
- SCENE VII
- FOOTNOTES:
- LINENOTES:
- SCENE I
- ACT V
- SCENE I
- LINENOTES:
- SCENE II
- LINENOTES:
- SCENE III
- LINENOTES:
- SCENE IV
- LINENOTES:
- SCENE V
- FOOTNOTES:
- LINENOTES:
- SCENE VI
- LINENOTES:
- LINENOTES:
- SCENE II
- LINENOTES:
- SCENE III
- LINENOTES:
- SCENE IV
- LINENOTES:
- SCENE V
- FOOTNOTES:
- LINENOTES:
- SCENE VI
- LINENOTES:
- SCENE I
- THE DEATH OF WALLENSTEIN
- PREFACE OF THE TRANSLATOR TO THE FIRST EDITION
- LINENOTES:
- DRAMATIS PERSONAE
- DRAMATIS PERSONAE
- LINENOTES:
- THE DEATH OF WALLENSTEIN
- ACT I
- SCENE I
- LINENOTES:
- SCENE II
- LINENOTES:
- SCENE III
- LINENOTES:
- SCENE IV
- LINENOTES:
- SCENE V
- SCENE VI
- LINENOTES:
- SCENE VII
- LINENOTES:
- SCENE VIII
- LINENOTES:
- SCENE IX
- SCENE X
- LINENOTES:
- SCENE XI
- SCENE XII
- LINENOTES:
- LINENOTES:
- SCENE II
- LINENOTES:
- SCENE III
- LINENOTES:
- SCENE IV
- LINENOTES:
- SCENE V
- SCENE VI
- LINENOTES:
- SCENE VII
- LINENOTES:
- SCENE VIII
- LINENOTES:
- SCENE IX
- SCENE X
- LINENOTES:
- SCENE XI
- SCENE XII
- LINENOTES:
- SCENE I
- ACT II
- SCENE I
- LINENOTES:
- SCENE II
- SCENE III
- FOOTNOTES:
- LINENOTES:
- SCENE IV
- SCENE V
- LINENOTES:
- SCENE VI
- FOOTNOTES:
- LINENOTES:
- SCENE VII
- SCENE VIII
- LINENOTES:
- SCENE IX
- LINENOTES:
- SCENE X
- SCENE XI
- LINENOTES:
- LINENOTES:
- SCENE II
- SCENE III
- FOOTNOTES:
- LINENOTES:
- SCENE IV
- SCENE V
- LINENOTES:
- SCENE VI
- FOOTNOTES:
- LINENOTES:
- SCENE VII
- SCENE VIII
- LINENOTES:
- SCENE IX
- LINENOTES:
- SCENE X
- SCENE XI
- LINENOTES:
- SCENE I
- ACT III
- SCENE I
- LINENOTES:
- SCENE II
- LINENOTES:
- SCENE III
- LINENOTES:
- SCENE IV
- SCENE V
- LINENOTES:
- SCENE VI
- LINENOTES:
- SCENE VII
- LINENOTES:
- SCENE VIII
- FOOTNOTES:
- LINENOTES:
- SCENE IX
- LINENOTES:
- LINENOTES:
- SCENE II
- LINENOTES:
- SCENE III
- LINENOTES:
- SCENE IV
- SCENE V
- LINENOTES:
- SCENE VI
- LINENOTES:
- SCENE VII
- LINENOTES:
- SCENE VIII
- FOOTNOTES:
- LINENOTES:
- SCENE IX
- LINENOTES:
- SCENE I
- ACT IV
- SCENE I
- SCENE II
- LINENOTES:
- SCENE III
- LINENOTES:
- SCENE IV
- LINENOTES:
- SCENE V
- LINENOTES:
- SCENE VI
- FOOTNOTES:
- LINENOTES:
- SCENE II
- LINENOTES:
- SCENE III
- LINENOTES:
- SCENE IV
- LINENOTES:
- SCENE V
- LINENOTES:
- SCENE VI
- FOOTNOTES:
- LINENOTES:
- SCENE I
- ACT V
- SCENE I
- FOOTNOTES:
- LINENOTES:
- SCENE II
- SCENE III
- LINENOTES:
- SCENE IV
- LINENOTES:
- SCENE V
- SCENE VI
- SCENE VII
- LINENOTES:
- SCENE VIII
- LINENOTES:
- SCENE IX
- LINENOTES:
- SCENE X
- LINENOTES:
- THE PICCOLOMINI.
- THE DEATH OF WALLENSTEIN.
- FOOTNOTES:
- LINENOTES:
- SCENE II
- SCENE III
- LINENOTES:
- SCENE IV
- LINENOTES:
- SCENE V
- SCENE VI
- SCENE VII
- LINENOTES:
- SCENE VIII
- LINENOTES:
- SCENE IX
- LINENOTES:
- SCENE X
- LINENOTES:
- THE PICCOLOMINI.
- THE DEATH OF WALLENSTEIN.
- SCENE I
- REMORSE[812:1]
- PREFACE
- FOOTNOTES:
- PROLOGUE
- FOOTNOTES:
- EPILOGUE
- REMORSE[819:1]
- DRAMATIS PERSONAE
- FOOTNOTES:
- FOOTNOTES:
- DRAMATIS PERSONAE
- ACT I
- SCENE I
- FOOTNOTES:
- LINENOTES:
- SCENE II
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- SCENE II
- FOOTNOTES:
- LINENOTES:
- SCENE I
- ACT II
- SCENE I
- LINENOTES:
- SCENE II
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- SCENE II
- FOOTNOTES:
- LINENOTES:
- SCENE I
- ACT III
- SCENE I
- LINENOTES:
- SCENE II
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- SCENE II
- FOOTNOTES:
- LINENOTES:
- SCENE I
- ACT IV
- SCENE I
- FOOTNOTES:
- LINENOTES:
- SCENE II
- FOOTNOTES:
- LINENOTES:
- SCENE III
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- SCENE II
- FOOTNOTES:
- LINENOTES:
- SCENE III
- LINENOTES:
- SCENE I
- ACT V
- SCENE I
- LINENOTES:
- LINENOTES:
- SCENE I
- APPENDIX
- ZAPOLYA[883:1]
- ADVERTISEMENT
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- ADVERTISEMENT
- PART I
- CHARACTERS
- SCENE I
- LINENOTES:
- SCENE I
- LINENOTES:
- CHARACTERS
- PART II
- ADDITIONAL CHARACTERS
- USURPATION ENDED; OR, SHE COMES AGAIN
- ACT I
- SCENE I
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- SCENE I
- ACT II
- SCENE I
- SONG
- LINENOTES:
- SONG
- LINENOTES:
- SCENE I
- ACT III
- SCENE I
- LINENOTES:
- LINENOTES:
- SCENE I
- ACT IV
- SCENE I
- SCENE.—Chamber in CASIMIR'S Castle. Confederates discovered.
- LINENOTES:
- SCENE.—Chamber in CASIMIR'S Castle. Confederates discovered.
- LINENOTES:
- SCENE I
- EPIGRAMS[951:1]
- LINENOTES:
- LINENOTES:
- LINENOTES:
- LINENOTES:
- ANOTHER VERSION
- OBIIT SATURDAY, SEPT. 10, 1830.
- ANOTHER VERSION
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- LINENOTES:
- ANOTHER VERSION
- OBIIT SATURDAY, SEPT. 10, 1830.
- ANOTHER VERSION
- FOOTNOTES:
- LINENOTES:
- JEUX D'ESPRIT
- LINENOTES:
- A.
- B.
- A.
- B.
- LINENOTES:
- FOOTNOTES:
- A.
- B.
- A.
- B.
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- FRAGMENTS FROM A NOTEBOOK[988:1]
- LINENOTES:
- LINENOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- FRAGMENTS[996:1]
- ANOTHER VERSION
- LINENOTES:
- ANOTHER ON THE SAME SUBJECT BY S. T. C. HIMSELF
- FOOTNOTES:
- LINENOTES:
- ANOTHER ON THE SAME SUBJECT BY S. T. C. HIMSELF
- FOOTNOTES:
- ANOTHER VERSION
- METRICAL EXPERIMENTS[1014:1]
- NOTES BY PROFESSOR SAINTSBURY
- FOOTNOTES:
- FOOTNOTES:
- NOTES BY PROFESSOR SAINTSBURY
- APPENDIX I
- A
- EFFUSION 35
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- EFFUSION 35
- B
- FOOTNOTES:
- C
- [DRAFT I]
- [DRAFT II]
- LINENOTES:
- [DRAFT III]
- [DRAFT II]
- LINENOTES:
- [DRAFT III]
- [DRAFT I]
- D
- BOOK I, ll. 33-51.
- BOOK III, ll. 73-82.
- BOOK IV, ll. 328-336.
- FOOTNOTES:
- LINENOTES:
- BOOK III, ll. 73-82.
- BOOK IV, ll. 328-336.
- FOOTNOTES:
- LINENOTES:
- BOOK I, ll. 33-51.
- E
- ARGUMENT
- I.
- II.
- III.
- IV.
- V.
- VI.
- FIRST VOICE.
- SECOND VOICE.
- FIRST VOICE.
- SECOND VOICE.
- VII.
- FOOTNOTES:
- LINENOTES:
- I.
- II.
- III.
- IV.
- V.
- VI.
- FIRST VOICE.
- SECOND VOICE.
- FIRST VOICE.
- SECOND VOICE.
- VII.
- FOOTNOTES:
- LINENOTES:
- F
- ARGUMENT
- G
- LEWTI; OR THE CIRCASSIAN'S LOVE-CHANT
- FOOTNOTES:
- FOOTNOTES:
- LEWTI; OR THE CIRCASSIAN'S LOVE-CHANT
- H
- TO THE EDITOR OF THE MORNING POST.
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- TO THE EDITOR OF THE MORNING POST.
- I
- LONDON.
- FOOTNOTES:
- DRAMATIS PERSONÆ.
- Scene, partly at the Country seat of Donna Oropeza, and partly in Pampilona [sic], the Capital of Navarre.
- FOOTNOTES:
- DRAMATIS PERSONÆ.
- Scene, partly at the Country seat of Donna Oropeza, and partly in Pampilona [sic], the Capital of Navarre.
- LONDON.
- THE TRIUMPH OF LOYALTY
- SCENE I. A cultivated Plain, skirted on the Left by a Wood. The Pyrenees are visible in the distance. Small knots of Soldiers all in the military Dress of the middle Ages are seen passing across the Stage. Then
- LINENOTES:
- LINENOTES:
- SCENE I. A cultivated Plain, skirted on the Left by a Wood. The Pyrenees are visible in the distance. Small knots of Soldiers all in the military Dress of the middle Ages are seen passing across the Stage. Then
- J
- K
- LINENOTES:
- DEJECTION:
- I
- II
- III
- IV
- VIII
- IX
- FOOTNOTES:
- LINENOTES:
- DEJECTION:
- I
- II
- III
- IV
- VIII
- IX
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- L
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- M
- ARIA SPONTANEA
- MS. II
- MS. II
- ARIA SPONTANEA
- N
- [FIRST DRAFT]
- FOOTNOTES:
- FOOTNOTES:
- [FIRST DRAFT]
- O
- FOOTNOTES:
- P
- FOOTNOTES:
- Q
- FOOTNOTES:
- R[1090:2]
- FOOTNOTES:
- APPENDIX II
- FOOTNOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
- APPENDIX III
- APOLOGETIC PREFACE TO 'FIRE, FAMINE, AND SLAUGHTER'[1097:1]
- FOOTNOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
- APOLOGETIC PREFACE TO 'FIRE, FAMINE, AND SLAUGHTER'[1097:1]
- APPENDIX IV
- A
- B
- C
- FOOTNOTES:
- D
- E
- TO THOMAS POOLE, OF STOWEY.
- FOOTNOTES:
- FOOTNOTES:
- TO THOMAS POOLE, OF STOWEY.
- F
- APPENDIX V
- MOTTO TO 'A LAY SERMON', 1817
- MUTUAL PASSION
- THE HOUR-GLASS
- MUTUAL PASSION
- THE HOUR-GLASS
- MOTTO TO 'A LAY SERMON', 1817
- APPENDIX VI
- A
- B
- DAS DISTICHON
- C
- D
- E
- F
- G
- H
- I
- J
- K
- B
- DAS DISTICHON
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- FEDE.
- CARITÀ.
- SPERANZA.
- FE. SP. CA.
- CA. FE.
- FE. SP.
- CA.
- SP. FE.
- CA. SP.
- FE.
- FE. SP. CA.
- Q
- M
- N
- O
- P
- FEDE.
- CARITÀ.
- SPERANZA.
- FE. SP. CA.
- CA. FE.
- FE. SP.
- CA.
- SP. FE.
- CA. SP.
- FE.
- FE. SP. CA.
- Q
- A
- BIBLIOGRAPHY
- I
- II
- PREFACE
- NOTES ATTACHED TO A FIRST DRAFT OF THE PREFACE TO THE FIRST EDITION [MS. R]
- CONTENTS
- III
- [INTRODUCTION]
- [SONNETS]
- IV
- V
- CONTENTS
- SONNETS.
- SUPPLEMENT.
- PREFACE TO THE FIRST EDITION
- P. [69].
- VI
- VII
- VIII
- IX
- X
- XI
- XII
- XIII
- XIV
- PREFACE
- CONTENTS
- XV
- XVI
- XVII
- XVIII
- XIX
- XX
- CONTENTS
- VOLUME I
- SIBYLLINE LEAVES
- VOLUME II
- VOLUME III
- XXI
- PREFACE
- XXII
- XXIII
- XXIV
- XXV
- XXVI
- CONTENTS
- VOLUME II
- VOLUME III
- XXVII
- XXVIII
- XXIX
- XXX
- XXXI
- XXXII
- XXXIII
- XXXIV
- ADVERTISEMENT
- PREFACE TO THE PRESENT EDITION [1852]
- XXXV
- CONTENTS
- XXXVI
- XXXVII
- XXXVIII
- XXXIX
- ADVERTISEMENT
- APPENDIX
- XL
- XLI
- XLII
- XLIII
- XLIV
- XLV
- XLVI
- XLVII
- XLVIII
- XLIX
- L
- LI
- LII
- LIII
- LIV
- FOOTNOTES:
- II
- PREFACE
- NOTES ATTACHED TO A FIRST DRAFT OF THE PREFACE TO THE FIRST EDITION [MS. R]
- CONTENTS
- III
- [INTRODUCTION]
- [SONNETS]
- IV
- V
- CONTENTS
- SONNETS.
- SUPPLEMENT.
- PREFACE TO THE FIRST EDITION
- P. [69].
- VI
- VII
- VIII
- IX
- X
- XI
- XII
- XIII
- XIV
- PREFACE
- CONTENTS
- XV
- XVI
- XVII
- XVIII
- XIX
- XX
- CONTENTS
- VOLUME I
- SIBYLLINE LEAVES
- VOLUME II
- VOLUME III
- XXI
- PREFACE
- XXII
- XXIII
- XXIV
- XXV
- XXVI
- CONTENTS
- VOLUME II
- VOLUME III
- XXVII
- XXVIII
- XXIX
- XXX
- XXXI
- XXXII
- XXXIII
- XXXIV
- ADVERTISEMENT
- PREFACE TO THE PRESENT EDITION [1852]
- XXXV
- CONTENTS
- XXXVI
- XXXVII
- XXXVIII
- XXXIX
- ADVERTISEMENT
- APPENDIX
- XL
- XLI
- XLII
- XLIII
- XLIV
- XLV
- XLVI
- XLVII
- XLVIII
- XLIX
- L
- LI
- LII
- LIII
- LIV
- FOOTNOTES:
- I
- BIBLIOGRAPHICAL APPENDIX
- POEMS AND POETICAL FRAGMENTS.
- INDEX OF FIRST LINES
- TRANSCRIBER'S NOTES:
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