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The Complete Poetical Works of Samuel Taylor Coleridge Vol I and II

By Samuel Taylor Coleridge
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Book Description
Table of Contents
  • THE
  • EDITED
    • IN TWO VOLUMES
  • PREFACE
  • CONTENTS OF THE TWO VOLUMES
    • VOLUME I
      • VOLUME II
      • APPENDIX I
      • APPENDIX II
      • APPENDIX III
      • APPENDIX IV
      • APPENDIX V
      • APPENDIX VI
      • BIBLIOGRAPHY OF THE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE 1135
      • BIBLIOGRAPHICAL APPENDIX
    • VOLUME II
    • APPENDIX I
    • APPENDIX II
    • APPENDIX III
    • APPENDIX IV
    • APPENDIX V
    • APPENDIX VI
    • BIBLIOGRAPHY OF THE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE 1135
    • BIBLIOGRAPHICAL APPENDIX
  • ABBREVIATIONS
  • ERRATA
  • POETICAL WORKS
    • POEMS
  • EASTER HOLIDAYS[1:1]
    • VERSE 1ST
      • FOOTNOTES:
    • FOOTNOTES:
  • DURA NAVIS[2:1]
    • FOOTNOTES:
  • NIL PEJUS EST CAELIBE VITÂ[4:1]
    • I
      • FOOTNOTES:
    • FOOTNOTES:
  • SONNET[5:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • ANTHEM[5:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • JULIA[6:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • QUAE NOCENT DOCENT[7:1]
    • FOOTNOTES:
  • THE NOSE[8:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO THE MUSE[9:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • DESTRUCTION OF THE BASTILE[10:1]
    • I
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • LIFE[11:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • PROGRESS OF VICE[12:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • MONODY ON THE DEATH OF CHATTERTON[13:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • AN INVOCATION[16:1]
    • FOOTNOTES:
  • ANNA AND HARLAND[16:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO THE EVENING STAR[16:3]
    • FOOTNOTES:
  • PAIN[17:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • ON A LADY WEEPING[17:2]
    • FOOTNOTES:
  • MONODY ON A TEA-KETTLE[18:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • GENEVIEVE[19:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • ON RECEIVING AN ACCOUNT THAT HIS ONLY SISTER'S DEATH WAS INEVITABLE[20:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • ON SEEING A YOUTH AFFECTIONATELY WELCOMED BY A SISTER[21:1]
    • FOOTNOTES:
  • A MATHEMATICAL PROBLEM[21:2]
    • TO THE REV. GEORGE COLERIDGE
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • HONOUR[24:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • ON IMITATION[26:1]
    • FOOTNOTES:
  • INSIDE THE COACH[26:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • DEVONSHIRE ROADS[27:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • MUSIC[28:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • SONNET[29:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • ABSENCE[29:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • HAPPINESS[30:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • A WISH[33:1]
    • FOOTNOTES:
  • AN ODE IN THE MANNER OF ANACREON[33:2]
    • FOOTNOTES:
  • TO DISAPPOINTMENT[34:1]
    • FOOTNOTES:
  • A FRAGMENT FOUND IN A LECTURE-ROOM[35:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • ODE[35:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • A LOVER'S COMPLAINT TO HIS MISTRESS[36:1]
    • FOOTNOTES:
  • WITH FIELDING'S 'AMELIA'[37:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • WRITTEN AFTER A WALK BEFORE SUPPER[37:3]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • IMITATED FROM OSSIAN[38:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE COMPLAINT OF NINATHÓMA[39:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • SONGS OF THE PIXIES[40:1]
    • I
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • THE ROSE[45:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • KISSES[46:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE GENTLE LOOK[47:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • SONNET[48:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • FIRST DRAFT
  • LINES[51:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO FORTUNE[54:1]
    • TO THE EDITOR OF THE 'MORNING CHRONICLE'
      • TO FORTUNE
      • FOOTNOTES:
    • TO FORTUNE
    • FOOTNOTES:
  • PERSPIRATION. A TRAVELLING ECLOGUE[56:1]
    • FOOTNOTES:
  • [AVE, ATQUE VALE!][56:2]
    • FOOTNOTES:
  • ON BALA HILL[56:3]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • LINES[57:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • IMITATED FROM THE WELSH[58:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • LINES[58:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • IMITATIONS
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO LESBIA[60:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE DEATH OF THE STARLING[61:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • MORIENS SUPERSTITI[61:2]
    • FOOTNOTES:
  • MORIENTI SUPERSTES
  • THE SIGH[62:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE KISS[63:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO A YOUNG LADY[64:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TRANSLATION[66:1]
    • FOOTNOTES:
  • TO MISS BRUNTON[67:1]
    • FOOTNOTES:
  • EPITAPH ON AN INFANT[68:1]
    • FOOTNOTES:
  • PANTISOCRACY[68:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • ON THE PROSPECT OF ESTABLISHING A PANTISOCRACY IN AMERICA[69:1]
    • FOOTNOTES:
  • ELEGY[69:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE FADED FLOWER[70:1]
    • FOOTNOTES:
  • THE OUTCAST[71:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • DOMESTIC PEACE[71:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • ON A DISCOVERY MADE TOO LATE[72:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO THE AUTHOR OF 'THE ROBBERS'[72:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • MELANCHOLY[73:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO A YOUNG ASS[74:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • LINES ON A FRIEND[76:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO A FRIEND[78:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • SONNETS ON EMINENT CHARACTERS
    • I[79:2]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • II[80:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • III[81:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • IV[82:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • V[82:3]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • VI[83:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • VII[84:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • [SECOND VERSION][85:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • VIII[85:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • IX
    • FOOTNOTES:
  • X[87:1]
    • FOOTNOTES:
  • XI[87:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO LORD STANHOPE[89:1]
    • FOOTNOTES:
  • TO EARL STANHOPE[89:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • LINES[90:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO AN INFANT[91:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO THE REV. W. J. HORT[92:1]
    • I
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • PITY[93:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO THE NIGHTINGALE[93:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • LINES[94:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • LINES IN THE MANNER OF SPENSER[94:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE HOUR WHEN WE SHALL MEET AGAIN[96:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • LINES[96:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE EOLIAN HARP[100:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO THE AUTHOR OF POEMS[102:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE SILVER THIMBLE[104:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • REFLECTIONS ON HAVING LEFT A PLACE OF RETIREMENT[106:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • RELIGIOUS MUSINGS[108:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • MONODY ON THE DEATH OF CHATTERTON[125:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE DESTINY OF NATIONS[131:1]
    • FOOTNOTES:
      • LITERAL TRANSLATION.
      • LINENOTES:
    • LITERAL TRANSLATION.
    • LINENOTES:
  • VER PERPETUUM[148:1]
    • FOOTNOTES:
  • ON OBSERVING A BLOSSOM ON THE FIRST OF FEBRUARY 1796[148:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO A PRIMROSE[149:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • VERSES[150:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • ON A LATE CONNUBIAL RUPTURE IN HIGH LIFE[152:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • SONNET[152:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • SONNET[153:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • SONNET[154:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • SONNET[155:1]
    • FOOTNOTES:
  • TO A YOUNG FRIEND[155:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • ADDRESSED TO A YOUNG MAN OF FORTUNE[157:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO A FRIEND[158:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • ODE TO THE DEPARTING YEAR[160:1]
    • ARGUMENT
      • I
      • FOOTNOTES:
      • LINENOTES:
    • I
    • FOOTNOTES:
    • LINENOTES:
  • THE RAVEN[169:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO AN UNFORTUNATE WOMAN AT THE THEATRE[171:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO AN UNFORTUNATE WOMAN[172:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO THE REV. GEORGE COLERIDGE[173:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • ON THE CHRISTENING OF A FRIEND'S CHILD[176:1]
    • FOOTNOTES:
  • TRANSLATION[177:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THIS LIME-TREE BOWER MY PRISON[178:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE FOSTER-MOTHER'S TALE[182:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE DUNGEON[185:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE RIME OF THE ANCIENT MARINER[186:1]
    • ARGUMENT
      • PART I
      • PART II
      • PART III
      • PART IV
      • PART V
      • PART VI
      • PART VII
      • FOOTNOTES:
      • LINENOTES:
    • PART I
    • PART II
    • PART III
    • PART IV
    • PART V
    • PART VI
    • PART VII
    • FOOTNOTES:
    • LINENOTES:
  • SONNETS ATTEMPTED IN THE MANNER OF CONTEMPORARY WRITERS[209:1]
    • I
      • II
      • III
      • FOOTNOTES:
      • LINENOTES:
    • II
    • III
    • FOOTNOTES:
    • LINENOTES:
  • PARLIAMENTARY OSCILLATORS[211:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • CHRISTABEL[213:1]
    • PREFACE
      • PART I
      • THE CONCLUSION TO PART I
      • PART II
      • THE CONCLUSION TO PART II
      • FOOTNOTES:
      • LINENOTES:
      • PART I] Book the First MS. W., S. T. C. (c), S. H.: Part the First 1828, 1829.
    • PART I
    • THE CONCLUSION TO PART I
    • PART II
    • THE CONCLUSION TO PART II
    • FOOTNOTES:
    • LINENOTES:
    • PART I] Book the First MS. W., S. T. C. (c), S. H.: Part the First 1828, 1829.
  • LINES TO W. L.[236:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • FIRE, FAMINE, AND SLAUGHTER[237:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • FROST AT MIDNIGHT[240:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • FRANCE: AN ODE[243:1]
    • I
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • THE OLD MAN OF THE ALPS[248:1]
    • FOOTNOTES:
  • TO A YOUNG LADY[252:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • LEWTI[253:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • FEARS IN SOLITUDE[256:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE NIGHTINGALE[264:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE THREE GRAVES[267:1]
    • [PART I—FROM MS.]
      • [PART II—FROM MS.][271:3]
      • PART III[276:1]
      • PART IV
      • FOOTNOTES:
      • LINENOTES:
    • [PART II—FROM MS.][271:3]
    • PART III[276:1]
    • PART IV
    • FOOTNOTES:
    • LINENOTES:
  • THE WANDERINGS OF CAIN[285:1]
    • PREFATORY NOTE
      • THE WANDERINGS OF CAIN
      • CANTO II
      • FOOTNOTES:
      • LINENOTES:
    • THE WANDERINGS OF CAIN
    • CANTO II
    • FOOTNOTES:
    • LINENOTES:
  • TO ——[292:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE BALLAD OF THE DARK LADIÉ[293:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • KUBLA KHAN[295:1]:
    • KUBLA KHAN
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • RECANTATION[299:1]
    • I
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • HEXAMETERS[304:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TRANSLATION OF A PASSAGE IN OTTFRIED'S METRICAL PARAPHRASE OF THE GOSPEL
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • CATULLIAN HENDECASYLLABLES[307:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE HOMERIC HEXAMETER[307:2]
    • FOOTNOTES:
  • THE OVIDIAN ELEGIAC METRE
  • ON A CATARACT[308:1]
    • STROPHE
      • ANTISTROPHE
      • FOOTNOTES:
      • LINENOTES:
    • ANTISTROPHE
    • FOOTNOTES:
    • LINENOTES:
  • TELL'S BIRTH-PLACE[309:1]
    • I
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • THE VISIT OF THE GODS[310:1]
    • FOOTNOTES:
  • FROM THE GERMAN[311:1]
    • FOOTNOTES:
  • WATER BALLAD[311:2]
    • FOOTNOTES:
  • ON AN INFANT[312:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • SOMETHING CHILDISH, BUT VERY NATURAL[313:1]
    • FOOTNOTES:
  • HOME-SICK[314:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • LINES[315:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE BRITISH STRIPLING'S WAR-SONG[317:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • NAMES[318:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE DEVIL'S THOUGHTS[319:1]
    • I
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • LINES COMPOSED IN A CONCERT-ROOM[324:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • WESTPHALIAN SONG[326:1]
    • FOOTNOTES:
  • HEXAMETERS[326:2]
    • FOOTNOTES:
  • HYMN TO THE EARTH[327:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • MAHOMET[329:1]
    • FOOTNOTES:
  • LOVE[330:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • ODE TO GEORGIANA, DUCHESS OF DEVONSHIRE[335:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • A CHRISTMAS CAROL[338:1]
    • I
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • TALLEYRAND TO LORD GRENVILLE[340:1]
    • TALLEYRAND, MINISTER OF FOREIGN AFFAIRS AT PARIS, TO LORD GRENVILLE, SECRETARY OF STATE IN GREAT BRITAIN FOR FOREIGN AFFAIRS, AUDITOR OF THE EXCHEQUER, A LORD OF TRADE, AN ELDER BROTHER OF TRINITY HOUSE, ETC.
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • APOLOGIA PRO VITA SUA[345:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE KEEPSAKE[345:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • A THOUGHT SUGGESTED BY A VIEW[347:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE MAD MONK[347:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • INSCRIPTION FOR A SEAT BY THE ROAD SIDE HALF-WAY UP A STEEP HILL FACING SOUTH[349:1]
    • FOOTNOTES:
  • A STRANGER MINSTREL[350:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • ALCAEUS TO SAPPHO[353:1]
    • FOOTNOTES:
  • THE TWO ROUND SPACES ON THE TOMBSTONE[353:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE SNOW-DROP[356:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • ON REVISITING THE SEA-SHORE[359:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • ODE TO TRANQUILLITY[360:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO ASRA[361:1]
    • FOOTNOTES:
  • THE SECOND BIRTH[362:1]
    • FOOTNOTES:
  • LOVE'S SANCTUARY[362:2]
    • FOOTNOTES:
  • DEJECTION: AN ODE[362:3]
    • I
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • THE PICTURE[369:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO MATILDA BETHAM FROM A STRANGER[374:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • HYMN BEFORE SUN-RISE, IN THE VALE OF CHAMOUNI[376:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE GOOD, GREAT MAN[381:1]
    • REPLY TO THE ABOVE
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • INSCRIPTION FOR A FOUNTAIN ON A HEATH[381:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • AN ODE TO THE RAIN[382:2]
    • I
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • A DAY-DREAM[385:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • ANSWER TO A CHILD'S QUESTION[386:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE DAY-DREAM[386:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE HAPPY HUSBAND[388:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE PAINS OF SLEEP[389:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE EXCHANGE[391:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • AD VILMUM AXIOLOGUM[391:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • AN EXILE[392:1]
    • FOOTNOTES:
  • SONNET[392:2]
    • FOOTNOTES:
  • PHANTOM[393:1]
    • FOOTNOTES:
  • A SUNSET[393:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • WHAT IS LIFE?[394:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE BLOSSOMING OF THE SOLITARY DATE-TREE[395:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • SEPARATION[397:1]
    • FOOTNOTES:
  • THE RASH CONJURER[399:1]
    • FOOTNOTES:
  • A CHILD'S EVENING PRAYER[401:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • METRICAL FEET[401:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • FAREWELL TO LOVE[402:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO WILLIAM WORDSWORTH[403:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • AN ANGEL VISITANT[409:1]
    • FOOTNOTES:
  • RECOLLECTIONS OF LOVE[409:2]
    • I
      • FOOTNOTES:
    • FOOTNOTES:
  • TO TWO SISTERS[410:1]
    • FOOTNOTES:
  • PSYCHE[412:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • A TOMBLESS EPITAPH[413:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • FOR A MARKET-CLOCK[414:1]
    • FOOTNOTES:
  • THE MADMAN AND THE LETHARGIST[414:2]
    • FOOTNOTES:
  • THE VISIONARY HOPE[416:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • EPITAPH ON AN INFANT[417:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE VIRGIN'S CRADLE-HYMN[417:2]
    • ENGLISH[417:3]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • TO A LADY[418:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • REASON FOR LOVE'S BLINDNESS[418:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE SUICIDE'S ARGUMENT[419:1]
    • NATURE'S ANSWER
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • TIME, REAL AND IMAGINARY[419:2]
    • FOOTNOTES:
  • AN INVOCATION[420:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE NIGHT-SCENE[421:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • A HYMN[423:1]
    • FOOTNOTES:
  • TO A LADY[424:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • HUMAN LIFE[425:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • SONG[426:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • HUNTING SONG[427:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • FAITH, HOPE, AND CHARITY[427:2]
    • FAITH
      • CHARITY
      • HOPE
      • ALL
      • CHARITY AND FAITH
      • CHARITY
      • HOPE. FAITH
      • CHARITY. HOPE
      • FAITH
      • FAITH. HOPE. CHARITY
      • FOOTNOTES:
    • CHARITY
    • HOPE
    • ALL
    • CHARITY AND FAITH
    • CHARITY
    • HOPE. FAITH
    • CHARITY. HOPE
    • FAITH
    • FAITH. HOPE. CHARITY
    • FOOTNOTES:
  • TO NATURE[429:1]
    • FOOTNOTES:
  • LIMBO[429:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • NE PLUS ULTRA[431:1]
    • FOOTNOTES:
  • THE KNIGHT'S TOMB[432:1]
    • FOOTNOTES:
  • ON DONNE'S POETRY[433:1]
    • FOOTNOTES:
  • ISRAEL'S LAMENT[433:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • FANCY IN NUBIBUS[435:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE TEARS OF A GRATEFUL PEOPLE[436:1]
    • FOOTNOTES:
  • YOUTH AND AGE[439:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE REPROOF AND REPLY[441:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • FIRST ADVENT OF LOVE[443:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE DELINQUENT TRAVELLERS[443:3]
    • FOOTNOTES:
  • WORK WITHOUT HOPE[447:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • SANCTI DOMINICI PALLIUM[448:1]
    • POET
      • FRIEND
      • FRIEND
      • POET
      • FOOTNOTES:
      • LINENOTES:
    • FRIEND
    • FRIEND
    • POET
    • FOOTNOTES:
    • LINENOTES:
  • SONG[450:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • A CHARACTER[451:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE TWO FOUNTS[454:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • CONSTANCY TO AN IDEAL OBJECT[455:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE PANG MORE SHARP THAN ALL[457:1]
    • I
      • FOOTNOTES:
    • FOOTNOTES:
  • DUTY SURVIVING SELF-LOVE[459:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • HOMELESS[460:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • LINES[460:2]
    • REFLECTION ON THE ABOVE
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • EPITAPHIUM TESTAMENTARIUM[462:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE IMPROVISATORE[462:3]
    • FOOTNOTES:
  • TO MARY PRIDHAM[468:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • ALICE DU CLOS[469:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • LOVE'S BURIAL-PLACE[475:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • LINES[476:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • COLOGNE[477:1]
    • FOOTNOTES:
  • ON MY JOYFUL DEPARTURE[477:5]
    • FOOTNOTES:
  • THE GARDEN OF BOCCACCIO[478:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • LOVE, HOPE, AND PATIENCE IN EDUCATION[481:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • TO MISS A. T.[482:1]
    • FOOTNOTES:
  • LINES[483:1]
    • FOOTNOTES:
      • LINENOTES:
      • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • LOVE AND FRIENDSHIP OPPOSITE[484:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • NOT AT HOME[484:2]
    • FOOTNOTES:
  • PHANTOM OR FACT[484:3]
    • AUTHOR
      • FRIEND
      • AUTHOR
      • FOOTNOTES:
    • FRIEND
    • AUTHOR
    • FOOTNOTES:
  • DESIRE[485:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • CHARITY IN THOUGHT[486:1]
    • FOOTNOTES:
  • HUMILITY THE MOTHER OF CHARITY[486:2]
    • FOOTNOTES:
  • [COELI ENARRANT][486:3]
    • FOOTNOTES:
  • REASON[487:1]
    • FOOTNOTES:
  • SELF-KNOWLEDGE[487:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • FORBEARANCE[488:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • LOVE'S APPARITION AND EVANISHMENT[488:3]
    • L'ENVOY
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • TO THE YOUNG ARTIST[490:1]
    • FOOTNOTES:
  • MY BAPTISMAL BIRTH-DAY[490:2]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • EPITAPH[491:1]
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • THE
    • EDITED
      • IN TWO VOLUMES
      • HENRY FROWDE, M.A. PUBLISHER TO THE UNIVERSITY OF OXFORD LONDON, EDINBURGH, NEW YORK TORONTO AND MELBOURNE
    • IN TWO VOLUMES
    • HENRY FROWDE, M.A. PUBLISHER TO THE UNIVERSITY OF OXFORD LONDON, EDINBURGH, NEW YORK TORONTO AND MELBOURNE
  • CONTENTS OF VOL. II
    • DRAMATIC WORKS
      • EPIGRAMS 951
      • JEUX D'ESPRIT 976
      • METRICAL EXPERIMENTS 1014
      • APPENDIX I
      • APPENDIX II
      • APPENDIX III
      • APPENDIX IV
      • APPENDIX V
      • APPENDIX VI
      • BIBLIOGRAPHY OF THE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE 1135
      • BIBLIOGRAPHICAL APPENDIX
      • INDEX OF FIRST LINES 1189
      • ERRATA
    • EPIGRAMS 951
    • JEUX D'ESPRIT 976
    • METRICAL EXPERIMENTS 1014
    • APPENDIX I
    • APPENDIX II
    • APPENDIX III
    • APPENDIX IV
    • APPENDIX V
    • APPENDIX VI
    • BIBLIOGRAPHY OF THE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE 1135
    • BIBLIOGRAPHICAL APPENDIX
    • INDEX OF FIRST LINES 1189
    • ERRATA
  • DRAMATIC WORKS
  • THE FALL OF ROBESPIERRE[495:1]
    • TO
      • DEAR SIR,
      • FOOTNOTES:
    • DEAR SIR,
    • FOOTNOTES:
  • ACT I
    • SCENE—The Thuilleries.
      • FOOTNOTES:
    • FOOTNOTES:
  • ACT II
    • SCENE—The Convention.
  • ACT III
    • SCENE CONTINUES.
  • OSORIO
    • DRAMATIS PERSONAE
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • ACT THE FIRST[519:1]
    • SCENE—The sea shore on the coast of Granada.
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • ACT THE SECOND
    • SCENE THE FIRST.—A wild and mountainous country. OSORIO and FERDINAND are discovered at a little distance from a house, which stands under the brow of a slate rock, the rock covered with vines.
      • LINENOTES:
      • SCENE II.
    • LINENOTES:
    • SCENE II.
  • ACT THE THIRD
    • SCENE THE FIRST.—A hall of armory, with an altar in the part farthest from the stage.
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • ACT THE FOURTH
    • SCENE THE FIRST.—A cavern, dark except where a gleam of moonlight is seen on one side of the further end of it, supposed to be cast on it from a cranny [crevice Remorse] in a part of the cavern out of sight.
      • FOOTNOTES:
      • LINENOTES:
      • SCENE III
    • FOOTNOTES:
    • LINENOTES:
    • SCENE III
  • ACT THE FIFTH
    • SCENE THE FIRST.—The Sea Shore.
      • SCENE.—A Dungeon.
      • FOOTNOTES:
      • LINENOTES:
    • SCENE.—A Dungeon.
    • FOOTNOTES:
    • LINENOTES:
  • THE PICCOLOMINI[598:1]
    • PREFACE TO THE FIRST EDITION
      • FOOTNOTES:
    • FOOTNOTES:
  • THE PICCOLOMINI[600:1]
  • ACT I
    • SCENE I
      • FOOTNOTES:
      • DRAMATIS PERSONAE
      • LINENOTES:
      • SCENE II
      • FOOTNOTES:
      • LINENOTES:
      • SCENE III
      • LINENOTES:
      • SCENE IV
      • FOOTNOTES:
      • LINENOTES:
      • SCENE V
      • LINENOTES:
      • SCENE VI
      • LINENOTES:
      • SCENE VII
      • LINENOTES:
      • SCENE VIII
      • LINENOTES:
      • SCENE IX
      • LINENOTES:
      • SCENE X
      • FOOTNOTES:
      • LINENOTES:
      • SCENE XI
      • FOOTNOTES:
      • LINENOTES:
      • SCENE XII
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • DRAMATIS PERSONAE
    • LINENOTES:
    • SCENE II
    • FOOTNOTES:
    • LINENOTES:
    • SCENE III
    • LINENOTES:
    • SCENE IV
    • FOOTNOTES:
    • LINENOTES:
    • SCENE V
    • LINENOTES:
    • SCENE VI
    • LINENOTES:
    • SCENE VII
    • LINENOTES:
    • SCENE VIII
    • LINENOTES:
    • SCENE IX
    • LINENOTES:
    • SCENE X
    • FOOTNOTES:
    • LINENOTES:
    • SCENE XI
    • FOOTNOTES:
    • LINENOTES:
    • SCENE XII
    • FOOTNOTES:
    • LINENOTES:
  • ACT II
    • SCENE I
      • LINENOTES:
      • SCENE II
      • FOOTNOTES:
      • LINENOTES:
      • SCENE III
      • FOOTNOTES:
      • LINENOTES:
      • SCENE IV
      • FOOTNOTES:
      • LINENOTES:
      • SCENE V
      • FOOTNOTES:
      • LINENOTES:
      • SCENE VI
      • FOOTNOTES:
      • LITERAL TRANSLATION.
      • BALLAD.
      • LINENOTES:
      • SCENE VII
      • FOOTNOTES:
      • LINENOTES:
      • SCENE VIII
      • LINENOTES:
      • SCENE IX
      • SCENE X
      • SCENE XI
      • LINENOTES:
      • SCENE XII
      • FOOTNOTES:
      • LINENOTES:
      • SCENE XIII
      • LINENOTES:
      • SCENE XIV
      • LINENOTES:
    • LINENOTES:
    • SCENE II
    • FOOTNOTES:
    • LINENOTES:
    • SCENE III
    • FOOTNOTES:
    • LINENOTES:
    • SCENE IV
    • FOOTNOTES:
    • LINENOTES:
    • SCENE V
    • FOOTNOTES:
    • LINENOTES:
    • SCENE VI
    • FOOTNOTES:
    • LITERAL TRANSLATION.
    • BALLAD.
    • LINENOTES:
    • SCENE VII
    • FOOTNOTES:
    • LINENOTES:
    • SCENE VIII
    • LINENOTES:
    • SCENE IX
    • SCENE X
    • SCENE XI
    • LINENOTES:
    • SCENE XII
    • FOOTNOTES:
    • LINENOTES:
    • SCENE XIII
    • LINENOTES:
    • SCENE XIV
    • LINENOTES:
  • ACT III
    • SCENE I
      • LINENOTES:
      • SCENE II
      • LINENOTES:
      • SCENE III
      • LINENOTES:
    • LINENOTES:
    • SCENE II
    • LINENOTES:
    • SCENE III
    • LINENOTES:
  • ACT IV
    • SCENE I
      • LINENOTES:
      • SCENE II
      • SCENE III
      • LINENOTES:
      • SCENE IV
      • LINENOTES:
      • SCENE V
      • FOOTNOTES:
      • LINENOTES:
      • SCENE VI
      • LINENOTES:
      • SCENE VII
      • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
    • SCENE II
    • SCENE III
    • LINENOTES:
    • SCENE IV
    • LINENOTES:
    • SCENE V
    • FOOTNOTES:
    • LINENOTES:
    • SCENE VI
    • LINENOTES:
    • SCENE VII
    • FOOTNOTES:
    • LINENOTES:
  • ACT V
    • SCENE I
      • LINENOTES:
      • SCENE II
      • LINENOTES:
      • SCENE III
      • LINENOTES:
      • SCENE IV
      • LINENOTES:
      • SCENE V
      • FOOTNOTES:
      • LINENOTES:
      • SCENE VI
      • LINENOTES:
    • LINENOTES:
    • SCENE II
    • LINENOTES:
    • SCENE III
    • LINENOTES:
    • SCENE IV
    • LINENOTES:
    • SCENE V
    • FOOTNOTES:
    • LINENOTES:
    • SCENE VI
    • LINENOTES:
  • THE DEATH OF WALLENSTEIN
  • PREFACE OF THE TRANSLATOR TO THE FIRST EDITION
    • LINENOTES:
      • DRAMATIS PERSONAE
    • DRAMATIS PERSONAE
  • THE DEATH OF WALLENSTEIN
  • ACT I
    • SCENE I
      • LINENOTES:
      • SCENE II
      • LINENOTES:
      • SCENE III
      • LINENOTES:
      • SCENE IV
      • LINENOTES:
      • SCENE V
      • SCENE VI
      • LINENOTES:
      • SCENE VII
      • LINENOTES:
      • SCENE VIII
      • LINENOTES:
      • SCENE IX
      • SCENE X
      • LINENOTES:
      • SCENE XI
      • SCENE XII
      • LINENOTES:
    • LINENOTES:
    • SCENE II
    • LINENOTES:
    • SCENE III
    • LINENOTES:
    • SCENE IV
    • LINENOTES:
    • SCENE V
    • SCENE VI
    • LINENOTES:
    • SCENE VII
    • LINENOTES:
    • SCENE VIII
    • LINENOTES:
    • SCENE IX
    • SCENE X
    • LINENOTES:
    • SCENE XI
    • SCENE XII
    • LINENOTES:
  • ACT II
    • SCENE I
      • LINENOTES:
      • SCENE II
      • SCENE III
      • FOOTNOTES:
      • LINENOTES:
      • SCENE IV
      • SCENE V
      • LINENOTES:
      • SCENE VI
      • FOOTNOTES:
      • LINENOTES:
      • SCENE VII
      • SCENE VIII
      • LINENOTES:
      • SCENE IX
      • LINENOTES:
      • SCENE X
      • SCENE XI
      • LINENOTES:
    • LINENOTES:
    • SCENE II
    • SCENE III
    • FOOTNOTES:
    • LINENOTES:
    • SCENE IV
    • SCENE V
    • LINENOTES:
    • SCENE VI
    • FOOTNOTES:
    • LINENOTES:
    • SCENE VII
    • SCENE VIII
    • LINENOTES:
    • SCENE IX
    • LINENOTES:
    • SCENE X
    • SCENE XI
    • LINENOTES:
  • ACT III
    • SCENE I
      • LINENOTES:
      • SCENE II
      • LINENOTES:
      • SCENE III
      • LINENOTES:
      • SCENE IV
      • SCENE V
      • LINENOTES:
      • SCENE VI
      • LINENOTES:
      • SCENE VII
      • LINENOTES:
      • SCENE VIII
      • FOOTNOTES:
      • LINENOTES:
      • SCENE IX
      • LINENOTES:
    • LINENOTES:
    • SCENE II
    • LINENOTES:
    • SCENE III
    • LINENOTES:
    • SCENE IV
    • SCENE V
    • LINENOTES:
    • SCENE VI
    • LINENOTES:
    • SCENE VII
    • LINENOTES:
    • SCENE VIII
    • FOOTNOTES:
    • LINENOTES:
    • SCENE IX
    • LINENOTES:
  • ACT IV
    • SCENE I
      • SCENE II
      • LINENOTES:
      • SCENE III
      • LINENOTES:
      • SCENE IV
      • LINENOTES:
      • SCENE V
      • LINENOTES:
      • SCENE VI
      • FOOTNOTES:
      • LINENOTES:
    • SCENE II
    • LINENOTES:
    • SCENE III
    • LINENOTES:
    • SCENE IV
    • LINENOTES:
    • SCENE V
    • LINENOTES:
    • SCENE VI
    • FOOTNOTES:
    • LINENOTES:
  • ACT V
    • SCENE I
      • FOOTNOTES:
      • LINENOTES:
      • SCENE II
      • SCENE III
      • LINENOTES:
      • SCENE IV
      • LINENOTES:
      • SCENE V
      • SCENE VI
      • SCENE VII
      • LINENOTES:
      • SCENE VIII
      • LINENOTES:
      • SCENE IX
      • LINENOTES:
      • SCENE X
      • LINENOTES:
      • THE PICCOLOMINI.
      • THE DEATH OF WALLENSTEIN.
    • FOOTNOTES:
    • LINENOTES:
    • SCENE II
    • SCENE III
    • LINENOTES:
    • SCENE IV
    • LINENOTES:
    • SCENE V
    • SCENE VI
    • SCENE VII
    • LINENOTES:
    • SCENE VIII
    • LINENOTES:
    • SCENE IX
    • LINENOTES:
    • SCENE X
    • LINENOTES:
    • THE PICCOLOMINI.
    • THE DEATH OF WALLENSTEIN.
  • REMORSE[812:1]
  • PREFACE
    • FOOTNOTES:
  • PROLOGUE
    • FOOTNOTES:
  • EPILOGUE
  • REMORSE[819:1]
    • DRAMATIS PERSONAE
      • FOOTNOTES:
    • FOOTNOTES:
  • ACT I
    • SCENE I
      • FOOTNOTES:
      • LINENOTES:
      • SCENE II
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • SCENE II
    • FOOTNOTES:
    • LINENOTES:
  • ACT II
    • SCENE I
      • LINENOTES:
      • SCENE II
      • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
    • SCENE II
    • FOOTNOTES:
    • LINENOTES:
  • ACT III
    • SCENE I
      • LINENOTES:
      • SCENE II
      • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
    • SCENE II
    • FOOTNOTES:
    • LINENOTES:
  • ACT IV
    • SCENE I
      • FOOTNOTES:
      • LINENOTES:
      • SCENE II
      • FOOTNOTES:
      • LINENOTES:
      • SCENE III
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
    • SCENE II
    • FOOTNOTES:
    • LINENOTES:
    • SCENE III
    • LINENOTES:
  • ACT V
    • SCENE I
      • LINENOTES:
    • LINENOTES:
  • APPENDIX
  • ZAPOLYA[883:1]
    • ADVERTISEMENT
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • PART I
    • CHARACTERS
      • SCENE I
      • LINENOTES:
    • SCENE I
    • LINENOTES:
  • PART II
    • ADDITIONAL CHARACTERS
  • USURPATION ENDED; OR, SHE COMES AGAIN
  • ACT I
    • SCENE I
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • ACT II
    • SCENE I
      • SONG
      • LINENOTES:
    • SONG
    • LINENOTES:
  • ACT III
    • SCENE I
      • LINENOTES:
    • LINENOTES:
  • ACT IV
    • SCENE I
      • SCENE.—Chamber in CASIMIR'S Castle. Confederates discovered.
      • LINENOTES:
    • SCENE.—Chamber in CASIMIR'S Castle. Confederates discovered.
    • LINENOTES:
  • EPIGRAMS[951:1]
    • LINENOTES:
      • LINENOTES:
      • LINENOTES:
      • LINENOTES:
      • ANOTHER VERSION
      • OBIIT SATURDAY, SEPT. 10, 1830.
      • ANOTHER VERSION
      • FOOTNOTES:
    • LINENOTES:
    • LINENOTES:
    • LINENOTES:
    • ANOTHER VERSION
    • OBIIT SATURDAY, SEPT. 10, 1830.
    • ANOTHER VERSION
    • FOOTNOTES:
  • JEUX D'ESPRIT
    • LINENOTES:
      • A.
      • B.
      • A.
      • B.
      • LINENOTES:
      • FOOTNOTES:
    • A.
    • B.
    • A.
    • B.
    • LINENOTES:
    • FOOTNOTES:
  • FRAGMENTS FROM A NOTEBOOK[988:1]
    • LINENOTES:
      • LINENOTES:
      • LINENOTES:
      • LINENOTES:
      • FOOTNOTES:
    • LINENOTES:
    • LINENOTES:
    • LINENOTES:
    • FOOTNOTES:
  • FRAGMENTS[996:1]
    • ANOTHER VERSION
      • LINENOTES:
      • ANOTHER ON THE SAME SUBJECT BY S. T. C. HIMSELF
      • FOOTNOTES:
    • LINENOTES:
    • ANOTHER ON THE SAME SUBJECT BY S. T. C. HIMSELF
    • FOOTNOTES:
  • METRICAL EXPERIMENTS[1014:1]
    • NOTES BY PROFESSOR SAINTSBURY
      • FOOTNOTES:
    • FOOTNOTES:
  • APPENDIX I
  • A
    • EFFUSION 35
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • B
    • FOOTNOTES:
  • C
    • [DRAFT I]
      • [DRAFT II]
      • LINENOTES:
      • [DRAFT III]
    • [DRAFT II]
    • LINENOTES:
    • [DRAFT III]
  • D
    • BOOK I, ll. 33-51.
      • BOOK III, ll. 73-82.
      • BOOK IV, ll. 328-336.
      • FOOTNOTES:
      • LINENOTES:
    • BOOK III, ll. 73-82.
    • BOOK IV, ll. 328-336.
    • FOOTNOTES:
    • LINENOTES:
  • E
    • ARGUMENT
      • I.
      • II.
      • III.
      • IV.
      • V.
      • VI.
      • FIRST VOICE.
      • SECOND VOICE.
      • FIRST VOICE.
      • SECOND VOICE.
      • VII.
      • FOOTNOTES:
      • LINENOTES:
    • I.
    • II.
    • III.
    • IV.
    • V.
    • VI.
    • FIRST VOICE.
    • SECOND VOICE.
    • FIRST VOICE.
    • SECOND VOICE.
    • VII.
    • FOOTNOTES:
    • LINENOTES:
    • F
  • G
    • LEWTI; OR THE CIRCASSIAN'S LOVE-CHANT
      • FOOTNOTES:
    • FOOTNOTES:
  • H
    • TO THE EDITOR OF THE MORNING POST.
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • I
    • LONDON.
      • FOOTNOTES:
      • DRAMATIS PERSONÆ.
      • Scene, partly at the Country seat of Donna Oropeza, and partly in Pampilona [sic], the Capital of Navarre.
    • FOOTNOTES:
    • DRAMATIS PERSONÆ.
    • Scene, partly at the Country seat of Donna Oropeza, and partly in Pampilona [sic], the Capital of Navarre.
  • THE TRIUMPH OF LOYALTY
    • SCENE I. A cultivated Plain, skirted on the Left by a Wood. The Pyrenees are visible in the distance. Small knots of Soldiers all in the military Dress of the middle Ages are seen passing across the Stage. Then
      • LINENOTES:
    • LINENOTES:
  • J
  • K
    • LINENOTES:
      • DEJECTION:
      • I
      • II
      • III
      • IV
      • VIII
      • IX
      • FOOTNOTES:
      • LINENOTES:
    • DEJECTION:
    • I
    • II
    • III
    • IV
    • VIII
    • IX
    • FOOTNOTES:
    • LINENOTES:
  • L
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • M
    • ARIA SPONTANEA
      • MS. II
    • MS. II
  • N
    • [FIRST DRAFT]
      • FOOTNOTES:
    • FOOTNOTES:
  • O
    • FOOTNOTES:
  • P
    • FOOTNOTES:
  • Q
    • FOOTNOTES:
  • R[1090:2]
    • FOOTNOTES:
  • APPENDIX II
    • FOOTNOTES:
      • LINENOTES:
    • LINENOTES:
  • APPENDIX III
    • APOLOGETIC PREFACE TO 'FIRE, FAMINE, AND SLAUGHTER'[1097:1]
      • FOOTNOTES:
      • LINENOTES:
    • FOOTNOTES:
    • LINENOTES:
  • APPENDIX IV
  • A
  • B
  • C
    • FOOTNOTES:
  • D
  • E
    • TO THOMAS POOLE, OF STOWEY.
      • FOOTNOTES:
    • FOOTNOTES:
  • F
  • APPENDIX V
    • MOTTO TO 'A LAY SERMON', 1817
      • MUTUAL PASSION
      • THE HOUR-GLASS
    • MUTUAL PASSION
    • THE HOUR-GLASS
  • APPENDIX VI
    • A
      • B
      • DAS DISTICHON
      • C
      • D
      • E
      • F
      • G
      • H
      • I
      • J
      • K
    • B
    • DAS DISTICHON
    • C
    • D
    • E
    • F
    • G
    • H
    • I
    • J
    • K
    • L
      • M
      • N
      • O
      • P
      • FEDE.
      • CARITÀ.
      • SPERANZA.
      • FE. SP. CA.
      • CA. FE.
      • FE. SP.
      • CA.
      • SP. FE.
      • CA. SP.
      • FE.
      • FE. SP. CA.
      • Q
    • M
    • N
    • O
    • P
    • FEDE.
    • CARITÀ.
    • SPERANZA.
    • FE. SP. CA.
    • CA. FE.
    • FE. SP.
    • CA.
    • SP. FE.
    • CA. SP.
    • FE.
    • FE. SP. CA.
    • Q
  • BIBLIOGRAPHY
    • I
      • II
      • PREFACE
      • NOTES ATTACHED TO A FIRST DRAFT OF THE PREFACE TO THE FIRST EDITION [MS. R]
      • CONTENTS
      • III
      • [INTRODUCTION]
      • [SONNETS]
      • IV
      • V
      • CONTENTS
      • SONNETS.
      • SUPPLEMENT.
      • PREFACE TO THE FIRST EDITION
      • P. [69].
      • VI
      • VII
      • VIII
      • IX
      • X
      • XI
      • XII
      • XIII
      • XIV
      • PREFACE
      • CONTENTS
      • XV
      • XVI
      • XVII
      • XVIII
      • XIX
      • XX
      • CONTENTS
      • VOLUME I
      • SIBYLLINE LEAVES
      • VOLUME II
      • VOLUME III
      • XXI
      • PREFACE
      • XXII
      • XXIII
      • XXIV
      • XXV
      • XXVI
      • CONTENTS
      • VOLUME II
      • VOLUME III
      • XXVII
      • XXVIII
      • XXIX
      • XXX
      • XXXI
      • XXXII
      • XXXIII
      • XXXIV
      • ADVERTISEMENT
      • PREFACE TO THE PRESENT EDITION [1852]
      • XXXV
      • CONTENTS
      • XXXVI
      • XXXVII
      • XXXVIII
      • XXXIX
      • ADVERTISEMENT
      • APPENDIX
      • XL
      • XLI
      • XLII
      • XLIII
      • XLIV
      • XLV
      • XLVI
      • XLVII
      • XLVIII
      • XLIX
      • L
      • LI
      • LII
      • LIII
      • LIV
      • FOOTNOTES:
    • II
    • PREFACE
    • NOTES ATTACHED TO A FIRST DRAFT OF THE PREFACE TO THE FIRST EDITION [MS. R]
    • CONTENTS
    • III
    • [INTRODUCTION]
    • [SONNETS]
    • IV
    • V
    • CONTENTS
    • SONNETS.
    • SUPPLEMENT.
    • PREFACE TO THE FIRST EDITION
    • P. [69].
    • VI
    • VII
    • VIII
    • IX
    • X
    • XI
    • XII
    • XIII
    • XIV
    • PREFACE
    • CONTENTS
    • XV
    • XVI
    • XVII
    • XVIII
    • XIX
    • XX
    • CONTENTS
    • VOLUME I
    • SIBYLLINE LEAVES
    • VOLUME II
    • VOLUME III
    • XXI
    • PREFACE
    • XXII
    • XXIII
    • XXIV
    • XXV
    • XXVI
    • CONTENTS
    • VOLUME II
    • VOLUME III
    • XXVII
    • XXVIII
    • XXIX
    • XXX
    • XXXI
    • XXXII
    • XXXIII
    • XXXIV
    • ADVERTISEMENT
    • PREFACE TO THE PRESENT EDITION [1852]
    • XXXV
    • CONTENTS
    • XXXVI
    • XXXVII
    • XXXVIII
    • XXXIX
    • ADVERTISEMENT
    • APPENDIX
    • XL
    • XLI
    • XLII
    • XLIII
    • XLIV
    • XLV
    • XLVI
    • XLVII
    • XLVIII
    • XLIX
    • L
    • LI
    • LII
    • LIII
    • LIV
    • FOOTNOTES:
  • BIBLIOGRAPHICAL APPENDIX
    • POEMS AND POETICAL FRAGMENTS.
  • INDEX OF FIRST LINES
  • TRANSCRIBER'S NOTES:
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