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The Complete Poetical Works of Samuel Taylor Coleridge Vol I and II

By Samuel Taylor Coleridge

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Table of Contents

THE
EDITED
- IN TWO VOLUMES
PREFACE
CONTENTS OF THE TWO VOLUMES
- VOLUME I
  - VOLUME II
  - APPENDIX I
  - APPENDIX II
  - APPENDIX III
  - APPENDIX IV
  - APPENDIX V
  - APPENDIX VI
  - BIBLIOGRAPHY OF THE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE 1135
  - BIBLIOGRAPHICAL APPENDIX
- VOLUME II
- APPENDIX I
- APPENDIX II
- APPENDIX III
- APPENDIX IV
- APPENDIX V
- APPENDIX VI
- BIBLIOGRAPHY OF THE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE 1135
- BIBLIOGRAPHICAL APPENDIX
ABBREVIATIONS
ERRATA
POETICAL WORKS
- POEMS
EASTER HOLIDAYS[1:1]
- VERSE 1ST
  - FOOTNOTES:
- FOOTNOTES:
DURA NAVIS[2:1]
- FOOTNOTES:
NIL PEJUS EST CAELIBE VITÂ[4:1]
- I
  - FOOTNOTES:
- FOOTNOTES:
SONNET[5:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
ANTHEM[5:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
JULIA[6:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
QUAE NOCENT DOCENT[7:1]
- FOOTNOTES:
THE NOSE[8:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO THE MUSE[9:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
DESTRUCTION OF THE BASTILE[10:1]
- I
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
LIFE[11:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
PROGRESS OF VICE[12:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
MONODY ON THE DEATH OF CHATTERTON[13:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
AN INVOCATION[16:1]
- FOOTNOTES:
ANNA AND HARLAND[16:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO THE EVENING STAR[16:3]
- FOOTNOTES:
PAIN[17:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
ON A LADY WEEPING[17:2]
- FOOTNOTES:
MONODY ON A TEA-KETTLE[18:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
GENEVIEVE[19:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
ON RECEIVING AN ACCOUNT THAT HIS ONLY SISTER'S DEATH WAS INEVITABLE[20:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
ON SEEING A YOUTH AFFECTIONATELY WELCOMED BY A SISTER[21:1]
- FOOTNOTES:
A MATHEMATICAL PROBLEM[21:2]
- TO THE REV. GEORGE COLERIDGE
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
HONOUR[24:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
ON IMITATION[26:1]
- FOOTNOTES:
INSIDE THE COACH[26:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
DEVONSHIRE ROADS[27:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
MUSIC[28:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
SONNET[29:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
ABSENCE[29:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
HAPPINESS[30:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
A WISH[33:1]
- FOOTNOTES:
AN ODE IN THE MANNER OF ANACREON[33:2]
- FOOTNOTES:
TO DISAPPOINTMENT[34:1]
- FOOTNOTES:
A FRAGMENT FOUND IN A LECTURE-ROOM[35:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
ODE[35:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
A LOVER'S COMPLAINT TO HIS MISTRESS[36:1]
- FOOTNOTES:
WITH FIELDING'S 'AMELIA'[37:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
WRITTEN AFTER A WALK BEFORE SUPPER[37:3]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
IMITATED FROM OSSIAN[38:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE COMPLAINT OF NINATHÓMA[39:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
SONGS OF THE PIXIES[40:1]
- I
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
THE ROSE[45:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
KISSES[46:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE GENTLE LOOK[47:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
SONNET[48:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
FIRST DRAFT
LINES[51:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO FORTUNE[54:1]
- TO THE EDITOR OF THE 'MORNING CHRONICLE'
  - TO FORTUNE
  - FOOTNOTES:
- TO FORTUNE
- FOOTNOTES:
PERSPIRATION. A TRAVELLING ECLOGUE[56:1]
- FOOTNOTES:
[AVE, ATQUE VALE!][56:2]
- FOOTNOTES:
ON BALA HILL[56:3]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
LINES[57:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
IMITATED FROM THE WELSH[58:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
LINES[58:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
IMITATIONS
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO LESBIA[60:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE DEATH OF THE STARLING[61:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
MORIENS SUPERSTITI[61:2]
- FOOTNOTES:
MORIENTI SUPERSTES
THE SIGH[62:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE KISS[63:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO A YOUNG LADY[64:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TRANSLATION[66:1]
- FOOTNOTES:
TO MISS BRUNTON[67:1]
- FOOTNOTES:
EPITAPH ON AN INFANT[68:1]
- FOOTNOTES:
PANTISOCRACY[68:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
ON THE PROSPECT OF ESTABLISHING A PANTISOCRACY IN AMERICA[69:1]
- FOOTNOTES:
ELEGY[69:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE FADED FLOWER[70:1]
- FOOTNOTES:
THE OUTCAST[71:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
DOMESTIC PEACE[71:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
ON A DISCOVERY MADE TOO LATE[72:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO THE AUTHOR OF 'THE ROBBERS'[72:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
MELANCHOLY[73:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO A YOUNG ASS[74:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
LINES ON A FRIEND[76:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO A FRIEND[78:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
SONNETS ON EMINENT CHARACTERS
- I[79:2]
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
II[80:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
III[81:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
IV[82:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
V[82:3]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
VI[83:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
VII[84:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
[SECOND VERSION][85:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
VIII[85:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
IX
- FOOTNOTES:
X[87:1]
- FOOTNOTES:
XI[87:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO LORD STANHOPE[89:1]
- FOOTNOTES:
TO EARL STANHOPE[89:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
LINES[90:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO AN INFANT[91:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO THE REV. W. J. HORT[92:1]
- I
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
PITY[93:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO THE NIGHTINGALE[93:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
LINES[94:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
LINES IN THE MANNER OF SPENSER[94:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE HOUR WHEN WE SHALL MEET AGAIN[96:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
LINES[96:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE EOLIAN HARP[100:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO THE AUTHOR OF POEMS[102:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE SILVER THIMBLE[104:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
REFLECTIONS ON HAVING LEFT A PLACE OF RETIREMENT[106:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
RELIGIOUS MUSINGS[108:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
MONODY ON THE DEATH OF CHATTERTON[125:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE DESTINY OF NATIONS[131:1]
- FOOTNOTES:
  - LITERAL TRANSLATION.
  - LINENOTES:
- LITERAL TRANSLATION.
- LINENOTES:
VER PERPETUUM[148:1]
- FOOTNOTES:
ON OBSERVING A BLOSSOM ON THE FIRST OF FEBRUARY 1796[148:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO A PRIMROSE[149:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
VERSES[150:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
ON A LATE CONNUBIAL RUPTURE IN HIGH LIFE[152:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
SONNET[152:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
SONNET[153:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
SONNET[154:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
SONNET[155:1]
- FOOTNOTES:
TO A YOUNG FRIEND[155:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
ADDRESSED TO A YOUNG MAN OF FORTUNE[157:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO A FRIEND[158:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
ODE TO THE DEPARTING YEAR[160:1]
- ARGUMENT
  - I
  - FOOTNOTES:
  - LINENOTES:
- I
- FOOTNOTES:
- LINENOTES:
THE RAVEN[169:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO AN UNFORTUNATE WOMAN AT THE THEATRE[171:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO AN UNFORTUNATE WOMAN[172:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO THE REV. GEORGE COLERIDGE[173:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
ON THE CHRISTENING OF A FRIEND'S CHILD[176:1]
- FOOTNOTES:
TRANSLATION[177:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THIS LIME-TREE BOWER MY PRISON[178:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE FOSTER-MOTHER'S TALE[182:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE DUNGEON[185:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE RIME OF THE ANCIENT MARINER[186:1]
- ARGUMENT
  - PART I
  - PART II
  - PART III
  - PART IV
  - PART V
  - PART VI
  - PART VII
  - FOOTNOTES:
  - LINENOTES:
- PART I
- PART II
- PART III
- PART IV
- PART V
- PART VI
- PART VII
- FOOTNOTES:
- LINENOTES:
SONNETS ATTEMPTED IN THE MANNER OF CONTEMPORARY WRITERS[209:1]
- I
  - II
  - III
  - FOOTNOTES:
  - LINENOTES:
- II
- III
- FOOTNOTES:
- LINENOTES:
PARLIAMENTARY OSCILLATORS[211:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
CHRISTABEL[213:1]
- PREFACE
  - PART I
  - THE CONCLUSION TO PART I
  - PART II
  - THE CONCLUSION TO PART II
  - FOOTNOTES:
  - LINENOTES:
  - PART I] Book the First MS. W., S. T. C. (c), S. H.: Part the First 1828, 1829.
- PART I
- THE CONCLUSION TO PART I
- PART II
- THE CONCLUSION TO PART II
- FOOTNOTES:
- LINENOTES:
- PART I] Book the First MS. W., S. T. C. (c), S. H.: Part the First 1828, 1829.
LINES TO W. L.[236:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
FIRE, FAMINE, AND SLAUGHTER[237:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
FROST AT MIDNIGHT[240:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
FRANCE: AN ODE[243:1]
- I
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
THE OLD MAN OF THE ALPS[248:1]
- FOOTNOTES:
TO A YOUNG LADY[252:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
LEWTI[253:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
FEARS IN SOLITUDE[256:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE NIGHTINGALE[264:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE THREE GRAVES[267:1]
- [PART I—FROM MS.]
  - [PART II—FROM MS.][271:3]
  - PART III[276:1]
  - PART IV
  - FOOTNOTES:
  - LINENOTES:
- [PART II—FROM MS.][271:3]
- PART III[276:1]
- PART IV
- FOOTNOTES:
- LINENOTES:
THE WANDERINGS OF CAIN[285:1]
- PREFATORY NOTE
  - THE WANDERINGS OF CAIN
  - CANTO II
  - FOOTNOTES:
  - LINENOTES:
- THE WANDERINGS OF CAIN
- CANTO II
- FOOTNOTES:
- LINENOTES:
TO ——[292:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE BALLAD OF THE DARK LADIÉ[293:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
KUBLA KHAN[295:1]:
- KUBLA KHAN
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
RECANTATION[299:1]
- I
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
HEXAMETERS[304:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TRANSLATION OF A PASSAGE IN OTTFRIED'S METRICAL PARAPHRASE OF THE GOSPEL
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
CATULLIAN HENDECASYLLABLES[307:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE HOMERIC HEXAMETER[307:2]
- FOOTNOTES:
THE OVIDIAN ELEGIAC METRE
ON A CATARACT[308:1]
- STROPHE
  - ANTISTROPHE
  - FOOTNOTES:
  - LINENOTES:
- ANTISTROPHE
- FOOTNOTES:
- LINENOTES:
TELL'S BIRTH-PLACE[309:1]
- I
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
THE VISIT OF THE GODS[310:1]
- FOOTNOTES:
FROM THE GERMAN[311:1]
- FOOTNOTES:
WATER BALLAD[311:2]
- FOOTNOTES:
ON AN INFANT[312:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
SOMETHING CHILDISH, BUT VERY NATURAL[313:1]
- FOOTNOTES:
HOME-SICK[314:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
LINES[315:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE BRITISH STRIPLING'S WAR-SONG[317:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
NAMES[318:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE DEVIL'S THOUGHTS[319:1]
- I
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
LINES COMPOSED IN A CONCERT-ROOM[324:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
WESTPHALIAN SONG[326:1]
- FOOTNOTES:
HEXAMETERS[326:2]
- FOOTNOTES:
HYMN TO THE EARTH[327:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
MAHOMET[329:1]
- FOOTNOTES:
LOVE[330:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
ODE TO GEORGIANA, DUCHESS OF DEVONSHIRE[335:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
A CHRISTMAS CAROL[338:1]
- I
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
TALLEYRAND TO LORD GRENVILLE[340:1]
- TALLEYRAND, MINISTER OF FOREIGN AFFAIRS AT PARIS, TO LORD GRENVILLE, SECRETARY OF STATE IN GREAT BRITAIN FOR FOREIGN AFFAIRS, AUDITOR OF THE EXCHEQUER, A LORD OF TRADE, AN ELDER BROTHER OF TRINITY HOUSE, ETC.
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
APOLOGIA PRO VITA SUA[345:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE KEEPSAKE[345:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
A THOUGHT SUGGESTED BY A VIEW[347:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE MAD MONK[347:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
INSCRIPTION FOR A SEAT BY THE ROAD SIDE HALF-WAY UP A STEEP HILL FACING SOUTH[349:1]
- FOOTNOTES:
A STRANGER MINSTREL[350:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
ALCAEUS TO SAPPHO[353:1]
- FOOTNOTES:
THE TWO ROUND SPACES ON THE TOMBSTONE[353:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE SNOW-DROP[356:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
ON REVISITING THE SEA-SHORE[359:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
ODE TO TRANQUILLITY[360:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO ASRA[361:1]
- FOOTNOTES:
THE SECOND BIRTH[362:1]
- FOOTNOTES:
LOVE'S SANCTUARY[362:2]
- FOOTNOTES:
DEJECTION: AN ODE[362:3]
- I
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
THE PICTURE[369:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO MATILDA BETHAM FROM A STRANGER[374:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
HYMN BEFORE SUN-RISE, IN THE VALE OF CHAMOUNI[376:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE GOOD, GREAT MAN[381:1]
- REPLY TO THE ABOVE
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
INSCRIPTION FOR A FOUNTAIN ON A HEATH[381:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
AN ODE TO THE RAIN[382:2]
- I
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
A DAY-DREAM[385:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
ANSWER TO A CHILD'S QUESTION[386:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE DAY-DREAM[386:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE HAPPY HUSBAND[388:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE PAINS OF SLEEP[389:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE EXCHANGE[391:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
AD VILMUM AXIOLOGUM[391:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
AN EXILE[392:1]
- FOOTNOTES:
SONNET[392:2]
- FOOTNOTES:
PHANTOM[393:1]
- FOOTNOTES:
A SUNSET[393:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
WHAT IS LIFE?[394:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE BLOSSOMING OF THE SOLITARY DATE-TREE[395:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
SEPARATION[397:1]
- FOOTNOTES:
THE RASH CONJURER[399:1]
- FOOTNOTES:
A CHILD'S EVENING PRAYER[401:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
METRICAL FEET[401:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
FAREWELL TO LOVE[402:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO WILLIAM WORDSWORTH[403:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
AN ANGEL VISITANT[409:1]
- FOOTNOTES:
RECOLLECTIONS OF LOVE[409:2]
- I
  - FOOTNOTES:
- FOOTNOTES:
TO TWO SISTERS[410:1]
- FOOTNOTES:
PSYCHE[412:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
A TOMBLESS EPITAPH[413:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
FOR A MARKET-CLOCK[414:1]
- FOOTNOTES:
THE MADMAN AND THE LETHARGIST[414:2]
- FOOTNOTES:
THE VISIONARY HOPE[416:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
EPITAPH ON AN INFANT[417:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE VIRGIN'S CRADLE-HYMN[417:2]
- ENGLISH[417:3]
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
TO A LADY[418:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
REASON FOR LOVE'S BLINDNESS[418:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE SUICIDE'S ARGUMENT[419:1]
- NATURE'S ANSWER
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
TIME, REAL AND IMAGINARY[419:2]
- FOOTNOTES:
AN INVOCATION[420:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE NIGHT-SCENE[421:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
A HYMN[423:1]
- FOOTNOTES:
TO A LADY[424:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
HUMAN LIFE[425:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
SONG[426:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
HUNTING SONG[427:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
FAITH, HOPE, AND CHARITY[427:2]
- FAITH
  - CHARITY
  - HOPE
  - ALL
  - CHARITY AND FAITH
  - CHARITY
  - HOPE. FAITH
  - CHARITY. HOPE
  - FAITH
  - FAITH. HOPE. CHARITY
  - FOOTNOTES:
- CHARITY
- HOPE
- ALL
- CHARITY AND FAITH
- CHARITY
- HOPE. FAITH
- CHARITY. HOPE
- FAITH
- FAITH. HOPE. CHARITY
- FOOTNOTES:
TO NATURE[429:1]
- FOOTNOTES:
LIMBO[429:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
NE PLUS ULTRA[431:1]
- FOOTNOTES:
THE KNIGHT'S TOMB[432:1]
- FOOTNOTES:
ON DONNE'S POETRY[433:1]
- FOOTNOTES:
ISRAEL'S LAMENT[433:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
FANCY IN NUBIBUS[435:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE TEARS OF A GRATEFUL PEOPLE[436:1]
- FOOTNOTES:
YOUTH AND AGE[439:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE REPROOF AND REPLY[441:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
FIRST ADVENT OF LOVE[443:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE DELINQUENT TRAVELLERS[443:3]
- FOOTNOTES:
WORK WITHOUT HOPE[447:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
SANCTI DOMINICI PALLIUM[448:1]
- POET
  - FRIEND
  - FRIEND
  - POET
  - FOOTNOTES:
  - LINENOTES:
- FRIEND
- FRIEND
- POET
- FOOTNOTES:
- LINENOTES:
SONG[450:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
A CHARACTER[451:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE TWO FOUNTS[454:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
CONSTANCY TO AN IDEAL OBJECT[455:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE PANG MORE SHARP THAN ALL[457:1]
- I
  - FOOTNOTES:
- FOOTNOTES:
DUTY SURVIVING SELF-LOVE[459:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
HOMELESS[460:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
LINES[460:2]
- REFLECTION ON THE ABOVE
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
EPITAPHIUM TESTAMENTARIUM[462:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE IMPROVISATORE[462:3]
- FOOTNOTES:
TO MARY PRIDHAM[468:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
ALICE DU CLOS[469:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
LOVE'S BURIAL-PLACE[475:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
LINES[476:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
COLOGNE[477:1]
- FOOTNOTES:
ON MY JOYFUL DEPARTURE[477:5]
- FOOTNOTES:
THE GARDEN OF BOCCACCIO[478:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
LOVE, HOPE, AND PATIENCE IN EDUCATION[481:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
TO MISS A. T.[482:1]
- FOOTNOTES:
LINES[483:1]
- FOOTNOTES:
  - LINENOTES:
  - FOOTNOTES:
  - LINENOTES:
- LINENOTES:
- FOOTNOTES:
- LINENOTES:
LOVE AND FRIENDSHIP OPPOSITE[484:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
NOT AT HOME[484:2]
- FOOTNOTES:
PHANTOM OR FACT[484:3]
- AUTHOR
  - FRIEND
  - AUTHOR
  - FOOTNOTES:
- FRIEND
- AUTHOR
- FOOTNOTES:
DESIRE[485:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
CHARITY IN THOUGHT[486:1]
- FOOTNOTES:
HUMILITY THE MOTHER OF CHARITY[486:2]
- FOOTNOTES:
[COELI ENARRANT][486:3]
- FOOTNOTES:
REASON[487:1]
- FOOTNOTES:
SELF-KNOWLEDGE[487:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
FORBEARANCE[488:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
LOVE'S APPARITION AND EVANISHMENT[488:3]
- L'ENVOY
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
TO THE YOUNG ARTIST[490:1]
- FOOTNOTES:
MY BAPTISMAL BIRTH-DAY[490:2]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
EPITAPH[491:1]
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
THE
- EDITED
  - IN TWO VOLUMES
  - HENRY FROWDE, M.A. PUBLISHER TO THE UNIVERSITY OF OXFORD LONDON, EDINBURGH, NEW YORK TORONTO AND MELBOURNE
- IN TWO VOLUMES
- HENRY FROWDE, M.A. PUBLISHER TO THE UNIVERSITY OF OXFORD LONDON, EDINBURGH, NEW YORK TORONTO AND MELBOURNE
CONTENTS OF VOL. II
- DRAMATIC WORKS
  - EPIGRAMS 951
  - JEUX D'ESPRIT 976
  - METRICAL EXPERIMENTS 1014
  - APPENDIX I
  - APPENDIX II
  - APPENDIX III
  - APPENDIX IV
  - APPENDIX V
  - APPENDIX VI
  - BIBLIOGRAPHY OF THE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE 1135
  - BIBLIOGRAPHICAL APPENDIX
  - INDEX OF FIRST LINES 1189
  - ERRATA
- EPIGRAMS 951
- JEUX D'ESPRIT 976
- METRICAL EXPERIMENTS 1014
- APPENDIX I
- APPENDIX II
- APPENDIX III
- APPENDIX IV
- APPENDIX V
- APPENDIX VI
- BIBLIOGRAPHY OF THE POETICAL WORKS OF SAMUEL TAYLOR COLERIDGE 1135
- BIBLIOGRAPHICAL APPENDIX
- INDEX OF FIRST LINES 1189
- ERRATA
DRAMATIC WORKS
THE FALL OF ROBESPIERRE[495:1]
- TO
  - DEAR SIR,
  - FOOTNOTES:
- DEAR SIR,
- FOOTNOTES:
ACT I
- SCENE—The Thuilleries.
  - FOOTNOTES:
- FOOTNOTES:
ACT II
- SCENE—The Convention.
ACT III
- SCENE CONTINUES.
OSORIO
- DRAMATIS PERSONAE
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
ACT THE FIRST[519:1]
- SCENE—The sea shore on the coast of Granada.
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
ACT THE SECOND
- SCENE THE FIRST.—A wild and mountainous country. OSORIO and FERDINAND are discovered at a little distance from a house, which stands under the brow of a slate rock, the rock covered with vines.
  - LINENOTES:
  - SCENE II.
- LINENOTES:
- SCENE II.
ACT THE THIRD
- SCENE THE FIRST.—A hall of armory, with an altar in the part farthest from the stage.
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
ACT THE FOURTH
- SCENE THE FIRST.—A cavern, dark except where a gleam of moonlight is seen on one side of the further end of it, supposed to be cast on it from a cranny [crevice Remorse] in a part of the cavern out of sight.
  - FOOTNOTES:
  - LINENOTES:
  - SCENE III
- FOOTNOTES:
- LINENOTES:
- SCENE III
ACT THE FIFTH
- SCENE THE FIRST.—The Sea Shore.
  - SCENE.—A Dungeon.
  - FOOTNOTES:
  - LINENOTES:
- SCENE.—A Dungeon.
- FOOTNOTES:
- LINENOTES:
THE PICCOLOMINI[598:1]
- PREFACE TO THE FIRST EDITION
  - FOOTNOTES:
- FOOTNOTES:
THE PICCOLOMINI[600:1]
ACT I
- SCENE I
  - FOOTNOTES:
  - DRAMATIS PERSONAE
  - LINENOTES:
  - SCENE II
  - FOOTNOTES:
  - LINENOTES:
  - SCENE III
  - LINENOTES:
  - SCENE IV
  - FOOTNOTES:
  - LINENOTES:
  - SCENE V
  - LINENOTES:
  - SCENE VI
  - LINENOTES:
  - SCENE VII
  - LINENOTES:
  - SCENE VIII
  - LINENOTES:
  - SCENE IX
  - LINENOTES:
  - SCENE X
  - FOOTNOTES:
  - LINENOTES:
  - SCENE XI
  - FOOTNOTES:
  - LINENOTES:
  - SCENE XII
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- DRAMATIS PERSONAE
- LINENOTES:
- SCENE II
- FOOTNOTES:
- LINENOTES:
- SCENE III
- LINENOTES:
- SCENE IV
- FOOTNOTES:
- LINENOTES:
- SCENE V
- LINENOTES:
- SCENE VI
- LINENOTES:
- SCENE VII
- LINENOTES:
- SCENE VIII
- LINENOTES:
- SCENE IX
- LINENOTES:
- SCENE X
- FOOTNOTES:
- LINENOTES:
- SCENE XI
- FOOTNOTES:
- LINENOTES:
- SCENE XII
- FOOTNOTES:
- LINENOTES:
ACT II
- SCENE I
  - LINENOTES:
  - SCENE II
  - FOOTNOTES:
  - LINENOTES:
  - SCENE III
  - FOOTNOTES:
  - LINENOTES:
  - SCENE IV
  - FOOTNOTES:
  - LINENOTES:
  - SCENE V
  - FOOTNOTES:
  - LINENOTES:
  - SCENE VI
  - FOOTNOTES:
  - LITERAL TRANSLATION.
  - BALLAD.
  - LINENOTES:
  - SCENE VII
  - FOOTNOTES:
  - LINENOTES:
  - SCENE VIII
  - LINENOTES:
  - SCENE IX
  - SCENE X
  - SCENE XI
  - LINENOTES:
  - SCENE XII
  - FOOTNOTES:
  - LINENOTES:
  - SCENE XIII
  - LINENOTES:
  - SCENE XIV
  - LINENOTES:
- LINENOTES:
- SCENE II
- FOOTNOTES:
- LINENOTES:
- SCENE III
- FOOTNOTES:
- LINENOTES:
- SCENE IV
- FOOTNOTES:
- LINENOTES:
- SCENE V
- FOOTNOTES:
- LINENOTES:
- SCENE VI
- FOOTNOTES:
- LITERAL TRANSLATION.
- BALLAD.
- LINENOTES:
- SCENE VII
- FOOTNOTES:
- LINENOTES:
- SCENE VIII
- LINENOTES:
- SCENE IX
- SCENE X
- SCENE XI
- LINENOTES:
- SCENE XII
- FOOTNOTES:
- LINENOTES:
- SCENE XIII
- LINENOTES:
- SCENE XIV
- LINENOTES:
ACT III
- SCENE I
  - LINENOTES:
  - SCENE II
  - LINENOTES:
  - SCENE III
  - LINENOTES:
- LINENOTES:
- SCENE II
- LINENOTES:
- SCENE III
- LINENOTES:
ACT IV
- SCENE I
  - LINENOTES:
  - SCENE II
  - SCENE III
  - LINENOTES:
  - SCENE IV
  - LINENOTES:
  - SCENE V
  - FOOTNOTES:
  - LINENOTES:
  - SCENE VI
  - LINENOTES:
  - SCENE VII
  - FOOTNOTES:
  - LINENOTES:
- LINENOTES:
- SCENE II
- SCENE III
- LINENOTES:
- SCENE IV
- LINENOTES:
- SCENE V
- FOOTNOTES:
- LINENOTES:
- SCENE VI
- LINENOTES:
- SCENE VII
- FOOTNOTES:
- LINENOTES:
ACT V
- SCENE I
  - LINENOTES:
  - SCENE II
  - LINENOTES:
  - SCENE III
  - LINENOTES:
  - SCENE IV
  - LINENOTES:
  - SCENE V
  - FOOTNOTES:
  - LINENOTES:
  - SCENE VI
  - LINENOTES:
- LINENOTES:
- SCENE II
- LINENOTES:
- SCENE III
- LINENOTES:
- SCENE IV
- LINENOTES:
- SCENE V
- FOOTNOTES:
- LINENOTES:
- SCENE VI
- LINENOTES:
THE DEATH OF WALLENSTEIN
PREFACE OF THE TRANSLATOR TO THE FIRST EDITION
- LINENOTES:
  - DRAMATIS PERSONAE
- DRAMATIS PERSONAE
THE DEATH OF WALLENSTEIN
ACT I
- SCENE I
  - LINENOTES:
  - SCENE II
  - LINENOTES:
  - SCENE III
  - LINENOTES:
  - SCENE IV
  - LINENOTES:
  - SCENE V
  - SCENE VI
  - LINENOTES:
  - SCENE VII
  - LINENOTES:
  - SCENE VIII
  - LINENOTES:
  - SCENE IX
  - SCENE X
  - LINENOTES:
  - SCENE XI
  - SCENE XII
  - LINENOTES:
- LINENOTES:
- SCENE II
- LINENOTES:
- SCENE III
- LINENOTES:
- SCENE IV
- LINENOTES:
- SCENE V
- SCENE VI
- LINENOTES:
- SCENE VII
- LINENOTES:
- SCENE VIII
- LINENOTES:
- SCENE IX
- SCENE X
- LINENOTES:
- SCENE XI
- SCENE XII
- LINENOTES:
ACT II
- SCENE I
  - LINENOTES:
  - SCENE II
  - SCENE III
  - FOOTNOTES:
  - LINENOTES:
  - SCENE IV
  - SCENE V
  - LINENOTES:
  - SCENE VI
  - FOOTNOTES:
  - LINENOTES:
  - SCENE VII
  - SCENE VIII
  - LINENOTES:
  - SCENE IX
  - LINENOTES:
  - SCENE X
  - SCENE XI
  - LINENOTES:
- LINENOTES:
- SCENE II
- SCENE III
- FOOTNOTES:
- LINENOTES:
- SCENE IV
- SCENE V
- LINENOTES:
- SCENE VI
- FOOTNOTES:
- LINENOTES:
- SCENE VII
- SCENE VIII
- LINENOTES:
- SCENE IX
- LINENOTES:
- SCENE X
- SCENE XI
- LINENOTES:
ACT III
- SCENE I
  - LINENOTES:
  - SCENE II
  - LINENOTES:
  - SCENE III
  - LINENOTES:
  - SCENE IV
  - SCENE V
  - LINENOTES:
  - SCENE VI
  - LINENOTES:
  - SCENE VII
  - LINENOTES:
  - SCENE VIII
  - FOOTNOTES:
  - LINENOTES:
  - SCENE IX
  - LINENOTES:
- LINENOTES:
- SCENE II
- LINENOTES:
- SCENE III
- LINENOTES:
- SCENE IV
- SCENE V
- LINENOTES:
- SCENE VI
- LINENOTES:
- SCENE VII
- LINENOTES:
- SCENE VIII
- FOOTNOTES:
- LINENOTES:
- SCENE IX
- LINENOTES:
ACT IV
- SCENE I
  - SCENE II
  - LINENOTES:
  - SCENE III
  - LINENOTES:
  - SCENE IV
  - LINENOTES:
  - SCENE V
  - LINENOTES:
  - SCENE VI
  - FOOTNOTES:
  - LINENOTES:
- SCENE II
- LINENOTES:
- SCENE III
- LINENOTES:
- SCENE IV
- LINENOTES:
- SCENE V
- LINENOTES:
- SCENE VI
- FOOTNOTES:
- LINENOTES:
ACT V
- SCENE I
  - FOOTNOTES:
  - LINENOTES:
  - SCENE II
  - SCENE III
  - LINENOTES:
  - SCENE IV
  - LINENOTES:
  - SCENE V
  - SCENE VI
  - SCENE VII
  - LINENOTES:
  - SCENE VIII
  - LINENOTES:
  - SCENE IX
  - LINENOTES:
  - SCENE X
  - LINENOTES:
  - THE PICCOLOMINI.
  - THE DEATH OF WALLENSTEIN.
- FOOTNOTES:
- LINENOTES:
- SCENE II
- SCENE III
- LINENOTES:
- SCENE IV
- LINENOTES:
- SCENE V
- SCENE VI
- SCENE VII
- LINENOTES:
- SCENE VIII
- LINENOTES:
- SCENE IX
- LINENOTES:
- SCENE X
- LINENOTES:
- THE PICCOLOMINI.
- THE DEATH OF WALLENSTEIN.
REMORSE[812:1]
PREFACE
- FOOTNOTES:
PROLOGUE
- FOOTNOTES:
EPILOGUE
REMORSE[819:1]
- DRAMATIS PERSONAE
  - FOOTNOTES:
- FOOTNOTES:
ACT I
- SCENE I
  - FOOTNOTES:
  - LINENOTES:
  - SCENE II
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
- SCENE II
- FOOTNOTES:
- LINENOTES:
ACT II
- SCENE I
  - LINENOTES:
  - SCENE II
  - FOOTNOTES:
  - LINENOTES:
- LINENOTES:
- SCENE II
- FOOTNOTES:
- LINENOTES:
ACT III
- SCENE I
  - LINENOTES:
  - SCENE II
  - FOOTNOTES:
  - LINENOTES:
- LINENOTES:
- SCENE II
- FOOTNOTES:
- LINENOTES:
ACT IV
- SCENE I
  - FOOTNOTES:
  - LINENOTES:
  - SCENE II
  - FOOTNOTES:
  - LINENOTES:
  - SCENE III
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
- SCENE II
- FOOTNOTES:
- LINENOTES:
- SCENE III
- LINENOTES:
ACT V
- SCENE I
  - LINENOTES:
- LINENOTES:
APPENDIX
ZAPOLYA[883:1]
- ADVERTISEMENT
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
PART I
- CHARACTERS
  - SCENE I
  - LINENOTES:
- SCENE I
- LINENOTES:
PART II
- ADDITIONAL CHARACTERS
USURPATION ENDED; OR, SHE COMES AGAIN
ACT I
- SCENE I
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
ACT II
- SCENE I
  - SONG
  - LINENOTES:
- SONG
- LINENOTES:
ACT III
- SCENE I
  - LINENOTES:
- LINENOTES:
ACT IV
- SCENE I
  - SCENE.—Chamber in CASIMIR'S Castle. Confederates discovered.
  - LINENOTES:
- SCENE.—Chamber in CASIMIR'S Castle. Confederates discovered.
- LINENOTES:
EPIGRAMS[951:1]
- LINENOTES:
  - LINENOTES:
  - LINENOTES:
  - LINENOTES:
  - ANOTHER VERSION
  - OBIIT SATURDAY, SEPT. 10, 1830.
  - ANOTHER VERSION
  - FOOTNOTES:
- LINENOTES:
- LINENOTES:
- LINENOTES:
- ANOTHER VERSION
- OBIIT SATURDAY, SEPT. 10, 1830.
- ANOTHER VERSION
- FOOTNOTES:
JEUX D'ESPRIT
- LINENOTES:
  - A.
  - B.
  - A.
  - B.
  - LINENOTES:
  - FOOTNOTES:
- A.
- B.
- A.
- B.
- LINENOTES:
- FOOTNOTES:
FRAGMENTS FROM A NOTEBOOK[988:1]
- LINENOTES:
  - LINENOTES:
  - LINENOTES:
  - LINENOTES:
  - FOOTNOTES:
- LINENOTES:
- LINENOTES:
- LINENOTES:
- FOOTNOTES:
FRAGMENTS[996:1]
- ANOTHER VERSION
  - LINENOTES:
  - ANOTHER ON THE SAME SUBJECT BY S. T. C. HIMSELF
  - FOOTNOTES:
- LINENOTES:
- ANOTHER ON THE SAME SUBJECT BY S. T. C. HIMSELF
- FOOTNOTES:
METRICAL EXPERIMENTS[1014:1]
- NOTES BY PROFESSOR SAINTSBURY
  - FOOTNOTES:
- FOOTNOTES:
APPENDIX I
A
- EFFUSION 35
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
B
- FOOTNOTES:
C
- [DRAFT I]
  - [DRAFT II]
  - LINENOTES:
  - [DRAFT III]
- [DRAFT II]
- LINENOTES:
- [DRAFT III]
D
- BOOK I, ll. 33-51.
  - BOOK III, ll. 73-82.
  - BOOK IV, ll. 328-336.
  - FOOTNOTES:
  - LINENOTES:
- BOOK III, ll. 73-82.
- BOOK IV, ll. 328-336.
- FOOTNOTES:
- LINENOTES:
E
- ARGUMENT
  - I.
  - II.
  - III.
  - IV.
  - V.
  - VI.
  - FIRST VOICE.
  - SECOND VOICE.
  - FIRST VOICE.
  - SECOND VOICE.
  - VII.
  - FOOTNOTES:
  - LINENOTES:
- I.
- II.
- III.
- IV.
- V.
- VI.
- FIRST VOICE.
- SECOND VOICE.
- FIRST VOICE.
- SECOND VOICE.
- VII.
- FOOTNOTES:
- LINENOTES:
- F
G
- LEWTI; OR THE CIRCASSIAN'S LOVE-CHANT
  - FOOTNOTES:
- FOOTNOTES:
H
- TO THE EDITOR OF THE MORNING POST.
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
I
- LONDON.
  - FOOTNOTES:
  - DRAMATIS PERSONÆ.
  - Scene, partly at the Country seat of Donna Oropeza, and partly in Pampilona [sic], the Capital of Navarre.
- FOOTNOTES:
- DRAMATIS PERSONÆ.
- Scene, partly at the Country seat of Donna Oropeza, and partly in Pampilona [sic], the Capital of Navarre.
THE TRIUMPH OF LOYALTY
- SCENE I. A cultivated Plain, skirted on the Left by a Wood. The Pyrenees are visible in the distance. Small knots of Soldiers all in the military Dress of the middle Ages are seen passing across the Stage. Then
  - LINENOTES:
- LINENOTES:
J
K
- LINENOTES:
  - DEJECTION:
  - I
  - II
  - III
  - IV
  - VIII
  - IX
  - FOOTNOTES:
  - LINENOTES:
- DEJECTION:
- I
- II
- III
- IV
- VIII
- IX
- FOOTNOTES:
- LINENOTES:
L
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
M
- ARIA SPONTANEA
  - MS. II
- MS. II
N
- [FIRST DRAFT]
  - FOOTNOTES:
- FOOTNOTES:
O
- FOOTNOTES:
P
- FOOTNOTES:
Q
- FOOTNOTES:
R[1090:2]
- FOOTNOTES:
APPENDIX II
- FOOTNOTES:
  - LINENOTES:
- LINENOTES:
APPENDIX III
- APOLOGETIC PREFACE TO 'FIRE, FAMINE, AND SLAUGHTER'[1097:1]
  - FOOTNOTES:
  - LINENOTES:
- FOOTNOTES:
- LINENOTES:
APPENDIX IV
A
B
C
- FOOTNOTES:
D
E
- TO THOMAS POOLE, OF STOWEY.
  - FOOTNOTES:
- FOOTNOTES:
F
APPENDIX V
- MOTTO TO 'A LAY SERMON', 1817
  - MUTUAL PASSION
  - THE HOUR-GLASS
- MUTUAL PASSION
- THE HOUR-GLASS
APPENDIX VI
- A
  - B
  - DAS DISTICHON
  - C
  - D
  - E
  - F
  - G
  - H
  - I
  - J
  - K
- B
- DAS DISTICHON
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
  - M
  - N
  - O
  - P
  - FEDE.
  - CARITÀ.
  - SPERANZA.
  - FE. SP. CA.
  - CA. FE.
  - FE. SP.
  - CA.
  - SP. FE.
  - CA. SP.
  - FE.
  - FE. SP. CA.
  - Q
- M
- N
- O
- P
- FEDE.
- CARITÀ.
- SPERANZA.
- FE. SP. CA.
- CA. FE.
- FE. SP.
- CA.
- SP. FE.
- CA. SP.
- FE.
- FE. SP. CA.
- Q
BIBLIOGRAPHY
- I
  - II
  - PREFACE
  - NOTES ATTACHED TO A FIRST DRAFT OF THE PREFACE TO THE FIRST EDITION [MS. R]
  - CONTENTS
  - III
  - [INTRODUCTION]
  - [SONNETS]
  - IV
  - V
  - CONTENTS
  - SONNETS.
  - SUPPLEMENT.
  - PREFACE TO THE FIRST EDITION
  - P. [69].
  - VI
  - VII
  - VIII
  - IX
  - X
  - XI
  - XII
  - XIII
  - XIV
  - PREFACE
  - CONTENTS
  - XV
  - XVI
  - XVII
  - XVIII
  - XIX
  - XX
  - CONTENTS
  - VOLUME I
  - SIBYLLINE LEAVES
  - VOLUME II
  - VOLUME III
  - XXI
  - PREFACE
  - XXII
  - XXIII
  - XXIV
  - XXV
  - XXVI
  - CONTENTS
  - VOLUME II
  - VOLUME III
  - XXVII
  - XXVIII
  - XXIX
  - XXX
  - XXXI
  - XXXII
  - XXXIII
  - XXXIV
  - ADVERTISEMENT
  - PREFACE TO THE PRESENT EDITION [1852]
  - XXXV
  - CONTENTS
  - XXXVI
  - XXXVII
  - XXXVIII
  - XXXIX
  - ADVERTISEMENT
  - APPENDIX
  - XL
  - XLI
  - XLII
  - XLIII
  - XLIV
  - XLV
  - XLVI
  - XLVII
  - XLVIII
  - XLIX
  - L
  - LI
  - LII
  - LIII
  - LIV
  - FOOTNOTES:
- II
- PREFACE
- NOTES ATTACHED TO A FIRST DRAFT OF THE PREFACE TO THE FIRST EDITION [MS. R]
- CONTENTS
- III
- [INTRODUCTION]
- [SONNETS]
- IV
- V
- CONTENTS
- SONNETS.
- SUPPLEMENT.
- PREFACE TO THE FIRST EDITION
- P. [69].
- VI
- VII
- VIII
- IX
- X
- XI
- XII
- XIII
- XIV
- PREFACE
- CONTENTS
- XV
- XVI
- XVII
- XVIII
- XIX
- XX
- CONTENTS
- VOLUME I
- SIBYLLINE LEAVES
- VOLUME II
- VOLUME III
- XXI
- PREFACE
- XXII
- XXIII
- XXIV
- XXV
- XXVI
- CONTENTS
- VOLUME II
- VOLUME III
- XXVII
- XXVIII
- XXIX
- XXX
- XXXI
- XXXII
- XXXIII
- XXXIV
- ADVERTISEMENT
- PREFACE TO THE PRESENT EDITION [1852]
- XXXV
- CONTENTS
- XXXVI
- XXXVII
- XXXVIII
- XXXIX
- ADVERTISEMENT
- APPENDIX
- XL
- XLI
- XLII
- XLIII
- XLIV
- XLV
- XLVI
- XLVII
- XLVIII
- XLIX
- L
- LI
- LII
- LIII
- LIV
- FOOTNOTES:
BIBLIOGRAPHICAL APPENDIX
- POEMS AND POETICAL FRAGMENTS.
INDEX OF FIRST LINES
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The Complete Poetical Works of Samuel Taylor Coleridge Vol I and II

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