Harvard Psychological Studies, Volume 1 Containing Sixteen Experimental Investigations from the Harvard Psychological Laboratory.
Free
Description
Contents
Reviews
Language
English
ISBN
Unknown
The Psychological Review
EDITED BY
Harvard Psychological Studies,
Volume I
CONTAINING
Sixteen Experimental Investigations from the Harvard Psychological Laboratory.
EDITED BY
HUGO MÜNSTERBERG.
EDITED BY
HUGO MÜNSTERBERG.
PREFACE.
CONTENTS.
PLATES.
STUDIES IN PERCEPTION.
EYE-MOVEMENT AND CENTRAL ANÆSTHESIA.
I. THE PROBLEM OF ANÆSTHESIA DURING EYE-MOVEMENT.
II. THE PHENOMENON OF 'FALSELY LOCALIZED AFTER-IMAGES.'
III. THE PERIMETER-TEST OF DODGE, AND THE LAW OF THE LOCALIZATION OF AFTER-IMAGES.
IV. THE PENDULUM-TEST FOR ANÆSTHESIA.
V. SUMMARY AND COROLLARIES OF THE EXPERIMENTS, AND A PARTIAL, PHYSIOLOGICAL INTERPRETATION OF THE CENTRAL ANÆSTHESIA.
I. THE PROBLEM OF ANÆSTHESIA DURING EYE-MOVEMENT.
II. THE PHENOMENON OF 'FALSELY LOCALIZED AFTER-IMAGES.'
III. THE PERIMETER-TEST OF DODGE, AND THE LAW OF THE LOCALIZATION OF AFTER-IMAGES.
IV. THE PENDULUM-TEST FOR ANÆSTHESIA.
V. SUMMARY AND COROLLARIES OF THE EXPERIMENTS, AND A PARTIAL, PHYSIOLOGICAL INTERPRETATION OF THE CENTRAL ANÆSTHESIA.
TACTUAL ILLUSIONS.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
I.
II.
III.
IV.
V.
VI.
VII.
VIII.
IX.
TACTUAL TIME ESTIMATION.
I. GENERAL NATURE OF THE WORK.
II. EXPERIMENTAL RESULTS.
III. INTERPRETATION OF RESULTS.
I. GENERAL NATURE OF THE WORK.
II. EXPERIMENTAL RESULTS.
III. INTERPRETATION OF RESULTS.
PERCEPTION OF NUMBER THROUGH TOUCH.
THE SUBJECTIVE HORIZON.
I.
II.
III.
IV.
VI.
VII.
VIII.
IX.
I.
II.
III.
IV.
VI.
VII.
VIII.
IX.
THE ILLUSION OF RESOLUTION-STRIPES ON THE COLOR-WHEEL.
I. APPARATUS FOR PRODUCING THE ILLUSION.
II. PREVIOUS DISCUSSION OF THE ILLUSION.
III. OUTLINE OF THE FACTS OBSERVED.
IV. THE GEOMETRICAL RELATIONS BETWEEN THE ROD AND THE SECTORS OF THE DISC.
V. GEOMETRICAL DEDUCTION OF THE BANDS.
VI. APPLICATION OF THE FORMULAS TO THE BANDS OF THE ILLUSION.
VII. FURTHER COMPLICATIONS OF THE ILLUSION.
VIII. SOME CONVENIENT DEVICES FOR EXHIBITING THE ILLUSION.
IX. A STROBOSCOPE WHICH DEPENDS ON THE SAME PRINCIPLE.
I. APPARATUS FOR PRODUCING THE ILLUSION.
II. PREVIOUS DISCUSSION OF THE ILLUSION.
III. OUTLINE OF THE FACTS OBSERVED.
IV. THE GEOMETRICAL RELATIONS BETWEEN THE ROD AND THE SECTORS OF THE DISC.
V. GEOMETRICAL DEDUCTION OF THE BANDS.
VI. APPLICATION OF THE FORMULAS TO THE BANDS OF THE ILLUSION.
VII. FURTHER COMPLICATIONS OF THE ILLUSION.
VIII. SOME CONVENIENT DEVICES FOR EXHIBITING THE ILLUSION.
IX. A STROBOSCOPE WHICH DEPENDS ON THE SAME PRINCIPLE.
STUDIES IN MEMORY.
RECALL OF WORDS, OBJECTS AND MOVEMENTS.
THE A SET.
THE B SET.
THE C SET.
RECALL AFTER NINE AND SIXTEEN DAYS.
THE D SET.
CONCLUSIONS.
MINOR QUESTIONS.
THE A SET.
THE B SET.
THE C SET.
RECALL AFTER NINE AND SIXTEEN DAYS.
THE D SET.
CONCLUSIONS.
MINOR QUESTIONS.
MUTUAL INHIBITION OF MEMORY IMAGES.
RECAPITULATION.
RECAPITULATION.
CONTROL OF THE MEMORY IMAGE.
I. MOVEMENTS OF A SINGLE IMAGE.
NUMERICAL.
SUBJECTIVE.
NUMERICAL.
SUBJECTIVE.
II. CHANGES OF COLOR OF A SINGLE IMAGE.
SUBJECTIVE.
SUBJECTIVE.
III. MOVEMENTS OF TWO IMAGES IN THE SAME AND IN DIFFERENT DIRECTIONS.
NUMERICAL.
SUBJECTIVE.
NUMERICAL.
SUBJECTIVE.
IV. SUPPRESSION OF ONE OF TWO IMAGES.
SUBJECTIVE.
SUBJECTIVE.
V. MOVEMENTS OF A SINGLE IMAGE, THE OBJECT HAVING BEEN MOVED DURING THE EXPOSURE.
NUMERICAL.
NUMERICAL.
SUBJECTIVE.
I. MOVEMENTS OF A SINGLE IMAGE.
NUMERICAL.
SUBJECTIVE.
NUMERICAL.
SUBJECTIVE.
II. CHANGES OF COLOR OF A SINGLE IMAGE.
SUBJECTIVE.
SUBJECTIVE.
III. MOVEMENTS OF TWO IMAGES IN THE SAME AND IN DIFFERENT DIRECTIONS.
NUMERICAL.
SUBJECTIVE.
NUMERICAL.
SUBJECTIVE.
IV. SUPPRESSION OF ONE OF TWO IMAGES.
SUBJECTIVE.
SUBJECTIVE.
V. MOVEMENTS OF A SINGLE IMAGE, THE OBJECT HAVING BEEN MOVED DURING THE EXPOSURE.
NUMERICAL.
NUMERICAL.
SUBJECTIVE.
STUDIES IN ÆSTHETIC PROCESSES.
THE STRUCTURE OF SIMPLE RHYTHM FORMS.
I. PROBLEMS AND METHODS OF EXPERIMENTATION.
II. THE ELEMENTARY CONDITIONS OF THE APPEARANCE OF THE RHYTHM IMPRESSION.
III. THE CHARACTERISTICS OF THE RHYTHMICAL UNIT.
A. The Number of Elements in the Group and its Limits.
B. The Distribution of Elements Within the Group.
B. The Distribution of Elements Within the Group.
IV. THE COMBINATION OF RHYTHMICAL GROUPS IN HIGHER SYNTHESES AND THEIR EQUIVALENCES.
I. PROBLEMS AND METHODS OF EXPERIMENTATION.
II. THE ELEMENTARY CONDITIONS OF THE APPEARANCE OF THE RHYTHM IMPRESSION.
III. THE CHARACTERISTICS OF THE RHYTHMICAL UNIT.
A. The Number of Elements in the Group and its Limits.
B. The Distribution of Elements Within the Group.
B. The Distribution of Elements Within the Group.
IV. THE COMBINATION OF RHYTHMICAL GROUPS IN HIGHER SYNTHESES AND THEIR EQUIVALENCES.
RHYTHM AND RHYME.
I. INTRODUCTION.
II. THE PERCEPTION OF A RHYTHMIC SERIES.
1. Why the Synthesizing Factor Occurs at the Close of the Verse.
2. The Relation of the Rhyme to the Verse Pause.
3. The Relation of the Rhyme to the Cyclic Movement of the Unit Group and of the Verse.
1. Why the Synthesizing Factor Occurs at the Close of the Verse.
2. The Relation of the Rhyme to the Verse Pause.
3. The Relation of the Rhyme to the Cyclic Movement of the Unit Group and of the Verse.
III. THE SPEAKING OF A RHYTHMIC SERIES.
I. Methods of Making Speech Records.
2. The Normal Form of Unrhymed Verse.
3. Modification of the Normal Form of Verse due to Rhyme.
I. Methods of Making Speech Records.
2. The Normal Form of Unrhymed Verse.
3. Modification of the Normal Form of Verse due to Rhyme.
IV. SUGGESTIONS FOR A MOTOR THEORY OF RHYTHM.
I. INTRODUCTION.
II. THE PERCEPTION OF A RHYTHMIC SERIES.
1. Why the Synthesizing Factor Occurs at the Close of the Verse.
2. The Relation of the Rhyme to the Verse Pause.
3. The Relation of the Rhyme to the Cyclic Movement of the Unit Group and of the Verse.
1. Why the Synthesizing Factor Occurs at the Close of the Verse.
2. The Relation of the Rhyme to the Verse Pause.
3. The Relation of the Rhyme to the Cyclic Movement of the Unit Group and of the Verse.
III. THE SPEAKING OF A RHYTHMIC SERIES.
I. Methods of Making Speech Records.
2. The Normal Form of Unrhymed Verse.
3. Modification of the Normal Form of Verse due to Rhyme.
I. Methods of Making Speech Records.
2. The Normal Form of Unrhymed Verse.
3. Modification of the Normal Form of Verse due to Rhyme.
IV. SUGGESTIONS FOR A MOTOR THEORY OF RHYTHM.
STUDIES IN SYMMETRY.1
I. THE PROBLEMS OF SYMMETRY.
II. SYMMETRY IN PRIMITIVE ART.
III. EXPERIMENTS IN SUBSTITUTIONAL SYMMETRY.
A. Method of Experiment.
B. Experiments on Size.
C. Experiments on Movement.
D. Experiments on Interest.
E. Experiments on Depth.
A. Method of Experiment.
B. Experiments on Size.
C. Experiments on Movement.
D. Experiments on Interest.
E. Experiments on Depth.
IV. SYMMETRY IN PICTURES.
A. The Balancing Factors.
Altarpieces.
Portraits.
B. Principles of Composition.
A. The Balancing Factors.
Altarpieces.
Portraits.
B. Principles of Composition.
I. THE PROBLEMS OF SYMMETRY.
II. SYMMETRY IN PRIMITIVE ART.
III. EXPERIMENTS IN SUBSTITUTIONAL SYMMETRY.
A. Method of Experiment.
B. Experiments on Size.
C. Experiments on Movement.
D. Experiments on Interest.
E. Experiments on Depth.
A. Method of Experiment.
B. Experiments on Size.
C. Experiments on Movement.
D. Experiments on Interest.
E. Experiments on Depth.
IV. SYMMETRY IN PICTURES.
A. The Balancing Factors.
Altarpieces.
Portraits.
B. Principles of Composition.
A. The Balancing Factors.
Altarpieces.
Portraits.
B. Principles of Composition.
THE ÆSTHETICS OF UNEQUAL DIVISION.
PART I.
PART I.
STUDIES IN ANIMAL PSYCHOLOGY.
HABIT FORMATION IN THE CRAWFISH CAMBARUS AFFINIS.1
SUMMARY.
SUMMARY.
THE INSTINCTS, HABITS, AND REACTIONS OF THE FROG.
PART I. THE ASSOCIATIVE PROCESSES OF THE GREEN FROG.
I. SOME CHARACTERISTICS OF THE GREEN FROG.
I. SOME CHARACTERISTICS OF THE GREEN FROG.
II. EXPERIMENTAL STUDY OF HABITS.
III. SUMMARY.
PART II. REACTION TIME OF THE GREEN FROG TO ELECTRICAL AND TACTUAL STIMULI.
IV. THE PROBLEMS AND POSSIBILITIES OF COMPARATIVE REACTION-TIME STUDIES.
V. METHOD OF STUDY.
VI. ELECTRIC REACTION TIME.
VII. TACTUAL REACTION TIME.
VIII. EQUAL VARIABILITY AS A CRITERION OF COMPARABILITY OF REACTION TIME FOR DIFFERENT KINDS OF STIMULI.
IX. SUMMARY.
PART III. AUDITORY REACTIONS OF FROGS.
X. HEARING IN THE FROG.
A. Influences of Sounds in the Laboratory.
B. Influence of Sounds in Nature.
C. Influence of Sounds on Respiration.16
A. Influences of Sounds in the Laboratory.
B. Influence of Sounds in Nature.
C. Influence of Sounds on Respiration.16
XI. THE EFFECTS OF AUDITORY STIMULI ON VISUAL REACTIONS.
XII. THE PAIN-SCREAM OF FROGS.
PART I. THE ASSOCIATIVE PROCESSES OF THE GREEN FROG.
I. SOME CHARACTERISTICS OF THE GREEN FROG.
I. SOME CHARACTERISTICS OF THE GREEN FROG.
II. EXPERIMENTAL STUDY OF HABITS.
III. SUMMARY.
PART II. REACTION TIME OF THE GREEN FROG TO ELECTRICAL AND TACTUAL STIMULI.
IV. THE PROBLEMS AND POSSIBILITIES OF COMPARATIVE REACTION-TIME STUDIES.
V. METHOD OF STUDY.
VI. ELECTRIC REACTION TIME.
VII. TACTUAL REACTION TIME.
VIII. EQUAL VARIABILITY AS A CRITERION OF COMPARABILITY OF REACTION TIME FOR DIFFERENT KINDS OF STIMULI.
IX. SUMMARY.
PART III. AUDITORY REACTIONS OF FROGS.
X. HEARING IN THE FROG.
A. Influences of Sounds in the Laboratory.
B. Influence of Sounds in Nature.
C. Influence of Sounds on Respiration.16
A. Influences of Sounds in the Laboratory.
B. Influence of Sounds in Nature.
C. Influence of Sounds on Respiration.16
XI. THE EFFECTS OF AUDITORY STIMULI ON VISUAL REACTIONS.
XII. THE PAIN-SCREAM OF FROGS.
STUDIES IN PSYCHOLOGICAL THEORY.
THE POSITION OF PSYCHOLOGY IN THE SYSTEM OF KNOWLEDGE.
The book hasn't received reviews yet.
