Created in the West Indies: Caribbean Perspectives on V.S. Naipaul
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Description
Contents
Reviews
Language
English
ISBN
978-976-637-658-1
TABLE OF CONTENTS
ACKNOWLEDGEMENTS
INTRODUCTION
SECTION ONE: Circuits of Self-Refashioning
1. ‘THE HISTORY THAT HAD MADE ME’: The Making and Self-Making of V.S. Naipaul
2. NAIPAUL’S LEGACY: Made in the West Indies – for Export
3. CONSORTING WITH KALI: Migration and Identity in Naipaul’s ‘One Out of Many’
4. CONSUMING THE SELF:V.S. Naipaul, C.L.R. James and A Way in the World
SECTION TWO: Form Matters
5. THE CONFESSIONAL ELEMENT IN NAIPAUL’S FICTION
6. SIGNIFYING NOTHING: Writing about Not Writing in The Mystic Masseur
7. KEEPING AN EYE ON NAIPAUL: Naipaul and the Play of the Visual
8. A MALA IN OBEISANCE: Hinduism in Selected Texts by V.S. Naipaul
9. THE SHADOW OF HANUMAN: V.S. Naipaul and the ‘Unhomely’ House of Fiction
SECTION THREE: Rethinking Naipaul on the Thresholds of History and New Horizons
10. V.S. NAIPAUL ANDTHE INTERIOR EXPEDITIONS: ‘It is Impossible to Make a Step Without the Indians’
11. THE NOVELIST AND HISTORY – PLEASURES AND PROBLEMS: V.S. Naipaul’s The Loss of El Dorado – A History, The Enigma of Arrival – A Novel, and A Way in the World – A Sequence
12. V.S. NAIPAUL AS CRITICAL THINKER
13. NAIPAUL’S SENSE OF HISTORY
BIBLIOGRAPHY
CONTRIBUTORS
INDEX
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